The city as archive: Mapping David Malouf’s Brisbane Roger Osborne
[email protected] Abstract In this article, I reflect on my creation of a digital map that plots locations from David Malouf’s fiction and non-fiction. I consider the vestiges of David Malouf’s past — particularly his grandparents’ fruit shop and its relationship to his spiritual home at 12 Edmondstone Street — and I demonstrate how Malouf’s words leave traces of his experience at these locations. Recognition of these traces requires alertness to the ways in which the past is communicated through historical registers, maps and literature. Our recognition is enhanced through a deliberate evocation of the past in our own experience of the city. My map, ‘David Malouf’s Brisbane’, helps this to occur. I started plotting locations from David Malouf’s fiction and non-fiction in 2010 (see Osborne 2015). The digital map that grew from this solitary activity subsequently attracted broader attention in 2014 when it was included in the David Malouf and Friends exhibition at the Museum of Brisbane. Like many Queenslanders who had read Malouf, his evocation of the 1940s cast for me a new light on the streets, homes and businesses located along the slow curl of the Brisbane River. I started walking the streets named in Johnno, Harland’s Half Acre and ‘12 Edmondstone Street’ to see how this light fell on the routes taken by the characters and the buildings they visited. I soon found that these routes can still be followed, but the buildings that line them are forever altered by renovation, demolition and rebuilding.