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Una Forma D'orrore Specificamente Teatrale
B R U M A L Revista de Investigación sobre lo Fantástico DOI: https://doi.org/10.5565/rev/brumal.519 Research Journal on the Fantastic Vol. VI, n.º 2 (otoño/autumn 2018), pp. 307-317, ISSN: 2014-7910 UNA FORMA D’ORRORE SPECIFICAMENTE TEATRALE: THE WOMAN IN BLACK NICOLA PASQUALICCHIO Università di Verona [email protected] Recibido: 06-06-2018 Aceptado: 22-09-2018 SOMMARIO L’articolo esamina il dramma The Woman in Black di Stephen Mallatratt (1987), metten- dolo a confronto con il romanzo omonimo di Susan Hill (1983) da cui deriva. L’articolo analizza i procedimenti specificamente teatrali di realizzazione dell’orrore, che fanno del dramma un’opera più originale della tradizionale ghost story che ne è all’origine. In particolare viene sottolineata la ritrovata continuità tra performance teatrale e azione rituale, che espone la scena all’irruzione del soprannaturale. PAROLE CHIAVE: horror teatrale, fantasmi teatrali, teatro e rito. A SPECIFICALLY THEATRICAL KIND OF HORROR: THE WOMAN IN BLACK ABSTRACT The article focuses on Stephen Mallatratt’s play The Woman in Black (1987) and con- fronts it with the homonymous novel by Susan Hill (1983), that is its source. The goal of the article is to emphasize the originality of the play in comparison with the literary work, and to demonstrate how it employs specifically theatrical devices to achieve its horror effects. In particular, the article underlines the continuity between theatrical performance and rite, that opens the stage door to the irruption of the supernatural. KEY WORDS: stage -
Univerzita Pardubice Fakulta Filozofická Bakalářská
UNIVERZITA PARDUBICE FAKULTA FILOZOFICKÁ BAKALÁŘSKÁ PRÁCE 2009 Tereza ZEMANOVÁ University of Pardubice Faculty of Arts and Philosophy The Image of Childhood in Susan Hill´s Prose Tereza Zemanová Bachelor Paper 2009 Prohlášení Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 30.3.2009 Tereza Zemanová Acknowledgements I would like to express my gratefulness to Mgr. Ladislav Vít and to Mgr. Šárka Bubíková, Ph.D. for their valuable advice. Abstract This paper focuses on depiction Susan Hill´s concept of childhood. The main analytical part based on the selected prose by Hill featuring children and childhood aims to portray the image of childhood from the perspective of this authoress. The parallel themes of Hill´s works addressing the family relationships, children fears and frustrations or evil in children are employed to find the characteristic features of Hill´s view of childhood. Besides the major analysis of Hill´s works a comparison with other writers illustrating childhood is provided. -
Literariness.Org-Michael-Cook-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more popular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial inves- tigation is explored through clear and informative texts offering comprehen- sive coverage and theoretical sophistication. Published titles include : Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Ed Christian ( editor ) THE POST-COLONIAL DETECTIVE Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
The Collected Ghost Stories of Susan Hill Ebook
THE WOMAN IN BLACK AND OTHER GHOST STORIES: THE COLLECTED GHOST STORIES OF SUSAN HILL PDF, EPUB, EBOOK Susan Hill | 416 pages | 24 Sep 2015 | Profile Books Ltd | 9781781255520 | English | London, United Kingdom The Woman in Black and Other Ghost Stories: The Collected Ghost Stories of Susan Hill PDF Book Hooper and his son Edmund. Is it really a ghost story? One thing I love is when an author writes multiple series but they all take place in the same universe. I should warn you that whilst James' spectres have some sense of fair-play, where innocence and good intentions count for something, Hill's blind malevolent forces manifestly don't. Reuse this content. Read more. This is a collection of five novels novellas? I know The Woman in Black is purported to be the best, and the 'classic' ghost story, but the lack of ghost story logic for the choosing of the victims just didn't feel right for me. This one is told in two different points of view and there was no helpful clue when you went from one character's 'voice' to the next so I got really confused. The story was unique and creepy, the characters were interesting to read about and I like the use of the creepy painting and the overwhelming power it had over whoever owned the painting or viewed the painting, the more the owner of painting looked at it the more they felt compelled to continue looking as it, as if in some way it was trying to steal your soul in a way. -
Daphné Du Maurier's Characters in Rebecca Living on in Mrs De Winter
Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter Armelle Parey To cite this version: Armelle Parey. Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter. E-rea - Revue électronique d’études sur le monde anglophone, Laboratoire d’Études et de Recherche sur le Monde Anglophone, 2015, 10.4000/erea.4731. hal-02274534 HAL Id: hal-02274534 https://hal.archives-ouvertes.fr/hal-02274534 Submitted on 30 Aug 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. E-rea Revue électronique d’études sur le monde anglophone 13.1 | 2015 1. « Que fait l'image ? De l'intericonicité aux États-Unis » / 2. « Character migration in Anglophone Literature » Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter by Susan Hill Armelle PAREY Electronic version URL: http://journals.openedition.org/erea/4731 DOI: 10.4000/erea.4731 ISBN: ISSN 1638-1718 ISSN: 1638-1718 Publisher Laboratoire d’Études et de Recherche sur le Monde Anglophone Brought to you by Université de Caen Normandie Electronic reference Armelle PAREY, « Daphné du Maurier’s characters in Rebecca living on in Mrs de Winter by Susan Hill », E-rea [Online], 13.1 | 2015, Online since 15 December 2015, connection on 01 July 2019. -
A Kind Man Susan Hill
BIBLIOTECA TECLA SALA January 17, 2019 A Kind Man Susan Hill All are ultimately powerless – not simply on account of their economic precariousness but because each, like a puppet, is jerked this way and that by external forces which brook no resistance. Human life is seen as fragile, impotent. Hill's justice is tough and unrelenting, the sort of harsh predeterminism once attributed to pagan deities. But such is the Contents: warmth and humanity of her writing that the reader continually Introduction 1 dares to expect the impossible, Brief Author 2 with the result that, despite its Biography shortness, this is a novel of huge Too Good for 3 Words - A Review emotional impact and moments of of A Kind Man immense poignancy. Susan Hill: “I was 4-6 never good at [https://www.independent.co.uk/arts- anything else” entertainment/books/reviews/a-kind-man-by- susan-hill-2183845.html] Notes 7 Page 2 Brief Author Biography life in Scarborough. Her books for children include The Glass Angels (1991); Beware, Beware (1993); King of Kings (1993) and The Battle for Gullywith (2008). She has also written radio plays, a number of books of non-fiction and has edited several anthologies of short stories including two volumes of The Penguin Book of Modern Women's Short Stories, Novelist, children's writer and Sunday/John Llewellyn Rhys Prize published in 1991 and 1997. playwright Susan (Elizabeth) Hill for The Albatross (1971), a Her latest collection of short was born in Scarborough, England, collection of short stories. stories is Farthing House: And on 5 February 1942. -
Boston University Study Abroad London British Film and TV Since 1960 COM FT 316 (Core Course) Spring 2016
Boston University Study Abroad London British Film and TV Since 1960 COM FT 316 (Core Course) Spring 2016 Instructor Information A. Name Dr Christine Fanthome and Ms Kate Domaille B. Day and Time Wednesdays and Thursdays, 1.15-5.15pm. Commencing Thursday 14 January (NB additional later evening sessions on Thursday 14 January and Wednesday 20 January) C. Location Wetherby Room (2nd Floor), 43 Harrington Gardens, SW7 4JU D. BU Telephone 020 7244 6255 E. Office Telephone 020 7263 5618 F. Email [email protected] Kad63@bu-edu or [email protected] G. Office hours By appointment Course Description This course aims to provide students with an overview of media in Britain within a social context. Special emphasis is placed on the relationship between media, citizenship and democracy in the context of post-War British society. Consideration will also be given to the relationship between British and US media culture. Methodology Each teaching session will involve a lecture, illustrative material and a class discussion based on the set reading. Students should absorb as much film and television as they can out of class in order to participate fully in seminar discussions. **Please note: no laptops to be used in class. Course Objectives By the end of the course students will able to: • Understand the cultural context of British film and TV since the 1960s. • Show awareness of the international economic underpinnings of these industries • Consider the role of politics in media production, distribution and consumption • Show awareness of historical controversies surrounding British film and TV’s relationship to the US • Conduct their own research in the field (Please note that this course does not focus on the corporate structure and ecology of the British broadcasting organisations such as the BBC, ITV, Channel 4 etc. -
Susan Hill Is the Winner of Numerous Literary Prizes, Including the Somerset Maugham Award
