DOCSLIB.ORG

10. 21 / 9Ednesday Third

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

6JKTF6JKTF &C[ &C[ 9GFPGUFC[ 9GFPGUFC[ -G[PQVG -G[PQVG 5RGGEJ 5RGGEJ Ǯ Ǯǯǯ 2NCEG2NCEG #WFKVQTKWO #WFKVQTKWO CV CV VJG VJG 0CVKQPCN 0CVKQPCN (QNM (QNM /WUGWO/WUGWO QH QH -QTGC -QTGC jG aG G qG OzG jSG G uG mG tG G rPG uU { w u G VG p y ͼΠΣΖΒ͑ ͠Emeritus President ΅ΙΖ͑ ΃ΠΝΖ͑ ΠΗ͑ ΥΙΖ͑ ;ΦΤΖΦΞ͑ ΗΠΣ͑ ΃ΖΔΠΟΔΚΝΚΒΥΚΠΟ͑ ͑ ͼͺΞ of the Korean Association X ͑͑͑͑͑ΒΟΕ͑΁ΖΒΔΖͫ͑ͶΩΒΞΡΝΖΤ͑ΠΗ͑΄ΙΒΞΒΟΚΔ͑ ͺΟ͞ΈΙΠΖ of Museum Education ΃ΚΥΦΒΝΤ͑ ͙͸ΦΥ͚͑ ΚΟ͑ ΄ΖΠΦΝ ͑ ΊΠΟΤΖΚ͑ ΆΟΚΧΖΣΤΚΥΪ ΄ΒΗΖΘΦΒΣΕΚΟΘ͑ ͺΟΥΒΟΘΚΓΝΖ͑ ͹ΖΣΚΥΒΘΖͫ͑ ΅ΙΖ͑ ΃ΠΝΖ͑ ΃ΠΘΖΣ͑ Ά΄Ͳ͑ ͑͠ ͶΞΖΣΚΥΦΤ͑ ΁ΣΠΗΖΤΤΠΣ͑ Y ΠΗ͑ ͷΠΝΜΝΠΣΖ͑ ΄ΔΙΠΝΒΣΤΙΚΡ͑ ΚΟ͑ ΥΙΖ͑ ΃ΖΡΦΓΝΚΔ͑ ΠΗ͑ ͻΒΟΖΝΝΚ ΠΗ͑ ͺΟΕΚΒΟΒ͑ ΆΟΚΧΖΣΤΚΥΪ ͼΠΣΖΒ TG XWG T 5GUUKQP5GUUKQP ǰ ǰ 2NCEG2NCEG #WFKVQTKWO #WFKVQTKWO CV CV VJG VJG 0CVKQPCN 0CVKQPCN (QNM (QNM /WUGWO/WUGWO QH QH -QTGC -QTGC 7RSLF7RSLF 1DWLRQDO 1DWLRQDO 0XVHXPV 0XVHXPV jG aG jG pG r G OkSG G pG tP uU yG { w u y }G G rG r G tG G G G G G G yG X m G G rG zG {G Y |G wG TG tG w y G z {olG t|zl|tG vmG ilkv|puG j|s{|yl jG Z p hkkylzzlzG jvlpz{hujlG puG pzyhls m t|zl|tG lopip{pvuzG kl}v{lkG {vG lG yvth t [ i VnwzplzGhukG{olpyGw|ispjG M}G kptluzpvuz w hzGv|GsprlGp{G {olG l{ouvnyhwopjG jvsslj{pvuG vmG }vkuqhuG t|zl|t \ {G | j VG t|zlvG klsshG jp{{ÆG kpG kpnhuhuvG hzGhGtpyyvyGvmGvskGhukGul~G t|s{pj|s{|yhsG jvtt|up{ vG k TG XXG T 5GUUKQPDZ5GUUKQPDZ 2NCEG2NCEG 6JG 6JG 0CVKQPCN 0CVKQPCN %JKNFTGP U %JKNFTGP U /WUGWO /WUGWO QH QH -QTGC -QTGC 7RSLF7RSLF 1DWLRQDO 1DWLRQDO 0XVHXPV 0XVHXPV DQG DQG (GXFDWLRQ (GXFDWLRQ jG aG jG zG G OzG jSG G uG mG tG G rP uU yG { w u G y mG G G G G U X ͲΘΟΖΤ͑ ͲΝΛΒΤ ͶΤΥΠΟΚΒ G G {G G G lG uG t lG wG G G tG Y ͸ΒΝΚΒ͑ ͸ΒΧΚΤΙ ͺΤΣΒΖΝ G qG G hG j ΄ΙΠΤΙΚ͑ Z Ͳ͑ ͵ΣΖΒΞ͑ ΠΗ͑ ͶΧΖΣΝΒΤΥΚΟΘ͑ ΁ΖΒΔΖ ͺΤΣΒΖΝ ͷΖΦΖΣΝΚΔΙΥ yvslGvmG{olGuh{pvuhsGt|zl|tG ΄ΚΝΧΚΒ͑ [ vmGj|s{|ylzGpuGtlpjv ;ΖΩΚΔΠ ΄ΖΝΚΘΤΠΟ uG wG tG ΆΝΗ͑ GGuGyGGGt \ ͻΠΙΒΟΤΤΠΟ͑ ͵ΖΟΞΒΣΜ T mG G G ͵ΒΙΣΖ vG k TG XYG T 5GUUKQPDz5GUUKQPDz 2NCEG2NCEG #WFKVQTKWO #WFKVQTKWO CV CV VJG VJG 0CVKQPCN 0CVKQPCN (QNM (QNM /WUGWO /WUGWO QHQH -QTGC -QTGC 7RSLF7RSLF *HQHUDO *HQHUDO jG aG jG qG oG OwSG G rG uG | G G jG oP uU yG { w u y vG G tG G lG X G j G l ͻΠΙΟ͑ ΄ΥΒΣΜΚΖ Άͼ lG VG G tG G G YXG UG {G G G G ͽΪΕΚΒ͑ Y ͸ΖΣΞΒΟΪ G ͺΔΜΖ͞΄ΔΙΨΒΝΓΖ G G G vG vG G t G z Z ͲΟΖΥΥΖ͑ ΃ΖΚΟ ͸ΖΣΞΒΟΪ aG {G tG G G IuIG jG hG uG lTlG sG GwSGqGGy ͲΟΟΒ͑ ͸ΣΚΔΙΥΚΟΘ͑ aG tG G uG [ ͗ ΄ΨΚΥΫΖΣΝΒΟΕ G jG oG G jG ΃ΒΞΒ͑ ;ΒΟΚ͑ G lG t IpG G G G G G G G G ;ΒΣΚΒ͑ \ ͷΚΟΝΒΟΕ G G G ͼΠΤΜΚΛΠΜΚ G oêG yG tI vG k TG XZG T 5GUUKQPdz5GUUKQPdz 2NCEG2NCEG 6JG 6JG 0CVKQPCN 0CVKQPCN %JKNFTGP U %JKNFTGP U /WUGWO /WUGWO QH QH -QTGC -QTGC 7RSLF7RSLF *HQHUDO *HQHUDO jG aG G hG OjSG jG lG tP uU yG { w u y ΁ΒΥΣΚΔΚΒ͑ X Ͳ͑ ͹ΠΝΪ͑ ΁ΝΒΔΖ ΅ΒΚΨΒΟ ͹͟ͻ͟͹ΦΒΟΘ {G lG tG Y ͽΒΦΣΚΖ͑ ͼΒΝΓ ͺΥΒΝΪ G yG G oG h jG G yG G jU iêG jG G tG G nG o Z r n G G wG G G rG wU To I~G G G G G G G U ΃ΒΚΟΖΣ͑ [ ͸ΖΣΞΒΟΪ {G G G G nG G G G ~TzzI ͹ΠΗΞΒΟΟ kG G G GGG GGGj q \ aG G {G G G G IG G G p ʹΠΟΘΠ G jI tv{lth iG iaG sG tG G wG ΅ΒΣΚΤΚ͑ ] ͿΖΨ͑ ΋ΖΒΝΒΟΕ jTG uG G l ·ΦΟΚΕΚΝΠ͑ uG zG mG