Soil Classifiers Certification Advisory Committee (SCCAC) MEETING MINUTES April 4, 2019 – Athens, GA
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Re-Envisaging Erikson : Deconstructing Adoption Through the Case of Claire : a Project Based Upon an Independent Investigation
Smith ScholarWorks Theses, Dissertations, and Projects 2010 Re-envisaging Erikson : deconstructing adoption through the case of Claire : a project based upon an independent investigation Alison M. Armstrong Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Social and Behavioral Sciences Commons Recommended Citation Armstrong, Alison M., "Re-envisaging Erikson : deconstructing adoption through the case of Claire : a project based upon an independent investigation" (2010). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/1111 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. Alison Armstrong Re-Envisaging Erikson: Deconstructing Adoption Through the Case of Claire ABSTRACT This theoretical study explored the social construction of adoption present within North American discourse and how this has impacted subsequent theoretical understandings of adoptee development. This was done with a particular emphasis on Eriksonian theories of adoptee development. This study utilized a cultural artifact, namely the character of Claire in Tim Kring’s (2006) television show, Heroes. Claire’s case is then used to compare current uses of Eriksonian theories of psychosocial ego development with possible, more comprehensive iterations of Erikson’s theory. The impact and relevance to social work theory, research and practice are discussed. RE-ENVISAGING ERIKSON: DECONSTRUCTING ADOPTION THROUGH THE CASE OF CLAIRE A project based upon an independent investigation, submitted in partial fulfillment of the requirements for the degree of Master of Social Work Alison Armstrong Smith College School for Social Work Northampton, Massachusetts 01063 2010 ACKNOWLEDGEMENTS If I knew now what I knew then, I’d back up do it all again. -
Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards. -
OMDC MEDIA LIST – July 10, 2015 1 Productions Currently Shooting in Ontario
OMDC MEDIA LIST – July 10, 2015 1 Productions currently shooting in Ontario. 11-22-63 12 MONKEYS Season 2 BACKSTAGE Mini Series TV Series TV Series Warner Bros./Bad Robot GEP 12 Monkeys Inc. Fresh TV Prods: JJ Abrams, Athena Wickham Prod.: Michael Wray Prod.: Byron A. Martin Exec. Prod: Bryan Burk, Exec. Prod.: Richard Suckle, Charles Exec. Prod.: Brian Irving, Jennifer Bridget Carpenter, Stephen King Roven, Travis Fickett, Terry Matalas Pertsch, Tom McGillis, George Dir: Kevin MacDonald (Pilot) Dir.: Various Elliott, Lara Azzopardi PM: Joanne Jackson PM: Ted Miller PM: Brian Campbell PC: Melissa Girotti PC: Lisa Perone PC: Keitha M. Redmond Shoot: May 25 – Oct 16/15 Shoot: Jul 13 - Dec. 20/15 Dir.: various 777 Kipling Ave, Suite 105 777 Kipling Ave. Suite #104 Shoot: Jul 06 - Aug 26/15 Toronto, ON M8Z 5Z4 Toronto, ON M8Z 5Z4 4700 Bathurst St., 2nd Flr. P: 416 406-9966 P: 416 236-4727 Toronto, ON M2R 1W8 F: 416 406-3546 F: 416 236-6048 P: 416 398-4848 [email protected] [email protected] [email protected] BEAUTY & THE BEAST Season 4 BRAVO 14 DEGRASSI Season 15 TV Series Feature TV Series Batb IV Productions Inc. Warner Bros. Epitome Pictures Prod.: Wanda Chaffey Prods: Charles Roven, a DHX Media company Exec. Prod.: Frank Siracusa, John Richard Suckle Prods.: Stephanie Williams, Stefan Webber, Stuart Gillard, Brad Kern Exec. Prod.: Colin Wilson Brogren Dir.: Stuart Gillard Dir: David Ayer Exec. Prod.: Linda Schuyler, PM: David Vaughan PM: Lyn Lucibello Stephen Stohn, Sarah Glinski, Matt PC: Lori Pumputis PC: Sabine Graham Huether Shoot: May 29 - Nov. -
Reflections of Generosity Annual Report of Private Giving
Reflections of Generosity Annual Report of Private Giving For the year ending June 30, 2018 Index Reflections of Generosity In Gratitude for Our Engaged Community ....................................... 6 Collective Visioning .......................................................................... 8 Financial Highlights Supporting Excellence ...................................................................... 12 Collective Generosity A Story Told Together ........................................................................ 16 The Gift of Time: CCS Summer Research Fellowships ...................... 18 Alumni Generosity Leaving Legacies and Living Legends ............................................... 22 Homegrown Support ......................................................................... 24 A Passion for Unconventional Science .............................................. 26 A Video Board to Spark Hoopla......................................................... 28 Faculty Generosity Dear Friends, An Evolving and Rewarding Partnership ........................................... 32 Enduring Influence ............................................................................ 34 As we reflect on philanthropic giving to UC Santa Barbara over the past year, we are overwhelmed and inspired by you — our steadfast supporters — whose vision continues to advance the excellence and diversity of our Friends Generosity great institution. We are tremendously thankful for your generosity and your appreciation for the crucial role of Making -
