Huddleston Officially Named Arts and Science Dean

Total Page:16

File Type:pdf, Size:1020Kb

Huddleston Officially Named Arts and Science Dean An Associated Collegiate Press Pacemaker Award Winner • THE • Nickelback plays the Bob, Women's rowing captures Bl CAA title, Cl Non-Profit Org. 250 Student Center • University of Delaware • Newark, DE 19716 U.S. Postage Paid Tuesday & Friday Newark, DE Pennit No. 26 FREE Volume 128. Issue 49 ll'ww.rericw.udel.edu Tuesda~. :\ pril JO. 2002 Huddleston officially named Arts and Science dean BY AMIE VOITH "Dean Huddleston is ready and able conduct an internal search for the because of the strong endorsement the College of Arts and Science that decision. Administrati\•e News Editor to engage the leadership of the position because of given to his academic although several faculty members Roselle said he was looking for Mark Huddleston , political college with enthusiasm, skill and financial challenges facing leadership by the were nominated for the position, intelligence, leadership, science and international relations determination." the university. The department chairs," he Huddleston was the only nominee scholarship, a sense of humor, professor, was named dean of the Huddleston, who bas been a department chairs within said. who completed an application form. energy and dedication in the new College of Arts and Science faculty member for more than 20 the College of Arts and Rich said the search for Rich said he did not believe this dean. Wednesday. years, said he has several ideas for Science approved the on­ a new dean began early fact limited the search committee's Huddle ston replaced Tho mas Dan Rich, acting provost and the college. campus search. in Spring Semester 2002. decision. DiLorenzo, who resigned as dean vice president of academic affairs, " My main goal is to help UD Roselle said he did not A committee, headed by "The search committee had June 30, 2001 after department said Huddleston. who has been continue to become one of the think the academic quality Betty Paulanka, dean of complete choice," be said. " It was chairs of the college claimed acting dean since July 2001, premier universities in America," of the applicants was the College of Health and free to continue the search and to discontent with D iLorenzo's exhibited strong qualifications for be said. compromised by an Nursing Science, seek other candidates." actions. the position. University President David P. internal search. evaluated candidates. The group unanimously DiLorenzo has since returned to "He has a reputation as a Roselle stated in an e-mail message "I think Mark Huddleston was Paulanka stated in an e-mail nominated Huddleston to Rich and the faculty as part of the competent, fair, thoughtful and that the university decided to the successful candidate precisely message to the department chairs of Roselle, who made the final psychology department. creative administrator," he said. Students rock for both life and choice BY ALIZA ISRAEL opposing event. NatioTUJI/State News Editor " It's completely their right to Pro-life and pro-choice views have a concert in response," she were supported through music at said. two separate concerts Friday. Junior Rachel Dash, co-president The patio of Perkins Studimt of SAGE and an organizer of Rock Center was transformed into an for Choice, said she saw no arena for pro-life Delawareans and competition between the two bands at the Rock for Life event. activities, though the coordinators Participants let their voices be heard of Rock for Choice planned to give at the Rock for Choice event that part of their money raised to the night at Mitchell Hall. Clinic Access Fund. Senior Matthew Balan, president "[The event] is supposed to be of Students for Life, said he heard fun, political and enjoyable at the Rock for Choice was taking place same time," she said. and thought a counter-event should Performers included bands such be planned instead of a ·protest. as Stargazer Lily and speaker Balan said his group co­ Vivian Houghton, attorney general sponsored this event with the candidate for Green Party Delaware. Delaware chapter of Rock for Life, Houghton said the issue of choice a non-profit organization composed is at the core of the women's of pro-life supporters and musical movement. groups. "If we don't have control ove{ "A protest gets the message THE REVIEW/R ob Meletti our bodies, we have nothing," she , across," he said, "but it is not as The Rock for Life performances (left) on the patio of Perkins said. effective or as constructive." Student Center were organized in response to Rock for Choice Houghton said she thought Sophomore Mat Dilts said he (right), which featured several local bands in Mitchell Hall. holding an event in response to thought Rock for Life was carried but the location would be conducive songs about abortion and the "lies Rock for Choice did not threaten