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Report on Asiatic Events Marketing Limited
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by BRAC University Institutional Repository Report on Asiatic Events Marketing Limited Report on Bondhu Garage Project Of Asiatic Events Marketing Limited Submitted To: Mohammad Rezaur Razzak Associate Professor BRAC Business School BRAC University Submitted By: Asef Ibne Shamim ID- 10304066 BRAC Business School BRAC University Date: 10th December, 2014 Letter of transmittal 10th December, 2014 Mohammad Rezaur Razzak Associate Professor BRAC Business School BRAC University Subject: Submission of Internship report on Asiatic Events Marketing Limited. Dear Sir, I would like to submit my report titled “Asiatic Events Marketing Limited” the activation wing of Asiatic 360; I prepared it as a part of the academic requirement for BBA program of BRAC Business School. I have successfully completed my internship tenure of 3 months in AEML and I worked there under the department of client service. Preparing this report was a great learning experience for me as I got to learn different marketing and communication skills. Thank you for your support and for your patience in me. I am always there for you to answer any query you think necessary for understanding this report. Sincerely yours, Asef Ibne Shamim ID: 10304066 BRAC Business School BRAC University Acknowledgement At the beginning of preparing this report, I would like to convey gratitude to the Almighty Allah for all his blessings upon me completing this report. This internship report is an actual picture of effort of so many people. For this, I am grateful to a number of people who helped me to organize this report and or their kind opinion, suggestions, instructions and support and appropriate guidelines for this. -
International Journal of Pedagogy Innovation and New Technologies
1212 10.5604/23920092.113479010.5604/01.3001.0011.5843 International Journal of Pedagogy Innovation and New Technologies journal homepage: http://www.ijpint.com ISSN: 2392-0092, Vol. 4, No. 2, 2017 Bangla Rock: exploring the counterculture and dissidence in post- colonial Bengali popular music Kamalini Mukherjee CONTACT: Kamalini Mukherjee, PhD., Centre for the Study of Social Systems, School of Social Sciences, Jawaharlal Nehru University, New Delhi, India, e-mail: [email protected] Keywords: Abstract: 1 counterculture, alternative This paper is an attempt to explore the politics and the poetics of vernacular music in modern Ben- music, bangla rock, gal. Drawn from extensive and in-depth research into the current “scene” (as popularly referred vernacular music to in the musician and music lover circles), this paper delves into the living histories of musical and linguistic revolutions in a part of India where the vernacular literature has been historically rich, and vastly influenced by the post-colonial heritage. The popular music that grew from these political and cultural foundations reflected its own pathos, and consecutively inspired its own form of oral tradition. The linguis- tic and musical inspirations for Bangla Rock and the eventual establishment of this genre in a rigidly curated culture is not only a remarkable anthropological case study, but also crucial in creating discourse on the impact of this music in the creation of oral histories. This paper will discuss both the musical and the lyrical journey of Bengali counterculture in music, thus in turn exploring the scope of Bangla – as in the colloquial for Bengali, and Rock – the Western musical expression which began during the 50’s and the 60’s (also populist and political in its roots). -
Rock ‘N’ Roll, Social Change and Democratisation in Bangladesh
Rock ‘n’ Roll, social change and democratisation in Bangladesh blogs.lse.ac.uk/southasia/2015/12/04/rock-n-roll-social-change-and-democratisation-in-bangladesh/ 2015-12-4 Mubashar Hasan argues that in order to resist increasing radicalism in Bangladeshi society, the state needs to promote cultural alternatives which support values of inclusion and moderation such as Bangladeshi Rock ‘n’ Roll music. The birth of Bangladesh as an independent country in 1971 following a nine-month long bloody war against Pakistan was premised upon its struggle for democracy. When Awami League (AL) won a 160 seats out of 162 seats in East Pakistan during 1970’s general election, the West Pakistani government refused to hand over power to AL. This escalated into a war of independence and Bangladesh was born in 1971. Democracy and secularism, alongside socialism and nationalism, constituted the four pillars of the new nation state. Three million lives were sacrificed in the struggle to establish Bangladesh as an independent democratic state. However, Bangladesh’s tragedy is that despite of its repeated constitutional commitments for secularism and democracy, in 2015, almost 44 years after the independence the country is neither democratic nor secular. In an article published in 2014 Dr Ali Riaz, Professor of Politics at Illinois State University, argues that Bangladesh remains stubbornly beset by democratic deficiencies as its performance in electoral competitiveness, democratic quality, press freedom, religious freedom, civil liberties and the rule of law is well below what is accepted in a democratic country. Riaz reached this bleak conclusion after consulting multiple indexes measuring the quality of democracy such as Polity IV, Freedom House, the Economist Intelligence Unit (EIU) democracy index, the World Value Survey (WVS), the press freedom index of Reporters Without Borders and U.S. -
