Carl Mosk: Classical Music Vinyl Record Collection for Sale
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MOZART Symphonies 29,31,32,35,36
ALSO AVAILABLE ON LINN RECORDS MOZART Requiem ................................................CKD 211 MOZART Wind Concertos .................................CKD 273 MOZART Serenades ..............................................CKD 287 MOZART Symphonies 38~41 ..........................CKD 308 MOZART Colloredo Serenade............................CKD 320 MOZART Symphonies 29,31,32,35,36 ..........CKD 350 MENDELSSOHN Symphony No.3 ‘Scottish’ ..............CKD 216 SIBELIUS Theatre Music......................................CKD 220 BRAHMS Violin Concerto ..................................CKD 224 BARTÓK Strings, Percussion & Celeste ........CKD 234 PROKOFIEV Symphony No.1 in D major............CKD 219 DVORˇÁK Violin Concerto ..................................CKD 241 BEETHOVEN Piano Concertos 3,4,5 ......................CKD 336 Available on SACD and Studio Master Download from www.linnrecords.com Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (1756–1791) Divertimento K.334 GIVEN THAT CHAMBER MUSIC takes such an important place in Mozart’s output Oboe Quartet K.370 – the great string quintets and quartets, and the wonderful range of works with SCOTTISH CHAMBER piano – it seems surprising that in the first years of his maturity, from 1774, say, ORCHESTRA ENSEMBLE until 1781, he wrote so little. His earlier string quartets, dating from between Alexander Janiczek director / violin*† 1770 and 1773, had been associated with visits to Italy and Vienna; in Salzburg, it seems, there was more call for serenade music for orchestra or wind ensemble, Divertimento No.17 in D Major Ruth Crouch violin* for 2 violins, viola, bass and 2 horns * Jane Atkins viola*† often performed out-of-doors. There is, however, an important series of works David Watkin cello† for strings and two horns (K.205, 247, 287 and 334) that are designed for single 1 March K.445 (320c) ................................. 2.27 Nikita Naumov double bass* players and attest to his increasing mastery in writing for small ensembles. -
Daniel Saidenberg Faculty Recital Series
Daniel Saidenberg Faculty Recital Series Frank Morelli, Bassoon Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Photo by Claudio Papapietro Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu The Juilliard School presents Faculty Recital: Frank Morelli, Bassoon Jesse Brault, Conductor Jonathan Feldman, Piano Jacob Wellman, Bassoon Wednesday, January 17, 2018, 7:30pm Paul Hall Part of the Daniel Saidenberg Faculty Recital Series GIOACHINO From The Barber of Seville (1816) ROSSINI (arr. François-René Gebauer/Frank Morelli) (1792–1868) All’idea di quell metallo Numero quindici a mano manca Largo al factotum Frank Morelli and Jacob Wellman, Bassoons JOHANNES Sonata for Cello, No. 1 in E Minor, Op. 38 (1862–65) BRAHMS Allegro non troppo (1833–97) Allegro quasi menuetto-Trio Allegro Frank Morelli, Bassoon Jonathan Feldman, Piano Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. -
Festival of Strings 2017 Flier
Festival of Strings 2017 Five Consecutive days of Concerts and Master Classes with Internationally Recognized Artists and our own SHSU faculty Dylana Jenson (violin), The Solera String Quartet with Josu de Solaun (piano), The Kolonneh String Quartet (SHSU faculty) • Thursday, October 5, Concert Hall, 2:30-5:00 pm Master class with Dylana Jenson • Friday, October 6, Recital Hall 1:00-3:00 pm Master class with Dylana Jenson • Friday, October 6, Concert Hall, 7:30 pm SHSU Symphony Orchestra Concert with guest soloist Daniel Saenz (cello) VENUE CHANGE! • Saturday, October 7, Recital Hall, 7:30 pm University Heights Baptist Church Guest Artist Recital 2400 Sycamore Ave, Huntsville, TX 77340 Dylana Jenson, (violin) with Josu de Solaun (piano) •Sunday, October 8, Recital Hall, 3:30 pm Guest Artist Recital The Solera String Quartet with Josu de Solaun (piano) • Monday, October 9, Recital Hall, 7:30 pm The Kolonneh String Quartet www.shsu.edu/music/events Sam Houston State University Festival of Strings 2017 Guest Artists DYLANA JENSON Dylana Jenson has performed with most major orchestras in the United States and traveled to Europe, Australia, Japan and Latin America for concerts, recitals and recordings. After her triumphant success at the Tchaikovsky Competi- tion, where she became the youngest and first American woman to win the Silver Medal, she made her Carnegie Hall debut playing the Sibelius Concerto with Eugene Ormandy and the Philadelphia Orchestra. Following her most recent Carnegie Hall performance, Jenson again electrified both audience and critics in her per- formance of Karl Goldmark's violin concerto. According to Strad Magazine, "In Jenson's hands, even lyrical passages had an intense, tremulous quality.. -