the out in a positive light. to the event since the Catholic the American media tries to tell you pro-choice message. "It's awesome because it's not a Church is traditionally pro-life. -that [abortions] aren't really "I think the right wing is always protest," he said. " People expect Supporters of the event were murder." going to be there, but one fact pro-lifers and Christians in general university students and state Junior Christine Nye, co-action remains - the majority of people in ·to be aggressive and just negative. residents, though none of the chair of Students Acting for Gender this nation believe in reproductive That's definitely not what this is." performance groups involved Equality and an organizer of Rock rights," she said. The event took place both at members of the university for Choice, said she agrees music is Nye said Rock for Choice wa.s Perkins and Trabant student centers community. a constructive way to promote sponsored by a variety of Registered beginning in mid-afternoon, and Keith Bosco, 18, member of ideas. Student Organizations, including moved to the St. Thomas More Likerninded, said his band is fully She cited one of several Rock for SAGE, Resident Student Oratory in the evening. supportive of the pro-life movement Choice slogans: " You ca~ go Association, the Delaware chapter TilE REVIEW/Leslie Lloyd Senior Shaun Gallagher, member standing in and each member is part of the quietly or rock for of the National Organization for Unknown persons decorated a lone sapling left of Students for Life and organizer Wo men and the the space cleared behind Clayton Hall for the new Marriott Delaware chapter of Rock for Life. choice." of the event, said the group was Bosco said music is a positive Nye said she was in university chapter of originally hoping to obtain a larger way to communicate ideas to those full support of the Amnest y venue than the Oratory's social hall, who will listen. His group played Internati'onal. BSU discuses connotations of racially offensive term BY JANE TAYLOR president, expressed their happiness with different," he said. Public" that inspired the think tank's "Nigga is like brotha. I ' m cool with it Swff Reporter the turnout and success of the event. Davis said he looked f or outgoing, topic. One clip from the episode, because I say it that way,-" he said. "I The Black Student Union-sponsored Noble said he was pleased with the opinionated individuals who would be showcasing a f ig ht between three know white people that call each other think tank that discussed the use of the response to the program. willing to voice their views in a public individuals over the use of the word and ' niggas.' They're not being offensive or word "nigger" Thursday evening ignited a " We had a good turnout," he said. "It setting to sit on the panel. who could use it, drove the discussion for ignorant." heated debate over one of the most was diverse, not just members of BSU." The six panelists were junior Le' Mar the evening. Franco Thomas, a senior business controversial words in the English Noble said he developed the idea for Brown, initially supporting the use of the The scene consisted of Jordan, a white major, said using the word within his race language. this year' s think tank after seeing an word; junior Matthew Munn, supporting; male, calling J.T., a black male, a "nigga." is acceptable, but unacceptable if used The think tank, organized by senior episode of the FOX television show junior Franco Thomas, neutral; sophomore A black male student took offense to otherwise. Davren Noble, consisted of six panelists "Boston Public." Nicole Lester, opposing; junior Darrell Jordan's use of the word, saying the white "If one of my white friends were to use and approximately 60 audience members. He said he generated the idea for last Edmonds, opposing; and Noble, opposing, population should not use it. it, I'd give him his warning," he said. Both the audience and the panelis ts year's think tank as well, which focused who doubled as the moderator. Brown said the use of the word depends Davis said he use s t he word out of participated in the discussion. on relationships. Throughout the discussion, Noble on the level of familiarity with the people Noble and junior Rashaun Davis, BSU "This year, I wanted to do something showed clips from the episode of "Boston you are using it around. see VIEWS page A4 Games signal end of Greek Week BY K.W. EAST and skits. More than 1,000 spectators The Greek Games began at 10:30 a.m. Staff Reporter arrived for the event. Multiple events were held on Harrington Twisted Sister's "We're Not Gonna Kappa Delta Rho fraternity won for its Beach, including a running relay, water Take It" blared throughout the Carpenter rendition of "Austin Powers," complete balloon toss, an ultimate obstacle course Sports Building as Alpha Phi sorority with a cameo by one of the movie's and a tug of war.
