Reclaiming the Streets: Black Urban Insurgency and Antisocial Security
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DC/Heroes Pop! List Popvinyls.Com
DC/Heroes Pop! LIst PopVinyls.com Updated April 14, 2018 DC HEROES SERIES 06: Joker Blue Batman Clamshell (SDCC 10) 06: Metallic Joker [CHASE] Blue Metallic Batman Clamshell (SDCC 10) 06: Bobblehead Joker (TARGET) Black Batgirl Clamshell (SDCC 10) 06: Bobblehead Metallic Joker (TARGET) GITD Green Lantern Clamshell (SDCC 10) [CHASE] 01: Batman 06: B&W The Joker (HT) 01: Metallic Batman [CHASE] 06: Black Suit Joker (Walgreens) 01: Blue Retro Batman (SDCC 10) 07: Superman 01: Metallic Blue Retro Batman (SDCC 10) 07: Metallic Superman [CHASE] 01: Error Yellow Symbol Batman 07: Kingdom Come Superman [BEDROCK 01: Error Metallic Yellow Symbol Batman CITY] [CHASE] 07: Bobblehead Superman (TARGET) 01: Flashpoint Batman (NYCC 2011) 07: Bobblehead Metallic Superman 01: Bobblehead Batman (TARGET) (TARGET) [CHASE] 07: B&W Superman (HT) 01: Metallic Bobblehead Batman (TARGET) [CHASE] 07: New 52 Superman (PX) 01: Yellow Rainbow Batman (Ent Earth) 07 Silver Superman LE 144 (HT) 01: Pink Rainbow Batman (Ent Earth) 07 GITD Silhouette Superman (EntEarth) 01: Green Rainbow Batman (Ent Earth) 08: Wonder Woman 01: Orange Rainbow Batman (Ent Earth) 08: Metallic Wonder Woman [CHASE] 01: Blue Rainbow Batman (Ent Earth) 08: B&W Wonder Woman (Toy Tokyo 01: Purple Rainbow Batman (Ent Earth) NYCC EXCLUSIVE) 08: New 52 Wonder Woman (PX) 01: New 52 Batman (PX) 01 Silver Batman LE 108 (HT Employees) 08 GITD Silhouette Wonder Woman (EE) 09: Green Lantern 01 Retro Batman (Ent Earth) 09: Metallic Green Lantern [CHASE] 01 “Michael Keaton” Batman (Gamestop) 09: GITD Green -
Social Media and Tactical Considerations for Law Enforcement
Social Media and Tactical Considerations For Law Enforcement This project was supported by Cooperative Agreement Number 2011-CK-WX-K016 awarded by the Office of Community Oriented Policing Services, U.S. Department of Justice. The opinions contained herein are those of the author(s) and do not necessarily represent the official position or policies of the U.S. Department of Justice. References to specific agencies, companies, products, or services should not be considered an endorsement by the author(s) or the U.S. Department of Justice. Rather, the references are illustrations to supplement discussion of the issues. The Internet references cited in this publication were valid as of the date of this publication. Given that URLs and websites are in constant flux, neither the author(s) nor the COPS Office can vouch for their current validity. ISBN: 978-1-932582-72-7 e011331543 July 2013 A joint project of: U.S. Department of Justice Police Executive Research Forum Office of Community Oriented Policing Services 1120 Connecticut Avenue, N.W. 145 N Street, N.E. Suite 930 Washington, DC 20530 Washington, DC 20036 To obtain details on COPS Office programs, call the COPS Office Response Center at 800-421-6770. Visit COPS Online at www.cops.usdoj.gov. Contents Foreword ................................................................. iii Acknowledgments ........................................................... iv Introduction ............................................................... .1 Project Background......................................................... -
Activists, Bodies, and Political Arguments
Liminalities: A Journal of Performance Studies Vol. 11, No. 4 (October 2015) Activists, Bodies, and Political Arguments Jason Del Gandio The following essay is adapted from a keynote address presented at the 2014 Patti Pace Performance Festival. The live address included a PowerPoint presentation involving a series of images and videos.1 One of the great strengths of the Patti Pace Festival is the wide range of attendees, which include high school students, undergraduate and graduate students, and professors. This address aims for a middle ground by targeting the undergraduate audience. In brief, the address discussed the manner by which activists use their bodies to make political arguments. Setting the Stage: An Introduction People often think of argumentation in terms of verbal communication—for example, someone advances a claim, supports it with evidence, and provides an overall rationale. But we can also use nonverbal communication to make argu- ments. This is particularly true with activists. Think of anti-war protesters conducting a classic “die-in.” The activists choose a rhetorically significant location—perhaps a military recruiting center or the office of a pro-war representative. The activists gather at the location and at a pre-designated time one of them blows a whistle. Everyone suddenly drops to the ground. Another activist stands among the “lifeless bodies” and recites an anti-war statement. And still another activist is using a handheld projector to cast images onto the side of the building: bombs, fire fights, injured bodies, Jason Del Gandio is an Assistant Professor of Instruction in the Department of Stra- tegic Communication at Temple University. -
Occupoetry Issue 4 October 2014 © Occupoetry, 2014 Davis, CA Morgantown, WV; New York, NY
