A Phenomenographic Analysis of Urban Secondary Science Teachers’ Understanding of Nature of Science and Culturally Relevant Pedagogy
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Annexes Etude Sur Les Relations Entre Tf1 Et Metropole Television Et La Production Phonographique
ANNEXES ETUDE SUR LES RELATIONS ENTRE TF1 ET METROPOLE TELEVISION ET LA PRODUCTION PHONOGRAPHIQUE ANNEXE 1............................................................................................................................................... 2 LES DIVERTISSEMENTS MUSICAUX OU À COMPOSANTE MUSICALE SUR M6..................................................... 2 JUILLET ..................................................................................................................................................... 2 ANNEXE 2............................................................................................................................................. 10 LES DIVERTISSEMENTS MUSICAUX OU À COMPOSANTE MUSICALE SUR M6................................................... 10 NOVEMBRE.............................................................................................................................................. 10 ANNEXE 3............................................................................................................................................. 18 LES DIVERTISSEMENTS MUSICAUX OU À COMPOSANTE MUSICALE SUR M6................................................... 18 DÉCEMBRE .............................................................................................................................................. 18 ANNEXE 4............................................................................................................................................. 25 LES DIVERTISSEMENTS MUSICAUX OU À -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
Estuary Cover
SSppiirriitt ooff tthhee EEssttuuaarryy Using Art to Understand Ecology y y r r a a u u t t s s E E e e h h t t f f o o t t i i r r i i p p S S BARATARIA-TERREBONNE NATIONAL ESTUARY PROGRAM SSppiirriitt ooff tthhee EEssttuuary Using Art to Understand Ecology BARATARIA-TERREBONNE NATIONAL ESTUARY PROGRAM www.btnep.org I SSUsingppiirr iArtitt otooff Understand tthhee EEs sEcologyttuuaarryy AUTHORS/EDITORS Mary M. Banbury, Ph.D. University of New Orleans University of Nevada, Las Vegas Anne B. Rheams Lake Pontchartrain Basin Foundation Sue Ellen Lyons Holy Cross School, New Orleans ARTIST/GRAPHIC DESIGNER Marian Brister Martinez Pleiades Illustration Company PRODUCTION MANAGERS Deborah Schultz Susan Testroet-Bergeron Barataria-Terrebonne National Estuary Program CONTRIBUTORS Sandra Helmuth Dinah F. Maygarden Cindy Ybos Hollis Gabriel Wendy Foy Virginia Henry Christina Melancon Traci Vedros Nann Galloway Brenda Montalbano Semaj Allen Terrill Salter Robyn Kennedy Cally Chauvin Funding for this publication has been made possible through a grant. This publication was partially funded by the United States Environmental Protection Agency (USEPA) and the State of Louisiana - Louisiana University Marine Consortium (LUMCON) through Grant #CE 006660-01, 02, and 04. The contents of this document do not necessarily represent views of the USEPA or LUMCON. The mention of trade names or commercial products does not in any way constitute an endorsement or recommendation for use. Permission is given to reproduce portions of this publication for use in educational activities. This public document was published at a total cost of $______. XXXX copies of this public document were published in this first printing at a cost of $________. -
KAG ‐ Liste Des Chansons V. 6.01