Recommended publications
  • Marygold Manor DJ List
    Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start)
    [Show full text]
  • Download Or View the 2020 Edition Here
    THE COMMUNITY 2020 All works copyright © 2020 by the respective authors. June 2020 All rights reserved. Published in the United States by NetPub 675 Dutchess Turnpike Poughkeepsie, NY 12603. … Front Cover by Erin Fedigan Back Cover by Shannon Clark The Community DUTCHESS COMMUNITY COLLEGE POUGHKEEPSIE NEW YORK & 2020 A D V I S O R ’ S • N O T E DCC’s Literary and Arts magazine is funded by the Student Government Association and consists of work by anyone who has paid student fees at Dutchess in the last calendar year. Students on the Editorial Committee review all works submitted. I’m happy to report that this year, while not all submissions were accepted, every single person who submitted had at least one work included. As the incoming advisor, I was impressed by the variety and quality of creativity that our students exhibit. This year’s issue is especially poignant, as it was produced amidst the chaos of the Covid-19 pandemic. It serves as a reminder that even in uncertain times, when fear and loss seem to rule us, art matters, and we must continue to celebrate our accomplishments and to engage in the creation and exploration of the arts. Many thanks to all the students who submitted their works, and special thanks to the people listed below who helped to edit this book. As always, thanks as well to the Student Activities Office and the SGA for their support in this publication. —Shinelle L. Espaillat, faculty advisory 2020 EDITORIAL COMMITTEE: Jamie Brown Vanessa Wade Chloe Carace Shannon Clark Emma Henderson Melanie Lawson Brittani Monaco Table of Contents Untitled ....................................................................................................
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • Make It New: Reshaping Jazz in the 21St Century
    Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of
    [Show full text]
  • The Dictionary Legend
    THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ).
    [Show full text]
  • The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
    THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs.
    [Show full text]
  • The Use of Contracted Forms in the Hip Hop Song Lyrics
    THE USE OF CONTRACTED FORMS IN THE HIP HOP SONG LYRICS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By AGUSTINA IKE WIRANTARI Student Number: 034214130 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 i A Sarjana Sastra Undergraduate Thesis ii THE USE OF CONTRACTED FORMS IN THE HIP HOP SONG LYRICS By AGUSTINA IKE WIRANTARI Student Number: 034214130 Defended before the Board of Examiners on January 21, 2008 and Declared Acceptable BOARD OF EXAMINERS Name Signature Chairman : Secretary : Member : Member : Member : ii iii ACKNOWLEDGEMENTS I would like to address all my thanks and praise to God for all His kindness, love, patience and etc. I feel that I just nothing compared with His Greatness. He is always accompanying me and giving me power to face all the obstacles in front of me. I owe so much thanks to my advisor Dr. Fr. B. Alip, M.Pd., M.A., for all his advise so I can finish my thesis, and also for my co-advisor Dr.B.Ria Lestari, M.S. for her ideas and supports in making my thesis. Thanking is also given for Ms. Sri Mulyani, for her ideas and the sources that can support my thesis, and for all the English Letters Department staffs for all their help in our study. I would never forget to address my gratitude, love, and thanks for all the supports to my family especially for my Dad, I Ketut S.W., my Mom, Lestari, and my lovely sister, Putri.