OccuPoetry Issue 4 October 2014 © OccuPoetry, 2014 Davis, CA Morgantown, WV; New York, NY ISSN 2167-1672 www.occupypoetry.org Editors: Phillip Barron | Katy Ryan | Paco Marquez This journal is free to download. However, if you wish to share it with others, please direct them to our website to download their own, free copy in the format of their choice. This book may not be reproduced, copied or distributed for commercial or non- commercial purposes, in part or in whole, without express permission. Thank you for your support. All rights reserved by individual copyright holders. No part of this work may be reproduced or transmitted without prior written permission of the copyright holder. OccuPoetry cannot grant permission for use of copyrighted works without permission of their owner. OccuPoetry Issue 4 1 Table of Contents Maxine Chernoff Knowing Monique Gagnon German Crutches Ira Lightman Capit*l Buildings Heritage Matt Pasca Skinsuit Tamer Mostafa Rite of Passage Jacob Russell 5/19/2012 Saturday A quiet war… Fabio Sassi Still Life Maja Trochimczyk A Mirage Amy Antongiovanni My Mother Didn’t Teach Us the Lord’s Prayer Monique Avakian Rhetorical Question #86: Vice Versa Amy Narneeloop The Tuskegee Experiment April Sojourner Truth Viewfinder Walker William O’Daly The Flag Is Burning Andres Castro Our River David Blanding However is a Term of Freedom Charlie Weeks Obsession’s Regression John Garmon A Time to Negotiate the Way Forward Bill Kahn May Day, 1914 Nathalie Kuroiwa-Lewis Osama David Kerr Functional Verse Gray Tolhurst Imperfect Machine Diane Raptosh from Torchie’s Book of Days Jalina Mhyana ahh-lee-ooo Francisco X. -
Cities Within the City: Doityourself Urbanism and the Right to the City
bs_bs_banner Volume 37.3 May 2013 941–56 International Journal of Urban and Regional Research DOI:10.1111/1468-2427.12053 Cities within the City: Do-It-Yourself Urbanism and the Right to the City KURT IVESON Abstract In many cities around the world we are presently witnessing the growth of, and interest in, a range of micro-spatial urban practices that are reshaping urban spaces. These practices include actions such as: guerrilla and community gardening; housing and retail cooperatives; flash mobbing and other shock tactics; social economies and bartering schemes; ‘empty spaces’ movements to occupy abandoned buildings for a range of purposes; subcultural practices like graffiti/street art, skateboarding and parkour; and more. This article asks: to what extent do such practices constitute a new form of urban politics that might give birth to a more just and democratic city? In answering this question, the article considers these so-called ‘do-it-yourself urbanisms’ from the perspective of the ‘right to the city’. After critically assessing that concept, the article argues that in order for do-it-yourself urbanist practices to generate a wider politics of the city through the appropriation of urban space, they also need to assert new forms of authority in the city based on the equality of urban inhabitants. This claim is illustrated through an analysis of the do-it-yourself practices of Sydney-based activist collective BUGA UP and the New York and Madrid Street Advertising Takeovers. Introduction In many cities around the world we are presently witnessing the growth of, and interest in, a range of micro-spatial urban practices that are reshaping urban spaces. -
The House at 702 Vermont Street in Brooklyn Doesn't Stand Out. It's One in a Series of Two-Story Brick Houses That Extends T
#Map The house at 702 Vermont Street in Brooklyn doesn’t stand out. It’s one in a series of two-story brick houses that extends the length of its block in East New York. Like many of its neigh- bors, the house has a narrow, fenced front yard leading to a few stairs and a porch that has been enclosed and incorpo- rated into the house. Trees partially screen its tan vinyl sid- ing and blue cornice. After picking up the kids at Public School 213, you might drive right past it without noticing as you pulled up to the Jonathan Massey light at New Lots Avenue. Syracuse University Open Trulia or another real estate app on your phone, though, and you’ll Brett Snyder learn a lot about the house, including the fact that while the current owner University of California, Davis bought it in 2007 for $424,500 and the house is taxed based on an assessed value of $384,000, its estimated market price is $286,000. There’s a good chance this house is underwater, mortgaged at a value that far exceeds its market value. Indeed, plug in the address at NYC CityMap, the GIS-based portal for municipal information and public records, and you’ll see that when the current owner bought the house five years ago, Mortgage Electronic Registration Systems Inc. (MERS) recorded a primary mortgage of $339,600 and a secondary loan of $84,900. A year and a half later, the company assigned one of the mortgages to Countrywide Home Loans. -
User Manual Digitalspot 7000DT V 1 7