Globalization and Bangladesh: an Analysis from Cultural Perspective
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 25, Issue 1, Series. 4 (January. 2020) 32-41 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Globalization and Bangladesh: An Analysis from Cultural Perspective Md. Abu Shahen1 Bellal Hossain2 Md. Bokul Hossain3 Most. Nushrat Jahan4 1 M.Phil, MSS, BSS University of Rajshahi, Bangladesh 1 MSS in International Relation (Ongoing), Wuhan University, China 1 Lecturer, Department of Sociology, Varendra University, Bangladesh 1 MSc in Agriculture (Ongoing), Hajee Mohammad Danesh Science and Technology University, Bangladesh Abstract: The aspects of Globalization are seen in all spheres of our life from economy to culture. Due to the process of globalization, individuals of different cultural background interact with each other in all spheres of life more intensively. Culture is an important issue that shows incredible changes in the age of globalization. Changes have entered in our daily lives through technology, consumer products, and new provocative thoughts. As a consequence, cultural globalization has increased cross culture relationship, life style, and dress code, mode of behavior, foods, music and cinemas now become global. In the research findings, interestingly, it is found that globalization has brought some positive aspects as well as negative impacts on the different spheres of life in the context of Bangladesh. These issues have been discussed throughout the whole article. Key Words: Bangladesh, Change, Culture, Globalization, Impact. Objectives: The major objective of this paper is to identify the impacts of globalization over the culture of Bangladesh. More specifically this paper has been conducted (a) to explore the types of the major changes that have been taken place among the people caused by the effects of western culture. -
Headbanging in Dhaka: an Exploration of the Bangladeshi
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Headbanging in Dhaka: An exploration of the Bangladeshi Alternative Music Scene Shams Bin Quader A thesis submitted in fulfillment of the requirements for the degree of Master of Philosophy Department of Gender and Cultural Studies, School of Philosophical and Historical Inquiry, Faculty of Arts and Social Sciences December, 2013 Table of Contents Acknowledgements ................................................................................................................................. 3 Abstract ................................................................................................................................................... 4 Introduction: Musical Youth Cultures and the Alternative Music scene of Bangladesh ....................... -
Panther Observes First Birthday
... Panther Observes First Birthday <II Published For· Tank Destroyers VOL U CAMP HOOD, TEXAS, THURSDAY,DEC. 16, 1943. NO. t 'Showtime' . Year's·Work Broadcasts Reviewed On Here Sunday Anniversary fcShowtlme, .. the widely-heard First Editicn Out broadcast of the Texas QUality During Formative Network will give this Sunday's Period· Of ;Camp Hood })Erlormance in the Hood Road Hailed by Major General A. n. Theater for a half hour begin ning at 3:30 p. m. Doors ~ be Bruce, then Commanding Genez-aJ. closed at 3:25 pm. Tank Destroyer Center, 88 a ste:;» Following the radio part of the in further development of the CeIl big show there wID be a 45-minute ter· "which baa been remarkable program for those in the. theater. Featuring Virginia Hayes, bog during the past few months," firsC gle woogie Pianist. with the 26- editiOn of Tbe HOOd Panther was piece "Showttme'~ orchestra, Sun distributed to Hood personnel day's brOadcast will also· give the Dec. 10, 1942_ spotlight to an lDstrumentaI quar In that first edition the editor tet from Camp HDod. stated: "A8 the new voice of Camp Those in tbs HOOd musical Hood we shall do our utmost :-D SI'OUP are: Pvt. Irvin Birnbaum, .serve the enlisted men and of· Pn. Roy Grabam., pte. Edward lI fleers who make up its command. •r. TwardzIk, a;uI pte. Edward Chal We shall strive to keep them m· JDatJ. I .~._._ of events to come in theIr T01I1'1De Tezas Arm7 camps military community that they may made the "ShowtimeH 1)l'OIlfalID participate· in ,them.; We shall ODe of tbe moat popular OIl to serve as medium. -
Platform for Rock
