Lionsgate Reports Results for Fourth Quarter and Full Year Fiscal 2018
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Press Releases Lionsgate Inks Deal to Acquire Good Universe October 12, 2017 RELATED PROFESSIONALS FOR IMMEDIATE RELEASE Silvia Vannini CENTURY CITY—October 12, 2017—O’Melveny represented Good Universe in the negotiation of its sale to Century City Lionsgate (NYSE: LGF.A, LGF.B). Under the terms of the agreement, Good Universe executive Joe Drake D: +13102466895 will become CoChair of Lionsgate’s Motion Picture Group, and Good Universe cofounder and CEO Nathan Kahane will continue to head Good Universe under Lionsgate ownership. Eric H. Geffner Century City The O’Melveny deal team included partners Stephen Scharf and Silvia Vannini, along with counsel Eric D: +13102468418 Geffner and Jing Cao. Partner Eric Amdursky advised on labor and employment matters, and partner Rob Blashek provided guidance on tax issues. RELATED PRACTICES About O’Melveny Corporate & Transactional O’Melveny’s clients shape markets, set precedents, and break boundaries. They are stalwarts and Mergers & Acquisitions innovators, the names you trust and the next big thing. And for more than a century, O’Melveny has been right beside them, kicking down walls and putting up defenses to help our clients achieve their most important RELATED INDUSTRIES goals. With approximately 700 lawyers in 15 offices worldwide guided by the principles of excellence, leadership, and citizenship, we uphold a tradition of treating our clients’ challenges and opportunities as our Entertainment & Media own. What do you want to achieve? For the answers, please visit www.omm.com. Contact: Emily Lattal O’Melveny & Myers LLP 212.326.2285 [email protected] The following release was issued by Lionsgate: Leading Film Industry Executive Joe Drake Named CoChair of Lionsgate Motion Picture Group Studio's Acquisition of Drake and Nathan Kahane's Good Universe Diversifies Film Portfolio SANTA MONICA, Calif. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
ALLISA SWANSON Costume Designer
ALLISA SWANSON Costume Designer https://www.allisaswanson.com/ Selected Television: FIREFLY LANE (Pilot, S1&2) – Netflix / Brightlight Pictures – Maggie Friedman, creator TURNER & HOOCH (Pilot, S1) – 20th Century Fox / Disney+ – Matt Nix, writer – McG, pilot dir. ALIVE (Pilot) – CBS Studios – Uta Briesewitz, director ANOTHER LIFE (Pilot, S1) – Netflix / Halfire Entertainment – Aaron Martin, creator ONCE UPON A TIME (S7 eps. 716-722) – Disney/ABC TV – Edward Kitsis & Adam Horowitz, creators *NOMINATED, Excellence in Costume Design in TV – Sci-Fi/Fantasy - CAFTCAD Awards THE 100 (S3 + S4) – Alloy Entertainment / Warner Bros. / The CW – Jason Rothenberg, creator DEAD OF SUMMER (Pilot, S1) Disney / ABC / Freeform – Ian Goldberg, Adam Horowitz & Eddy Kitsis, creators MORTAL KOMBAT: LEGACY (Mini Series) – Warner Bros. – Kevin Tancharoen, director BEYOND SHERWOOD (TV Movie) – SyFy / Starz – Peter DeLuise, director KNIGHTS OF BLOODSTEEL (Mini-Series) – SyFy / Reunion Pictures – Phillip Spink, director SEA BEAST (TV Movie) – SyFy / NBC Universal TV – Paul Ziller, director EDGEMONT (S1 - S5) – CBC / Water Street Pictures / Fox Family Channel – Ian Weir, creator Selected Features: COFFEE & KAREEM – Netflix / Pacific Electric Picture Company – Michael Dowse, director GOOD BOYS (Addt’l Photo. )– Universal / Good Universe / Point Grey Pictures – Gene Stupnitsky, dir. DARC – Netflix / JRN Productions – Nick Powell, director THE UNSPOKEN – Lighthouse Pictures / Paladin – Sheldon Wilson, director THE MARINE: HOMEFRONT – WWE Studios – Scott Wiper, director ICARUS/THE KILLING MACHINE – Cinetel Films – Dolph Lundgren, director SPACE BUDDIES – Walt Disney Home Entertainment – Robert Vince, director DANCING TREES – NGN Productions – Anne Wheeler, director THE BETRAYED – MGM – Amanda Gusack, director SNOW BUDDIES – Walt Disney Home Entertainment – Robert Vince, director BLONDE & BLONDER – Rigel Entertainment – Bob Clark, director CHESTNUT: HERO OF CENTRAL PARK – Miramax / Keystone Entertainment – Robert Vince, dir. -
