Early Sumerian Cities
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STUDIA ORIENTALIA PUBLISHED BY THE FINNISH ORIENTAL SOCIETY 106 OF GOD(S), TREES, KINGS, AND SCHOLARS Neo-Assyrian and Related Studies in Honour of Simo Parpola Edited by Mikko Luukko, Saana Svärd and Raija Mattila HELSINKI 2009 OF GOD(S), TREES, KINGS AND SCHOLARS clay or on a writing board and the other probably in Aramaic onleather in andtheotherprobably clay oronawritingboard ME FRONTISPIECE 118882. Assyrian officialandtwoscribes;oneiswritingincuneiformo . n COURTESY TRUSTEES OF T H E BRITIS H MUSEUM STUDIA ORIENTALIA PUBLISHED BY THE FINNISH ORIENTAL SOCIETY Vol. 106 OF GOD(S), TREES, KINGS, AND SCHOLARS Neo-Assyrian and Related Studies in Honour of Simo Parpola Edited by Mikko Luukko, Saana Svärd and Raija Mattila Helsinki 2009 Of God(s), Trees, Kings, and Scholars: Neo-Assyrian and Related Studies in Honour of Simo Parpola Studia Orientalia, Vol. 106. 2009. Copyright © 2009 by the Finnish Oriental Society, Societas Orientalis Fennica, c/o Institute for Asian and African Studies P.O.Box 59 (Unioninkatu 38 B) FIN-00014 University of Helsinki F i n l a n d Editorial Board Lotta Aunio (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Librarian of the Society) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Secretary of the Society) -
1 Inanna Research Script
INANNA RESEARCH SCRIPT (to be cut and shaped for performance) By Peggy Firestone Based on Translations of Clay Tablets from Sumer By Samuel Noah Kramer 1 [email protected] (773) 384-5802 © 2008 CAST OF CHARACTERS In order of appearance Narrators ………………………………… Storytellers & Timekeepers Inanna …………………………………… Queen of Heaven and Earth, Goddess, Immortal Enki ……………………………………… Creator & Organizer of Earth’s Living Things, Manager of the Gods & Goddesses, Trickster God, Inanna’s Grandfather An ………………………………………. The Sky God Ki ………………………………………. The Earth Goddess (also known as Ninhursag) Enlil …………………………………….. The Air God, inventor of all things useful in the Universe Nanna-Sin ………………………………. The Moon God, Immortal, Father of Inanna Ningal …………………………………... The Moon Goddess, Immortal, Mother of Inanna Lilith ……………………………………. Demon of Desolation, Protector of Freedom Anzu Bird ………………………………. An Unholy (Holy) Trinity … Demon bird, Protector of Cattle Snake that has no Grace ………………. Tyrant Protector Snake Gilgamesh ……………………………….. Hero, Mortal, Inanna’s first cousin, Demi-God of Uruk Isimud ………………………………….. Enki’s Janus-faced messenger Ninshubur ……………………………… Inanna’s lieutenant, Goddess of the Rising Sun, Queen of the East Lahamma Enkums ………………………………… Monster Guardians of Enki’s Shrine House Giants of Eridu Utu ……………………………………… Sun God, Inanna’s Brother Dumuzi …………………………………. Shepherd King of Uruk, Inanna’s husband, Enki’s son by Situr, the Sheep Goddess Neti ……………………………………… Gatekeeper to the Nether World Ereshkigal ……………………………. Queen of the -
Republic of Iraq
Republic of Iraq Babylon Nomination Dossier for Inscription of the Property on the World Heritage List January 2018 stnel oC fobalbaT Executive Summary .......................................................................................................................... 1 State Party .......................................................................................................................................................... 1 Province ............................................................................................................................................................. 1 Name of property ............................................................................................................................................... 1 Geographical coordinates to the nearest second ................................................................................................. 1 Center ................................................................................................................................................................ 1 N 32° 32’ 31.09”, E 44° 25’ 15.00” ..................................................................................................................... 1 Textural description of the boundary .................................................................................................................. 1 Criteria under which the property is nominated .................................................................................................. 4 Draft statement -
