VIRTUE of NECESSITY Inconclusiveness and Narrative Form in Chaucer S Poetry

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  • Geoffrey Chaucer's House of Fame

    Geoffrey Chaucer's House of Fame

    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1996 Geoffrey Chaucer's House of Fame: From Authority to Experience Victoria Frantseva Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Frantseva, Victoria, "Geoffrey Chaucer's House of Fame: From Authority to Experience" (1996). Masters Theses. 1905. https://thekeep.eiu.edu/theses/1905 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is rece1v1ng a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. I respectfully request Booth Library of Eastern Illinois University not allow my thesis to be reproduced because: Author Date GEOFFREY CHAUCER'S HOUSE OF FAME: FROM AUTHORITY TO EXPERIENCE BY Victoria Frantseva THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1996 I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE DATE DATE Abstract Geoffrey Chaucer's House of Fame is one of the most provocative dream-vision poems written in the fourteenth century.
  • Rhetorical Ductus in Chaucerian Ekphrasis

    Rhetorical Ductus in Chaucerian Ekphrasis

    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-11-2016 12:00 AM Rhetorical Ductus in Chaucerian Ekphrasis Emily Laura Pez The University of Western Ontario Supervisor Dr. Richard Moll The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Emily Laura Pez 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Pez, Emily Laura, "Rhetorical Ductus in Chaucerian Ekphrasis" (2016). Electronic Thesis and Dissertation Repository. 3656. https://ir.lib.uwo.ca/etd/3656 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract My thesis investigates how the rhetorical device of ekphrasis functions in the poetry of Geoffrey Chaucer. Ekphrasis, as a detailed description of a work of visual art, figures prominently in Chaucer’s The Book of the Duchess, The Parliament of Fowls, The House of Fame, and The Knight’s Tale. Drawing upon the theories of the medieval arts of memory and particularly the work of Mary Carruthers on this subject, my thesis argues that Chaucer’s ekphrases incorporate memory techniques, which connect the ekphrases integrally to the texts in which they are found. Chaucer’s early uses of ekphrasis in The Book of the Duchess and The Parliament of Fowls guide the audience’s interpretation and therefore contribute to the ductus, defined by Carruthers as the text’s “overall direction” (“Concept” 196).
  • The Idea of the Book in the Middle Ages: LANGUAGE THEORY, MYTHOLOGY, and FICTION

    The Idea of the Book in the Middle Ages: LANGUAGE THEORY, MYTHOLOGY, and FICTION

    The Idea of the Book in the Middle Ages The Idea of the Book in the Middle Ages LANGUAGE THEORY, MYTHOLOGY, AND FICTION JESSE M. GELLRICH Cornell University Press ITH ACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Cornell University Press gratefully acknowledges a grant from the Andrew W. Mellon Foundation that aided in bringing this book to publication Copyright © 1985 by Cornell University First printing, Cornell Paperbacks, 1987 Second paperback printing 2019 The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-1722-1 (cloth: alk. paper) ISBN 978-1-5017-4070-1 (pbk.: alk. paper) ISBN 978-1-5017-4071-8 (pdf) ISBN 978-1-5017-4072-5 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress Excerpts from Dante Alighieri, The Divine Comedy, translated, with a commentary by Charles Singleton, Bollingen Series 80, Volume 1: Inferno, copyright © 1973 by Princeton University Press; Volume 3: Paradiso, copyright © 1975 by Princeton University Press, are reprinted by permission of Princeton University Press. For my family and in memory of my father 19°1-197° Letters are indeed the indices of things, the signs of words, in which there is such power that they speak to us without voice the discourse of the absent.
  • Chaucer and the Theme of Mutability. Joseph John Mogan Jr Louisiana State University and Agricultural & Mechanical College

    Chaucer and the Theme of Mutability. Joseph John Mogan Jr Louisiana State University and Agricultural & Mechanical College

    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1961 Chaucer and the Theme of Mutability. Joseph John Mogan Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Mogan, Joseph John Jr, "Chaucer and the Theme of Mutability." (1961). LSU Historical Dissertations and Theses. 697. https://digitalcommons.lsu.edu/gradschool_disstheses/697 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been 62—54 microfilmed exactly as received MOGAN, Jr.f Joseph John, 1924- CHAUCER AND THE THEME OF MUTABILITY. Louisiana State University, Ph.D., 1961 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan CHAUCER AND THE THEME OF MUTABILITY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Joseph John Mogan, Jr. B.A., St. Mary's University, 1946 M.A., Notre Dame University, 1954 August, 1961 ACKNOWLEDGMENT It is with gratitude that I express my indebtedness to Dr. Thomas A. Kirby for supervising this study through to its completion; and for his many helps and suggestions throughout most of my graduate training which "shul not here be told for me." TABLE OF CONTENTS PAGE ACKNOWLEDGMENT ......................................
  • Microfilms Internationa) 300 N.Zeeb Road Ann Arbor, Ml 40106

    Microfilms Internationa) 300 N.Zeeb Road Ann Arbor, Ml 40106

    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.Thc sign or “target” for pages apparently lacking from the document photographed is “ Missing Pagc(s)” . If it was possible to obtain the missing page(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. I f necessary, sectioning is continued again-beginning below the first row and continuing on until complete.