KAG ‐ Liste des chansons V. 6.01 10CC 3D Mickey 7135 EN: I'm not in love 22501 FR: Matador 7134 EN: Dreadlock Holiday 22502 FR: Méfietoi 113 22499 FR: La mort du peuple (2) 22504 FR: Au summum 22498 FR: Johnny Rep 17 East 22503 FR: Respire 11873 EN: Stay Another Day 3T 11872 EN: It's Alright 10729 EN: Why 1755 10727 EN: Anything 7137 FR: Vivre la baie 10728 EN: I need you 7136 FR: UIC 4 No Blondes 1789 Les Amants de la Bastille 32625 EN: 4 Non Blondes What's Up 22507 FR: Pour la peine 7146 EN: What's up 22506 FR: Medley 42 Level 22505 FR: Ca ira mon amour 11874 EN: All Over You 182 Blink 3020 EN: Lessons in Love 11891 EN: Going Away To College 5 Maroon 11882 EN: Adam's Song 11869 EN: Sweetest Goodbye 11883 EN: Aliens Exist 11868 EN: Sunday Morning 11884 EN: All The Small Things 11867 EN: If I Never See Your Face Again 11885 EN: Anthem Part Two 11866 EN: Payphone 11887 EN: Don't Leave Me 11865 EN: Misery 11890 EN: First Date 11864 EN: Can't stop 11886 EN: Dammit 50 Cent 11892 EN: Online Songs 11082 EN: In da club 11893 EN: Please Take Me Home 6 Eve 11894 EN: Shut Up 11870 EN: Inside Out 11895 EN: Story Of A Lonely Guy 65 Eiffel 11896 EN: The Rock Show 11880 EN: Your Clown 11897 EN: What Went Wrong 11879 EN: To Much Heaven 11898 EN: What's My Age Again 11875 EN: Another Race 11889 EN: Everytime I Look For You 11876 EN: Blue (da Ba Dee) 11888 EN: Dumpweed 11878 EN: I'm Blue 1910 Fruitgum Company 11877 EN: Dub In Life 7138 EN: One Two Three Red Lkight 7 Experience 2 Be 3 11871 CEB: Goudjoua 32624 FR: 2Be3 Toujours là pour toi 84 Equipe 32623 -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
Knowledge Extraction and Representation Learning for Music Recommendation and Classification
Knowledge Extraction and Representation Learning for Music Recommendation and Classification Sergio Oramas Martín TESI DOCTORAL UPF / 2017 Director de la tesi: Dr. Xavier Serra Casals Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Technologies of Universitat Pompeu Fabra in partial fulfillment of the require- ments for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright © 2017 by Sergio Oramas Martín Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Commu- nication Technologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www. upf.edu), Barcelona, Spain. iii The doctoral defense was held on ......................... at the Universitat Pompeu Fabra and scored as ........................................................... Dr. Xavier Serra Casals (Thesis Supervisor) Universitat Pompeu Fabra (UPF), Barcelona, Spain Dr. Markus Schedl (Thesis Committee Member) Johannes Kepler University, Linz, Austria Dr. Emilia Gómez (Thesis Committee Member) Universitat Pompeu Fabra (UPF), Barcelona, Spain Dr. Brian Whitman (Thesis Committee Member) Spotify, New York, USA a Olivia y Chiara, la luz en el camino... Acknowledgements First of all, I would like to thank my supervisor, Dr. Xavier Serra, for giving me the opportunity to work in this fantastic environment, the Music Technology Group, and for his wise advises. Also, I want to give special thanks to Paco Gomez for teaching me how to be a researcher. This thesis does not have a specific co-supervisor, but along this journey I have met three great researchers and better persons who have helped me through my PhD and without whom this work would have not been possible, Mohamed Sordo, Vito Claudio Ostuni, and Oriol Nieto. -
KAG ‐ Liste Des Chansons V. 5.01
KAG ‐ Liste des chansons V. 5.01 10CC Abba 7134 Dreadlock Holiday 7189 Hasta manana 7135 I'm not in love 7190 He is your brother 1755 7191 Hey hey Helen 7136 UIC 7192 Honey honey 7137 Vivre la baie 7193 I am a marionette 1910 Fruitgum Company 7194 I do I do I do 7138 One Two Three Red Lkight 7195 I have a dream 2 Be 3 7196 I know him so well 7197 I wonder 7139 2 be 3 7198 I've been waiting for you 7141 Donne 7200 King has lost his crown (the) 7140 Don't Say Goodbye 7201 Kisses of fire 7142 Partir un jour 7202 Knowing me knowing you 7143 Salsa (la) 7203 Lay all your love on me 7144 Toujours la pour toi 7204 Lovers (Live a Little Longer) 2Pac 7205 Mamma mia 7145 California love 7206 Money money money 3T 7207 Name of the game 10727 Anything 7208 Our last summer 10728 I need you 7209 Ring ring 10729 Why 7210 Rock me 4 No Blondes 7211 So long 7146 What's up 7212 SOS 42 Level 7213 Super trouper 3020 Lessons in Love 7214 Take a chance on me 50 