NAB 1999 ISSUE THE FAIRLIGHT ESP NEWS BULLETIN

Image Group Post Superdupe Recording On Track with MFX3plus Networks with MediaLink and MediaLink nderscoring the increasing shift Utowards real-time networking solutions in high-end, multiple-room audio post studios, Superdupe Recording in New York City has installed Fairlight’s MediaLink fast audio networking solution to link its six Fairlight MFX3plus digital audio workstations and one Fairlight FAME integrated digital audio production system. According to Karen Carelli, General Manager Superdupe Recording, the implementation of networking will enhance the company’s workflow. “MediaLink is the logical extension of the latest technology because it gives us the ability to link our MFX3plus workstations Superdupe Recording’s new MFX3plus workstations communicate with MediaLink - and thereby link different projects. Now (L-R) Henri Perotti, Mitch Rayboy, Glenn Navia, Bill Smith and Gary Arnold we can work in store-and-forward mode or, if it’s a major project with short Neil Karsh, Vice President of Audio Services Superdupe Recording specializes in audio deadlines, using multiple workstations in for the New York Media Group including post production for top level advertising real-time,” Carelli noted. Superdupe agrees. “Our goal is to become agencies, as well as cable and broadcast “It’s also exciting because it’s the first time an extremely integrated audio post studio television clients. Superdupe Recording is Image Group Post rides into the new millennium with Fairlight - (L-R) John Wilkinson, in quite a while that Superdupe Recording and we believe that with MediaLink and part of the New York Media Group family Audio Assistant; Frank Lanzer, Chief Audio Engineer; James Krieger, Audio Editor. has had all the mixers on the same the MFX3plus systems we are a lot closer to of companies, which also includes Crush platform,” said Carelli, pointing out that achieving that goal,” Karsh emphasized. Digital Video, Cyclotron, East Side Audio, mage Group Post, leading East Networks and Arts & Entertainment the Fairlight MediaLink purchase was “These systems will help streamline our the soon-to-be opened Lower East Side, I Coast audio and video post Network. In addition to the audio and accompanied by the purchase of four process enabling us to reach our clients’ Mixed Nuts Recording Studios, Oculus and production facility, has replaced its existing video post production services in its digital MFX3plus digital audio workstations. creative goals that much faster.” Post Perfect. ■ digital audio workstation, mixer and server component films-to-tape suite, three audio technologies with systems from Fairlight. suites, six on-line video suites and three In all three of Image Post Group’s existing Avid suites, Image Group Post also offers Introducing ViVid: Fairlight’s studios, Fairlight systems - two MFX3plus tape duplication and standards conversion digital audio workstations, a FAME capabilities. “It’s a company that New Digital Video Recorder integrated mixing, editing system, and the understands that you have to offer a wide new MediaLink server system - will become range of services,” explains Frank Lanzer, airlight introduces ViVid, the new the primary digital audio technologies for Chief Audio Engineer at Image Group Post. F Digital Video Recorder, designed the entire facility. “When it came to audio, we wanted to as a companion to FAME and MFX3plus in Image Group Post, which opened in 1994 reposition ourselves technologically for the the audio editing environment as a as a division of MTI/The Image Group, next generation of digital audio post. We random-access, disk-based replacement serves the broadcast and cable television needed systems that were faster, easier to for conventional tape-based video industries, providing advanced post use and more functional. The Fairlight transports. production services for a wide range of systems were the logical choice because ViVid is the perfect companion to major clients, including Nickelodeon, MTV they fulfilled all of those requirements.” Fairlight’s MFX3plus digital audio Image Group Post has installed a Fairlight workstation, able to track seamlessly in EVS and Fairlight system in each of its audio suites facility- sync with the audio at all speeds, and in in any number of broadcast and non- operate using either the front panel Announce wide. The high degree of compatibility all transport modes. Bringing random- broadcast applications. ViVid digitizes controls or 9-pin serial remote control. Strategic Alliance and interconnectivity that such a decision access technology to the picture as well and records video, audio and time code Recording data density may be selected provides is enhanced by an order of as the sound makes the job of editing signals in real time on to a high speed by the user over a wide range, offering a Fairlight ESP and EVS Broadcast have magnitude with the addition of the new audio to picture faster and easier than removable hard disk. In playback all balance between picture quality and announced a new strategic alliance. Based in Fairlight MediaLink digital audio server ever before. In future software releases, signals are output in perfect recording time to suit individual Liege, Belgium, EVS Broadcast Equipment system. Since Image Group Post had ViVid will be tightly integrated into the synchronization. requirements. manufactures a range of broadcast video already been working with a network-type MFX3plus editing environment, providing ViVid may also be used as a stand-alone ViVid is supplied standard with a 9GB solutions, amongst which its renowned LSM.