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1 Ken Clarke
KEN CLARKE - MY PROFESSIONAL AUTOBIOGRAPHY When I left junior school at the age of twelve my plastering career started at the well known building Arts & Craft Secondary School, ‘Christopher Wren’, and from this early age I was particularly interested in fibrous plastering. It was a known fact that, of a class of 16, two of the pupils, after four years of schooling, would start their training at a major film studio. I passed my GCE in Building Craft, Paintwork and Plasterwork (copy 1 attached) and was one of the lucky two to be chosen to start training at Shepperton Studios. This was my first achievement (copy 2 – letter of engagement, 9 June 1964, attached). I started Shepperton Studios in the plastering Dept on 22 June 1964 under conditions of a six-month probationary period and a further 4 and half years. During this five-year apprenticeship, I was to do through the block release system, eight weeks at work and two weeks at Art & Craft College ‘Lime Grove’. At the end of five years I was awarded my basic and final City and Guilds in plastering (basic June 1966 and final June 1968 – copies 3 and 4 attached). This was a big achievement for any young man – for me; it was the beginning of a big career. After my five years I was presented with one of the very last certificates of apprenticeship offered by the ‘Film Industry Training Apprenticeship Council’. Thus, my apprenticeship came to an end. (Letter of thanks and delivery of my deeds and certificate 1 June 1969. -
AFI Preview 12
THE AMERICAN FILM INSTITUTE GUIDE July 30-Sept. 9, 2004 ★ TO THEATRE AND MEMBER EVENTS VOLUME 1 • ISSUE 12 AFIPREVIEW CELEBRATE THE GOLDEN AGE OF MGM MUSICALS! MEET ME IN ST. LOUIS FEATURED SHOWCASE Plus: JOHNNYCRY-BABY LAWRENCE OF ARABIA PIRATES OF THE ORWELL ROLLS IN HIS GRAVE CARIBBEAN LA DOLCE VITA EDWARD SCISSORHANDS And... And More! August at the Kennedy Center: DEPP The Films of Charlie Chaplin THE MANCHURIAN CANDIDATE Kurosawa’s SEVEN SAMURAI NOW PLAYING FEATURED FILMS Features Now Opening! Featuring FAHRENHEIT 9/11 Director Michael Moore 2ORWELL ROLLS IN HIS GRAVE Expanding on his Orwellian Metaphor! 3LA DOLCE VITA 3LAWRENCE OF ARABIA Washington Area Premiere Engagement! Featured Showcase ORWELL ROLLS IN HIS GRAVE 4 Johnny Depp: Master of Quirk Opens Friday, July 30 “WAR IS PEACE,” “FREEDOM IS SLAVERY,” Film Series “IGNORANCE IS STRENGTH…” Has America 5 Bloody Hell: entered an Orwellian world of double-speak British Horror Films, Part 2 where outright lies can pass for the truth? Are 6 The Golden Age of MGM: The Freed its citizens being sold a bill of goods by a hand- Unit and the MGM Musical ful of transnational media corporations and political elites whose interests have little in Calendar 8-9 common with the interests of the American people? Director Robert Kane Pappas uses sear- ing testimony from the best and the brightest About AFI Silver/ to suggest this is the case. Pappas asks some Kennedy Center Theatres 10 troubling questions about the size of media 7Letter From the Director monopolies, how they got that way, who decides what airs and what doesn’t, and why Special Screenings and Events some news stories go unreported (or underreported) by the mainstream media. -
For More Than Seventy Years the Horror Film Has
WE BELONG DEAD FEARBOOK Covers by David Brooks Inside Back Cover ‘Bride of McNaughtonstein’ starring Eric McNaughton & Oxana Timanovskaya! by Woody Welch Published by Buzzy-Krotik Productions All artwork and articles are copyright their authors. Articles and artwork always welcome on horror fi lms from the silents to the 1970’s. Editor Eric McNaughton Design and Layout Steve Kirkham - Tree Frog Communication 01245 445377 Typeset by Oxana Timanovskaya Printed by Sussex Print Services, Seaford We Belong Dead 28 Rugby Road, Brighton. BN1 6EB. East Sussex. UK [email protected] https://www.facebook.com/#!