    [Show full text]
  • Matchstick Dollhouses
    MATCHSTICK DOLLHOUSES A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Fine Arts Nicholas Reali May, 2015 MATCHSTICK DOLLHOUSES Nicholas Reali Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Dean of the College Mr. Christopher Barzak Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Mary Biddinger Dr. Rex Ramsier _______________________________ _______________________________ Faculty Reader Date Mr. Eric Wasserman _______________________________ Department Chair Dr. William Thelin ii TABLE OF CONTENTS Page CHAPTER I. COTTONMOUTH KISS……………………………………………………………….1 II. SOMEONE’S GOT TO HELP ME DIG ……………………………………….…….8 III. THE UNIVERSE IS SHPAED EXACTLY LIKE THE EARTH………..…………18 IV. WHEN I GROW UP ...………………...……………………………………………22 V. MY BROTHER THE ASTRONAUT …………………………………………...…..25 VI. THE FIDDLE …...………………...………………………………………………..32 VII. THE VILLAGE ……………...…………………………………………………….43 VIII. LIMBO …...……………………………………………………………………….46 IX. CEREAL BOX BEAR TRAPS ……...……………………………………………..52 X. BIGFOOT’S WIFE …………………….……………..……………………………..60 XI. WHAT THE CAT DRAGGED IN ………………...…...…………………………..64 XII. THE COLONEL………………………...…………………...……………………..76 XIII. DISAPPEARING ACT ……...………………..…………………………………..79 XIV. PROSPERPINA …………………….…………………………………………….81 XV. FOWL.......................................................................................................................85
    [Show full text]
  • Diplomarbeit / Diploma Thesis
    DIPLOMARBEIT / DIPLOMA THESIS Titel der Diplomarbeit / Title of the Diploma Thesis “Femininity and the Patriarchy in Glam Metal” verfasst von / submitted by Nikolaus Keiblinger angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magister der Philosophie (Mag. phil.) Wien, 2020 / Vienna, 2020 Studienkennzahl lt. Studienblatt / UA 190 344 299 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Lehramtsstudium UF Englisch UF degree programme as it appears on Psychologie und Philosophie the student record sheet: Betreut von / Supervisor: Univ.-Prof. Dr. Sylvia Mieszkowski, MA Declaration of Authenticity I hereby declare that that I have conceived and written this diploma thesis all by myself and in my own words. Any quotations and ideas borrowed from other authors, as well as passages paraphrased from the work of other scholars are clearly indicated as such and acknowledged in the bibliographical references. I am conscious that the incorporation of any material without acknowledgment constitutes plagiarism. Vienna, 29. Febuary 2020 __________________________________ Acknowledgments First of all, I would like to thank Univ.-Prof. Dr. Sylvia Mieszkowski for being my supervisor, specifically for taking the extra time and effort in these stressful times to help me and my fellow colleagues take the final steps towards graduation. Moreover, I want to thank my loving family, my parents Anneliese and Peter, who never doubted my abilities and kept pushing me to believe in myself when I had lost all hopes and faith. My sister, who is always there for me to lend me her ear and who always supports me whatever the circumstances may be.
    [Show full text]
  • Entertainment Memorabilia Entertainment
    Montpelier Street, London I 17 December 2019 Montpelier Street, Entertainment Memorabilia Entertainment Entertainment Memorabilia I Montpelier Street, London I 17 December 2019 25432 Entertainment Memorabilia Montpelier Street, London | 17 December 2019 at 2pm BONHAMS ENQUIRIES SALE NUMBER: REGISTRATION Montpelier Street Claire Tole-Moir 25432 IMPORTANT NOTICE Knightsbridge, +44 (0) 20 7393 3984 Please note that all customers, London SW7 1HH [email protected] CATALOGUE: irrespective of any previous activity www.bonhams.com £15 with Bonhams, are required to Stephen Maycock complete the Bidder Registration +44 (0) 20 7393 3844 Form in advance of the sale. The VIEWING PRESS ENQUIRIES [email protected] form can be found at the back of Sunday 15 December [email protected] every catalogue and on our 10am to 4pm Aimee Clark website at www.bonhams.com Monday 16 December +44 (0) 20 7393 3871 CUSTOMER SERVICES and should be returned by email or 9am to 7pm [email protected] Monday to Friday post to the specialist department Tuesday 17 December 8.30am – 6pm or to the bids department at 9am to 12pm +44 (0) 20 7447 7447 [email protected] BIDS Guitar Highlights at HMV’s +44 (0) 20 7447 7447 Please see back of catalogue To bid live online and / or The Vault, Birmingham: +44 (0) 20 7447 7401 fax for important notice to bidders leave internet bids please go to Saturday 23 November [email protected] www.bonhams.com/auctions/25432 11am to 4pm ILLUSTRATIONS and click on the Register to bid link Sunday 24 November To bid via the internet please visit at the top left of the page.