␣ system, the benefits of facility-wide access complete control of all operations and video recorder in a variety of critical video internal drive offering over 30 minutes of This multi-channel live slow motion replay to all sound files was already apparent. parameters from the MFX3plus and FAME applications, including broadcast quality broadcast quality video storage at its system became famous through extensive “But we needed to take that kind of control surfaces. recording and playback. ViVid is a plug- maximum data density, or over 8 hours at use for major sporting events coverage, such capability to a much higher level of ViVid is a high bandwidth video and audio in replacement for most professional tape maximum compression. An optional as the Olympics and Soccer World Cup. ■ operation,” says Lanzer. ■ hard disk recorder that can also be used machines in use today, and is simple to removable hard disk is available. ■

www.fairlightesp.com.au Fast Fairlight’s OMF Capabilities Shine for Networking Howard Schwartz Recording Solution Fairlight’s MediaLink fast networking Inter platform Connectivity Midtown Manhattan facility. renovation that will add a further three solution helps you work faster, smarter and MediaLink eliminates media compatibility According to Schwartz and Chief Mixer Roy rooms to the existing twelve. Unusually more productively than ever before. issues by establishing communication Latham, in whose room the MFX3plus has for this business, the facility has remained Effective, manageable digital audio between different computer platforms been installed, the primary reason for in the same location with the same networking is now a reality for any multi- directly via the network. Fairlight has choosing Fairlight was the system’s highly telephone number for over 25 years and room, multiple workstation facility. developed MediaLink on the most evolved OMF compatibility with Avid many of the current staff have been with compatible platform available - MediaComposer systems. the facility for over 15 years. Latham is a ZERO Project Transfer Time Microsoft’s NT Server. Through NT, “OMF compatibility is an essential 23-year veteran of the company. MediaLink performs real time playback of MediaLink offers access to Macintosh, component of the work we do here This level of stability is an issue of great full multitrack projects from a central Windows, Unix and other platforms, and everyday and it was a major feature that we pride for Schwartz. “I’ve always placed a server. No file transfer is required - the the Internet, for transfer of files to and looked at before making the purchase high priority on providing those who work time taken to move a job from one location from different production environments, decision,” noted Schwartz. “The Fairlight’s here with the right culture, benefits and to another is the time taken to open the delivery systems and library resources. OMF compatibility is extremely robust, and tools to do their job. So when the mixers project on the destination machine - a this, coupled with the system’s argued to get the Fairlight MFX3plus, I really matter of seconds. Centralised Data Storage, functionality and reliability, made our had to listen, “ Schwartz explained. Management and Archiving Howard Schwartz decision a lot easier.” Latham agrees. “We “Part of the reason we’ve been so successful Centralised Database Facilities By centralising data, it is possible to don’t make product decisions lightly here. for so long is because I run the facility as a While many network solutions can implement management and archiving s one of New York’s largest and We get to know the product, but we also business and the individual mixers practise audition audio from a central library, it is strategies that are robust, regular, and A best-respected post production get to know the company and its personnel mixing as an art,” observed Schwartz. “This often necessary to transfer that sound simple to maintain. Because MediaLink facilities prepares to turn a new page with and we form a type of partnership. With way, we can offer our clients all the audio effect into the local machine before it can has been designed on Microsoft’s NT a massive expansion, Fairlight’s MFX3plus Fairlight, the product includes very and video services they need, while working be included in the current project. platform, every NT storage and security digital audio workstation becomes an impressive compatibility features, but the with people who are really committed to MediaLink overcomes this problem with option is available to MediaLink users. important