Exploring a Match System in Selective Admissions
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Katniss Everdeen's Character Development in Suzanne Collins
LEXICON Volume 5, Number 1, April 2018, 9-18 Katniss Everdeen’s Character Development in Suzanne Collins' The Hunger Games Trilogy Valeri Putri Mentari Ardi*, Bernadus Hidayat Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research examines the character development of Katniss Everdeen, the protagonist in Suzanne Collins’ The Hunger Games trilogy. It attempts to investigate whether socioeconomic factors play a role in Katniss’s character development. To address this question, Marxism was adopted as the theoretical framework to analyze Katniss’s character development. The results of the research indicate that the development of Katniss Everdeen as a character is a product of the socioeconomic power struggle within the society, both coming from the socioeconomic classes and the two presidents in Panem. Keywords: character development, Marxism, power struggle, society. their lives. It creates socioeconomic power INTRODUCTION struggle within the society that is believed to In the past few years, the literary world has influence people on personal level, including been swarmed with numerous science fiction Katniss Everdeen, the main character of the novels. One of them is the best-selling young trilogy. adult series called The Hunger Games trilogy The protagonist, Katniss Everdeen, is a written by an American novelist Suzanne Collins. dynamic character who drives the plot This trilogy consists The Hunger Games, Catching significantly, and at the same is also influenced by Fire, and Mockingjay, the setting of which is a it. She is only sixteen years of age when the story dystopian future of North America. begins and physically looks nothing special According to. Abrams (1999), science fiction compared to other girls in the neighborhood, but represents “an imagined reality that is radically her life is no ordinary adventure. -
Exploring Gender in Suzanne Collins's the Hunger Games Trilogy
UNIVERSIDADE DA CORUÑA FACULTADE DE FILOLOXÍA MÁSTER INTERUNIVERSITARIO EN ESTUDOS INGLESES AVANZADOS E AS SÚAS APLICACIÓNS “Real or Not Real?” Exploring Gender in Suzanne Collins’s The Hunger Games Trilogy Raquel Martínez Neira TFM 2017 Vº Bº Coordinadora María Frías Rudolphi Table of Contents Page Abstract ………………………………………….…………………………………. 3 Introduction ……………………………………….……….…………………...….. 4 Part One Chapter 1: Understanding Young Adult and Dystopian Fiction …………………. 8 Chapter 2: The Fragility of Gender ….…………………….………………..…....... 13 Part Two Chapter 1: “She has no idea, the effect she can have:” Katniss Everdeen and the Thousand Faces of the ‘Feminine’ ………………….……………………….……. 19 Chapter 2: “He was too handsome, too male:” The Representation of Masculinity in Gale Hawthorne ……………………………………………….……………….… 36 Chapter 3: “I Don’t Want Them to Change Me:” Peeta Mellark and the New ‘Masculine’……………………………….……………..………………………… 47 Conclusions ………………………………………………………………...…….. 61 Works Cited …………………………….……...……………………………...... 63 Appendix ………………………………………………………………………… 68 2 Abstract My Masters final project deals with issues of gender in Suzanne Collins’s The Hunger Games. I analyse the main three characters—Katniss Everdeen, Gale Hawthorne and Peeta Mellark—following Judith Butler’s theories of gender proposed in Gender Trouble (1990) and Undoing Gender (2004), as well as other theories about feminism and masculinity. The aims of my project are, on the one hand, to demonstrate that the saga re-examines and re-defines traditional ideas of masculinity and femininity; and, on the other, that the portrayal of the aforementioned characters proves that The Hunger Games saga evidences that gender is neither fixed nor pre-established by questioning the legitimacy of gender stereotypes and roles. 3 Introduction “Ladies and gentlemen, let the Seventy-fourth Hunger Games begin!” The Hunger Games (171) A few years ago, I would have felt insulted if I was told I kicked “like a girl.” Girls were not strong fighters or praise-worthy heroes. -
The Reflectionof Marxist Feminism in Suzanne Collins’S Mockingjay
THE REFLECTIONOF MARXIST FEMINISM IN SUZANNE COLLINS’S MOCKINGJAY A THESIS In Partial Fulfillment of the Requirements for the Sarjana Degree Majoring Literature in English Department Faculty of Humanities Diponegoro University Submitted by NAILAH 13020112130047 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2016 PRONOUNCEMENT The writer honestly confirms that she compiles this thesis by herself and without taking any results from other researchers in S-1, S-2, and S-3 and in diploma degree of any university. In addition, the writer ascertains that she does not quote any material from other publication or someone’s work except for the references mentioned in the bibliography. Semarang, August 2016 Nailah ii MOTTO AND DEDICATION …And when you have decided, then rely upon Allah. Indeed, Allah loves those who rely (upon Him) QS. Al Imran: 159 If it’s meant to be, it will be Anonymous Live as if you were to die tomorrow. Learn as if you were to live forever. Mahatma Gandhi This thesis is dedicated to my beloved mother, father, sisters, brothers and to everyone who helped me finish this thesis. iii APPROVAL Approved by Thesis Advisor Drs. Siswo Harsono, M. Hum. NIP. 19640418 199001 1001 iv VALIDATION Approved by Strata 1 Thesis Examination Committee Faculty of Humanities Diponegoro University On September 2016 Chair Person First Member Dr. Ratna Asmarani, M.Ed., M.Hum. Dr. IM. Hendrarti, M.A. NIP. 19610226 198703 2 001 NIP. 19530728 198012 2 001 Second Member Third Member Hadiyanto, S.S., M.A. Dra. R. Aj. Atrinawati, M.Hum. NIP. 19740725 200801 1 013 NIP. -