Title of the Call
Lionsgate Entertainment Corp. 2Q Fiscal 2018 Earnings Conference Call November 9, 2017, 5:30 PM Eastern CORPORATE PARTICIPANTS Jon Feltheimer - Chief Executive Officer Michael Burns – Vice Chairman Jimmy Barge - Chief Financial Officer Chris Albrecht – Starz, President & CEO Joe Drake – Motion Picture Group Co-Chairman Kevin Beggs – Chairman of Television Group James Marsh - Head of Investor Relations 1 PRESENTATION Operator Ladies and gentlemen, thanks for standing by and welcome to the Lionsgate Fiscal 2018 Second Quarter Earnings Call. At this time, all lines are in a listen-only mode. And later, we will conduct a question-and-answer session with instructions being given at that time. And if you should required assistance during the call, please press “*”, then “0” and an operator will assist you offline. And as a reminder, today's call is being recorded. I would now like to turn the conference over to our host, Head of Investor Relations, James Marsh. Please go ahead sir. James Marsh Thanks Kerry, and good afternoon everyone. Thank you for joining us today for the Lionsgate’s Fiscal 2018 Second Quarter Earnings Conference Call. We'll begin with opening remarks from our CEO, Jon Feltheimer followed by remarks from our CFO, Jimmy Barge. After their remarks, we'll open up the call for your questions. Also, joining us on the call today are Vice Chairman, Michael Burns; Starz' President and CEO, Chris Albrecht; Starz' COO, Jeff Hirsch; Starz' CFO, Scott MacDonald; Co-Chief Operating Officer, Brian Goldsmith; Motion Picture Group Co-Chairmen, Joe Drake and Patrick Wachsberger; Co-Chief Operating Officer and President of Motion Picture Group, Steve Beeks; Co-President of Motion Picture Group, Erik Feig; Chairman of TV Group, Kevin Beggs; Chief Operating Officer of the TV Group, Laura Kennedy; and Chief Accounting Officer, Rick Prell. -
2016 and Will Not Have Begun Principal Photography During This Calendar Year
The Black List was compiled from the suggestions of over 250 film executives, each of whom contributed the names of up to ten of her favorite scripts that were written in, or are somehow uniquely associated with, 2016 and will not have begun principal photography during this calendar year. This year, scripts had to receive at least six mentions to be included on the Black List. All reasonable effort has been made to confirm the information contained herein. The Black List apologizes for all misspellings, misattributions, incorrect representation identification, and questionable 2016 affiliations. It has been said many times, but it’s worth repeating: The Black List is not a “best of” list. It is, at best, a “most liked” list. “ The more we’re governed by idiots and have no control over our own destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible. “ ALAN RICKMAN BLOND AMBITION Elyse Hollander In 1980s New York, Madonna struggles to get her first album released while navigating fame, romance, and a music industry that views women as disposal. AGENCY MANAGEMENT PRODUCERS WILLIAM MORRIS ENDEAVOR BELLEVUE PRODUCTIONS RATPAC ENTERTAINMENT, MICHAEL DELUCA PRODUCTIONS, AGENTS MANAGERS BELLEVUE PRODUCTIONS TANYA COHEN,48 SIMON FABER JOHN ZAOZIRNY LIFE ITSELF Dan Fogelman A multigenerational love story that weaves together a number of characters whose lives intersect over the course of decades from the streets of New York to the Spanish countryside and back. AGENCY MANAGEMENT PRODUCERS WILLIAM MORRIS ENDEAVOR MANAGEMENT 360 RHODE ISLAND AVENUE, TEMPLE HILL AGENTS MANAGERS FINANCIERS DANNY GREENBERG35ERYN BROWN FILMNATION THE OLYMPIAN Tony Tost The true story of an underdog rower trying to make it into the 1984 Olympics, told through the story of his relationships with his coach, his father, his fiancée, and with competition itself. -