component of the plan for its organization is also clearly committed to the creative process. The Fairlight fits its ability to offer a large number of tracks MediaLink offers options for redundant future. Howard Schwartz, President of process of having different platforms talk neatly into this philosophy because it of real time audio playback simultaneously and non-redundant RAID storage and tape New York’s TEC Award-nominated to one another - and that’s very important features the reliability and speed that the from the central server. Every user can library systems with scheduled auto Howard Schwartz Recording, recently for the future,” said Latham. mixers need and the support access the same sound effects libraries archiving, and can be extended to include purchased a Fairlight MFX3plus digital Howard Schwartz Recording is currently infrastructure, networking and simultaneously, in real time, with zero file Server clustering, redundant network audio workstation for his 15-room undergoing a major expansion and compatibility features that I look for.” ■ transfer time. architectures and WAN topologies.

PhotoMag Gears World’s First Fairlight MediaLink Up with MFX3plus MFX3plus / SSL Avant Integrated Production Solution at NFL Films

NFL Films’ SSL Avant features two integrated MFX3plus systems, including one custom fitted into the console (detail at right)

reating what will become one of all-digital chain, one that he says will network to a further twelve MFX3plus C the global production industry’s streamline the production of multi-format workstations in use throughout the facility. most powerful, versatile and functional surround and stereo mixes for live venue, NFL Films’ Avant features a serial router mixing and editing environments for high- broadcast, VHS and DVD release. that interfaces with MFX3plus. The end sound for picture applications, “We produce content for all the different engineer can arm tracks, punch in and Fairlight ESP and SSL, in conjunction with distribution formats for the ever- growing punch out right from the paddle switches NFL Films of Mount Laurel, New Jersey, National Football League and always on the console. All ‘transport’ functions PhotoMag Sound Studios (L-R) - Shawn Conrad, Mixer, Studio E; have developed a Fairlight MFX3plus SSL need to make constant changes in post such as play and rewind are controlled by Doug Senger, Mixer, Studio B; Ed Evans, Technical Director Avant interface that integrates Fairlight’s production,” Caputo explained. “This a 9-pin connection between the Avant and MFX3plus digital audio workstation into type of rigorous production environment the Fairlight. eading midtown Manhattan “When it came time to buy new equipment, SSL’s Avant digital film mixing console. requires the power and flexibility the “Everything we work on here starts life L commercial spot house the name that kept coming up as the most The concept of integrating the Fairlight Avant offers and the bulletproof in a digital picture editing system,” says PhotoMag Sound Studios has just completed versatile, most reliable and best supported MFX3plus and SSL Avant was initially reliability and user-friendliness of the Jerry Mahler. “Once everything is in the the installation of two 24-track MFX3plus workstation was the Fairlight MFX3plus,” conceived by Jerry Mahler, Vice President Fairlight.” digital domain, it makes great sense to digital audio workstations. According to Ed Evans explained. “Whereas the Fairlight of Audio and Music, and Vince Caputo, The Avant at NFL Films features 192-input keep it there. The Avant offers power Evans, Technical Director, the decision to offers us all the functionality and feature Mix Engineer at NFL Films, who now boast capability in a 48-channel frame, with two and flexibility, a familiar control surface upgrade to Fairlight was part of a facility- sets that we need to meet our clients’ needs the world’s first installation of an Avant/ Fairlight 24-channel MFX3plus systems and a high-quality, digital path for our wide refurbishment that will position the today, it also delivers the scaleability and MFX3plus combo. According to Caputo, the integrated into the system. Both MFX3plus exploding production schedule. The studio on technology’s cutting edge in New networking features that we will need to combination of the Fairlight and SSL will systems are connected via Fairlight’s MFX3plus/Avant is the perfect choice for York’s thriving post-for-advertising industry. satisfy our clients in the future.” ■ provide a critical final link in the studio’s MediaLink high-speed Audio Server and our needs.” ■ www.fairlightesp.com.au FAME - Post Production Advertising Post Production Benchmark in Japan Facilities Favour FAME

Vision Factory St. Louis’ most advanced video and audio post production facility, The Vision Factory, has installed a Fairlight FAME integrated digital recording, editing and mixing workstation. The 24-track/24- channel FAME is installed in a brand new, ground-up 2,500-square-foot audio complex, which includes a full-service recording studio, production suite and voice-over recording area.