Struggles in Suzanne Collins' Novel the Hunger
STRUGGLES IN SUZANNE COLLINS’ NOVEL THE HUNGER GAMES 1)Intan Novia Sari 2)Purwarno Faculty of Literature Islamic University of North Sumatra, Medan Email: 1) [email protected] and 2) [email protected] Abstract This research is the result of qualitative research on the protagonist’s struggles named Katniss Everdeen depicted in Suzanne Collins’ novel The Hunger Games. Burleson (1964) says that struggle is one of ways to reach the better life in the future and also to increase the prestige. It means that any hope will be achieved through struggling. Katniss Everdeen is a strong as well as a resourceful sixteen-year-old girl who is far more mature than her age would suggest. Katniss is the main provider in her family, which consists of Katniss, her mother, and her younger sister, Prim Everdeen. She must struggle hard to make herself and her family stay life. Therefore she always keeps on struggling in her life. The finding of this research shows that the protagonist is succesful in her struggles to fulfill her family needs, to protect her sister and to win in the Hunger Games. Keywords: struggle, prestige, protection, hunger games INTRODUCTION The Hunger Games, published in 2008, is a science novel by Suzanne Collins, an outstanding American writer. It is written in the voice of 16-year-old, Katniss Everdeen, who lives in Dystopian, post-apocalyptic nation of Panem in North America. The Capitol, a highly advanced metropolis, exercises political control over the rest of the nation. The Hunger Games is an annual event in which 1 2 one boy and one girl aged 12–18 from each of the twelve districts surrounding the Capitol are selected by lottery to compete in a televised battle to the death. -
The Underland Chronicles
DISCUSSION GUIDE Grades 3–7 THE UNDERLAND CHRONICLES By #1 New York Times Bestselling Author of The Hunger Games SUZANNE COLLINS Gregor hadn’t planned to fall into another world, or to tumble into an adventure, or to become a hero. But when he follows his little sister through a grate in the laundry room of their New York City apartment building, he hurtles into the dark Underland where humans live uneasily beside giant spiders, bats, cockroaches, and rats. There, the fragile peace is about to fall apart, and Gregor discovers that a prophecy foretells a role for him in the Underland’s future. Little does he know that his quest will change him—and the Underland—forever. Discussion Questions for Book One: Gregor the Overlander 1. Gregor’s life isn’t as easy or as happy as it used to be since his father disappeared. How has his life changed? Do you think these challenges in any way prepared him for his quest in the Underland? 2. In the beginning of the story, Gregor believes his father will be back, but he has created a rule for himself that prohibits him from thinking about a future that includes his father. Why? How might this aid him in his quest? Does Gregor ever break his own rule? 3. What are some of the descriptions in the book that show how the Underlanders have adapted to their new environment? How do the adaptations help them survive? What might happen to them if they came back to the Overland? 4. The Underlanders see Gregor as the great warrior told of in the Prophecy of Gray, and because of that he is to lead the quest to prevent their annihilation. -
CHAPTER I INTRODUCTION A. Background of the Study
CHAPTER I INTRODUCTION A. Background of the Study Mockingjay is science fiction novel created by an American author, Suzzane Collins. It is the third series after The Hunger Games (2008) and Catching Fire (2009). Mockingjay was released on August 24, 2010 in the United States by the publisher Scholastic. While in Indonesia, the novel was published by Scholastic Press in January 2012. Mockingjay sold 450,000 copies in its first week of release and received many positive reactions from critics. The story tells rebellion of districts inside the country. The rebellion appeared because of the dictatorship president. (Mockingjay, 2013). The author, Suzzane Collins, was born in Hartford, Connecticut, in 1962, Suzanne Collins was the daughter of an Air Force pilot. She lived in eastern United States of America. She was graduated from Indiana University with a double major in Drama and Telecommunications. Collin’s career began in 1991 on several child program television such as nickelodeon, little bear, Clarissa explained all and Oswald. After meeting children's author James Proimos while working on the Kids' WB show Generation O!, Collins was inspired to write children's books. Collins published her debut book, Gregor the Overlander, the first book of The Underland Chronicles. In 2008, the first book of The Hunger 1 Games series was published. Catching fire was published in 2009, while Mockingjay was published on 2010. (Collins, 2013) Mockingjay tells the panem rebellion. Rebellion is started when district 12 in Panem is bombed by capitol. Every citizen in district 12 migrates to district 13. People of district 12 and district 13 unite to rebel tyranny capitol. -