SUSAN HILL is the winner of numerous literary prizes, including the Somerset Maugham award. In 2014, she was awarded a CBE for her services to literature. Author of the Simon Serrailler crime series and numerous other novels, her literary memoir Howards End is on the Landing and the ghost stories The Man in the Picture, The Small Hand and Dolly are all published by Profile Books. The Woman in Black is published by Profile in hardback. ‘Traditional ghost stories of wonderful elegance … Hill builds an atmosphere of creepiness in very few words; the pictures she creates in these stories are unforgettable’ Kate Saunders, The Times ‘Hill knows how to chill you to the bone in the most disarming way … This collection digs deep into the human psyche, exploring its hinterland for paranormal disturbance … With consummate artistry, Hill creates stories that prowl around your mind, coming at you from unexpected angles, invading your senses. Perhaps read them out loud to a friend? Advantage: there’s safety in numbers.’ Imogen Lycett Green, Daily Mail ‘Susan Hill proves yet again that she really is the master of the supernatural.’ Fanny Blake, Woman and Home Travelling Bag.indd 1 24/07/2017 13:32 ‘Authentically unnerving’ Tim Martin, Daily Telegraph ‘Master of horrors … absurdly terrifying … Hill evokes the sense with all her customary unnerving economy – but it’s the cruelties of human interaction that give these stories, set in clubs and colleges, offices, boarding schools and suburban homes, their bite.’ Imogen Russell Williams, Metro ‘A ghoulish -
The Collected Ghost Stories of Susan Hill Free
FREE THE WOMAN IN BLACK AND OTHER GHOST STORIES: THE COLLECTED GHOST STORIES OF SUSAN HILL PDF Susan Hill | 416 pages | 24 Sep 2015 | Profile Books Ltd | 9781781255520 | English | London, United Kingdom Susan Hill - Literature She was educated at Scarborough Convent School and at grammar school in Coventry, before reading English at King's College, London, graduating in and becoming a Fellow in Her first novel, The Enclosurewas published in when she was still a student. She worked as a freelance journalist between andpublishing her third novel, Gentleman and Ladiesin In she started her own publishing company, Long Barn Books, editing and publishing a quarterly literary journal, Books and Companyin T he Woman in Blacka Victorian ghost story, was successfully adapted for stage and television and is one of Susan Hill's most commercial successes. Her recent novels include the series of Simon Serrailler crime novels and various further ghost stories. Susan Hill is also the author of two volumes of memoir, The Magic Apple Tree: A Country Yearabout her life in rural Oxfordshire during the s, and Familyin which she writes about her early life in Scarborough. She has also written radio plays, a number of books of non-fiction and has edited several anthologies of short stories including two volumes of The Penguin Book of Modern Women's Short Storiespublished in and She moved back to the sea, but this time to North Norfolk, in Above all though it has been Hill's novels - of which there are now more than a dozen - that have captured the public's imagination. -
The Woman in Black Release
Contact: Davidson & Choy Publicity | Tim Choy [email protected] Peter Goldman [email protected] | 323 954 7510 Kory Kelly – Director of Marketing at Pasadena Playhouse: West End Thriller to Arrive in Pasadena Just in Time for Halloween. Susan Hill’s The Woman in Black Adapted by Stephen Mallatratt Directed by Robin Herford Wednesday, October 17 to Sunday, November 11 Press Opening: Thursday, October 18 Tickets are available at pasadenaplayhouse.org PASADENA, CA (September 19, 2018) – Pasadena Playhouse, the State Theater of California, presents London’s second longest-running West End play The Woman in Black, Wednesday, October 17 through Sunday, November 11. (Press opening is October 18). Over eight million people have lived to tell the tale of one of the most successful – and terrifying - theatre events ever staged. It is coming to rattle audiences in Pasadena just in time for Halloween, with all the stage wizardry that has led audiences in London to shriek in fear for over 28 years. For this production, director Robin Herford is recreating his original staging for the first time in the United States. Susan Hill’s gothic ghost story, adapted for the stage by Stephen Mallatratt, is set in an isolated windswept mansion -- with tragic secrets hidden behind its shuttered windows. There, a young lawyer encounters horrific visions in the house set amidst the eerie marshes and howling winds of England’s forbidding North Coast. He is a man obsessed, believing that his family has been cursed by a ghostly woman in black; he tells his terrifying story to exorcise the fear that grips his soul.