G G ·ΚΔΥΠΣΚΒ͑ ^ TG tG G G G n G ~G G G ΋ΒΞΓΚΒ ΁ΙΚΣΚ }UG {G G G sG tG G vG k TG X[G T The role of the Museum for Reconciliation and Peace : Examples of shamanic rituals (Kut) in SeoulG In Whoe KIM Final version ICOMVICME 2009 Seoul Conference Keynote Speech G G The role of the Museum for Reconciliation and Peace: G Examples of shamanic rituals (Kut) in SeoulG G Professor Dr. In Whoe KIMG Emeritus President of the Korean Association of Museum EducationG G ContentsG G I. Methodological approaches to reconciliation and peace G II. Tasks of the museums of ethnology in the worldG III. Dynamics of reconciliation in Kut (the Korean shamanic ritual) G 1. The meaning of reconciliation and peace in the structures and contents of Kut G (1)Types, objectives and scales of Kut G (2) The procedure of Kut and its meaning of reconciliation and peace G 2. The reality of difference and sameness and the condition of reconciliation in Kut G (1)Difference and sameness of the three main characters in Kut G (2) The condition of reconciliation and the methodololgical commonality in Kut G (3) Examples of reconciliatory moments in Kut G G IV. Possibilities of applying the reconciliatory moments in Kut to museum events and the G 21st century G 1. The values of cultural heritage in 'Hong Su Maek Ii' and the multiVdimensional traits of reconciliatory moments G 2. 'Hong Su Maek Ii' Ta RyeungG 3. Possible applications of ‘Chang Bu Geo Li’ to museum events in the 21st Century. G G G G G I. Methodological approaches to reconciliation and peace G G The meaning of peace, when it is discussed together with reconciliation, implies harmony in realVlife dynamics accompanied by disharmony, conflicts and disputes. The base of Korean culture can be found in Kut and the major function of Kut is a reconciliation between the living and the dead. Accordingly, I expect that a reconciliation among the living human beings may be easily induced by adapting the Kut mechanism. Thus, I will analyse and discuss the ways in which Kut induces a reconciliation between the human and the nonVhuman, between the living and the dead, and among the living human beings. I will then explore the possibilities of applying the reconciliatory ritual process in Kut to the museum exhibition programs. The premise of my subject, reconciliation and peace which has cultural transcendental character can be only meaningful when the value oriented concept of reconciliation and peace lays upon "the condition of living together to recognise the coexistence of difference and sameness ".G G II. Tasks of the museums of ethnology in the worldG We can plan a program for reconciliation and peace for the museums of ethnology in the world, only if we suppose "the world living together with difference and the sameness". G If reconciliation and peace are a phenomenon that can be achieved by the adjustment, mitigation and disappearance of differences among diverse groups, the foremost matter to settle down conflict is a clear