Guns N Roses Jonny Greenwood Mt. Joy The
JOHN COLTRANE THE RECORD COMPANY BULLET FOR MY VALENTINE MT. JOY GUNS N ROSES BOTH DIRECTIONS AT ONCE: THE LOST ALBUM ALL OF THIS LIFE GRAVITY MT. JOY APPETITE FOR DESTRUCTION VERVE LABEL GROUP CONCORD MUSIC SPINEFARM DUALTONE IGA Recorded in 1963, unknown until 2004, and unheard The L.A.-based rock/roots trio of Chris Vos (guitar, lead Gravity finds Bullet For My Valentine rewriting its Steeped in folk-rock tradition and powered by the Right out of the gate Guns N’ Roses’ music was primal until now, the music on Both Sides at Once: The Lost vocals, harmonica), Alex Stiff (bass, guitar, vocals) and own future – finding new ways to invent heavy noise intuitive creative connection between Matt Quinn and gritty, with a solid hard, bluesy base. They were Album represents one of the most influential groups Marc Cazorla (drums, piano, vocals) has already been and remaining unshackled by the legacy that comes (vocals, guitar) and Sam Cooper (guitar), the songs on dark, sleazy, dirty, and honest – everything that good in music history experimenting with a musical style it hailed by LA Weekly for “making bluesy music that with being masters of their trade. The four musicians Mt. Joy’s eponymous debut depicts a place where the hard rock and heavy metal should be. While Slash and had otherwise perfected. The first week of March in would sound more at home in a sweaty, backwoods have stretched their creative wings like never before, mundane and the fantastic collide. Opener “I’m Your Izzy Stradlin ferociously spit out dueling guitar riffs 1963 was busy for John Coltrane – a two-week run Mississippi juke joint,” while Time Out has described delicately balancing film-score electronica and icy Wreck” describes “monsters in [the] closet, using up worthy of Aerosmith or the Stones, Axl Rose screeched at Birdland and was gearing up to record the famed their sound as “reminiscent of some of the best acts synths in their hard rock hellfire.
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