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January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
Ull History Centre: Papers of Alan Plater
Hull History Centre: Papers of Alan Plater U DPR Papers of Alan Plater 1936-2012 Accession number: 1999/16, 2004/23, 2013/07, 2013/08, 2015/13 Biographical Background: Alan Frederick Plater was born in Jarrow in April 1935, the son of Herbert and Isabella Plater. He grew up in the Hull area, and was educated at Pickering Road Junior School and Kingston High School, Hull. He then studied architecture at King's College, Newcastle upon Tyne, becoming an Associate of the Royal Institute of British Architects in 1959 (since lapsed). He worked for a short time in the profession, before becoming a full-time writer in 1960. His subsequent career has been extremely wide-ranging and remarkably successful, both in terms of his own original work, and his adaptations of literary works. He has written extensively for radio, television, films and the theatre, and for the daily and weekly press, including The Guardian, Punch, Listener, and New Statesman. His writing credits exceed 250 in number, and include: - Theatre: 'A Smashing Day'; 'Close the Coalhouse Door'; 'Trinity Tales'; 'The Fosdyke Saga' - Film: 'The Virgin and the Gypsy'; 'It Shouldn't Happen to a Vet'; 'Priest of Love' - Television: 'Z Cars'; 'The Beiderbecke Affair'; 'Barchester Chronicles'; 'The Fortunes of War'; 'A Very British Coup'; and, 'Campion' - Radio: 'Ted's Cathedral'; 'Tolpuddle'; 'The Journal of Vasilije Bogdanovic' - Books: 'The Beiderbecke Trilogy'; 'Misterioso'; 'Doggin' Around' He received numerous awards, most notably the BAFTA Writer's Award in 1988. He was made an Honorary D.Litt. of the University of Hull in 1985, and was made a Fellow of the Royal Society of Literature in 1985. -
MS 288 Morris Papers
MS 288 Morris Papers Title: Morris Papers Scope: Papers and correspondence of Brian Robert Morris, 4th Dec 1930-30 April 2001: academic, broadcaster, chairman/member of public and private Arts and Heritage related organizations and Life Peer, with some papers relating to his father Dates: 1912-2002 Level: Fonds Extent: 45 boxes Name of creator: Brian Robert Morris, Lord Morris of Castle Morris Administrative / biographical history: The collection comprises the surviving personal and working papers, manuscripts and associated correspondence relating to the life and work of Brian Robert Morris, university teacher and professor of English Literature, University Principal, writer, broadcaster and public figure through his membership/chairmanship of many public and private cultural bodies and his appointment to the House of Lords. He was born in 1930 in Cardiff, his father being a Pilot in the Bristol Channel, who represented the Pilots on the Cardiff Pilotage Authority, was a senior Mason and was active in the Baptist Church. Brian attended Marlborough Road School, where one of his masters was George Thomas, later Speaker of the House of Commons, and then Cardiff High School. He was brought up monolingual in English and though he learnt Welsh in later life, especially while at Lampeter, no writings in Welsh survive in the archive. He served his National Service with the Welch Regiment, based in Brecon and it was in Brecon Cathedral that his conversion to Anglicanism from his Baptist upbringing, begun as he accompanied his future wife to Church in Wales services, was completed. Anglicanism remained a constant part of his life: he became a Lay Reader when in Reading, was a passionate advocate of the Book of Common Prayer and a fierce critic of Series Three and the New English Bible, as epitomised in the book he edited in 1990, Ritual Murder . -
Oxford DNB: January 2021
Oxford DNB: January 2021 Welcome to the seventieth update of the Oxford DNB, which adds biographies of 241 individuals who died in the year 2017: 224 with their own entries and seventeen added to existing entries as 'co-subjects'. Of these new inclusions, the earliest born is the journalist Clare Hollingworth (1911-2017) and the latest born is the artist and photographer Khadija Saye (1992- 2017). Hollingworth is one of five centenarians included in this update, and Saye one of thirty-four new subjects born after the Second World War. The vast majority (169, or over 70%) were born in the 1920s and 1930s. Sixty-three of the new subjects who died in 2017 (or just over 26% of the cohort) are women. Twenty of the new subjects were themselves contributors to the dictionary. Forty-five of the new articles include portrait images. From January 2021, the Oxford DNB offers biographies of 64,071 men and women who have shaped the British past, contained in 61,745 articles. 