/groups/106038226186628/ We are such stuff as dreams are made of. Contributors to the Fearbook: Darrell Buxton * Darren Allison * Daniel Auty * Gary Sherratt Neil Ogley * Garry McKenzie * Tim Greaves * Dan Gale * David Whitehead Andy Giblin * David Brooks * Gary Holmes * Neil Barrow Artwork by Dave Brooks * Woody Welch * Richard Williams Photos/Illustrations Courtesy of Steve Kirkham This issue is dedicated to all the wonderful artists and writers, past and present, that make We Belong Dead the fantastic magazine it now is. As I started to trawl through those back issues to chose the articles I soon realised that even with 120 pages there wasn’t going to be enough room to include everything. I have Welcome... tried to select an ecleectic mix of articles, some in depth, some short capsules; some serious, some silly. am delighted to welcome all you fans of the classic age of horror It was a hard decision as to what to include and inevitably some wonderful to this first ever We Belong Dead Fearbook! Since its return pieces had to be left out - Neil I from the dead in March 2013, after an absence of some Ogley’s look at the career 16 years, WBD has proved very popular with fans. -
Citation: Freeman, Sophie (2018) Adaptation to Survive: British Horror Cinema of the 1960S and 1970S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: Freeman, Sophie (2018) Adaptation to Survive: British Horror Cinema of the 1960s and 1970s. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/39778/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html ADAPTATION TO SURVIVE: BRITISH HORROR CINEMA OF THE 1960S AND 1970S SOPHIE FREEMAN PhD March 2018 ADAPTATION TO SURVIVE: BRITISH HORROR CINEMA OF THE 1960S AND 1970S SOPHIE FREEMAN A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the Faculty of Arts, Design & Social Sciences March 2018 Abstract The thesis focuses on British horror cinema of the 1960s and 1970s. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Freddie Francis Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Freddie Francis 电影 串行 (大全) Traitor's Gate https://zh.listvote.com/lists/film/movies/traitor%27s-gate-1170691/actors Torture Garden https://zh.listvote.com/lists/film/movies/torture-garden-1193505/actors Nightmare https://zh.listvote.com/lists/film/movies/nightmare-1196610/actors The Evil of Frankenstein https://zh.listvote.com/lists/film/movies/the-evil-of-frankenstein-1444783/actors Dr. Terror's House of Horrors https://zh.listvote.com/lists/film/movies/dr.-terror%27s-house-of-horrors-1617364/actors Mumsy, Nanny, Sonny and Girly https://zh.listvote.com/lists/film/movies/mumsy%2C-nanny%2C-sonny-and-girly-1703765/actors Son of Dracula https://zh.listvote.com/lists/film/movies/son-of-dracula-1937502/actors Star Maidens https://zh.listvote.com/lists/film/movies/star-maidens-317613/actors The Doctor and the Devils https://zh.listvote.com/lists/film/movies/the-doctor-and-the-devils-3222381/actors Paranoiac https://zh.listvote.com/lists/film/movies/paranoiac-3363575/actors The Skull https://zh.listvote.com/lists/film/movies/the-skull-3421567/actors The Psychopath https://zh.listvote.com/lists/film/movies/the-psychopath-3423295/actors The Ghoul https://zh.listvote.com/lists/film/movies/the-ghoul-3521028/actors Craze https://zh.listvote.com/lists/film/movies/craze-4081059/actors The Creeping Flesh https://zh.listvote.com/lists/film/movies/the-creeping-flesh-495737/actors Dark Tower https://zh.listvote.com/lists/film/movies/dark-tower-5223455/actors Legend of the Werewolf https://zh.listvote.com/lists/film/movies/legend-of-the-werewolf-6517827/actors -
Buxom Monstrosity: Theatricality and the Ostentatious Body in Horror Film
Buxom Monstrosity: Theatricality and the Ostentatious Body of the Horror Film André Loiselle Carleton University, 1125 Colonel By Drive Ottawa ON K1S 5B6 613.520.2600 + 8083 [email protected] Abstract The low-brow horror film is often criticized for indulging in the display of ‘some stupid killer chasing some big-breasted girl.'1 While this cliché is generally inaccurate, the presence of curvaceous young women in horror is common enough to have become a recognizable stereotype. Rather than merely claiming that they appear in horror films only to appeal to the sex-crazed teenage boys who apparently flock to see schlock, this article proposes that the voluptuous bodies that adorn much of horror cinema mirror the threateningly ostentatious physique of the monster in its subversive challenge against patriarchal normality. To make this argument, I consider first how the monster's impact on the audience