Cent 7215 Thank you for the music 11082 In da club 7216 Tiger 7217 Two for the price of one 98 Degrees 7218 Under attack 10730 Because Of You 7219 Visitors (the) A B C 7220 Voulez‐vous 7147 All of my heart ABC 7221 Waterloo 7148 Look of love (the) ABC 7222 When all is said and done 7149 Poison arrow ABC 7223 When I kissed the teacher 7150 When smokey sings ABC 7224 Why did it have to be me A Cause des Garcons 7225 Winner takes it all 7151 A cause des garçons Abdul Paula A T C 4711 Blowing kisses in the wind 7152 Around the world ATC 4712 Cold hearted A Teens 4713 I need you 11011 Halfway around the world -
T~ I REPORT NO
(i/7/-:?()t~ I REPORT NO. IJOT - TSC - NASA - 71 - 6 CA S E F f L £_. AT OSPHEllC CO e :t ·· · TRANS ISSION HANDBOOK: ASURVEY OF ELECTROMAGNETIC WAVE TRANSMISSION IN THE EARTH'S ATMOSPHERE OVEI THE FREQUENCY (WAVELENGTH) RANGE 3kHz (100km) 3,000 1Hz(0.1pm) WILLIAM t THOMPSON, m ,\ TRANSPORTATION SYSTEMS CENTER 55 BROADWAY CAMBRIDGE, MA 82142 f EBRUARY 1971 TECHNICAL REPORT 0.-,.~~'.·~~-:,q.:.~ ·_- AVAILABILITY IS UNLIMITED. DOCUMENT MAY BE RELEASED .,.:/1ff\'fH} t'i\ . TO THE NATIONAL TECHNICAL INFORMATION SERVICE, .., .,:,)\':~ · ' ·.,,, · '· . SPRINGFIELD, VIRGINIA 22151, FOR SALE TO THE PUBLIC. ,. '>,,Y · ~A{ i,~i;r :m,t t {1•· ~->,}:::~ ··"' ..,J~t , . '~~;t;;? Prepared for \\tit\ .· .. · .~sr.;- . NAnONAL AERONAUTICS AND SPACE ADMINIS.iok;~.i"f t WASHINGTON, D.C. 20590 ?:t .. ·.·.· 1. Report No. I 2. Government Accession No. '3. Recipient's Catalog No. 4. Title and Subtitle Atmospheric Transmission Handbook: A Survey 5. Report Date of Electromagnetic Wave Transmission in the Februarv 1971 Earth's Atmosphere Over the Frequency (Wave- 6. Performing Organization Code length) Range 3 kHz (100 km) - 3,000 THz (0,1 uml TER 7. Author(s) 8. Performing Organization Report No. William I. Thompson, III DOT-TSC-NASA-71-6 9. Performing Organization Name and Address 10. Work Unit No. U.S. Department of Transportation 164-21-10-05-25 ·Transportation Systems Center 11. Contract or Grant No. Cambridge, MA 02142 13. Type of Report and Period Covered 12. Sponsoring Agency Name and Address National Aeronautics and Technical Report Space Administration Washington, DC 20546 14. Sponsoring Agency Code 15. Supplementary Notes 16. Abstract This handbook presents material on electromagnetic wave transmission in the earth's atmosphere with emphasis on earth-to-space paths up to January 1970. -
(12) Patent Application Publication (10) Pub. No.: US 2007/0191320 A1 Yeager Et Al
US 2007.019 1320A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2007/0191320 A1 Yeager et al. (43) Pub. Date: Aug. 16, 2007 (54) METHODS OF TREATMENT FOR FEMALE continuation-in-part of application No. 10/188,554, SEXUAL AROUSAL DISORDER filed on Jul. 2, 2002, now Pat. No. 6,825,234, which is a continuation-in-part of application No. 09/208, (75) Inventors: James L. Yeager, Lake Forest, IL (US); 965, filed on Dec. 10, 1998, now Pat. No. 6,486,207. Mingol Lu, Plainsboro, NJ (US) Publication Classification Correspondence Address: MIRICK, O'CONNELL, DEMALLIE & (51) Int. Cl. LOUGEE, LLP A6II 3/56 (2006.01) 17OO WEST PARK DRIVE A 6LX 3/557 (2006.01) WESTBOROUGH, MA 01581 (US) (52) U.S. Cl. ............................................ 514/170; 514/573 (73) Assignee: NexMed Holdings, Inc. (57) ABSTRACT Appl. No.: 11/618,722 (21) The invention provides methods of treatment for female (22) Filed: Dec. 29, 2006 sexual arousal disorder. In preferred embodiments, the invention provides methods of treatment with a semisolid Related U.S. Application Data composition Suitable for topical application comprising: an effective amount of a vasoactive prostaglandin, a penetration (63) Continuation-in-part of application No. 10/855,280, enhancer, a polymer thickener, a lipophilic component, filed on May 27, 2004, now abandoned, which is a water and an acidic buffer system. Patent Application Publication Aug. 16, 2007 Sheet 1 of 5 US 2007/0191320 A1 OO 90 8O 70 60 50 40 3O 20 10 Placebo 0.5 mg. PGE1 1.0 mg. PGE1 1.5 mg.