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Methodological approaches to reconciliation and peace G II. Tasks of the museums of ethnology in the worldG III. Dynamics of reconciliation in Kut (the Korean shamanic ritual) G 1. The meaning of reconciliation and peace in the structures and contents of Kut G (1)Types, objectives and scales of Kut G (2) The procedure of Kut and its meaning of reconciliation and peace G 2. The reality of difference and sameness and the condition of reconciliation in Kut G (1)Difference and sameness of the three main characters in Kut G (2) The condition of reconciliation and the methodololgical commonality in Kut G (3) Examples of reconciliatory moments in Kut G G IV. Possibilities of applying the reconciliatory moments in Kut to museum events and the G 21st century G 1. The values of cultural heritage in 'Hong Su Maek Ii' and the multiVdimensional traits of reconciliatory moments G 2. 'Hong Su Maek Ii' Ta RyeungG 3. Possible applications of ‘Chang Bu Geo Li’ to museum events in the 21st Century. G G G G G I. Methodological approaches to reconciliation and peace G G The meaning of peace, when it is discussed together with reconciliation, implies harmony in realVlife dynamics accompanied by disharmony, conflicts and disputes. The base of Korean culture can be found in Kut and the major function of Kut is a reconciliation between the living and the dead. Accordingly, I expect that a reconciliation among the living human beings may be easily induced by adapting the Kut mechanism. Thus, I will analyse and discuss the ways in which Kut induces a reconciliation between the human and the nonVhuman, between the living and the dead, and among the living human beings. I will then explore the possibilities of applying the reconciliatory ritual process in Kut to the museum exhibition programs. The premise of my subject, reconciliation and peace which has cultural transcendental character can be only meaningful when the value oriented concept of reconciliation and peace lays upon "the condition of living together to recognise the coexistence of difference and sameness ".G G II. Tasks of the museums of ethnology in the worldG We can plan a program for reconciliation and peace for the museums of ethnology in the world, only if we suppose "the world living together with difference and the sameness". G If reconciliation and peace are a phenomenon that can be achieved by the adjustment, mitigation and disappearance of differences among diverse groups, the foremost matter to settle down conflict is a clear and accurate finding, confirming and understanding of the reality, the reality difference among us and other. Actually these works were the main tasks that the museums of ethnology undertook. G Traditionally museums have tried to communicate with the visitors by displaying the tangible artefacts. So, if the museums of ethnology in the world are planning exhibitions for reconciliation and peace by their own perspectives and philosophies that are related to the different realities among us and others, we can assume that the museums will display the tangible artefacts which consist of tangible cultural heritages. Usually, most of exhibition plans are displaying tangible artefacts, which is more a matter of custom. Museums became aware of the existing values and importance of the intangible heritage through the ICOM 2004 Conference in Seoul V the main subjects of which was 'Intangible Heritage and Museum'. It is a surprise that finally we have recognized the intangible assets in the 200 years of the western history of the museum. (Cf. Korea has just 100 years of the history of the museum.) Who can deny that tangible artefacts can reveal their original cultural meanings, life and functions fully when they are understood as entwined with their embedded intangible heritage? Nevertheless, museums have exhibited (more accurately, agreed or conspired) that the diversity of cultures or similarities could be confirmed objectively by comparing exhibitions of tangible artefacts. G For the purpose of reconciliation and peace, museums should also reconsider and reflect on how to relate the tangible heritage to the intangible heritage. If the traditional museums want to keep their original educational identities and positions and keep their pride and dignity against the challenge from capitalism in the 21st century cyber era, "a living peace through reconciliation" should be imbedded in the inside of museum culture. But the reconciliation between tangible and intangible heritage, and tangible artefacts and intangible artefacts is not a simple and easy task. It is an important task that requires a revolutionary change. G Then, let us consider the Kut culture where discordance, disputes and conflicts between the human and the gods, the living and the dead, or between us and others are overcome to reach out reconciliation and peace. G In this reconciliation process, let me explain how the tangible and intangible cultures contribute to their realistic functions and life by coexisting and complementing each other in harmony. G G III. Dynamics of reconciliation in Kut (the Korean shamanic ritual) G G 1. The meaning of reconciliation and peace in the structures and contents of Kut G G Kut is a religious ritual which has the longest history in the Korean culture. It can be said that by studying the structure and contents of Kut, one can access the deep character, origins or the basis of Korean culture.
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