Platform for Rock Purbachal Model Town, Dhaka, Bangladesh By MD. Sibat Ahnaf ID: 07208012 Bachelor of Architecture Submitted in partial fulfilments of the requirements For the degree of Bachelor of Architecture Department of Architecture BRAC University Summer 2013 Ahnaf 2 Acknowledgement Thesis is not just the effort of one individual but rather the collective effort of many and I would like to take this opportunity to express my heartfelt appreciation to the people whose contributions have been instrumental to the successful completion of this project. To begin with, my sincerest gratefulness to the Almighty Allah for everything that I have accomplished till now. In addition, I offer my deepest gratitude to my instructors, A. F. Mahmudun Nobi, Imon Chowdhooree, Nandini Awal and Shakil A. Shimul for supporting me through their guidance and persistent help throughout the duration of this project. Their motivation and constructive criticism had a lot of influence in my overall thought process all through the design and development phase of the project. They have always challenged me intellectually to go beyond my boundaries while at the same time giving me the space needed to work in my own style. Thesis is the most crucial stage in the life of an architecture student. My project would not have materialized without the encouragement and help of a few seniors and juniors. I take this opportunity to thank Rubaiyat Bhai, Syed Mahmud, Ali Akbar, Sami, Piyal, Bonny, Reza, Walid, Javed, Tithi, Rifat, Joba, Maisha and Fahim for their unrelenting support, optimism and words of inspiration. The project would not have been possible had it not been for you all. -
212 Headbanging in Dhaka: the Production of Alternatives
Journal of Education and Social Sciences, Vol. 1, (June) ISSN XXXX-XXXX 2015 HEADBANGING IN DHAKA: THE PRODUCTION OF ALTERNATIVES IN THE BANGLADESHI METAL SCENE Shams Bin Quader Political Science and Sociology Department North South University Address: Plot 15, Block B Bashundhara, Dhaka 1229, Bangladesh Email: [email protected] Guy Redden Gender and Cultural Studies Department The University of Sydney Address: Room J4.03, A14 – Quadrangle, the University of Sydney, NSW 2006, Australia Email: [email protected] ABSTRACT This article aims to examine how and why the urban metal scene in Bangladesh came into existence. Based on interviews with key figures in the scene, ethnographic observation and textual analysis, the article proposes that urban youths’ frustration with the poor state of conditions in the country is channeled into a passion to build an alternative space. Participants assert the distinction of their music from mainstream rock and pop. Translocal connections with other metal scenes existing elsewhere are emphasized in a local scene that remains tied to the activities of a largely middle-class, part- time, male population of artists who share particular social and economic resources. Key words: alternative, metal, music scene, Bangladeshi metal, Dhaka Introduction It was a hot Friday afternoon in January 2012. The location was in the Agargaon area of Dhaka city, at the parking lot of a very drab venue known as The National Library Auditorium. It was crowded by a few dozen teenagers and twenty-something guys, the majority dressed in black, with Iron Maiden, Megadeth, Metallica, Slayer and Slipknot T-shirts, long hair, piercings, cigarettes and skull neck chains and rings scattered across their bodies. -
Gender Representation in Rock Music
Gender Representation in Rock Music Thesis submitted in partial fulfillment of the requirement for the Degree of Master of Arts in English Submitted by Rownak Jahan Samadi 2010-1-93-2010 Submitted tor Harunur Rashid Khan Assistant Professor Department of English East West University Date of Submission: 07/02/2012 1 Acknowledgement My foremost thanks go to the Almighty Allah for granting me the strength and encouragement to carry out this research. It would not have been possible to complete this thesis without the help and inspiration of a number of people. I would like express my thanks and appreciation to those who have helped and inspired me to prepare this thesis. My sincere gratitudes go to my supervisor Mr. Harunur Rashid Khan, Assistant Professor of the Department of English, East West University for his guidance towards the completion of this study. My heartiest thanks go to all my musician friends who helped me a lot while I was working for this dissertation. I am also grateful to my family; without their inspiration I could not have finished this study. My elder brother Mustafa Sakib Samadi who helped to collect data, deserves a lot of thanks. Manyt thanks are also due to my interviewees who took their time for the interviews. 2 Declaration I hereby declare that this thesis is based on my original work except for quotations, and citations, which have been duly acknowledged. I also declare that it has not been previously or concurrently submitted at other institutions. Rownak Jahan Samadi ID: 2010-1-93-006 3 Name: Rownak Jahan Samadi ID: 2010-1-93-006 Department of English East West University This thesis has been approved and accepted for fulfillment of the requirement for the Degree of Master of Arts in English. -
UNFPA and Economic Relations Division (ERD) Held a Meeting to Review UNFPA's Programme Implementation for the Year 2019