Heroes and Philosophy
ftoc.indd viii 6/23/09 10:11:32 AM HEROES AND PHILOSOPHY ffirs.indd i 6/23/09 10:11:11 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy Edited by Robert Arp Metallica and Philosophy Edited by William Irwin Family Guy and Philosophy Edited by J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Lost and Philosophy Edited by Sharon Kaye 24 and Philosophy Edited by Richard Davis, Jennifer Hart Week, and Ronald Weed Battlestar Galactica and Philosophy Edited by Jason T. Eberl The Offi ce and Philosophy Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp House and Philosophy Edited by Henry Jacoby Watchmen and Philosophy Edited by Mark D. White X-Men and Philosophy Edited by Rebecca Housel and J. Jeremy Wisnewski Terminator and Philosophy Edited by Richard Brown and Kevin Decker ffirs.indd ii 6/23/09 10:11:12 AM HEROES AND PHILOSOPHY BUY THE BOOK, SAVE THE WORLD Edited by David Kyle Johnson John Wiley & Sons, Inc. ffirs.indd iii 6/23/09 10:11:12 AM This book is printed on acid-free paper. Copyright © 2009 by John Wiley & Sons, Inc. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or autho- rization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750–8400, fax (978) 646–8600, or on the web at www.copyright.com. -
The Multiplatform Brand Flows of Heroes
Selling Across the Spectrum: The Multiplatform Brand Flows of Heroes ERIN GIANNINI, independent scholar ABSTRACT This article examines how the NBC show Heroes and its use of product placement across multiple platforms represented an early response by networks and advertisers to concerns over ad-skipping and alternate viewing platforms by attempting to reconfigure how brand flow operates across multiple platforms. Not only did the series employ ‘second shift aesthetics’ (Caldwell 2003, 135), which represents networks bringing viewer-users back to the programme by ‘further engag[ing] and activat[ing] the text’ (Caldwell 2004, 50), but the products integrated within the text are pulled into the available world of Heroes’ alternative platform’s textual world, particularly Nissan branded cars. As Henry Jenkins writes: ‘Old media are not being displaced. Rather, their framework and structure shifted by the introduction of new technology’ (2006, 3-4). How these products are used within Heroes storylines and its interaction with characters and platform goes beyond simple placement to make the product another character within the show. Further, I examine the way in which Heroes, as a transmedia text, provided many points of entry for viewer-users to interact with it. While an analysis of fan activity is not the focus of this article, it is important to note these possibilities because of the ways in which the promotional apparatus of the network utilized these types of convergences for the series. Yet, in the case of Heroes, this was achieved by suturing new technological abilities of brand extension with an older model of ad- supported television (namely, the single-sponsorship model of early American television), both within the terrestrial television series and across multiple platforms. -
Seven to Fast Track Heroes Reborn, the Player, Qua
17 July 2015 The Heroes are back on Seven The groundbreaking series Heroes is being reborn in an epic 13-episode event series which will be fast tracked to Seven later this year along with two new action-thrillers. From Creator/Executive Producer Tim Kring, who imagined the original, critically acclaimed, breakout series Heroes, comes HEROES REBORN - a 13-episode event series that chronicles the lives of ordinary people who discover they possess extraordinary abilities. A fresh crop of inspiring heroes take on the ultimate struggle between those with extraordinary abilities and those with nefarious motives to hunt and harness their powers. Epic adventures await these newly empowered allies as they cross paths with some of the original heroes and uncover their destinies as the potential saviours of mankind. The Heroes Reborn cast features Zachary