11,870 biographies include a portrait image of the subject—researched in partnership with the National Portrait Gallery, London. As ever, we have a free selection of these new entries, together with a full list of the new biographies. Most public libraries across the UK subscribe to the Oxford DNB, which means you can access the complete dictionary for free via your local library. Libraries offer 'remote access' that enables you to log in at any time at home (or anywhere you have internet access). Elsewhere the Oxford DNB is available online in schools, colleges, universities, and other institutions worldwide. -
The Shakespearean Performances of Sir John Gielgud
University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. 2nd of 2 files Chapters 4-6 Appendices and Bibliography THE SHAKESPEAREAN PERFORMANCES OF SIR JOHN GIELGUD by Robert James Frost Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy of the University of Birmingham. The Shakespeare Institute October 1983 243 CHAPTER FOUR MUCH ADO ABOUT NOTHING Much Ado About Nothing is to be distinguished from the other comedies of Shakespeare that are its nearest contemporaries because of its concern with one circumscribed social unit. Unlike As You Like It,Twelfth Night, The Merchant of Venice and A Midsummer Night's Dream,which play off different kinds of worlds against each other, the problems arising in one being resolved by a retreat to the next or alternatively by a foreign visitor, the action of Much Ado About Nothing is focussed on a single, indigenous group. (That Don Pedro,strictly speaking,is an outsider from Aragon seems less important than the fact that he and the other guests freely interact with Leonato's household, making themselves at home there.) If the intervention of Dogberry and the Watch is required to restore harmony, then Dogberry, although of a different class, is quite clearly part of the civic life of Messina. -
Past and Present 19/7/05 3:53 Pm Page I
2725 M&M Past and Present 19/7/05 3:53 pm Page i Turner Classic Movies British Film Guides General Editor: Jeffrey Richards Brighton Rock Dracula The 39 Steps Steve Chibnall Peter Hutchings Mark Glancy A Hard Day’s Night Get Carter The Dam Busters Stephen Glynn Steve Chibnall John Ramsden My Beautiful The Charge of the Light A Night to Remember Launderette Brigade Jeffrey Richards Christine Geraghty Mark Connelly The Private Life of Whiskey Galore! & The Henry VIII Maggie Greg Walker Colin McArthur Cinema and Society Series General Editor: Jeffrey Richards ‘Banned in the USA’: British Films in the United States and Their Censorship, 1933–1960 Anthony Slide Best of British: Cinema and Society from 1930 to the Present Anthony Aldgate & Jeffrey Richards Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema Colin McArthur British Cinema and the Cold War Tony Shaw The British at War: Cinema, State and Propaganda, 1939–1945 James Chapman Christmas at the Movies: Images of Christmas in American, British and European Cinema Edited by Mark Connelly The Crowded Prairie: American National Identity in the Hollywood Western Michael Coyne Distorted Images: British National Identity and Film in the 1920s Kenton Bamford An Everyday Magic: Cinema and Cultural Memory Annette Kuhn Film and Community in Britain and France: From La Règle du Jeu to Room at the Top Margaret Butler 2725 M&M Past and Present 19/7/05 3:53 pm Page ii Film Propaganda: Soviet Russia and Nazi Germany Richard Taylor Hollywood Genres and Post-War America: Masculinity, -
The Development of the Pre-Show in English Shakespearean Performance, 1932-2014