“It makes such NHK International chose Fairlight’s FAME for its new high-end production studio good business sense NHK International With over 500 new programs translated NHK International, a non-profit every year the decision as to which all around.” George Gates, President and Owner of Commercial Recording, Cleveland, organization established in 1980 by product to use in their post production Jeff Ridgway, Owner and President, rocking with Fairlight outside the Rock and Roll Hall of Fame Japanese public broadcaster NHK, facility was one not entered into lightly. The Vision Factory, St. Louis recently commenced production using After reviewing all available options stages,” Cimino explains. “And we can Radio In The Nude their new FAME digital audio production NHK International selected FAME for its The installation of the FAME considerably easily use .WAV files or the Fairlight In a move to increase its productivity and system. NHK International specializes reliability, speed and power in enhances the company’s productivity and MediaLink option during on-line editing client service capability and to further in the translation of programs, both from simplicity. creativity and at the same time boosting as well. Then, thanks to FAME’s 24-bit expand its radio commercial spot Japanese to English and English to FAME allows NHK International to the bottom line. capability, we can lay back the final mix in production business, Santa Monica-based Japanese, including television drama achieve its deadlines with a quality “That’s exactly what we had hoped to higher resolution directly to digital beta Radio In The Nude, installed a new Fairlight series, children’s programs, arts and product that meets the requirements of achieve with our decision to go with the format. With FAME we have a seamless FAME. And, says Andy Lerner, Creative culture or natural history features. the international market. Fairlight system, and that’s exactly what non-linear operation.” Director for Radio In The Nude, one of the we got,” observes Jeff Ridgway, Owner and leading producers of radio commercials, President of The Vision Factory, which was Doner Advertising “No other system on the market today founded in 1990 and which serves a wide Less than a year after opening its in-house could give us that kind of flexibility - to range of national and regional advertising Fairlight FAME-equipped production and better serve our clients and to enable us to agency clients, as well as corporate video post production facility, Detroit-based add an entirely new level of business to our and audio projects. The Vision Factory has advertising agency, Doner Advertising has company.” a strong tradition in embracing leading- just opened a second 24-channel FAME- edge technologies. The company was the equipped studio in the facility. Located in first in St. Louis to implement D5 the Detroit suburb of Southfield, Michigan, “No other system uncompressed 601 video capability, and the facility is supervised and operated by the first with a Discreet Logic Smoke editing Bob Miller, Senior Audio Engineer. on the market today and special effects system. It can now claim “Having a system as reliable and highly the first Fairlight FAME as well. “We’ve functional as the FAME helped make the could give us that The production team at Azabu Plaza with one of four Fairlight FAME systems always been first with the best technology, difference in the opening months of this so when we expanded our audio reconstructed facility,” Miller explained. kind of flexibility.” Azabu Plaza because of its inherent power and speed department, it made sense that we get the Andy Lerner, Creative Director, Leading Japanese post production house as an integrated mixer/editor and we were best audio system available on the market Radio In The Nude, Santa Monica Azabu Plaza has surpassed all its well aware of the MFX’s reputation for today,” says