Centros Que Imparten El CFGM En Impresión Gráfica
MINISTERIO Registro Estatal de Centros Docentes No Universitarios DE EDUCACIÓN, CULTURA Página: 1 Y DEPORTE Listado el :07/12/2018 Consulta relativa a: Familia: ARTES GRÁFICAS Enseñanza: Impresión Gráfica Centros seleccionados: 28 Denominación Provincia Localidad Denominación genérica Código Naturaleza Domicilio C. Postal específica Instituto de Educación Córdoba Córdoba El Tablero 14000707 Centro público de la Arruzafilla, s/n 14011 Secundaria Instituto de Educación Málaga Málaga La Rosaleda 29005916 Centro público Luis Buñuel, 8 29011 Secundaria Instituto de Educación Sevilla Sevilla Llanes 41700117 Centro público Escultor Francisco Buiza, s/n 41008 Secundaria Instituto de Educación Zaragoza Zaragoza PILAR LORENGAR 50010739 Centro público CL. MIGUEL ASSO, 5 50014 Secundaria Asturias Oviedo I.E.S. "Pando" 33022591 Centro público Avda. Pando, 40 33011 Santa Cruz de Santa Cruz de Instituto de Educación VIRGEN DE 38005297 Centro público CTRA. DEL ROSARIO, 144 38010 Tenerife Tenerife Secundaria CANDELARIA Sant Just Barcelona Antoni Algueró 08054149 Centro privado c. Parlament Català, 1-3 08960 Desvern Girona Girona Santa Eugènia 17006939 Centro público c. Enric Marquès i Ribalta, 3 17006 Tarragona Tarragona Pere Martell 43006630 Centro público Autovia de Salou, s/n 43006 Instituto de Educación A Coruña A Coruña Calvo Sotelo 15004204 Centro público RU/Archer M. Huntington 24 15011 Secundaria (IES) Instituto de Educación A Coruña Ferrol Leixa 15021469 Centro público RU/SAN PEDRO DE LEIXA s/n 15405 Secundaria (IES) MINISTERIO Registro Estatal -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Cantantes Líricos Italianos Y Españoles
Cantantes Líricos Italianos y Españoles Teatro de la Ópera de París Autores: Guidotti Gabaldón, Maria Riansares Marqués Verchili, Antonio Vallés Soler, Cristóbal Curso 2012-2013 de 1º de Postgrado : Manifestaciones de la cultura contemporánea Índice Introducción…………………………………… 2 Cantantes Italianos: Tenores: Farinelli (Castrati) .................. 4 Caruso, Enrico ........................ 6 Gigli, Beniamino ...................... 7 Mónaco, Mario del ..................... 9 Di Stefano, Giuseppe .................. 11 Pavarotti, Luciano .................... 13 Gobbi, Tito (Bajo) .................... 16 Sopranos: Muzio, Claudia ........................ 18 Tebaldi, Renata ....................... 19 Scotto, Renata ........................ 23 Otras nacionalidades: Callas, María ............................ 25 Sutherland, Joan ......................... 30 Kiri Te Kanawa ..............................31 Cantantes Españoles: Sopranos Malibrán, María ........................ 34 Hidalgo, Elvira ........................ 42 De los Angeles, Victoria ............... 43 Lorengar, Pilar ........................ 45 Caballé, Monserrat ..................... 46 Berganza, Teresa (mezzosoprano) ........ 48 Tenores Gayarre, Julián ........................ 49 Redondo, Marcos ........................ 51 Kraus, Alfredo ......................... 53 Domingo, Plácido ....................... 54 Carreras, José ......................... 59 Bibliografía ............................................................ 61 1 Introducción En este trabajo hemos resumido los más -
Download Augustin Dumay Biography