    [Show full text]
  • The Ultimate Playlist This List Comprises More Than 3000 Songs (Song Titles), Which Have Been Released Between 1931 and 2018, Ei
    The Ultimate Playlist This list comprises more than 3000 songs (song titles), which have been released between 1931 and 2021, either as a single or as a track of an album. However, one has to keep in mind that more than 300000 songs have been listed in music charts worldwide since the beginning of the 20th century [web: http://tsort.info/music/charts.htm]. Therefore, the present selection of songs is obviously solely a small and subjective cross-section of the most successful songs in the history of modern music. Band / Musician Song Title Released A Flock of Seagulls I ran 1982 Wishing 1983 Aaliyah Are you that somebody 1998 Back and forth 1994 More than a woman 2001 One in a million 1996 Rock the boat 2001 Try again 2000 ABBA Chiquitita 1979 Dancing queen 1976 Does your mother know? 1979 Eagle 1978 Fernando 1976 Gimme! Gimme! Gimme! 1979 Honey, honey 1974 Knowing me knowing you 1977 Lay all your love on me 1980 Mamma mia 1975 Money, money, money 1976 People need love 1973 Ring ring 1973 S.O.S. 1975 Super trouper 1980 Take a chance on me 1977 Thank you for the music 1983 The winner takes it all 1980 Voulez-Vous 1979 Waterloo 1974 ABC The look of love 1980 AC/DC Baby please don’t go 1975 Back in black 1980 Down payment blues 1978 Hells bells 1980 Highway to hell 1979 It’s a long way to the top 1975 Jail break 1976 Let me put my love into you 1980 Let there be rock 1977 Live wire 1975 Love hungry man 1979 Night prowler 1979 Ride on 1976 Rock’n roll damnation 1978 Author: Thomas Jüstel -1- Rock’n roll train 2008 Rock or bust 2014 Sin city 1978 Soul stripper 1974 Squealer 1976 T.N.T.
    [Show full text]
  • Youth, Critical Literacy & a Cultural Movement in The
    UNIVERSITY OF CALIFORNIA SANTA CRUZ SPOKEN ART PEDAGOGIES: YOUTH, CRITICAL LITERACY & A CULTURAL MOVEMENT IN THE MAKING A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in EDUCATION with an emphasis in SOCIOLOGY by Ruth H. Kim June 2013 The Dissertation of Ruth H. Kim is approved: Professor Cynthia Cruz, Co-Chair Professor Rodney T. Ogawa, Co-Chair Professor Lucinda Pease-Alvarez Professor Pamela Roby _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Abstract v Acknowledgments viii Chapter One – INTRODUCTION: Historicizing Spoken Word Activism: Genocidal Futures and Radical Possibilities as the Basis for Literacy 1 Youth Violence in Perspective 6 Youth Cultural Production & the Radical Possibilities of Literacy 14 Overview of Dissertation 19 Organization of the Dissertation 24 Chapter Two – Materializing Voices: Towards a Theory of Cultural Movement- Making 27 Defining Spoken Word 27 Spoken Word and Hip Hop 29 About This Chapter 34 Feminist Theories as a Framework: Politics in the Everyday Lives of Youth 36 From the Politics of Everyday to the Politics of Culture: War of Position, Built on the Backs of Words 46 Movement-Making in a Performative Framework 57 Chapter Three – Mapping the Landscape: Spoken Word in the Bay Area & Beyond 61 Rearticulating Literacy: But For Whom? 68 Other Means of Opening Up Access 89 Centrality of a Redefined Arts Education 97 Chapter Four – Up Against the Institution of Schools: Arts in Education,
    [Show full text]