Gilgamesh Sung in Ancient Sumerian Gilgamesh and the Ancient Near East
Gilgamesh sung in ancient Sumerian Gilgamesh and the Ancient Near East Dr. Le4cia R. Rodriguez 20.09.2017 ì The Ancient Near East Cuneiform cuneus = wedge Anadolu Medeniyetleri Müzesi, Ankara Babylonian deed of sale. ca. 1750 BCE. Tablet of Sargon of Akkad, Assyrian Tablet with love poem, Sumerian, 2037-2029 BCE 19th-18th centuries BCE *Gilgamesh was an historic figure, King of Uruk, in Sumeria, ca. 2800/2700 BCE (?), and great builder of temples and ci4es. *Stories about Gilgamesh, oral poems, were eventually wriXen down. *The Babylonian epic of Gilgamesh compiled from 73 tablets in various languages. *Tablets discovered in the mid-19th century and con4nue to be translated. Hero overpowering a lion, relief from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad), Iraq, ca. 721–705 BCE The Flood Tablet, 11th tablet of the Epic of Gilgamesh, Library of Ashurbanipal Neo-Assyrian, 7th century BCE, The Bri4sh Museum American Dad Gilgamesh and Enkidu flank the fleeing Humbaba, cylinder seal Neo-Assyrian ca. 8th century BCE, 2.8cm x 1.3cm, The Bri4sh Museum DOUBLING/TWINS BROMANCE *Role of divinity in everyday life. *Relaonship between divine and ruler. *Ruler’s asser4on of dominance and quest for ‘immortality’. StatuePes of two worshipers from Abu Temple at Eshnunna (modern Tell Asmar), Iraq, ca. 2700 BCE. Gypsum inlaid with shell and black limestone, male figure 2’ 6” high. Iraq Museum, Baghdad. URUK (WARKA) Remains of the White Temple on its ziggurat. Uruk (Warka), Iraq, ca. 3500–3000 BCE. Plan and ReconstrucVon drawing of the White Temple and ziggurat, Uruk (Warka), Iraq, ca. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
Competing English, Spanish, and French Alabaster Trade in Europe Over Five Centuries As Evidenced by Isotope Fingerprinting
Competing English, Spanish, and French alabaster trade in Europe over five centuries as evidenced by isotope fingerprinting W. Kloppmanna,1, L. Lerouxb, P. Brombletc, P.-Y. Le Pogamd, A. H. Coopere,2, N. Worleyf,2, C. Guerrota, A. T. Montecha, A. M. Gallasa, and R. Aillaudg aBRGM (Bureau de Recherches Géologiques et Minières, French Geological Survey), 45060 Orléans, France; bCentre de Recherche sur la Conservation- Laboratoire de Recherche des Monuments Historiques (CRC-LRMH) USR3224, 77420 Champs-sur-Marne, France; cCentre Interdisciplinaire de Conservation et Restauration du Patrimoine (CICRP), Belle-de-Mai, 13003 Marseille, France; dDépartement des Sculptures, Musée du Louvre, 75058 Paris, France; eRetired from British Geological Survey, Keyworth, Nottingham, NG12 5GG, United Kingdom; fRetired from British Gypsum, Nottingham, NG16 AL, United Kingdom; and gLa Touche, 38220 Notre-Dame-de-Mésage, France Edited by Thure E. Cerling, University of Utah, Salt Lake City, UT, and approved September 20, 2017 (received for review May 5, 2017) A lack of written sources is a serious obstacle in the reconstruction of 1414 (10, 12). After the banning of religious representations, the medieval trade of art and art materials, and in the identification shiploads of alabaster artworks were sent to France (13). In of artists, workshop locations, and trade routes. We use the isotopes England, only a few sculptures escaped the plaster furnaces by of sulfur, oxygen, and strontium (S, O, Sr) present in gypsum being hidden and were retrieved centuries later (14). In contrast, alabaster to unambiguously link ancient European source quarries western and northern France was inundated with outlawed and areas to alabaster artworks produced over five centuries (12th– English artworks. -