DOCSLIB.ORG

Straub Family Tree.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

JOHANN ULRICH STRAUB I. ANNA MARIA FRANZ XAVER MESSERSCHMIDT I. MARIA ROSA KATHARINA II. MARIA JOSEPHA ELISABETHA Wiesensteig c. 1645 – 10. 9. 1706, 23. 5. 1698, °° 14. 11. 1729 Wiesensteig 6. 2. 1736 – Bratislava 29. 8. 1741 – 14. 9. 1742 12. 11. 1753 – 1822 carpenter in Wiesensteig 19. 8. 1783, court sculptor in Vienna °° 31. 1. 1767 Wiesensteig I. MARIA VIKTORIA I. JOHANNA STRAUB I. MARIA JOHANNA II. JOHANN ANDREAS JOSEPH ANNA MARIA BUCK *1. 1. 1710, °° 2. 3. 1734 Wiesensteig 28. 5. 1699 – Munich 1792 JOHANN ADAM MESSERSCHMIDT 22. 6. 1743 – 19. 4. 1744 7. 7. 1753 – ? Wiesensteig 1645 – 9. 2. 1715 Wiesensteig 23. 12. 1738 – Bratislava °° 24. 4. 1731 24. 9. 1794, sculptor in Bratislava JOHANN GEORG MESSERSCHMIDT I. JOSEPH STRAUB I. IGNAZ STRAUB II. MARIA ANNA EVA Wiesensteig 4. 11. 1669 – 17. 1. 1746, Wiesensteig 17. 3. 1712 – Maribor c. 1746/47 – 15. 2. 1767 24. 12. 1754 – ? tawer (white tanner) in Wiesensteig 1. 3. 1756, sculptor in Maribor KATHARINA °° 27. 6. 1746 Maribor °° 8. 6. 1784 Wiesensteig 26. 10. 1667, °° 5. 8. 1686 MARIA JOSEPHA COWALTER I. JOHANN BAPTIST AUGUSTIN DEMMEL I. JOHANNES ↓ ?– 24. 4. 1753 1724 – 12. 5. 1789, court painter in 11. 1. 1700 – 13. 3. 1701 Munich JOHANNES Wiesensteig 11. 7. 1671 – 21. 9. 1676 II. MARIA ROSA THERESIA I. BARBARA II. MARIA THERESIA II. ANDREAS ADAM 20. 8. 1750 – ? 24. 12. 1701, twin, °° 16. 4. 1742 16. – 17. 12. 1714 II. CAJETANA MARIA ANNA Munich 24. 12. 1754 – 1. 1. 1756, Maria JOHANN GEORG STRAUB Anna Eva's twin brother Wiesensteig 24. 3. 1674 – 29. 1. 1755, 15. 7. 1752 – 4. 10. 1752 II. MARIA THERESIA AMALIA carpenter and sculptor in Wiesensteig I. MAGDALENA II. MARIA THERESIA Munich 6. 7. 1751 – 10. 5. 1816 II. ANNA WALPURGA ROSA I. °° 29. 4. 1697 Wiesensteig 24. 12. 1701, twin * 30. 12. 1715, °° 16. 3. 1739 II. child * † 12. 8. 1753 (bapt. in extremis) ANNA MARIA BAUMEISTER °° 12. 5. 1777 27. 8. 1757 – 10. 3. 1758 Wiesensteig 12. 3. 1671 – 4. 2. 1714 ROMAN ANTON BOOS I. JOHANN BAPTIST STRAUB II. MARIA ANNA II. JOSEPHUS ANTONIUS Bischofswang/Füssen 28. 3. 1733 – II. °° 10. 4. 1714 Wiesensteig II. MARIA FRANZISKA JOHANNA Wiesensteig 25. 6. 1704 – Munich * 26. 7. 1718 4. 3. 1756 – ? Munich 19. 12. 1810, court sculptor in BARBARA BLANZ 15. 7. 1784, court sculptor in Munich Munich 10. 2. 1759 – 20. 5. 1760 Gosbach 13. 10. 1677 – Wiesensteig I. °° 27. 