Gregor the Overlander Book One of the Bestselling Underland Chronicles
Gregor the Overlander Collection Gregor the Overlander Gregor and the Prophecy of Bane Gregor and the Curse of the Warmbloods Gregor and the Marks of Secret Gregor and the Code of Claw SUZANNE COLLINS Contents Title Page Gregor the Overlander Gregor and the Prophecy of Bane Gregor and the Curse of the Warmbloods Gregor and the Marks of Secret Gregor and the Code of Claw About the Author GREGOR THE OVERLANDER BOOK ONE OF THE BESTSELLING UNDERLAND CHRONICLES SUZANNE COLLINS SCHOLASTIC INC. New York Toronto London Auckland Sydney Mexico City New Delhi Hong Kong For my mom and dad PART 1 The Fall CHAPTER 1 Gregor had pressed his forehead against the screen for so long, he could feel a pattern of tiny checks above his eyebrows. He ran his fingers over the bumps and resisted the impulse to let out a primal caveman scream. It was building up in his chest, that long gutteral howl reserved for real emergencies -- like when you ran into a saber-toothed tiger without your club, or your fire went out during the Ice Age. He even went so far as to open his mouth and take a deep breath before he banged his head back into the screen with a quiet sound of frustration. "Ergh." What was the point, anyway? It wouldn't change one thing. Not the heat, not the boredom, not the endless space of summer laid out before him. He considered waking up Boots, his two-year-old sister, just for a little distraction, but he let her sleep. At least she was cool in the air-conditioned bedroom she shared with their seven-year-old sister, Lizzie, and their grandma. -
CATCHING FIRE for SOCIAL JUSTICE a LESSON PLAN for HIGH-SCHOOL STUDENTS the Hunger Games: Catching Fire for Social Justice HOPE IS STRONGER THAN FEAR
CATCHING FIRE FOR SOCIAL JUSTICE A LESSON PLAN FOR HIGH-SCHOOL STUDENTS The Hunger Games: Catching Fire for Social Justice HOPE IS STRONGER THAN FEAR Introduction The Center for Healthy Teen Relationships, an initiative of the Idaho Coalition Against Sexual Domestic Violence, is committed to creating Compassionate Communities that empower everyone to thrive and be their best selves by achieving justice, equity, and respect for all girls and women, boys and men. In that spirit, we offer the following lesson plan ideas based on The Hunger Games: Catching Fire. The Hunger Games: Catching Fire is the second in the best-selling series by Suzanne Collins, and a highly-anticipated movie set for release on November 22, 2013. Building on both the immense popularity of the Hunger Games triology (outselling the Harry Potter series) and the first Hunger Games film, Catching Fire will be a cultural phenomenon among young people, and a unique opportunity to engage students in critical conversations about the power of social activism to make a difference in the world. Movements to challenge injustice can begin when fundamental wrongs are identified and people organize to challenge power holders, institutions, and society’s norms. A shared passion for promoting new visions of a better world can transform the way we view our roles in society, our values and priorities, and ultimately the structure of our society and communities. The theme of Hunger Games: Catching Fire is two-fold: 1. Encouraging young people to share a vision of hope, and a sense of responsibility for social justice, is critical to our future society’s well-being. -
Discourses of Masculinity in Suzanne Collins' the Hunger Games Trilogy
DISCOURSES OF MASCULINITY IN SUZANNE COLLINS’ THE HUNGER GAMES TRILOGY: DEFENDING THE ALTERNATIVE MAN, PEETA MELLARK Treball de Fi de Grau Author: Ana Sáez Garrido Supervisor: Dr. Sara Martín Alegre Departament de Filologia Anglesa i de Germanística Grau en Estudis Anglesos June 2017 ‘The combination of active and contemplative virtues is one of the most enduring themes in three thousand years of experience of what it means to be a man’ Waller Newell TABLE OF CONTENTS 0. Introduction .............................................................................................................. 1 0.1. Suzanne Collins and The Hunger Games Trilogy ................................................. 1 0.2. Peeta, Gale and the Current Discourse on Masculinity ......................................... 4 1. Conventional Masculinity: Gale Hawthorne ................................................................ 8 1.1. Analysing Gale’s Conventional Masculinity: The Handsome Hunter .................. 8 2. Alternative Masculinity: Peeta Mellark ...................................................................... 15 2.1. Defending Peeta Mellark’s Alternative Masculinity ........................................... 16 2.2. Analysing Peeta Mellark’s Alternative Masculinity: The Saddest Ending for Peeta ........................................................................................................................... 27 3. Conclusions and Further Research ............................................................................. 32 4. References -