and accurate finding, confirming and understanding of the reality, the reality difference among us and other. Actually these works were the main tasks that the museums of ethnology undertook. G Traditionally museums have tried to communicate with the visitors by displaying the tangible artefacts. So, if the museums of ethnology in the world are planning exhibitions for reconciliation and peace by their own perspectives and philosophies that are related to the different realities among us and others, we can assume that the museums will display the tangible artefacts which consist of tangible cultural heritages. Usually, most of exhibition plans are displaying tangible artefacts, which is more a matter of custom. Museums became aware of the existing values and importance of the intangible heritage through the ICOM 2004 Conference in Seoul V the main subjects of which was 'Intangible Heritage and Museum'. It is a surprise that finally we have recognized the intangible assets in the 200 years of the western history of the museum. (Cf. Korea has just 100 years of the history of the museum.) Who can deny that tangible artefacts can reveal their original cultural meanings, life and functions fully when they are understood as entwined with their embedded intangible heritage? Nevertheless, museums have exhibited (more accurately, agreed or conspired) that the diversity of cultures or similarities could be confirmed objectively by comparing exhibitions of tangible artefacts. G For the purpose of reconciliation and peace, museums should also reconsider and reflect on how to relate the tangible heritage to the intangible heritage. If the traditional museums want to keep their original educational identities and positions and keep their pride and dignity against the challenge from capitalism in the 21st century cyber era, "a living peace through reconciliation" should be imbedded in the inside of museum culture. But the reconciliation between tangible and intangible heritage, and tangible artefacts and intangible artefacts is not a simple and easy task. It is an important task that requires a revolutionary change. G Then, let us consider the Kut culture where discordance, disputes and conflicts between the human and the gods, the living and the dead, or between us and others are overcome to reach out reconciliation and peace. G In this reconciliation process, let me explain how the tangible and intangible cultures contribute to their realistic functions and life by coexisting and complementing each other in harmony. G G III. Dynamics of reconciliation in Kut (the Korean shamanic ritual) G G 1. The meaning of reconciliation and peace in the structures and contents of Kut G G Kut is a religious ritual which has the longest history in the Korean culture. It can be said that by studying the structure and contents of Kut, one can access the deep character, origins or the basis of Korean culture.
Recommended publications
  • December 2018 Contents