TRAVIS SITTARD Editor
TRAVIS SITTARD Editor PROJECTS DIRECTORS STUDIOS/PRODUCERS MEET CUTE Alex Lehmann WEED ROAD PICTURES Feature Film Dan Reardon, Akiva Goldsman Greg Lessans, Rachel Reznick Santosh Govindaraju HE’S ALL THAT Mark Waters MIRAMAX FILMS Feature Film Bill Wohlken, Andrew Panay BLACK MONDAY Various Directors SONY / SHOWTIME Season 2 Jordan Cahan, David Caspe Giselle Chruszcz Johnson Aaron Kaplan PREACHER Various Directors POINT GREY PICTURES / AMC Seasons 2–3 Sabra Ruel, Sam Catlin POWERLESS Various Directors WARNER BROS. TV / DC COMICS Season 1 NBC Michael Patrick Jann, Ben Queen THE DISASTER ARTIST James Franco GOOD UNIVERSE Feature Film Hans Ritter, Kelli Konop Additional Editor BAD SANTA 2 Mark Waters MIRAMAX Feature Film Leslie Belzberg VICE PRINCIPALS Various Directors FOX 21 / HBO Series Stephanie Laing, Danny McBride Official Selection – SXSW Film Festival Jody Hill SALEM ROGERS: Mark Waters AMAZON STUDIO MODEL OF THE YEAR 1998 Pixie Wespiser, Will Graham Pilot Lindsey Stoddart RECTIFY Various Directors GRAN VIA PRODUCTIONS Seasons 1 - 2 SUNDANCE CHANNEL Mark Johnson EASTBOUND & DOWN Various Directors HBO Seasons 1 – 4 Editor, Supervising Editor A BAG OF HAMMERS Brian Crano SUBMARINE ENTERTAINMENT Feature Film MPI MEDIA GROUP THAT EVENING SUN Scott Teems DOGWOOD ENTERTAINMENT Feature Film WHILE SHE WAS OUT Susan Montford INSIGHT FILM STUDIOS Feature Film VOLTAGE PICTURES Additional Editor ANCHOR BAY FILMS ASSASSINATION OF A Brett Simon VERTIGO ENTERTAINMENT HIGH SCHOOL PRESIDENT YARI FILM GROUP Feature Film Assistant Editor SNOW ANGELS David Gordon Green CROSSROADS FILMS Feature Film WARNER INDEPENDENT Additional Editor INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Printmgr File
Annual Report 2021 LIONS GATE ENTERTAINMENT CORP. To Our Shareholders: Fiscal 2021 was an extraordinary year marked by the global pandemic and unprecedented industry change. Despite these challenges, I’m pleased to report that we continued to successfully execute on our guiding “North Star” principles of creating and delivering great content, continuing to build one of the top film and television libraries in the world, using our content platform to drive Starz’s growth into one of the leading premium global subscription platforms, and maintaining a motivated and entrepreneurial work force second to none. Our financial results reflected four strong quarters in a row as we reported fiscal 21 revenue of $3.3 billion, adjusted OIBDA of $541 million, and over $300 million in adjusted free cash flow, allowing us to reduce our net leverage ratio by more than a full turn. We also continued to bolster our capital structure by taking advantage of market conditions to refinance and extend our debt at lower rates. As a result, we ended the year with over $500 million in available cash, an untapped $1.5 billion revolver and a healthy balance sheet. Operationally, it was a year of strong subscriber growth at Starz, refilling our content pipelines with great films and television series, record library sales and setting up over a dozen movies for delivery in Fiscal 23 and 24 even as we successfully pivoted to alternative release strategies for many of our current films. Culturally, during a year in which the national conversation focused on critical issues of social justice and racial equality, we took important steps to increase the diversity, equity and inclusiveness of our workforce by launching new inclusive hiring policies, revamping our internship program to bring more women and racially diverse employees into our Company, and establishing DEI training for all employees. -
BRAD VAN ARRAGON Producer