THE DEVELOPMENT OF THE PRE-SHOW IN ENGLISH SHAKESPEAREAN PERFORMANCE, 1932-2014 By ALISON STEWART A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute School of English, Drama and American & Canadian Studies College of Arts and Law University of Birmingham March 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Productions of Shakespeare’s plays often feature an interpolated opening scene or ‘pre-show’. My thesis examines this phenomenon. Proposing threshold theory as a framework, I consider the interfaces between the classic text, the enacted play and the audience. Previous studies of modern pre-shows suggest three key purposes for the pre-show: narrative, concept, and theatricality, which I adopt as the structure of the second half of my thesis. Studies of early prologues and inductions trace cultural and artistic developments that pre-figure developments I trace in modern production. I consider in some detail Shakespeare’s own pre-show and introductory strategies and the problems they present to modern directors, before examining the earliest pre- shows of modern productions, in the 1930s to 1950s, the cultural and artistic circumstances that gave rise to them, and their reception among reviewers and scholars. -
Tape Library – Conditions of Hire
TAPE LIBRARY – CONDITIONS OF HIRE The audio cassettes have been copied from the original recordings in approximate chronological order, as listed in the catalogue, or grouped together under similar subject matter, with shorter items combined on one tape. Transfers can be made onto CDs (UK) on request – please allow adequate time / advance notice. Please order by title of talk or broadcast. As duplicates exist only for the more popular items, it would be appreciated if an alternative choice could be given, where possible. If specific tapes are required for definite dates of branch/group meetings, etc., please reserve well in advance. When ordering please print: Your full name, address, including postal code, in BLOCK CAPITALS. Periods of hire: U.K. and Europe: up to 14 days. Overseas: up to 4 weeks. (Loans can be extended provided items are not required by other members.) Postage: Borrower is responsible for outward and return postage (which should be by airmail outside U.K.). When you return tapes, please enclose stamps in the parcel to refund the cost of the outward postage. Please take care of cassettes/CDs supplied. Protect from dust, heat and humidity, strong magnetic fields, etc. Members will be asked to bear the cost of replacement for lost or damaged tapes. Please note: tapes are supplied for private usage only, i.e. by individual Society members, or for private meetings of branches or groups. They may not be used for any kind of public performance. GEOFFREY WHEELER, 195, GLOUCESTER PLACE, LONDON, NW1 6BU. Tel: [020 7724 5842] 1 1950’s WOMAN’S HOUR BBC Radio: Interview with Stephen Usherwood historian, and Isolde Wigram (Former Secretary &Vice President, Richard III Society). -
DOCUMENT RESUME ED 366 309 IR 016 505 TITLE Media Log: a Guide to Film, Television, and Radio Programs Supported by the National
DOCUMENT RESUME ED 366 309 IR 016 505 TITLE Media Log: A Guide to Film, Television, and Radio Programs Supported by the National Endowment for the Humanities, Division of Public Programs, Humanities Projects in Media. INSTITUTION National Endowment for the Humanities (NFAH), Washington, D.C. REPORT NO ISBN-0-16-038136-3 PUB DATE [92] NOTE 156p. AVAILABLE FROMU.S. Government Printing Office, Superintendent of Documents, Mail Stop: SSOP, Washington, DC 20402-9328. PUB TYPE Reference Materials Directories/Catalogs (132) Reports Descriptive (141) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Childrens Television; *Educational Radio; *Educational Television; Films; *Humanities; Literature; *Mass Media; United States History IDENTIFIERS *National Endowment for the Humanities ABSTRACT This guide describes more than 800 film, television, and radio productions developed with the support of the National Endowment for the Humanities (NEH). NEH supports projects that convey significant scholarship to the general public and engage citizens in critical interpretation and analysis of the humanities. Film, video, and radio programs are listed in clphabetical order in one of the following eight sections: (1) United States History and American Studies;(2) Literature and Language;(3) World Culture and History; (4) History, Theory, and Criticism of the Arts; (5) Archaeology and Anthropology; (6) Philosophy, Religion, and Ethics; (7) Children's and Family Programming; and (8) General Humanities. Each program listing includes information about content, production credits, format, length, ancillary materials, awards, and current distribution agent (as of June 1992). All distributor addresses and phone numbers can be found in the back of the book.(TMK) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document.