Levi (Chuck) and Ryan Guzman (The Boy Next Door), alongside heroes of the past including Hiro Nakamura (Masi Oka), Matt Parkman (Greg Grunberg), Mohinder Suresh (Sendhil Ramamurthy) and the Haitian (Jimmy Jean-Louis). Jack Coleman reprises his role as Noah Bennet aka H.R.G. Seven will also fast track these highly anticipated new US dramas this year: THE PLAYER - Wesley Snipes (Blade) and Philip Winchester (Strike Back) star in this action- packed Las Vegas thriller about a former military operative turned security expert who is drawn into a high-stakes game where an organisation of wealthy individuals gamble on his ability to stop some of the biggest crimes imaginable from playing out. From the Executive Producer of The Blacklist. QUANTICO - In this edge-of-your-seat, sexy thriller, a diverse group of recruits has arrived at the FBI Quantico Base for training. -
Dissertation
UvA-DARE (Digital Academic Repository) Superheroes and the Bush doctrine: narrative and politics in post-9/11 discourse Hassler-Forest, D.A. Publication date 2011 Document Version Final published version Link to publication Citation for published version (APA): Hassler-Forest, D. A. (2011). Superheroes and the Bush doctrine: narrative and politics in post-9/11 discourse. Eigen Beheer. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:10 Oct 2021 Superheroes and the Bush Doctrine Narrative and Politics in Post-9/11 Discourse ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. D.C. van den Boom ten overstaan van een door het college voor promoties ingestelde commissie, in het openbaar te verdedigen in de Agnietenkapel op donderdag 24 maart 2011, te 14:00 uur door Daniel Alfred Hassler-Forest geboren te New York, Verenigde Staten Promotiecommissie: Promotor: prof. -
Worthy Adversaries: Villains Take Center Stage from the Big Screen to Reality TV, the Bad Guys Are Stealing the Spotlight by Sona Charaipotra August 7, 2008 ABC News
Worthy Adversaries: Villains Take Center Stage From the Big Screen to Reality TV, the Bad Guys Are Stealing the Spotlight By Sona Charaipotra August 7, 2008 ABC News Who doesn't love a good villain? Now more than ever, it seems showbiz is all about the bad guys, from Heath Ledger's deliciously devilish turn as The Joker in "The Dark Knight" to Spencer Pratt's train wreck tantrums on MTV's reality soap "The Hills." In fact, the Hollywood Reporter recently speculated the next film in the "Spider-Man" saga may well focus instead on Spidey's nemesis Venom. And there have been reports that Oscar-nominated actor Johnny Depp may step up to play The Riddler in the next installment of "Batman." "The bottom line is, it's fun to be bad on screen," said Tim Kring, the creator and executive producer of "Heroes," which will be all about villains this season. "There's a kind of deliciousness to playing a character who is not bound by the same rules that the rest of us have to live with. It's fun to play -- and it's certainly fun to write. We're doing those big scene-stealing kind of bad guys. For us, it's all about iconic storytelling, every character has to decide whether they're a good guy or a bad guy. It's a cultural shorthand." The rise of the villains can be attributed to the dark times we're facing, said professor Jonathan Young, director of the Center for Story and Symbol. "On a social level, the rise of unusually virulent adversaries reflects collective fears," Young said. -
Stephanie's Resume
STEPHANIE GORIN CASTING DIRECTOR CSA/C.D.C 2014 EMMY WINNER, BEST CASTING for a MINI-SERIES 2014 ARTIOS WINNER, BEST CASTING for a MINI-SERIES 3 EMMY NOMINATIONS 3 GEMINI NOMINATIONS 4 ARTIOS AWARD NOMINATIONS 62 Ellerbeck St., Toronto ON Canada M4K 2V1 PH: 416-778-6916 Email: [email protected] FEATURE FILMS, MOVIES OF THE WEEK, EPISODICS (selected) ROCKY HORROR PICTURE SHOW T.V. Feature 2016 Director: Kenny Ortega Executive Producers: Lou Adler, Gail Berman, Kenny Ortega / FOX 21 TELEVISION STUDIOS RACE – Co-Casting Feature 2015 Director: Stephen Hopkins Producers: Jean-Charles Levy, Luc Seguin, Karsten Brunig, Nicolas Manuel / Focus Features/Forecast Pictures FARGO (Seasons 1-2) Mini-Series 2014-2015 Director: Various Executive Producers: Joel & Ethan Coen, Noah Hawley, Warren Littlefield & John Cameron, Geyer Kosinski / MGM / FX *Emmy winner for casting – 2014 *Artios winner – 2014 HEROES REBORN T.V. Series 2015 Directors: Various Executive Producers: Tim Kring, Peter Elkoff, James Middleton / NBC OPERATION INSANITY Feature 2015 Director: Erik Canuel Executive Producer: Arnie Zipursky, CCI Entertainment SHADOWHUNTERS T.V. Series 2015 Director: Various Executive Producers: McG, Marjorie David, Ed Decter, Michael Reisz, Don Carmody / ABC Family-FREEFORM PRIVATE EYES T.V. Series 2015 Director: Kelly Makin, Anne Wheeler Executive Producers: John Morayniss, Tecca Crosby, Rachel Fulford, Shawn Piller, Lloyd Segan, Jason Priestley Tassie Cameron, Shelley Eriksen, Alan McCullough THE PATRIOT Pilot 2015 Director: Steve Conrad Executive Producers: Charlie Gogolak, Glenn Ficarra, Dominic Garcia, Gil Bellows / AMAZON SLASHER Mini-Series 2015 Director: Craig David Wallace Executive Producers: Christina Jennings, Aaron Martin, Adam Haight / Chiller / SUPERCHANNEL CHEERLEADER DEATH SQUAD Pilot 2015 Director: Mark Waters Executive Producers: Marc Cherry, Neal Baer, Daniel Truly, Frank Siracusa, John Weber / CW / CBS SHOOT THE MESSENGER Series 2015 Directors: Sudz Sutherland, T.W. -
Comic Book Heroes Superhelden Zwischen Comic Und Fernsehen
ARNO METELING Comic Book Heroes Superhelden zwischen Comic und Fernsehen Am 25. September 2006 startet die Fernsehserie HEROES1 in den USA auf dem Kanal der National Broadcasting Company (NBC) und ist seit dem 10. Okto- ber 2007 in Deutschland auf RTL 2 zu sehen. Mit 14,4 Millionen Zuschauern und damit einem Zuschaueranteil von 6,4 % war die erste Folge von HEROES die erfolg- reichste Serienpremiere von NBC seit fünf Jahren.2 Bislang wurden drei Volumes von HEROES ausgestrahlt: die erste Staffel, Volume 1 (Genesis) mit 23 Folgen, eine zweite Staffel, Volume 2 (Generations) mit 11 Folgen,3 sowie eine dritte Halbstaffel, Volume 3 (Villains) mit 13 Folgen. Als zweite Hälfte der dritten Staffel läuft Volu- me 4 ab Februar 2009 unter dem Titel Fugitives mit 12 Folgen.4 HEROES weist Aspekte verschiedener Seriengenres wie Mystery oder Science Fic- tion auf, ist aber eindeutig dem Superheldengenre zuzuordnen. Es geht um Men- schen, die entdecken, dass sie Superkräfte besitzen, damit in Schwierigkeiten gera- ten, sich zeitweilig zu Gruppen zusammenschließen oder zu Feinden werden und letztlich die übermenschliche Verantwortung tragen, die Welt zu retten. Als Fern- sehserie über Superhelden steht HEROES dabei nicht nur in einer langen Tradition seriellen Erzählens, die spätestens seit der populären Fortsetzungsliteratur des 19. Jahrhunderts einsetzt. Sie muss sich auch mit Regeln und Konventionen ausei- nander setzen, die vom paradigmatischen Medium der Gattung aufgestellt worden sind: dem Superhelden-Comic. Im Folgenden soll an einigen Aspekten gezeigt wer- den, wie die Fernsehserie HEROES das Superheldengenre adaptiert und in welchem 1 HEROES, USA 2006-, C: Tim Kring. 2 In Deutschland brachte es die Folge auf 1,72 Millionen Zuschauer, was einem Zuschaueranteil von 9,8 % entspricht. -
Heroes Reborn
HEROES REBORN Matt Van Rys Title Sequence Design Board WRITTEN TREATMENT Heroes Reborn This title sequence is designed to abstractly convey the complex narrative of Heroes Reborn and subtly prepare the viewer for the upcoming episode. This concept uses abstract visuals based on the aurora borealis, which play an important role in the fictional science of the program’s narrative — earth’s magnetic field which protects the planet from solar radiation and the natural magnetic pole reversal. These abstractions help imply the conflict that drives the show’s characters, focusing on the clash between “evos” and “non-evos” and the struggles within each key character. Viewers will identify with the show’s overall premise on a subliminal level. Recommended execution before first commercial break after narrative hook and minor cliffhanger moment. Viewers will understand the science fiction nature of the show through the visuals and will easily differentiate it from any competitive programming. MATT VAN RYS u HEROES REBORN u TITLE SEQUENCE DESIGN BOARD RESEARCH About the Show Themes Heroes Reborn is a sequel to the original Heroes series on NBC. According • Ordinary people with extraordinary abilities • Good versus evil to Tim Kring, by storyline, Heroes Reborn is more akin to season 10 as • Power & domination opposed to season 5 (a direct follow up to the original series final, • Survival fourth season). • Evolution • Terrorism Returned with some of the original ancillary characters. Proceeded by • Politics & corporate manipulation six episode web series that introduced “reborn” characters. • Racism (“speciesism”) Category: Drama/Serialized Drama/Science Fiction Science Fiction: Setting: Contemporary United States (mostly Texas) • Evolution (survival of the fittest/ruthless) • Earth magnetic pole reversal Cross-Category Research: Setting/Narrative Hints, Historical Context, • Massive solar flare (extinction level) • Aurora borealis Thematic Visuals, User Interface Graphics, Abstractions, and Micro • Time/space travel/continuum Photography.