BRAD VAN ARRAGON Producer Feature Films: THE SOMETHING (Executive Producer) - Good Universe - Rodney Rothman, director THE AGE OF ADALINE (Co-Producer) - Lakeshore Entertainment - Lee Toland Krieger, director IF I STAY (Line Producer) - Lakeshore Entertainment - RJ Cutler, director HECTOR AND THE SEARCH FOR HAPPINESS (Line Producer) - Egoli Tossell Film- Peter Chelsom, director THE BIG YEAR (Co-Producer) - 20th Century Fox/Red Hour Films - David Frankel, director RAMONA & BEEZUS (Co-Producer) - 20th Century Fox/DiNovi Pictures - Elisabeth Allen, director JENNIFER’S BODY (Co-Producer) - Fox Atomic/Hard C - Karyn Kusama, director JUNO (Co-Producer) - Fox Searchlight Pictures/Mandate - Jason Reitman, director AMERICAN VENUS (Co-Producer) - American Venus Productions - Bruce Sweeney, director WHITE NOISE 2 (Line Producer) - Rogue Pictures/Brightlight Pictures - Patrick Lussier, director THE WICKER MAN (UPM/Line Producer) - Warner Bros/Millennium Pictures - Neil LaBute, director SLITHER (UPM) - Universal/Gold Circle Films - James Gunn, director BLOOD RAYNE (Line Producer) - Brightlight Pictures/Boll Kino Beteiligungs - Uwe Boll, director EDISON (Production Manager) - Sony/Millennium Pictures - David J. Burke, director GOING THE DISTANCE (Production Manager) - MGM/Brightlight Pictures - Mark Griffiths, director FINDER’S FEE (Producer) - Lionsgate/Shavick Entertainment/Mystic Arts - Jeff Probst, director SEA (Producer) - Independent - Andrew Williamson, director Television: LOST IN SPACE (Producer) - Legendary Television/Netflix - Various directors -
AWNMAG5.05 Cover
Table of Contents AUGUST 2000 VOL.5 NO.5 5 Editor’s Notebook Go Web Young (Wo)Man, Go Web 7 Letters: [email protected] InternetCOMIC BOOKS Animation 8 Your Move… Jacquie Kubin looks at how and why packaged gaming companies are adding on-line elements to their business plans. 12 Alter-Net-ive Worlds How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild “classics.” Martin “Dr. Toon” Goodman takes us theorizing… 16 The Aesthetics of Internet Animation Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain’s Romanov, explains why, in the vein of comics, they are actually a source of freedom. 2000 20 Is There Life Beyond Flash? Flash is the leading tool for Internet animation, but there are a few other options for production and augmentation. Here industry leaders reveal their secrets from high tech 3D software to good, old-fashioned talent. 23 Getting Started On-Line So you want to get into this Internet game? Two of AtomStudios’ animators, Kwesi Ako Kennedy and James Dalby, not only tell you how, but offer tips for success. ComputerADULT ANIMATION Animation 25 Vancouver’s Mainframe Entertainment Since their first 3D CGI television show, the groundbreaking Reboot, Mainframe Entertainment has been producing quality children’s television. Don Perro goes for a tour and finds they are working on more than television now. 29 Writing for CGI:A Talk With Ian Boothby UGUST Ian Boothby, co-writer of Casper’s Haunted Christmas, gives us some insight on the pitfalls and joys of writing for CGI. -
Catholic Bioethicist Warns Against Gene-Editing Experiments
A Monthly Publication of Our Issue No. 204 September, 2020 Lady of Mt. Carmel Pro-Life Committee Dianne Machesney, Editor 412-366-7869 TWO VICTORIES Catholic Bioethicist Warns Against Gene-Editing Experiments First, the Supreme Court ruled Science publication OneZero reported last week 7-2 that the Trump that scientists in the United Kingdom recently conducted an Administration was experiment where they deleted a gene from human embryos within its rights to using the CRISPR ((clustered regularly interspaced short palindromic repeats) grant a religious technique. They later realized the edited embryos also contained significant exemption to unintended edits that could lead to birth defects or other major medical issues the Little Sisters of the Poor. The Court later in life. The embryos were subsequently destroyed. again upheld the right of the religious Joseph Meaney, PH.D., speaking Friday in an interview on EWTN Pro- order of nuns to procure health coverage Life Weekly, said that the experiment gone wrong was predictable because that