results in great part from its theatricality. Subsequently, I discuss how the concept of theatricality and its various implications applies to the notion of buxom monstrosity. Using examples ranging from classics such as Terence Fisher's The Curse of the Werewolf (1961) to current releases like The Exorcist Chronicles (2013, Philip Gardiner), I show that buxom monstrosity, in all of its aberrantly captivating theatricality, epitomizes the paradox of patriarchy. The monstrously curvy body stands for the (un)containable feminine figure that hegemonic masculinity finds at once irresistible and repulsive; endearingly fragile and frighteningly potent. Keywords: Corporality of the female character in the horror film; Subversive bodies in horror; Theatricality of the monster. 1. Introduction: Horror's Big-Breasted Girl. -
Freeman.Sophie Phd.Pdf
Northumbria Research Link Citation: Freeman, Sophie (2018) Adaptation to Survive: British Horror Cinema of the 1960s and 1970s. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/39778/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html ADAPTATION TO SURVIVE: BRITISH HORROR CINEMA OF THE 1960S AND 1970S SOPHIE FREEMAN PhD March 2018 ADAPTATION TO SURVIVE: BRITISH HORROR CINEMA OF THE 1960S AND 1970S SOPHIE FREEMAN A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the Faculty of Arts, Design & Social Sciences March 2018 Abstract The thesis focuses on British horror cinema of the 1960s and 1970s. This was a lively period in British horror history which produced over two hundred films, but it has often been taken for granted in critical work on both British horror and British national cinema, with most of the films concerned left underexplored or ignored entirely. -
Afi Latin American Film Festival Sept 17–Oct 7
ISSUE 73 AFI.com/Silver AFI SILVER THEATRE AND CULTURAL CENTER SEPTEMBER 17–NOVEMBER 25, 2015 AFI LATIN AMERICAN FILM FESTIVAL SEPT 17–OCT 7 Noir City DC Silent Cinema Showcase Claude Sautet 25 Years of Milestone Films Frederick Wiseman’s New York Contents Noir City DC: The 2015 Film Noir Festival Noir City DC .....................................2-4 October 17–29 The Cinema of Claude Sautet ...................4 Noir City DC returns! This year’s edition features new Film Special Engagements ..............................5 Noir Foundation restorations of WOMAN ON THE RUN, THE UNDERWORLD STORY and THE GUILTY, alongside AFI Latin American Film Festival .......6-11 an expertly curated selection of canonical classics and Silent Cinema Showcase .............. 12-13 intriguing rarities. Look for a special sidebar devoted to a wide array of Cornell Woolrich adaptations, and a Wild Bill Wellman, Fred Wiseman’s NY, multi-media presentation by Film Noir Foundation founder 25 Years of Milestone Films ... ..............14 Eddie Muller on “The Shadowy History of Film Noir,” co- presented with the Smithsonian Associates. Calendar ............................................15 Muller and noted film noir scholar Foster Hirsch will introduce selected shows in the Noir City DC series and WOMAN ON THE RUN AFI Member passes accepted at all lead post-screening discussions. screenings unless otherwise noted. Special thanks to the Film Noir Foundation board, To become a Member of AFI visit including Eddie Muller, Foster Hirsch and Alan K. Rode, New 35mm Restoration! AFI.com/Silver/JoinNow for their invaluable work. Additional thanks to Todd WOMAN ON THE RUN Weiner and Steven Hill, UCLA Film & Television Archive; Sat, Oct 17, 7:00; Tue, Oct 20, 8:45 TICKETS and Film Noir Foundation member Katherine Majeed. -
Freddie Francis
FREDDIE FRANCIS Biografia Nasce a Londra, nel 1917. Studia ingegneria e quindi comincia a scattare foto di scena sui set cinematografici. Nel 1936 riesce a farsi assumere dalla Gaumont come ragazzo tuttofare e quindi lavora in diversi studi fra i quali Stepperton ed Elstree. Rimane a Pinewood fino all’inizio della guerra come assistente cameramen per poi entrare nell’esercito nel reparto “Servizi Cinematografici”. Dopo la guerra ottiene il suo primo lavoro come cameraman in The Macomber Affair (1947) e quindi viene chiamato anche per Mine Own Executioner. Nel 1956 è direttore della fotografia nella seconda unità di Moby Dick, ruolo nel quale aveva già