Augustin Dumay International critics have compared Augustin Dumay to the great violinists of the 20th century, describing him as a “great classical stylist”, a reputation underscored by his outstanding recordings for Deutsche Grammophon: Beethoven’s complete sonatas with Maria João Pires, a set that “surely ranks with Grumiaux/Haskil, Menuhin/Kempff, or Perlman/Ashkenazy” (International Piano), Brahms’ trios in which “the Milstein legacy in Dumay’s playing is wonderfully apparent” (Gramophone), and Mozart’s concertos with the Camerata Salzburg, “without exaggeration one of the finest Mozart violin concerto discs ever made” (Classic CD), in which he “confirms that he is an exceptional interpreter of Mozart as were Stern or Grumiaux before him” (Classica). Born into a family of musicians – his mother is a cellist and pianist, his father an amateur violinist – Augustin Dumay started violin lessons at the age of 5, after attending a concert by Nathan Milstein. Aged ten, he entered the Paris Conservatoire, winning the premier prix at the age of thirteen. His first concert at the Théâtre des Champs- Élysée followed a year later and he then appeared at the Montreux Festival, playing for Joseph Szigeti and Henryk Szeryng, who invited him to replace him on a tour of South America. On his return, Augustin Dumay worked in Paris with Nathan Milstein, who said of him: “I believe he will take his place amongt the great violinists of the year 2000”. He then went on to work in Brussels with Arthur Grumiaux for five years. He soon became familiar to concert audiences in France, but his international career took off thanks to his encounter with Herbert von Karajan. -
Stellenbosch University Research Report 2004
STELLENBOSCH UNIVERSITY RESEARCH REPORT 2004 Editor: Senior Director: Research Stellenbosch University Stellenbosch 7602 ISBN 0-7972-1170-5 i FOREWORD The 2004 Research Report provides a comprehensive record of the University's research outputs. In addition to this overall survey of research at the institution, perspectives are provided on the performance of individual faculties and departments. Further statistical perspectives on research output and the nature of research activities are presented in other publications of the Division of Research Development, i.e. Research @ Stellenbosch; and Perspectives of Stellenbosch University. As in the past, a variety of persons and organizations contributed to the University's research programme. Stellenbosch University wishes to express particular recognition to the statutory research councils and commissions, government departments, private enterprises, foundations and individuals for their continued support of our research. As far as research funding is concerned, researchers at South African universities are increasingly dependent upon new sources for research funding. This includes national and international opportunities alike. Stellenbosch University therefore attaches great value to regional cooperation and substantive scientific agreements with other universities local and abroad, and to bilateral research and development agreements between South Africa and other countries. Apart from the active support of research by the University's management, a variety of internal support services provide assistance to researchers. These include the library and information services, capacity building workshops, information technology, infrastructure, the maintenance of laboratories and equipment, central analytical services, and support from the administrative and financial divisions, without which it would be impossible to conduct research of this calibre. We acknowledge with appreciation the dedication and excellent contributions made by Stellenbosch University staff members to the institution's research output. -
Love Forbidden, Not Forgotten
2011-2012 Season Love forbidden, not forgotten Luisa Fernanda La rondine Rigoletto Roméo & Juliette LUISA FERNANDA SUBSCRIBERS SEE © Javier del Real for Teatro Real LA RONDINE 4 OPERASFORTHEPRICEOF © Carol Rosegg for New York City Opera RIGOLETTO © Ken Howard for San Diego Opera ROMÉO & JULIETTE 3 © Michal Daniel for The Minnesota Opera Dear Florida Grand Opera Subscriber, I am delighted to invite you to join us for Florida Grand Opera’s 2011-2012 season, which will begin with our first-ever presentation of a zarzuela, Federico Moreno Torroba’s Luisa Fernanda, in a remarkable production from Madrid’s Teatro Real. Zarzuela, a traditional form of Spanish musical theater, has been championed by the