10. 1737 Munich 10. 3. 1759 II. SABINA THERESE ELISABETH SPÄTH II. MARIA THERESIA CÄCILIA II. MARIA JOHANNA FRANZISKA 1715–1748 *1. 1. 1720, °° 23. 7. 1753 1. 11. 1757 – 9. 4. 1783? 28. 8. 1760 – 2. 3. 1765 JOHANNES STRAUB II. °° 30. 9. 1749, Munich Wiesensteig 10. 7. 1681 – 24. 3. 1759, MARIA ELISABETH SCHLUTTENHOFER II. JOHANN GEORG STRAUB II. EGID ADAM VINZENZ carpenter and sculptor in Wiesensteig 1717 – 28. 12. 1774 Wiesensteig 13. 5. 1721 – Radkersburg 23. 1. 1759 – Graz 15. 2. 1759 °° 31. 8. 1705 Wiesensteig 1. 2. 1773, sculptor in Radkersburg ESTHER FUNK °° 29. 1. 1753 Radkersburg I. PHILIPP JAKOB STRAUB II. EMANUEL GOTTFRIED FIDELIS II. SUSANNA THECLA II. MARIA THECLA THERESIA † 24. 12. 1744 MARIA THERESIA NOST ↓ Wiesensteig 30. 4. 1706 – Graz * 23. 3. 1760 22. 9. 1763 – ?, twin * †14. 9. 1766 26. 8. 1774, sculptor in Graz JOHANNA I. °° 18. 9. 1736 Graz II. THOMAS STRAUB II. ANNA JOSEPHA II. MARIA IGNAZ DOMINIK II. ELISABETH CAJETANA 1684 – 21. 4. 1704 ANNA KATHARINA SCHOY Wiesensteig 21. 12. 1722 – 17. 6. 1745, †13. 4. 1751 carpenter in Wiesensteig 22. 9. 1763 – ?, twin 30. 7. 1765 – ? 3. 8. 1769 – ? II. °° 28. 8. 1751 Maribor MARIA ANNA DUHN II. CHRISTOF †7. 3. 1800 29. – 30. 1. 1724 JOHANNES I. KATHARINA 7. 11. 1705 – ? II. FRANZ ANTON STRAUB *10. 11. 1707, °° 12. 2. 1748 Wiesensteig 16. 5. 1726 – c. 1774/76, CYRIAK FRANZ STRAUB sculptor in Zagreb ANNA MARIA JOHANN ULRICH STRAUB Wiesensteig 6. 6. 1719 – 1762, °° HELLENA HIRSTELLER 11. 2. 1707, °° 23. 11. 1733 Wiesensteig 24. 5. 1715 – 24. 9. 1777, (MAGDALENA KERSTETER) ↓ painter and carpenter in Wiesensteig carpenter in Wiesensteig I. °° 15. 1. 1742 Wiesensteig °° 11. 9. 1742 FRANZ JOSEF ANTON MARIA ANNA DURSCH MARIA ANNA NORDERISSER II. ANNA MARIA 13. 11. 1709 – ? † 12. 11. 1752 † 12. 3. 1766 ↓ 16. 5. – 21. 7. 1726, Franz Anton's twin sister II. °° 8. 1. 1753 Wiesensteig MARIA VIKTORIA MARIA THERESIA HERZOG MARIA THERESIA 5. 8. 1711 – ? Potsdam. † 18. 9. 1780 ↓ 1. 9. 1721, °° 30. 4. 1741 I. JOSEPH STRAUB MARIA ANNA JOHANN ULRICH STRAUB I. MARIA ANNA (Wiesensteig 17. 3. 1712 – Maribor 1. 3. 28. 8. 1747 – ?, twin Wiesensteig 24. 5. 1715 – 24. 9. 1777, 17. 2. 1743 – 30. 9. 1743 1756, sculptor in Maribor painter and carpenter in Wiesensteig °° 27. 6. 1746 Maribor I. °° 15. 1. 1742 Wiesensteig MARIA JOSEFA I. ANNA MARIA MARIA JOSEPHA COWALTER ↑ MARIA ANNA DURSCH 28. 8. 1747 – 12. 6. 1757, twin 9. 5. 1745 – 1. 4. 1746 † 12. 11. 