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Metaphors of Patriarchy in Orphan Black and Westworld
Feminist Media Studies ISSN: 1468-0777 (Print) 1471-5902 (Online) Journal homepage: https://www.tandfonline.com/loi/rfms20 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton To cite this article: Olivia Belton (2020): Metaphors of patriarchy in OrphanBlack and Westworld, Feminist Media Studies, DOI: 10.1080/14680777.2019.1707701 To link to this article: https://doi.org/10.1080/14680777.2019.1707701 Published online: 21 Jan 2020. Submit your article to this journal Article views: 70 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rfms20 FEMINIST MEDIA STUDIES https://doi.org/10.1080/14680777.2019.1707701 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton Leverhulme Centre for the Future of Intelligence, University of Cambridge, Cambridge, UK ABSTRACT ARTICLE HISTORY Orphan Black (2013–17) and Westworld (2016-) use their science Received 7 August 2018 fiction narratives to create metaphors for patriarchal oppression. Revised 12 November 2019 The female protagonists struggle against the paternalistic scientists Accepted 18 December 2019 and corporate leaders who seek to control them. These series break KEYWORDS away from more liberal representations of feminism on television Science fiction; television; by explicitly portraying how systemic patriarchal oppression seeks patriarchy; cyborgs; to control and exploit women, especially under capitalism. They feminism also engage with radical feminist ideas of separatism and compul- sory heterosexuality. The science fiction plots allow them to deal with feminist issues. Westworld uses computer programming as a metaphor for patriarchal social conditioning, while Orphan Black’s clones recall cyborg feminism. -
Universidade Federal Do Rio Grande Do Sul Faculdade De Biblioteconomia E Comunicação Social Departamento De Comunicação Comunicação Social – Publicidade E Propaganda
1 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO SOCIAL DEPARTAMENTO DE COMUNICAÇÃO COMUNICAÇÃO SOCIAL – PUBLICIDADE E PROPAGANDA THAIS CRISTINE RANZI GÊNERO E ESTUDOS CULTURAIS: Uma análise da série Orphan Black PORTO ALEGRE 2016 2 THAIS CRISTINE RANZI GÊNERO E ESTUDOS CULTURAIS: Uma análise da série Orphan Black Trabalho de Conclusão de Curso apresentado ao Departamento de Comunicação da Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção de grau de Bacharel em Comunicação Social – Habilitação Publicidade e Propaganda. Orientadora: Profª Drª Nilda Aparecida Jacks Coorientadora: Paula Coruja PORTO ALEGRE 2016 3 THAIS CRISTINE RANZI GÊNERO E ESTUDOS CULTURAIS: Uma análise da série Orphan Black Trabalho de Conclusão de Curso apresentado ao Departamento de Comunicação da Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção de grau de Bacharel em Comunicação Social – Habilitação Publicidade e Propaganda. Aprovado em: BANCA EXAMINADORA _______________________________________ Profª. Drª. Nilda Aparecida Jacks Orientadora _______________________________________ Paula Coruja Coorientadora _______________________________________ Ms. Sarah Moralejo da Costa Examinadora _______________________________________ Ms. Tainan Pauli Examinador 4 AGRADECIMENTOS Aos meus pais que me deram o chão para que eu pudesse trilhar a caminhada até aqui; À minha irmã maravilhosa, Ana Paula, -
A Textual Analysis of Orphan Black