esordito l’anno prima con A Hill in Korea. Nel 1961 debutta alla regia con Two and Two make six e la sua prima edizione horror viene con Vengenace/The Brain. Nei tredici anni successivi firma la regia di 22 pellicole, quasi tutte del genere fantastico, molte delle quali per la Hammer e la Amicus. A metà anni Settanta decide di smettere di dirigere e si dedica soltanto alla fotografia. Cambia però idea nel 1985 ritornando alla regia con Doctor and the Devils. Ha vinto un Oscar per la migliore fotografia con Sons and Lovers. Intervista di Marco Zatterin a Freddie Francis realizzata nell’abitazione del regista a Isleworth, Londra, il 22 febbraio 1986. Ho letto spesso, in altre interviste che ha concesso, che a lei non piacciono i film dell’orrore. E vero? L’ho letto anch’io, ma si tratta di cattive interpretazioni di un mio pensiero. Molto semplicemente, io detesto fare sempre la stessa cosa e visto che non credo ci sia tanta altra gente che abbia diretto un numero così elevato di pellicole horror ho tutti i diritti di essermi stufato. -
WSFA Journal 84
THE WSFA JOURNAL (The Journal of the Washington S. F. Association) Issue Number 84: December, 1974 Copyright © 1974 by Donald L. Miller AH rights reserved for contributors. Views expressed by contributors do not necessarily reflect those of WSFA or the editors. Published by The WSFA Press TWJ-84/3 TABLE OF CONTENTS TITLE PAGE..........................................................................................................Page 1 TABLE OF CONTENTS.................................................................................... Page 3 COLOPHON........................................................................................................ Page 5 STAFFING ..........................................................................................................Page 5 '73 WRAPUP: The Year In Review— THE "BEST" ANTHOLOGIES: 1973 by Richard Delap............ Page 9 THE "ORIGINAL" ANTHOLOGIES: 1973 by Richard Delap . Page 17 1973 SF/FANTASY MAGAZINE WRAP-UP by Richard Delap Page 26 DEVILS, DEMONS, AND ASSORTED DAMNATIONS: A Review of 1973's Science Fiction, Fantasy, and Horror Films by Richard De lap................................................................ Page 28 SCIENCE FICTION IN GERMANY by Frank Flugge............... Page 34 SCIENCE FICTION IN JAPAN IN 1973 by Takumi Shibano . Page 36 1973 COMICS—THE YEAR IN REVIEW by Kim Weston .... Page 39 TV IN 1973 by Beth Slick............................................................. Page44 BONNIE'S BEASTIES— Art Folio by Bonnie Dalzell..................... Page47 FAN FICTION -
Desert Island Complete Public Domain List 1
Desert Island Complete Public Domain List TITLE YEAR LENGTH COLOR/BW STARS GENRE MISC SYNOPSIS Linda gets raped by a man in a hockey mask. She finds that a few other women have had the same treatment. Together they form a squad that starts looking for the man and also changes the mind of would-be New Public Domain Act of Vengeance 1974 C Jo Ann Harris Action rapists The exploits of Champion, a wild stallion who befriends twelve year-old Ricky North in the American Southwest in the 1880's. Although Ricky, who lived on his Uncle Sandy's ranch, had a magnetic attraction for Adventures of Champion TV 1955 B Champion TV trouble, he was always rescued by the Wonder Horse, aided by the boy's other bosom companion, German shepherd dog A former astronaut helps a government agent and a police detective track the source of mysterious alien pod spores, filled with lethal flesh-dissolving acid, to a South American coffee plantation controlled by alien Alien Contamination 1980 C Ian McCulloch Sci-Fi pod clones Alraune England 1795: the young Catherine just married Charles Fengriffen and moves into his castle. She becomes victim of an old curse that lays on the family. On her wedding night she's raped by a ghost and gets And Now the Screaming Starts 1973 C Peter Cushing Horror pregnant. Apache Blood 1975 C Ray Danton Western Chief Yellow Shirt is hunting down white men because they broke a treaty Armour of God 1987 C Jackie Chan Martial Arts Jackie Chan and his bumbling sidekick are sent on a quest through Europe to find a mysterious treasure held by a shadowy organization of monks.