world’s great Hispanic opera singers, including Montserrat Caballé, Pilar Lorengar, Alfredo Kraus, and Teresa Berganza. The great tenor Plácido Domingo actually began his magnificent career singing zarzuela and has kept it in his repertory over the years. This Teatro Real production has been seen at Milan’s La Scala, Washington National Opera, and Los Angeles Opera, and we are proud to be able to present it to our Maestro Ramon Tebar and Bob Heuer South Florida audience. It promises to be a highlight of the season. The season will also include Florida Grand Opera’s first-ever production of Puccini’s La rondine, which has been enjoying renewed worldwide popularity, and truly remarkable artists in productions of Verdi’s Rigoletto and Gounod’s Roméo et Juliette. I hope you will join me in welcoming FGO’s new Music Director, Ramon Tebar, who will assume that role during the 2011-2012 season. -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
02-23-2020 Cosi Fan Tutte Mat.Indd
WOLFGANG AMADEUS MOZART così fan tutte conductor Opera in two acts Harry Bicket Libretto by Lorenzo Da Ponte production Phelim McDermott Sunday, February 23, 2020 PM set designer 3:00–6:35 Tom Pye costume designer Laura Hopkins lighting designer Paule Constable The production of Così fan tutte was revival stage director made possible by generous gifts from Sara Erde William R. Miller, and John Sucich / Trust of Joseph Padula Additional funding was received from the The Walter and Leonore Annenberg Endowment Fund, and the National Endowment for the Arts Co-production of the Metropolitan Opera and English National Opera In collaboration with Improbable general manager Peter Gelb jeanette lerman-neubauer Sunday matinee performances at the Met are music director Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 202nd Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S così fan tutte conductor Harry Bicket in order of vocal appearance ferrando skills ensemble Ben Bliss* Leo the Human Gumby Jonathan Nosan guglielmo Ray Valenz Luca Pisaroni Josh Walker Betty Bloomerz don alfonso Anna Venizelos Gerald Finley Zoe Ziegfeld Cristina Pitter fiordiligi Sarah Folkins Nicole Car Sage Sovereign Arthur Lazalde dorabella Radu Spinghel Serena Malfi despina continuo Heidi Stober harpsichord Jonathan C. Kelly cello David Heiss Sunday, February 23, 2020, 3:00–6:35PM RICHARD TERMINE / MET OPERA A scene from Chorus Master Donald Palumbo Mozart’s Così Musical Preparation Joel Revzen, Liora Maurer, fan tutte and Jonathan -
Report R Esumes
REPORTR ESUMES ED 1)17 546 TE 499 996 DEVELOPMENT AND TRIAL IN A JUNIOR AND SENIOR HIGH SCHOOL OF A TWO VEAP CURRICULUM IN GENERAL MUSIC. BY- REIMER, BENNETT CASE WESTERN RESERVE UNIV., CLEVELAND, OHIO REPORT NUMBER ti-116 PUB DATE AUG 67 REPORT NUMBER BR -5 -0257 CONTRAC% OEC6-10-096 EDRS PRICE MF-$1.75 HC-617.56 437P. DESCRIPTORS- *CURRICULUM DEVELOPMENT, *CURRICULUM GUIDES, *MUSIC EDUCATION, *SECONDARY EDUCATION, MUSIC, MUSIC ACTIVITIES, MUSIC READING, MUSIC TECHNIQUES, MUSIC THEORY, INSTRUMENTATION, LISTENING SKILLS, FINE ARTS, INSTRUCTIONAL MATERIALS, TEACHING TECHNIQUES, JUNIOR HIGH SCHOOL STUDENTS, SENIOR HIGH SCHOOL STUDENTS, CLEVELAND, THIS RESEARCH PRODUCED AID TRIED A SYLLABUS FOR JUNIOR AND SENIOR HIGH SCHOOL GENERAL H,:lSIC CLASSES. THE COURSE IS BASED ON (1) A STUDY OF THE CURRENT STATUS OF SUCH CLASSES AND SUGGESTIONS FOR IMPROVING THEM,(2) A PARTICULAR AESTHETIC POSITION ABOUT THE NATURE AND VALUE OF MUSIC AND THE MEANS FOR REALIZING MUSIC'S VALUE,(3) RELEVANT PRINCIPLES OF COURSE CONSTRUCTION AND PEDAGOGY FROM THE CURRICULUM REFORM MOVEMENT IN AMERICAN EDUCATION, AND (4) COMBINING THE ABOVE POINTS IN AN ATTEMPT TO SATISFY THE REQUIREMENTS OF PRESENT NEEDS, A CONSISTENT AND WELL-ACCEPTED PHILOSOPHICAL POSITION, AND CURRENT THOUGHT ABOUT EDUCATIONAL STRATEGY. THE MAJOR OBJECTIVE OF THE COURSE IS TO DEVELOP THE ABILITY TO HAVE AESTHETIC EXPERIENCES OF MUSIC. SUCH EXPERIENCES ARE CONSIDERED TO CONTAIN TWO ESSENTIAL BEHAVIORS -- AESTHETIC PERCEPTION AND AESTHETIC REACTION. THE COURSE MATERIALS ARE DESIGNED TO SYSTEMATICALLY IMPROVE THE ABILITY TO PERCEIVE THE AESTHETIC CONTENT OF MUSIC, IN A CONTEXT WHICH ENCOURAGES FEELINGFUL REACTION TO THE PERCEIVED AESTHETIC CONTENT.