does not support abortion-inducing “science as it emerges into new areas, makes a lot of mistakes.” On Thursday, the Vatican released an updated version of the Directory drugs. for Catechesis which contained new sections on bioethics. The 300-page book, In a separate case, the Court which provides universal norms for pastors and catechists in the work of reaffirmed 7-2 that a Catholic school -- evangelization, said that “bioethical questions challenge catechesis and its not the government -- can decide formative function.” whether to hire, retain, or terminate The Vatican document states that scientific research and its certain employees. -
The Business of Show Business for Creatives Film Business Essentials for Getting Your Film to Market
The Business of Show Business for Creatives Film Business Essentials for Getting Your Film to Market Edited by Anne Marie Gillen Focal Press Has the Business Side of Show Business Covered Use discount code SHOW for 20% off Focal Press titles www.focalpress.com Business of Show Business 1 The Business of Show Business is proudly brought to you by Focal Press and AFM® In August 2013, the American Film Market® (AFM), the largest motion picture market in the world, signed a long-term agreement with Focal Press to collaborate on a series of books on the business of motion picture production and distribution. The series, entitled “American Film Market Presents” will include books on industry topics such as financing, distribution, pitching, law, and marketing. “Our goal is to provide the independent production community with resources and information that helps films get made,” stated Jonathan Wolf, AFM Managing Director. “Partnering the world’s largest film market with the leading publisher for filmmakers is a perfect match.” “It’s truly an honor to partner with the world’s premiere motion picture market, and we place enormous value in this relationship,” stated Jeff Dean, Focal Press Publisher. “AFM and Focal Press both strive to make a significant difference in the careers of filmmakers, producers, writers, and film -in dustry executives, and I’m certain the exceptional content we’ll create together will help us achieve this goal.” The Business of Show Business is a free resource intended to help educate and inform independent filmmakers -
CPD Film Company Resource List
Company List Film/ Entertainment Before You Begin Use this list of companies to begin your internship or job search in the entertainment industry. The list is broad and includes companies in film and television (development, production, distribution, equipment, agencies), animation, advertising, and more. As you review the list, consider your internship or job search strategy. If you’re searching for an internship, you will have a shorter, targeted list. If you’re searching for full-time employment, you may want to consider creating a list of your favorite companies, a list of companies that you would enjoy working at, and an alternate company list. We advise exploring and applying to opportunities at all of the companies on your list. Take this scenario You’ve just graduated from ArtCenter with a BFA or MFA in Film and your concentration was cinematography. • Plan A Your main goal is to apply to freelance Director of Photography roles that you find through Staff Me Up, Mandy, Industry Facebook groups, ArtCenter Connect, or personal references. Initially, you may not generate enough income to pay for all of your expenses, in which case you’ll need to look for additional part-time or full-time work. • Plan B In order to support yourself while you’re building your freelance career, you apply to administrative roles at below-the- line agencies that represent cinematographers. While working at a below-the-line agency, you’ll likely make valuable contacts who can offer career advice. However, these positions are also hard to land, so it’s important to research additional opportunities.