    December 2018 Contents

    REPUBLIC OF SERBIA GOVERNMENT OFFICE FOR KOSOVO AND METOHIJA AND OFFICE FOR THE COORDINATION OF AFFAIRS IN THE PROCESS OF NEGOTIATION WITH THE PROVISIONAL INSTITUTIONS OF SELF-GOVERNMENT IN PRIŠTINA PROGRESS REPORT ON THE DIALOGUE BETWEEN BELGRADE AND PRIŠTINA (Covering the period from May 1 to December 15, 2018) December 2018 Contents: Introduction ................................................................................................................................ 1 A) Social and political situation in Kosovo and Metohija ......................................................... 3 B) Security situation in Kosovo and Metohija ........................................................................... 5 C) Obligations stemming from the First Agreement ................................................................ 10 1. Community of Serbian Municipalities ..................................................................... 10 2. Police ....................................................................................................................... 11 3. Judiciary .................................................................................................................... 12 4. Energy ....................................................................................................................... 13 5. Telecommunications ................................................................................................. 15 6. European integrations .............................................................................................
  • 78-Management Response (English)

    78-Management Response (English)

    MANAGEMENT RESPONSE TO REQUEST FOR INSPECTION PANEL REVIEW OF THE KOSOVO POWER PROJECT (PROPOSED) Management has reviewed the Request for Inspection of the Kosovo Power Project (pro- posed), received by the Inspection Panel on March 29, 2012 and registered on April 12, 2012 (RQ12/01). Management has prepared the following response. May 21, 2012 CONTENTS Abbreviations and Acronyms ......................................................................................... iv Executive Summary .......................................................................................................... v I. Introduction .............................................................................................................. 1 II. The Request .............................................................................................................. 1 III. Project Background ................................................................................................. 2 IV. Management’s Response ......................................................................................... 5 Map Map 1. IBRD No. 39302 Boxes Box 1. Emergency Evacuation of an At-Risk Part of Hade Village in 2004/05 Annexes Annex 1. Claims and Responses Annex 2. Selected List of Meetings with Civil Society Organizations Regarding Ko- sovo’s Energy Sector Annex 3 List of Publicly Available Documents Regarding the Proposed Kosovo Power Project Annex 4. Country Partnership Strategy for the Republic of Kosovo FY12-15 Annex 5. Comprehensive Water Sector Assessment Annex
  • If You Wish Peace, Care for Justice

    If You Wish Peace, Care for Justice

    If You Wish Peace, Care for Justice Edited by Tuğrul İlter Hanife Aliefendioğlu Nurten Kara Pembe Behçetoğulları Yetin Arslan Metin Ersoy Ayça Demet Atay Eastern Mediterranean University Press Famagusta, North Cyprus, 2017 © in this edition Eastern Mediterranean University Press, 2017 © in the individual contributions is retained by the authors ISBN: 978-605-9595-02 5 Cover Design & Layout: Can Bekcan Contents Introduction Tuğrul İlter ...........................................................................................................................................viii Giriş Tuğrul İlter ..............................................................................................................................................x Call for Papers for the Fourth International Conference in Communication and Media Studies Dördüncü Uluslararası İletişim ve Medya Çalışmaları Konferansı için Çağrı Introducing Keynote Speaker Oliver Richmond Tuğrul İlter ............................................................................................................................................xv Peace in the Twenty-First Century: States, Capital and Institutions Versus Arbitrage, Everyday Mobility and Networks Oliver P. Richmond .................................................................................................................................1 The Question of Hijab and Freedom: A Feminist Critical Discourse Analysis of the Facebook Page My Stealthy Freedom Elnaz Nasehi .........................................................................................................................................15
  • Nato and Humanitarian Action in the Kosovo Crisis

    Nato and Humanitarian Action in the Kosovo Crisis

    Occasional Paper #36 NATO AND HUMANITARIAN ACTION IN THE KOSOVO CRISIS Larry Minear, Ted van Baarda, and Marc Sommers i Occasional Papers is a series published by The Thomas J. Watson Jr. Institute for International Studies Brown University, Box 1970 2 Stimson Avenue Providence, RI 02912 USA Telephone: (401) 863-2809 Fax: (401) 863-1270 E-mail: [email protected] http://www.brown.edu/Departments/Watson_Institute/ Abbott Gleason, Director Frederick F. Fullerton, Writer/Editor Nancy Soukup, Writer/Editor George L. Potter, Editorial Assistant Statements of fact or opinions are solely those of the authors; their publication does not imply endorsement by the Thomas J. Watson Jr. Institute for International Studies. Copyright 2000 by the Thomas J. Watson Jr. Institute for Interna- tional Studies. All rights reserved under International and Pan American Convention. No part of this report may be reproduced by any other means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior written permission from the publisher. All inquiries should be addressed to Publications Group, Thomas J. Watson Jr. Institute for International Studies. ii CONTENTS Preface ...................................................................................... v Acronyms................................................................................ xi Part One: Research Findings and Discussion 1. Introduction......................................................................... 1 2. Division of Labor .............................................................
  • Keith G. Tidball Marianne E. Krasny Editors Disaster, Resilience And