1752 II. JOHANN GEORG STRAUB II. °° 8. 1. 1753 Wiesensteig MARIA JOSEFA I. JAKOB Wiesensteig 13. 5. 1721 – Radkersburg MARIA THERESIA HERZOG 1. 2. 1773, sculptor in Radkersburg MARIA ANNA 5. 11. 1748 – ? Potsdam. † 18. 9. 1780 ↑ 16.11.1748 - 4.11.1791 28. 8. 1747 – ? °° 29. 1. 1753 Radkersburg MARIA THERESIA NOST ↑ FRANZ SERAFIN CYRIAK FRANZ STRAUB I. KATHARINA BERNARDUS 2. 10. 1750 – 16. 4. 1757 Wiesensteig 6. 6. 1719 – 1762, 10. 12. 1749 – 29. 7. 1750 28. 12. 1755 – ? carpenter in Wiesensteig JOHANNES II. FRANZ ANTON STRAUB °° 11. 9. 1742 23. 9. 1743 – 28. 1. 1744 Wiesensteig 16. 5. 1726 – c. 1774/76, DOMINIK XAVER I. MARIA WALPURGA MARIA ANNA NORDERISSER sculptor in Zagreb JOHANN GEORG 4. 8. 1752 – 16. 3. 1757 4. 7. 1751 – 1. 12. 1751 °° HELLENA HIRSTELLER † 12. 3. 1766 ↑ 26. 8. 1757 – 13. 12. 1757 FRANZ ANTON STRAUB (MAGDALENA KERSTETER) ↑ 16. 11. 1744 – 10. 1. 1805, carpenter in MARIA THERESIA KATHERINA II. FRANZ JOSEPH STRAUB Wiesensteig JOHANN GEORG 28. 4. 1754 – 8. 2. 1757 Wiesensteig 25. 12. 1753 – 1825, I. °° 3. 10. 1769 25. 10. 1758 – 15. 10. 1775, carpenter in Wiesensteig ANNA MARIA BURGER carpenter's apprentice in Radkersburg °° 26. 1. 1778 Wiesensteig JOHANNES BAPTIST 1. 3. 1738 – 25. 7. 1793 JOHANNA BERCHTOLD 27. 5. 1756 – ?, posthoumus II. °° 2. 3.1 794 MARIANA MARIA ROSINA 24. 3. 1753 – 17. 9. 1828 WALPURGA SCHNESLER 10. 5. 1763 – ? 15. 8. 1761 – ? 17. 2. 1767 – 24. 9. 1797 II. JOHANN ALOIS CASPAR SIGMUND 1. 1. 1756 –22. 6. 1757 JOHANNES 5. 1. 1766 – ? 6. 4. 1763 – ? 22. 5. 1746 – 5. 7. 1789 II. ANNA KATHARINA CASPAR JACOB 10. 12. 1759, °° 9. 11. 1784 MARIA ESTHER 30. 6. 1767 – ? 12. 7. 1764 25. 2. 1748 – 5. 12. 1748 II. ANTON CATHARINA THERESIA ROCHUS 21. 8. 1759 – 12. 1. 1761 MARIA ESTHER 15. 11. 1768 – ? ? – 13. 5. 1765 6. 7. 1750, °° 3. 11. 1801 II. MARIA ANNA APOLLONIA LAURENTIUS ROSA 2. 10. 1761 – 4. 4. 1764 ALOIS XAVER 21. 5. 1770 – ? 21. 8. 1768 – ? 10. 6. 1752 – 22. 6. 1757 II. JOHANN ULRICH JOSEPH CÄCILIA 27. 3. 1764 – ? JOSEF XAVER ALOIS ca. 1774 – 8. 10. 1776 22. 10. 1770 – 2. 4. 1774 22. 10. 1753 – ? II. MARIA APOLLONIA 19. 4. 1767, °° 24. 10. 1785 MARIA FRANZISKA 29. 2. 1756 – 18. 3. 1756 MARIA FRANZISKA 9. 11. 1758, °° 7. 8. 1809 Archive research for the family tree: Julia Strobl, Valentina Pavlič and Martina Wolff Zubović.
Recommended publications
  • Acta Historiae Artis Slovenica 23|2  2018 Umetnostnozgodovinski Inštitut Franceta Steleta Zrc Sazu 2018