Ridgway. “It makes such good “We just booted up the expectations since installing four Fairlight reliability. So this, coupled with the business sense all around: in addition to The seven-year-old Radio In The Nude has FAME systems and a MediaLink network possibilities that MediaLink was FAME’s cost-effectiveness and system and we were built a highly successful national business last year. Running four separate studios, expounding, tipped the tables in functionality, it allows us to maintain our in that time, servicing major radio each turning over three jobs a day is no Fairlight’s favour.” tradition of being first in the market, and open for business.” commercial clients and becoming a leading mean feat. Azabu Plaza have not only that’s an excellent marketing strategy. And Bob Miller, Senior Audio Engineer force in radio commercial production, all achieved this level of throughput and it’s the same system in use at major post Doner Advertising, Detroit while using a single production suite. That, productivity but continue to sustain it eight “Our engineers love production facilities in New York, Chicago says Lerner, makes the choice of a primary months down the track. and Los Angeles, which allows us to easily “Even though we’re a stand-alone division digital audio production system critical for Azabu Plaza’s four FAME systems and an working with FAME, interface with them.” of Doner, we’re very much a client service its current business. “The key thing to MFX3plus Mini 8-track workstation in their The Vision Factory made its decision to operation,” Miller said. “We need to be success in radio is the ability to let clients machine room are all interconnected with our customers love purchase FAME based on its technical fast and responsive and still deliver try as many creative things as possible with Fairlight’s MediaLink high speed advantages too. According to Matt Cimino, creatively and the FAME helped us exceed as little of the technology getting in the networking solution. MediaLink is the sound.” Audio Engineer and Sound Designer, who these criteria in every way.” way as possible,” he explains. “Radio is an employed extensively for the transfer of Shinji Aoki, Technical Director was instrumental in researching the Bringing with him 22 years’ experience as audio-only medium, so everything that a projects between studios, sound library Azabu Plaza, Tokyo company’s most recent technology an audio engineer working in Chicago and client wants to convey has to be done purely functions, and the background backup of upgrades, says he chose the FAME based four years as an engineer at Producers through sound. They have to have as many jobs even while the studios are online. “Now, after 8 months of intense use, all on several factors, including its ability to Color Service, Miller will handle the creative options as possible and you can’t “When we made the decision to go with and any doubts are firmly abated. Fairlight interface with the facility’s existing three technical aspects of creating radio and slow that process down by waiting for a FAME there was some speculation on how reliability coupled with Fairlight Japan’s non-linear video editors using OMF and television spots for Doner clients including system to respond to the way you want to well such a new product would stand up commitment to total support meant never the Fairlight’s MediaLink option. “The Mazda, BP Amoco, Kroger, BF Goodrich, work. As a result, we chose the Fairlight in one of the busiest studios in Japan,” having to reschedule or cancel a job. I great thing now is that we can ship temp Blockbuster Entertainment, Eckhard Drug FAME system. It gives us the kind of said Azabu Plaza’s Technical Director, don’t believe we could have made a better mixes back and forth between the FAME Compay, Cub Cadet, US Cellular, Arby’s flexibility and power that you need to Shinji Aoki. “We were sold on FAME decision.” ■ and the Avids via OMF during the off-line and LA-Z-Boy. achieve that level of creativity.” ■