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 12-11-2017 TALKING ABOUT CLONE CLUB: A TEXTUAL ANALYSIS OF ORPHAN BLACK Lisa McGuire Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Recommended Citation McGuire, Lisa, "TALKING ABOUT CLONE CLUB: A TEXTUAL ANALYSIS OF ORPHAN BLACK." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/wsi_theses/65 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TALKING ABOUT CLONE CLUB: A TEXTUAL ANALYSIS OF ORPHAN BLACK by LISA MCGUIRE Under the Direction of Megan Sinnott, PhD ABSTRACT Orphan Black is a television series rich with complex female clone characters and themes of surveillance and monster/monstrous feminine. I explore these two main themes through an analysis of the on-screen action in several characters’ story arcs. I am examining Orphan Black while revisiting Donna Haraway’s “A Cyborg Manifesto” and considering the genres of horror and science fiction. I argue that the representation of the clones destabilizes woman as Other in terms of female monstrosity, expands the cyborg metaphor, and contributes to the feminist -
Tatiana Maslany Canada’S Favourite Clone on Orphan Black and International Acclaim
Your guide to compelling drama, tongue-in-cheek comedy, unscripted shenanigans, engaging children’s programming and much more! Tatiana Maslany Canada’s favourite clone on Orphan Black and international acclaim Why Canada is booming in a borderless business Going Global: Canadian producers on taking their content to the world Contents 2 Canadian TV Scene: DRAMA the Big Picture 4 Opening Credits: A Message from the Editor The Canadian Media Producers Association is Canada’s leading trade 5 Be a Canadian association for independent producers, representing more than 350 Television Critic— companies engaged in the production and distribution of English-language See the World television programs, feature films and digital media. The CMPA works on behalf of members to promote and stimulate the Canadian production industry. Our goal is to ensure the continued success of Canada’s Television Genres independent production sector and a future for content that is made by Canadians for both Canadian and international audiences. 10 Drama 33 Comedy 42 Unscripted 64 Children’s & Youth 78 Foreign Location & Service Production P. 10 Feature Interview COMEDY UNSCRIPTED Tatiana Maslany p.8 Going Global: Canadian Producers on Taking Their Content to the World David Cormican p.18 Karen Walton p.28 Catherine Reitman p.38 P.33 P.42 Cal Shumiatcher p.52 CHILDREN’S & YOUTH FOREIGN PRODUCTIONS cmpa.ca Vince Commisso p.70 Follow us on Twitter @The_CMPA Like us on Facebook at facebook.com/theCMPA All photography property of ABC, ABC Spark, Amazon, AMI, Animal Planet, -
Best Performance by an Actor in a Featured Supporting Role in a Dramatic Program Or Series
Lauréats des prix Écrans canadiens 2017 - Gala honorant l’excellence des productions en fiction Best Performance by an Actor in a Featured Supporting Role in a Dramatic Program or Series Orphan Black Space (Bell Media) (Temple Street) Kevin Hanchard Best Performance by an Actress in a Featured Supporting Role in a Dramatic Program or Series Slasher Super Channel (Allarco Entertainment) (Shaftesbury) Wendy Crewson Best Performance by an Actor in a Featured Supporting Role or Guest Role in a Comedic Series Kim’s Convenience – Janet’s Photos / Ddong Chim CBC (CBC) (Thunderbird) Andrew Phung Best Performance by an Actress in a Featured Supporting Role or Guest Role in a Comedic Series Schitt’s Creek – Bob’s Bagels / Moira’s Nudes CBC (CBC) (Not A Real Company Productions, Inc) Emily Hampshire Best Writing in a Variety or Sketch Comedy Program or Series Baroness Von Sketch Show – I Can’t Believe This Used to Take Days CBC (CBC) (Frantic Films) Carolyn Taylor, Meredith MacNeill, Jennifer Whalen, Jennifer Goodhue, Dawn Whitwell, Monica Heisey, Mae Martin 1 Lauréats des prix Écrans canadiens 2017 - Gala honorant l’excellence des productions en fiction Best Writing in a Comedy Program or Series Letterkenny – Super Soft Birthday CraveTV (Bell Media) (New Metric Media) Jacob Tierney, Jared Keeso Best Writing in a Dramatic Program or Limited Series Sponsor | Don Carmody Productions & Don Carmody Television Murdoch Mysteries – A Merry Murdoch Christmas CBC (CBC) (Shaftesbury) Peter Mitchell Best Writing in a Dramatic Series Presented with the participation