World Population Day World Population Day: Theme song 'Triple Zeros' World Population Day Virtual national commemoration with Ministry of Health and Family Welfare World Population Day Marking World Population Day, Dhaka University and UNFPA Bangladesh jointly hosted a webinar to discuss safeguarding the health and rights of women and girls during COVID19. The State of World Population report was also highlighted during the discussions. More info: Panel media interview with UNFPA Repreesntative on RTV for World Population Day 20-day training of SRHR District Officers On 1 July, UNFPA supported the Government and OGBS to inaugurate a 20-day virtual training session for 11 District SRHR Officials. During the training, the officials received important information relating to demand and supply of maternal and health services, particularly during the COVID-19 context. The training was funded by the Government of UK. Advocacy campaign with DGHS UNFPA launched a campaign with DGHS to increase advocacy efforts for safe and increased health facility visits by women in Bangladesh for sexual and reproductive health services. More info: World Youth Skills Day On Youth World Skills Day, we drew attenttion to the importance of improving the life skills of youth in Bangladesh. Inspiring stories about what local youth had learned in UNFPA's skills trainings and concerning statistics regarding the status of youth in the country were broadcasted on social media. More info: UNFPA and Economic Relations Division (ERD) held a meeting to review UNFPA's programme implementation for the year 2019. Each of UNFPA's four key focus areas was covered in the course of the meeting. -
Contemporary Music: Tuning Into Bangladesh 1
Contemporary Music: Tuning into Bangladesh 1 CONTEMPORARY MUSIC: TUNING INTO BANGLADESH CONTEMPORARY MUSIC: TUNING INTO BANGLADESH Published by: Asia-Europe Foundation (ASEF) 31 Heng Mui Keng Terrace Singapore 119595 Tel: +65 6874 9700 Fax: +65 6872 1135 www.ASEF.org Team at Asia-Europe Foundation (ASEF) Ms Andrea ABELLON, Ms Valentina RICCARDI, Ms Anupama SEKHAR Researcher Ms Ayesha Sabrina ISLAM, Livesquare Ltd. Editor Ms Anna STEINKAMP Download from culture360.asef.org All rights reserved © Asia-Europe Foundation (ASEF), May 2017 The Asia-Europe Foundation (ASEF) promotes understanding, strengthens relationships and facilitates cooperation among the people, institutions and organisations of Asia and Europe. ASEF enhances dialogue, enables exchanges and encourages collaboration across the thematic areas of culture, economy, education, governance, public health and sustainable development. ASEF is an intergovernmental not-for-profit organisation located in Singapore. Founded in 1997, it is the only institution of the Asia-Europe Meeting (ASEM). Together with about 750 partner organisations ASEF has run more than 700 projects, mainly conferences, seminars and workshops. Over 20,000 Asians and Europeans have actively participated in its activities and it has reached much wider audiences through its networks, webportals, publications, exhibitions and lectures. www.ASEF.org culture360.asef.org is a portal initiated by the Asia-Europe Meeting (ASEM) and managed by the Culture Department at the Asia-Europe Foundation (ASEF). culture360.asef.org aims to stimulate the cultural engagement between Asia and Europe and enhance greater understanding between the two regions. Created for and fuelled by artists, cultural practitioners and policy makers, culture360.asef.org is your platform to inform, exchange ideas, interact and collaborate with the arts and cultural communities across Asia and Europe. -
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iesqz/i COPY NO. llKLESSIF|E0 TATE-ARMY-NAVY-AIR FORCE COORDINATING COMMITTEE BANAGG SG4 G REVIEW OF SAMACC STUDI B PERTAINING TO P YGHOLOGIGAL WARFARE te b the Seoretar e Holders of SAMACG SO4/15 are requested to make the foIIov- ing ohanges therein: a. Substitute the attaohed revised oover page for the one oontained thereon. Substitute the attaohed revised page SV for ths one oontalned therein; and dtistroy the superseded pages by burning. H. W. NOSELEY W. A. SGHULOEN J. B. CRESAP V. F. FIELD Seoretariat l/KLhSSiHM '&08/z 2— Nses sole fQK ~~~I.il~j,j lllllLNSfF fEO REviEw CE BIBB!cd..sTUDIEs PERTAIRIKG COMMITTEE :m~r' omm 1 . To provide briof of s demshopmes work to date, QW ~ ''of Q FF', ths RSELc suboommittes 'for spe'oial and . ' studies Evaluations Ag I, (PsyohologioaX Warfare) ~ yg DXSCUSSIOS ' 2. International trends indioate. the desirability of malc- ing available to appropriate offioials and pertinent government agenoiss a summary of the results of SANJLCC studies to date in 45 the field of psyoholomioal warfare With this in'view the on- olosure, eRsvisw of %CACO Studio~ Pertaining to Psyoholomioal e 0 Warfare", has been prepared by ths' Suboommittee for Speoial Studies and Evaluations on its owSS initiative ,A RECOMGEIDXTIOW 3i The SJIKLC Suboommittee fox' Speoial Studies and Evaluations ')e DEClASSIFIED S i@AV sD~, ~ I llKLkHSIFIE0 NARa Oee )PI. f is& ~'I&/ rioonnaids IIIIQ.ASSIFI ~t that the sno1osura, vie» of S~tuddias Pertain+ auL :'fiick to.~'yohoiogloal. Warfare", , .to j5i49&t' government iganoiasyoyrasanted on the National Sao~itg Oounoli@ Vg IIIIIlLASSIFIEII '"f08'(s 2 NARs.