www.fairlightesp.com.au Fairlight Offices Asia/Pacific • Fairlight ESP Pty Ltd Fairlight’s East Coast Success Unit C, 5 Skyline Place, Frenchs Forest, Sydney NSW 2086 Australia Phone: + 61 2 9975 1230 Fax: + 61 2 9975 6744 New York is seeing an increase in long format advertising by its nature requires a large USA West Coast • Fairlight USA 3855 Hughes Avenue,Second Floor, television. There was a time when all the variety of sound effects. Detroit post houses Culver City, Los Angeles CA 90232 shows about New York were done in Los are finding that the most efficient to meet Phone: (310) 287 1400 Fax: (310) 287 0200 Free Call 1800-4-FAIRLIGHT Angeles, but there is now a concerted effort this need is by using the shared sound effects USA East Coast • Fairlight USA by the City to get the business in New York. libraries that networking provides. Cleveland 2 West 45th Street, Suite 605 New York NY 10036 As more and more on-location shooting is has also really taken to the shared sound Phone: (212) 819 1289 Fax: (212) 819 0376 done in NYC, the work trickles down and the effects libraries. UK • Fairlight ESP Limited Unit 12, Spectrum House end result is more TV work for the New York Another networking feature that works really 32-34 Gordon House Road London NW5 1LP post houses. well in the East Coast markets is the high Phone: + 44 171 267 3323 Fax: + 44 171 267 0919 France • Fairlight France One of Fairlight’s major strengths is that our level of connectivity that it affords studios. 69 Rue d’Aguesseau products help our customers take advantage In Philadelphia and New York, there are many 92100 Boulogne-Billancourt, France Phone: +33 1 4610 5050 Fax: +33 1 4610 5012 of these opportunities. FAME for instance, is dedicated sound design studios and Germany • Fairlight Deutschland GmbH perfect for East Coast studios because of its dedicated mixing facilities and a considerable August-Bebel Strasse 26-53 14482 Potsdam-Babelsberg, Germany small footprint with a powerful box - a volume of work goes back and forth between Phone: +49 331 721 2930 Fax: +49 331 721 2933 complete production studio that can literally them. Right now they print to a 24-track Japan • Fairlight Japan 4-2-23 Seijyo, Setagaya-ku, Tokyo, 157-0066 be set up in a closet. On the West Coast space multitrack and have messengers ‘sneakernet’ Phone: + 81 3 5490 1515 Fax: + 81 3 5490 1516 isn’t so much at a premium, but here you may from one facility to another. They then record Fairlight Dealers need to set up a studio in a very small space. it in and continue the mixing and editing. Argentina • DBA Systems SRL Networking has also been a major factor in MediaLink, through a T1 line in an NT server, Phone: +541 573 3969 Fax: +541 571 9295 Atlanta, U.S.A. • Comprehensive Tech Group our success. MediaLink allows studios to get would literally turn that into an FTP transfer Phone: +1 404 352 3000 Fax: +1 404 352 2962 at anything at any time, without having to from one studio to another. Australia • Amber Technology sacrifice a customer’s session. In New York Chicago, New York, Boston, Detroit, Phone: +61 2 9975 1211 Fax: +61 2 9975 1368 Belgium • Trans European Music Fairlight Eastern Region (L-R) - Matthew Weiner, Senior Product Manager; and Boston, the nature of the business is all Philadelphia, Cleveland, Washington DC, Phone: +32 2 466 5010 Fax: +32 2 466 3082 Brad Eisenhaure, Vice President of Sales; Chuck Cavanaugh, Technical Manager throughput and always keeping the room Atlanta, Nashville and Miami are all very Brazil • Libor Comercio e Importacao Ltda. Phone: +55 11 3104 5339 Fax: +55 11 3104 5027 going. Studio managers don’t want to tie up different markets, but no matter what market Bulgaria • Audio Consult OOD ne year after opening its New suit what they’re doing, and what they would