Resisting Abstract Expressionism December 3, Thursday, 7 P.M

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Resisting Abstract Expressionism December 3, Thursday, 7 P.M

BMAC is open Wednesday through Sundays, 10 a.m. - 4 p.m. Click here to plan your visit. Please note BMAC will be closed November 11 & 12 to setup the 13th Annual LEGO Contest & Exhibit, which will be on view at the Museum starting Friday, November 13 through Monday November 16, 10 a.m.-4 p.m. daily. There will be a virtual awards ceremony on Saturday, November 14, at 5 p.m. BMAC Online Visit About Exhibits Events Education News Support Home Resisting Abstract Expressionism December 3, Thursday, 7 p.m. Curator Karen Wilkin discusses Figuration Never Died: New York Painterly Painting, 1950-1970, which features work by 10 artists who absorbed the lessons of Abstract Expressionism but never abandoned ﬁgurative painting: Robert De Niro, Sr. (1922–2003), Lois Dodd (b. 1927), Jane Freilicher (1924–2014), Paul Georges (1923–2002), Grace Hartigan (1922–2008), Wolf Kahn (1927-2020), Alex Katz (b. 1927), Albert Kresch (b. 1922), Paul Resika (b. 1928), and Anne Tabachnick (1927–1995). The talk will take place via Zoom and Facebook Live. A link to attend will be posted here beforehand. Karen Wilkin is a New York-based curator and art critic and the Atelier Head of Art History at the New York Studio School of Drawing, Painting & Sculpture, where she teaches in the MFA program. Wilkin was educated at Barnard College and Columbia University and was a Fulbright Fellow and a Woodrow Wilson Fellow. She is a regular contributor to The New Criterion and The Wall Street Journal as well as a contributing editor for art for The Hudson Review. Her publications include monographs on Paul Cézanne, Georges Braque, Giorgio Morandi, Stuart Davis, Anthony Caro, and David Smith. She has organized numerous exhibitions nationally and internationally on modern painters and sculptors, including Stuart Davis, Anthony Caro, David Smith, Hans Hofmann, Milton Avery, Judith Rothschild, and Helen Frankenthaler. ADMISSION: Free Major support for BMAC is provided by our members and © 2020 Brattleboro Museum & Art Center | [email protected] | 802-257-0124 | Hours: Wednesday through Sunday, 10-4 Log in.

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Wolf Kahn & Emily Mason
Wolf Kahn & Emily Mason A rare opportunity to compare and contrast the work of two very different painters By David Ebony Emily Mason, Surpassing Ermine, 1985–86. Oil on canvas, 60 x 52 inches. Courtesy the Emily Mason and Alice Trumbull Mason Foundation and Miles McEnery Gallery, New York. Artists, lovers, life-partners, art-world rivals, benefactors, and luminaries, Emily Mason (1932–2019) and Wolf Kahn (1927–2020) were all of these things—and more. Miles McEnery Gallery has devoted each of its two spaces to the first posthumous solo gallery exhibitions for the couple, who died within months of each other after more than sixty years of marriage. The shows offer a rare opportunity to compare and contrast the work of two very different painters—one abstract and the other figurative—who shared a passion for vibrant color, the bucolic landscapes of Vermont and Italy, and who both aimed in their works for pure, soul-baring expressivity. Filling the larger gallery at 525 West 22nd street, some 26, mostly large major works by Kahn feature his trademark landscapes with brilliant color contrasts and lively gestural touches. Despite deteriorating eyesight and other physical ailments in his last years, Kahn managed to produce some remarkably intense composi- 1 Wolf Kahn, Woodland Density, 2019, Oil on canvas, 52 x 52 inches. Emily Mason, The Bullock Farm, 1987, Oil on canvas, 52 x 42 inches. Courtesy the artist and Miles McEnery Gallery, New York. Courtesy the Emily Mason and Alice Trumbull Mason Foundation and Miles McEnery Gallery, New York. tions, such as Woodland Density (2019), which shows an imposing row of blaring orange tree trunks set against 1970s on, when she acquired her own studio space on West 20th Street in Manhattan after sharing a work a steel-blue background.
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Modern & Contemporary Art (1666) Lot 29
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Jennifer Bartlett
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For Immediate Release: November 27, 2019
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A Furniture Comedy for Hans Hofmann," an "Environment" by Allan
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