    Keith G. Tidball Marianne E. Krasny Editors Disaster, Resilience And

    Keith G. Tidball Marianne E. Krasny Editors Greening in the Red Zone Disaster, Resilience and Community Greening Greening in the Red Zone Keith G. Tidball • Marianne E. Krasny Editors Greening in the Red Zone Disaster, Resilience and Community Greening Editors Dr. Keith G. Tidball Dr. Marianne E. Krasny Department of Natural Resources Department of Natural Resources Cornell University Cornell University Fernow Hall, Ithaca, NY, USA Fernow Hall, Ithaca, NY, USA ISBN 978-90-481-9946-4 ISBN 978-90-481-9947-1 (eBook) DOI 10.1007/978-90-481-9947-1 Springer Dordrecht Heidelberg New York London Library of Congress Control Number: 2013933045 © Springer Science+Business Media Dordrecht 2014 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci fi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro fi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied speci fi cally for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center.
  • Volume 1 THIS IS NOT a PLACE of HONOUR

    Volume 1 THIS IS NOT a PLACE of HONOUR

    THE (DE)EXTINCTION LETTERS Volume 1 THIS IS NOT A PLACE OF HONOUR THE (DE)EXTINCTION LETTERS VOLUME 1 ColLecting the (de)extinction club newsletter This work is licensed under a Creative Commons Attribution-NonCommercial Nov, 2014 - dec, 2014 4.0 International License. Contents The first rule of (De)Extinction Club is... (De)Extinction 101 9 "It's about ethics in mammoth deextinction journalism..." 15 A short note on Asteroid Death Cults 21 Many words about Extinction Culture, Nightmares of the Anthropocene, and the Horror of the Real 23 Everything you needed to know about Galactic Ecological Engineering and forgot to ask Galactic Ecological Engineering for Beginners 39 Galactic Ecological Engineering for Beginners 2 47 An Introduction to Zone Engineering 59 Bonus Content The Dark Extropian Guide to Panspermia 75 Index 95 Image Credits 97 About the Author 99 THE (DE)EXTINCTION LETTERS - VOLUME 1 The first rule of (De)Extinction Club is... 7 THE (DE)EXTINCTION LETTERS - VOLUME 1 THE (DE)EXTINCTION LETTERS - VOLUME 1 (De)Extinction 101 November 14, 2014 ello and welcome to the inaugural issue of the (De)Extinction Club Newsletter. All 22 of you, as Hof writing. Feel free to send this on to your friends, or better, enemies. This is after all TOTALLY NOT a recruitment vehicle for an Asteroid Death Cult. So, let’s start at the beginning and define some terms and add some new ones to the Extinction Aesthete Lexicon. You might might want to open a fresh browser now. We’ll start with “Extinction Aesthetic” itself – go read this post from Warren Ellis if you’re unfamiliar.
  • Contemporary Performance Almanac 2013

    Contemporary Performance Almanac 2013

    Contemporary Performance Almanac 2013 Contemporary Performance Almanac 2013 I Contemporary Performance Almanac 2013 ISBN-10: 0615960731 ISBN-13: 978-0615960739 © Contemporary Performance 2014 Contemporary Performance 105 West 10th St. #2 New York, NY 10011 contemporaryperformance.com Cover Photo: CHOKRA performs Bond on Blonde selected by Caden Manson & Mx. Justin V Bond at MoMA P.S.1, New York on March 25, 2012. Photo by Loren Wohl II III Note From The Editors: Welcome to the inaugural edition of the Contemporary Performance Almanac. We have been wishing to make this book since the inception of the Network, but it wasn’t until recently that the Contemporary Performance Network reached such a critical mass that we realized the necessity for the project matched the resources to produce it. So often presenters do not have access to artists and works that haven’t traveled outside their city or country of origin, and artists do not have access to survey the work of peers that might be working in sympathetic modalities. Contemporary Performance sees a need to give artists, presenters, and others in the field an opportunity to start new working relationships. We hope that this Almanac — as an extension of the Network — can meet that need, and to aid discovery, spark curiosity, and facilitate exchange. We’re excited to see the breadth of disciplines practiced by the participants and the sheer geographical scope of their nationalities spanning 47 countries. Inside the pages of the Almanac are the artworks described by the artists in their own words: eloquent, challenging, provocative and urgent. Enjoy. -Caden Manson and Jemma Nelson Participate in the next Contemporary Performance Almanac 2014 by submitting your work online at http://almanac14.contemporaryperformance.com IV V About Contemporary Performance Network: The Contemporary Performance Network is a social network and community organizing platform providing artists, presenters, scholars and festivals a space to meet, share work, and collaborate.