    Acta Historiae Artis Slovenica 23|2  2018 Umetnostnozgodovinski Inštitut Franceta Steleta Zrc Sazu 2018

    ACTA HISTORIAE ARTIS SLOVENICA 23|2 2018 UMETNOSTNOZGODOVINSKI INŠTITUT FRANCETA STELETA ZRC SAZU 2018 Contents • Vsebina 2 Barbara Wisch, Archconfraternities and the Arts. Overarching New Themes • Nadbratovščine in umetnost. | Opredelitev novih tem 23 Mija Oter Gorenčič, Auf den Spuren der Rosenkranzbruderschaft, Albrecht Dürers und zweier Kaiser in den Fresken von St. Primus oberhalb Kamnik • Na sledi rožnovenske bratovščine, Albrechta Dürerja in dveh cesarjev na freskah v cerkvi sv. Primoža nad Kamnikom Joana Balsa de Pinho, The Portuguese Confraternities of Mercy and Material Culture. Commissioning Art and Architecture to Promote Institutional Identity • Portugalske bratovščine usmiljenja in materialna kultura. Naročanje umetniških del in stavb za promocijo institucionalne identitete Giuseppe Capriotti, The Artistic Patronage of the Confraternities of Schiavoni and Albanians in the Marche Region. The Promotion of the “National” Saints in Pesaro • Umetnostno naročništvo slovanskih in albanskih bratovščin v Markah. Propagiranje »nacionalnih« svetnikov v Pesaru Jasenka Gudelj, Tanja Trška, The Artistic Patronage of the Confraternities of Schiavoni/Illyrians in Venice and Rome. Proto-National Identity and the Visual Arts • Umetnostno mecenstvo slovanskih/ilirskih bratovščin v Benetkah in Rimu. Protonacionalna identiteta in likovna umetnost The Plague Image with the Virgin of Mercy, 1504, Succursal Church of St. Primus and Felician above Kamnik (detail) Valentina Fiore, The Casse Processionali of Genoese and Ligurian Brotherhoods. Patronage, Preeminence, and Preservation of Anton Maria Maragliano’s Multi-Figured Processional Sculptures • Procesijske nosilnice Kužna podoba z Marijo Zaščitnico s plaščem, 1504, (casse processionali) genovskih in ligurskih bratovščin. Umetnostno naročništvo, veličina in ohranjenost podružnična cerkev Sv. Primoža in Felicijana nad mnogofiguralnih procesijskih skulptur Antona Marie Maragliana Kamnikom (izrez) . © UIFS ZRC SAZU Krzysztof J.
  • F Franz Xaver Messerschmidt Mimetizado Y Anamorfosiado

    F Franz Xaver Messerschmidt Mimetizado Y Anamorfosiado

    r32.qxd 25/04/2006 06:36 p.m. PÆgina 58 PAGINA 58 | PALABRA DE ARTISTA Franz Xaver Messerschmidt mimetizado y anamorfosiado Por Javier Téllez obras, recibiendo pocos años más tarde im- portantes comisiones de la corte imperial y la Le visage humain aristocracia de la época. porte en effect una espèce Durante el decenio 1760-1770 realizará las pe mort perpétuelle obras maestras de su producción ‘oficial’, sur son visage. destacándose las imponentes estatuas de la Antonin Artaud1 Emperatriz María Teresa y el Emperador Fran- cisco Primero de Lorrine. Estos retratos, co- mo el resto de su obra en ese entonces, po- 1.LA VIDA DEL ESCULTOR drían ser inscritos dentro del gusto rococó de la época, pero la gravedad de las expresiones ranz Xaver Messerschmidt nació en Wie- en los rostros manifiestan ya el rigor clasicis- sensteig, Alemania en 17362. Al ocurrir la ta que hallaremos en su producción tardía. Fmuerte de su padre, Messerschmidt se Estas obras fueron consideradas en la época desplaza con su madre a Munich donde ingre- las esculturas más importantes de la Europa sa al taller de su tío, el escultor Johann Bap- Central y representan la cúspide de su aporta- tist Straub, quien se desempeñaba entonces ción al rococó. Una obra posterior, el busto de como escultor de la corte y era considerado plomo de Jan-Gerardt Van Swieten, célebre como uno de los maestros del rococó en Ba- médico de la corte, anunciará definitivamente viera. Straub introducirá al joven en el oficio una nueva etapa en la obra de Messersch- convirtiéndose en su más temprano tutor.
  • Izvlečku Iz Knjige