a room up doing backups because that’s you’re in, networking offers a more efficient Phone: +359 88 56 1269 Canada • Sonotechnique PJL Inc. - Montreal, Quebec O York City office, Fairlight Vice like to be able to do. Opening the office here money, and at $425 an hour that’s a lot of way to do business. Also, because we’re NT- Phone: +1 514 332 6868 Fax: +1 514 332 5537 President Of Sales, Eastern Region, Brad was just one way to help us to do that better. money you’re losing. based, and because many of our customers • Sonotechnique PJL Inc. - Toronto, Ontario Phone: +1 416 947 9112 Fax: +1 416 947 9369 Eisenhaure, explains why Fairlight’s first year Because the East Coast markets have By storing all the material on the MediaLink have NT-based video servers, we can offer • Sonotechnique PJL Inc. - Port Moody, BC with an East Coast office has been so traditionally been reliant upon advertising server, studios can do background backup them a whole new level of integration. Phone: +1 604 461 5471 Fax: +1 604 461 5473 China • Jing Cheng Electronic(JCE) successful. spot work, these markets experience an and can also access work that was done either Now is a great time to be at Fairlight. There’s Phone: +86 10 6348 5629 Fax: +86 10 6348 5710 The New York City and East Coast post upswing in business when the economy that day, that week, that month or even that a great culture, great products and a winning Czech Republic • Inton GmbH Phone: +420 2 53 3237 Fax: +420 2 53 0644 production markets are booming right now booms. Right now, the economy is booming, year. Studios and their clients can easily vibe but we’re down-to-earth enough to Egypt • Penta Electronics Co. and Fairlight is thriving in this market people are buying and companies are develop basic spots that can be later understand that knowing our customers and Phone: +20 2 299 0478 Fax: +20 2 299 2617 Finland • OY Qualitron AB because we’ve been listening to what end advertising. New York, Chicago, Detroit and customized for special occasions. making product based on their needs is what Phone: +358 9565 4581 Fax: +358 9502 9444 users need. We’re providing them with near- Miami Beach are very busy and they’ve all On-line access is also especially important has made us successful and we’re determined Greece • KEM Electronics Phone: +30 1 674 8514 Fax: +30 1 674 6384 customized products and feature sets that had busy summers. to the Detroit studios. Automotive never to lose that perspective. ■ Holland • Helios Phone: +31 2 3531 9472 Fax: +31 2 3532 1830 FAIRLIGHT MFX3plus Hong Kong • The Video Workshop Phone: +852 2834 5080 Fax: +852 2572 6098 Fairlight Expands TV GUIDE Hungary • Rexfilm Ltd More than 75 TV shows each week Phone: +36 1 203 4320 Fax: +36 1 203 4354 are produced using Fairlight’s India • PACE Communications Into Broadcast Markets Phone: +91 2 2633 5450 Fax: +91 2 2633 5453 plus MFX3 — here’s a selection: Israel • More Audio Own A Fairlight Phone: +972 3 695 6367 Fax: +972 3 696 5007 3rd Rock From The Sun Warner Bros. Post Production Services Italy • Dario Scavino From As Little As Arsenio Todd-AO CBS Phone: +39 348 223 1131 Fax: +39 02 891 0631 $590 A Month! Korea • Fairlight Korea, Inc. Beverly Hills, 90210 Todd-AO Glen Glenn Phone: +82 2 558 8448 Fax: +82 2 558 8449 Fairlight’s FastBreak lease program Buffy The Vampire Slayer Todd-AO West Malaysia • IPK Broadcast Systems (Pte) Ltd Phone: +65 259 9216 Fax: +65 258 7996 eliminates all application fees and points, Caroline In The City Warner Bros. Post Production Services Mexico • Diuxi S.A. De C.V. provides a simplified one-page Chicago Hope Miles of Fun Phone: +52 5 584 8459 Fax: +52 5 264 6854 New Zealand • Fairlight ESP (NZ) application form, assures a response Clueless Todd-AO Glen Glenn Phone: +64 9 410 8382 Fax: +64 9 410 8381 within 48 hours of receiving the Deep Space Nine Four Media Company Norway • Lyd Systemer A/S Phone: +47 22 71 