Suzanne Collins' Hunger Games Trilogy and Social Criticism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives Suzanne Collins’ Hunger Games Trilogy and Social Criticism Kjellaug Therese Hauge Hamre A Thesis Presented to The Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO In Partial Fulfilment of the Requirements for the MA Degree Spring Term 2013 II Suzanne Collins’ Hunger Games Trilogy and Social Criticism III Copyright Kjellaug Therese Hauge Hamre 2013 Suzanne Collins’ Hunger Games Trilogy and Social Criticism Kjellaug Therese Hauge Hamre http://www.duo.uio.no Trykk: Reprosentralen, Universitetet i Oslo IV Table of Contents Suzanne Collins’ Hunger Games Trilogy and Social Criticism ...................................................... III 1 Introduction ............................................................................................................................................. 2 1.1 Dystopia ...................................................................................................................................................................... 5 1.2 Dystopia in Children’s and YA Literature ..................................................................................................... 7 2 The Hunger Games .............................................................................................................................. 12 2.1 Entertainment ...................................................................................................................................................... -
HUNGER GAMES Suzanne Collins' the Hunger Games Opens up in A
HUNGER GAMES Suzanne Collins’ The Hunger Games opens up in a poor area called District 12. District 12 is in a future version of the United States we know now, being divided into 12 districts from rich to poor. The story focuses on the Everdeen family, consisting of a mother and her two daughters, Katniss (16) and Primrose (12), or Prim for short. Being extremely poor, the family relies on Katniss to go out and hunt for food with her friend Gale. She develops skills with a bow and arrow after doing this many times. Every 25 years, each district chooses 2 tributes, a boy and a girl, from each district to participate in The Hunger Games. They are chosen at random at an event called The Reaping. At the Reaping that takes place in the book, Prim is chosen as the girl for District 12, despite it being her first time participating, leaving her with a small chance of being chosen. Katniss jumps in and volunteers to take Prim’s place. They allow her, upsetting Prim. The boy tribute is a boy Katniss’s age named Peeta Mellark. These two will now go on a journey together, making for a great adventure…or so they think. In my opinion, this is an extremely well written book. Getting to see a new world, many emotions, and great characters makes it very enjoyable to read. The story is engaging and makes you want to keep reading. Although it can get a bit gory, it is good for any audience that likes adventure, romance, or emotional stories. -
Feminism Power in Suzanne Collins Novel's “Mockingjay”
FEMINISM POWER IN SUZANNE COLLINS NOVEL’S “MOCKINGJAY” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora (S. Hum.) in English Literature Department of Adab and Humanities Faculty of UIN Alauddin Makassar BY HARDIMAN AWAL Reg. No. 40300109033 ENGLISH LITERATURE DEPARTMET ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2013 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran penyusun yang bertanda tangan di bawah ini menyatakan bahwa skripsi ini benar adalah karya penyusun sendiri. Jika di kemudian hari terbukti bahwa ia merupakan duplikat, tiruan, plagiat, atau dibuat oleh orang lain, sebagian atau seluruhnya, maka skripsi dan gelar yang diperoleh karenanya batal demi hukum. Makassar, 22 November 2013 Penulis, Hardiman Awal NIM: 40300109033 PERSETUJUAN PEMBIMBING Pembimbing penulisan skripsi Saudara Hardiman Awal, NIM: 40300109033, Mahasiswa Jurusan Bahasa dan Sastra Inggris pada Fakultas Adab dan Humaniora UIN Alauddin Makassar, setelah dengan seksama meneliti dan mengoreksi skripsi yang bersangkutan dengan judul, “Feminism Power in Suzanne Collins novel’s Mockingjay”, memandang bahwa skripsi tersebut telah memenuhi syarat-syarat ilmiah dan dapat disetujui untuk diajukan ke sidang munaqasyah. Demikian persetujuan ini diberikan untuk diproses lebih lanjut. Makassar, 18 November 2013 Pembimbing I Pembimbing II Serliah Nur, S.Pd., M.Hum., M.Ed. Muhammad Taufik, S.S., M.Hum. NIP: 19730905 200501 2 003 NIP: 19750602 201302 1 701 PENGESAHAN SKRIPSI Skripsi yang berjudul,”Feminism