    Izvlečku Iz Knjige

    CROATIAN CONSERVATION INSTITUTE BAVARIAN STATE DEPARTMENT OF MONUMENTS AND SITES INSTITUTE FOR THE PROTECTION OF CULTURAL HERITAGE OF SLOVENIA UNIVERSITY OF GRAZ UNIVERSITY OF LJUBLJANA The work of the Straub family of sculptors between the Swabian Alb and the Adri- atic Sea, in Württemberg, Bavaria, Vienna, Styria, Slovenia and Croatia, is being re- searched and presented by art historians and restorers. The father Johann Georg, until now mainly known as a carpenter in Wiesensteig, had five sons, all of whom worked as sculptors predominantly in wood, and who followed the course of the Danube to the southeast. The greatest value of the Tracing the Art of the Straub Family project lies in the up-to-date high quality photographs, the latest information on the state of research and detailed documentation of the material history of all the works, along with the damage they suffered, adjustments, renovations and finally, scientific conserva- WWW.TRARS.EU tions. Tracing the Art of the Straub Family is a highly valuable, innovative contribu- tion to the cultural history of eighteentth-century Central Europe. Peter Steiner The monograph Tracing the Art of the Straub Family brings together the contri- butions of many first-rate researchers into the noteworthy German, Austrian, Slovenian, and Croatian eighteenth-century artistic heritage. This concerns the n altar-sculptural oeuvres of five brothers of the artistic Straub family, whose work extended beyond the cultural borders of Central Europe and enriched the artis- tic panorama of capitals, market towns, cities, and villages, in a wide arc from the slopes of the South German Alps to the edges of the Pannonian Plain along the frontier of the Ottoman Empire.
  • Between Academic Art and Guild Traditions 21

    Between Academic Art and Guild Traditions 21

    19 JULIA STROBL, INGEBORG SCHEMPER-SPARHOLZ, quently accompanied Philipp Jakob to Graz in 1733.2 MATEJ KLEMENČIČ The half-brothers Johann Georg Straub (1721–73) and Franz Anton (1726–74/6) were nearly a decade younger. There is evidence that in 1751 Johann Georg assisted at BETWEEN ACADEMIC ART AND Philipp Jakobs’s workshop in Graz before he married in Bad Radkersburg in 1753.3 His sculptural œuvre is GUILD TRADITIONS hardly traceable, and only the figures on the right-side altar in the Church of Our Lady in Bad Radkersburg (ca. 1755) are usually attributed to him.4 The second half- brother, Franz Anton, stayed in Zagreb in the 1760s and early 1770s; none of his sculptural output has been confirmed by archival sources so far. Due to stylistic similarities with his brother’s works, Doris Baričević attributed a number of anonymous sculptures from the 1760s to him, among them the high altar in Ludina The family of sculptors Johann Baptist, Philipp Jakob, and the pulpit in Kutina.5 Joseph, Franz Anton, and Johann Georg Straub, who worked in the eighteenth century on the territory of present-day Germany (Bavaria), Austria, Slovenia, Cro- STATE OF RESEARCH atia, and Hungary, derives from Wiesensteig, a small Bavarian enclave in the Swabian Alps in Württemberg. Due to his prominent position, Johann Baptist Straub’s Johann Ulrich Straub (1645–1706), the grandfather of successful career in Munich awoke more scholarly in- the brothers, was a carpenter, as was their father Jo- terest compared to his younger brothers, starting with hann Georg Sr (1674–1755) who additionally acted as his contemporary Johann Caspar von Lippert.
  • Franz Xaver Messerschmidt Monograph and Catalogue Raisonné