07 10 Fax: +47 22 71 07 12 The Drew Carey Show Warner Bros. Post Production Services application form, and offers a Philippines •The Video Workshop (Philippines) 90-day deferred payment program. airlight has expanded its Guinea, Radio Corporation Singapore, ER Warner Bros. Post Production Services Phone: +63 2 890 9372 Fax: +63 2 896 0786 Family Guy Westwind Media Poland • Europe Sound Systems Prime Rate And A 90-Day Deferred F business into the broadcast SAFRA Radio Singapore, Radio Television Phone: +48 22 751 8487 Fax: +48 39 12 1239 Payment In One Package: market with the acquisition of Ogenic On Hong Kong, Commercial Radio Hong Friends Warner Bros. Post Production Services Portugal • L M T FastBreak lease buyers make their first Air Systems located in Perth, Western Kong and Radio Television Malaysia. Home Improvement Warner Bros. Post Production Services Phone: +351 387 1159 Fax: +351 387 9745 Russia • Qualitron payment upon approval of their Australia. Apart from its more traditional range of Jesse Warner Bros. Post Production Services Phone: + 7 503 232 6523 Fax: + 7 503 232 1993 application form, begin working with their Ogenic was established in 1975 and products including mixing consoles, Mad About You Warner Bros. Post Production Services Singapore • IPK Broadcast Systems (Pte) Ltd Phone: +65 259 9216 Fax: +65 258 7996 system immediately and make no quickly grew to become Australia’s leading euromodules and accesories, Ogenic has The Magnificent Seven Westwind Media South Africa • EMS Digital additional payments for the next 90 days. manufacturer and installer of professional developed Virtuoso, a digital storage and Melrose Place Todd-AO Glen Glenn Phone: +27 11 794 5202 Fax: +27 11 794 5204 Spain • Fading SA Up To US$75,000 In Credit: on air radio broadcasting systems, playout system for radio broadcasters. Men Behaving Badly Todd-AO CBS Phone: +34 91 377 2400 Fax: +34 91 407 7507 FastBreak qualifies prospective buyers to supplying a range of products and services This digital system is only one of a number Nash Bridges Westwind Media Sweden • STV Video Data Phone: +46 8 5789 5100 Fax: +46 8 5789 5101 receive up to US$75,000 toward the lease to radio networks in Australia and Asia. of digital products currently under Newsradio Todd-AO CBS Switzerland • J & C Intersonic purchase of their Fairlight systems. A Ogenic is renowned for its turnkey development which will further enhance NYPD Blue Westwind Media Phone: + 41 56 450 2170 Fax: + 41 56 450 2171 plus Taiwan • Digital Edge specially configured 8-track MFX3 solutions, with the expertise for the existing product line up. Spin City East Side Audio Phone: +886 2 546 6153 Fax: +886 2 2715 5179 mainframe workstation can be purchased completely fitting out radio studios from The new company Fairlight Ogenic Pty Star Trek: Voyager Four Media Company • Multiply Trading Co. Ltd Phone: +886 2 2382 2568 Fax: +886 2 2331 5156 That ’70s Show Warner Bros. Post Production Services for as little as US$590-00 per-month, ground up to full on air broadcasting Ltd will trade as Fairlight On Air Systems. Thailand • Ideal Systems based on the current prime rate of 8.5% capacity. All 22 Ogenic staff members have stayed Trinity Warner Bros. Post Production Services Phone: +66 2 662 5544 Fax: +66 2 262 0492 Turkey • Nafan Ticaret Unhappily Ever After Todd-AO CBS and a 48-month payment plan. For Key clients include the Australian on to become part of the Fairlight team Phone: +90 212 288 4139 Fax: +90 212 266 9558 details, visit the FastBreak web site at: Broadcasting Corporation, RG Capital, the which is headed up by Quentin Gribble, Veronica’s Closet Warner Bros. Post Production Services Venezuela • Acustilab Phone: +58 2 985 1216 Fax: +58 2 985 3528 www.fairlightusa.com Austereo Goup, NBC of Papua New General Manager, Operations. ■ Walker, Texas Ranger Warner Bros. Post Production Services www.fairlightesp.com.au