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News Release Communications For Immediate Release T 212 570 3951 [email protected] Julio Le Parc 1959 Contact Ann Bailis Alexandra Kozlakowski The first solo exhibition in a New York museum of Argentinian artist Julio Micol Spinazzi Le Parc (born 1928) will open at The Met Breuer on December 4, 2018. The show celebrates the artist’s extraordinary gift to The Met of 24 Exhibition Dates: works and also marks the occasion of the artist’s 90th birthday. December 4, 2018– Featuring over 50 works, Julio Le Parc 1959 will present a substantial, February 24, 2019 never-before-seen selection of gouaches from one of the most prolific and transformative years in the artist’s career. Exhibition Location: The Met Breuer, Floor 2 The exhibition is made possible by The Daniel and Estrellita Brodsky Foundation. Press Preview: Monday, December 3, Additional support is provided by Tony Bechara, the Institute for Studies 10 am–noon on Latin American Art (ISLAA), and the Latin American Art Initiative of The Metropolitan Museum of Art. www.metmuseum.org #MetJulioLeParc Born in Mendoza, Argentina, in 1928, Le Parc studied under Lucio Fontana during the 1940s and engaged with abstract avant-garde movements in Buenos Aires. In 1958, Le Parc moved to Paris, where his encounter with Op artists such as Victor Vasarely had an important influence on his art. The series of gouaches Le Parc started that year— intimate yet methodic studies of form and color—illuminates his interest in developing geometric abstraction by incorporating movement through variations, sequences, and progressions. This work anticipates his founding role in Kinetic art during the 1960s, when he made paintings and sculptures with movable parts by incorporating mirrors, motors, and electric light. Aiming to make art more accessible and politically relevant, Le Parc also experimented with projected lights in darkened rooms, adding a sense of playfulness and encouraging viewer participation. To represent this achievement, the show also includes the kinetic painting Forms in Contortion over Thread (1966) and the immersive installation Continual Light Cylinder (1962/2018). Julio Le Parc 1959 Julio Le Parc 1959 is curated by Iria Candela, Estrellita B. Brodsky Curator of Latin American Art in the Modern and Contemporary Art department at The Met. The exhibition will be featured on the Museum's website, as well as on Facebook, Instagram, and Twitter using the hashtag #MetJulioLeParc. ### November 28, 2018 .

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Kinetic Masters & Their Legacy (Exhibition Catalogue)
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Paul 1839 - 1906 The Bridge from Impressionism to Cubism Birth January 19, 1839 Aix-en-Provence Paul’s home in Aix-en-Provence Chestnut trees and farm at Jas de Bouffan, 1885 View from Paul’s studio in Aix-en-Provence One of Paul’s paintings, done using a similar view from Paul’s studio in Aix-en-Provence. Aix-en-Provence Parentage The Artist’s Mother and Sister, 1868 Portrait of Louis- Auguste Cezanne, the Artist’s Father 1866 Paul Alexis Reading to Emile Zola, 1869-1870 Paul came from a wealthy family and his father was very strict. He only had a few friends growing up. His best friend, Emile Zola, became a famous writer. Paul never forgot the time he spent roaming the countryside with Emile. The two friends encouraged each other throughout their lives. Education Paul Cezanne, 1861 Even though Paul’s father didn’t think much of artists, he did allow his son to take drawing lessons and even paint murals on the walls of their home. Paul studied law for 3 years before going to Paris to pursue a career in art. The Oath of Horatii, Jacques Louis David, 1784 Paul moved into a studio filled with young artists who were usually happy to paint in the accepted style of the day. They used realism and dark backgrounds in order to please members of the Salon who would display their paintings at the most important art show in France. So Paul gave it a try… …but he was too imaginative and restless to keep trying to please the Salon.
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