    Franz Xaver Messerschmidt Monograph and Catalogue Raisonné

    FRANZ XAVER MESSERSCHMIDT MONOGRAPH AND CATALOGUE RAISONNÉ Belvedere Catalogues Raisonnés, Volume 4 2015 Franz Xaver Messerschmidt Second Head of the Beaked, 1777 1781 Alabaster © Belvedere, Vienna FRANZ XAVER MESSERSCHMIDT MONOGRAPH AND CATALOGUE RAISONNÉ Franz Xaver Messerschmidt, a native Swabian, is one of the most fascinating artists of the age of the Enlightenment and ranks among the leading sculptors of the eighteenth century in Central Europe. He successfully worked in Vienna for the imperial dynasty at the time of Maria Theresa. Messerschmidt was one of the first artists of his period to break with the traditional principles of stately Baroque portraiture in favour of a classicist style. Around 1770 a personal crisis brought about a radical turn in his career and life, which led to the creation of what is now his most famous group of works a series of head studies known as the Character Heads. No other sculptor of his epoch was capable of depicting human feelings and passions in such mercilessly realistic snapshots and with such biting mockery. With these extraordinary works, which were to he violated contemporary conventions and the fundamental rules of academism. The Belvedere is now presenting the new and comprehensive publication Franz Xaver Messerschmidt Monograph and Catalogue Raisonné. The author, Maria Pötzl-Malikova, is a recognised specialist for Baroque sculpture. Ever since the focus of her scholarly work has been on Franz Xaver Messerschmidt personal life and career. Having also devoted her dissertation to this outstanding artist, she published a monograph about his work in 1982. Over time, a number of publications on the vre ensued, while perspectives, which encouraged Maria Pötzl-Malikova to publish an updated version of her monograph of works, is commentaries and lists of relevant literature and exhibitions.
  • Jahresbericht 2018 Neue Folge 48 – Graz 2019 Jahresbericht 2018 Neue Folge 48 – Graz 2019

    Jahresbericht 2018 Neue Folge 48 – Graz 2019 Jahresbericht 2018 Neue Folge 48 – Graz 2019

    Jahresbericht 2018 Neue Folge 48 – Graz 2019 Jahresbericht 2018 Neue Folge 48 – Graz 2019 Herausgeber Universalmuseum Joanneum GmbH Mariahilferstraße 2–4 A-8020 Graz Geschäftsführung Wissenschaftlicher Geschäftsführer Wolfgang Muchitsch Kaufmännische Geschäftsführerin Alexia Getzinger Redaktion Karl Peitler Grafische Konzeption Lichtwitz – Büro für visuelle Kommunikation Satz Beatrix Schliber-Knechtl Umschlaggestaltung Leo Kreisel-Strauß Abbildung Umschlag Ausstellungssujet „Peter Rosegger. Waldheimat und Weltwandel“, Fotomontage. Foto: F. J. Böhm, undatiert, Multimediale Sammlungen, UMJ Druck KurzDruck Gmbh ISBN ISBN 978-3-903179-16-5 Graz 2019 4 Vorwort Inhalt 6 Kuratorium 8 Generalversammlung & Aufsichtsrat 10 Wissenschaftliche & Kaufmännische Geschäftsführung Museumsabteilungen 16 Naturkunde 64 Archäologie & Münzkabinett 90 Schloss Eggenberg & Alte Galerie 118 Neue Galerie 144 Kunsthaus 166 Kunst im Außenraum 186 Kulturgeschichte 218 Schloss Stainz 234 Schloss Trautenfels Servicefunktionen 252 Interne Dienste 258 Außenbeziehungen 264 Besucher/innenservice 274 Museumsservice 290 Besuchsstatistik Vorwort 4 Im Rückblick auf das Jahr 2018 – in dem wir die Geschäfte des Universalmuseums Joanneum erstmals gemeinsam geführt haben – freuen wir uns über viele gelungene Ausstellungen sowie erfolgreich weiterentwickelte Projekte für die Zukunft. Ein prägendes Jahresthema war das Gedenken an Peter Rosegger: Sein 175. Geburtstag und 100. Todestag gaben Anlass, die Persönlichkeit des steirischen Autors neu zu betrachten. Im Museum für Geschichte