Version 1.7 DigitalSpot 7000 DT Table of contents 1. Safety instructions ...................................................................................................................................................... 5 2. Unpacking ................................................................................................................................................................... 6 3. Introduction ................................................................................................................................................................ 7 4. Fixture exterior view ................................................................................................................................................... 7 5. Video inputs ................................................................................................................................................................ 8 6. Connection to the mains ............................................................................................................................................ 8 6.1 Powering on the DigitalSpot 7000 DT ................................................................................................................... 8 6.2 “Power down” mode ............................................................................................................................................ 8 7. Shutting down the DigitalSpot 7000 DT .................................................................................................................... -
Justice League Unlimited Superman Dies
Justice league unlimited superman dies They battle the rest of the Justice League, but when Superman arrives, Toyman that Lex has appeared as she believes him to come to gloat over Superman's death, . Metamorpho would later join the league in Justice League Unlimited. I still remember when I watched this episode when I was 3. I was crying. This is how you do a funeral scene and. Justice League and Justice League Unlimited are American animated series about a team of . Following the death of the Flash, the Justice Lords launch an assault on the White House, where Superman kills President Lex The League attempts to cope with the loss of Superman by defending Metropolis in his absence.Justice League episodes · Justice League Unlimited · Season 1 (–). The Justice Lords are a fictional team of supervillains who first appeared in the televised The Justice Lords are an alternate Justice League from a parallel Earth . androids of the Lords in the Justice League Unlimited episode "Divided We Fall". Woman in retaliation for her husband's death and marries Lord Superman. BAT BLOOD - A Batman V Superman AND Bad Blood PARODY ft. Batman Subtitulado Español Latino. by. As it turns out, Mongul doesn't understand Superman at all. Doomed to die and be reborn, again and again, Grundy often reemerges Heck, Grundy reappears in the Justice League Unlimited episode "Wake the Dead. A bigger Justice League roster makes for plenty of action and drama. Clash Justice League Unlimited Captain Marvel Superman original “Justice League” when the Flash's death sparked the creation of the Justice Lords. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Arrowverse Jumpchain
ARROWVERSE JUMPCHAIN On October 10, 2012 on the American cable network, The CW, a show based on the DC fictional universe came to television screens all across America and Canada. A fresh new take on a lesser known hero, the Green Arrow, the show was a hit to comic lovers and average viewer alike. The success of the show was enough to have its own spin off show, The Flash, which aired on the same network on October 7, 2014. The success of the two shows which share the same universe, and the crossovers between them have spawned Vixen & Legends of Tomorrow. Along with the canceled NBC show Constantine, this television network adaptation of the DC fictional-universe is dubbed 'Arrowverse'. You arrive in your starting location when Oliver Queen arrives back in America after his presumed death. Alternatively you may start when Barry Allen, awakens from his coma. You'll be here for the next ten years, to help you on your journey here something has exited out of the Speed Force.... +1000cp LOCATIONS 1.) Star City - Home of the Green Arrow 2.) Central City - Home of the Flash 3.) Gorilla City (Earth-2) - Home of super intelligent gorillas, in parallel dimension 4.) Central City (Earth-2) - Parallel universe version of Central City, home to Jay Garrick & Zoom. 5.) Nanda Parbat - League of Assassins training ground 6.) Detroit - Home of Vixen 7.) Waverider - Riphunter's timeship 8.) Free Choice FACTIONS •VIGILANTE - Not everyone who fights crime works for the police. As a vigilante you work alone or part a team to take down crime. -
Stan Douglas Born 1960 in Vancouver
This document was updated February 25, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Stan Douglas Born 1960 in Vancouver. Lives and works in Vancouver. EDUCATION 1982 Emily Carr College of Art, Vancouver SOLO EXHIBITIONS 2020 Stan Douglas: Doppelgänger, David Zwirner, New York, concurrently on view at Victoria Miro, London 2019 Luanda-Kinshasa by Stan Douglas, Plug In Institute of Contemporary Art, Winnipeg, Canada Stan Douglas: Hors-champs, Western Front, Vancouver Stan Douglas: SPLICING BLOCK, Julia Stoschek Collection (JSC), Berlin [collection display] [catalogue] 2018 Stan Douglas: DCTs and Scenes from the Blackout, David Zwirner, New York Stan Douglas: Le Détroit, Musée d'Art Moderne Grand-Duc Jean (MUDAM), Luxembourg 2017 Stan Douglas, Victoria Miro, London Stan Douglas: Luanda-Kinshasa, Les Champs Libres, Rennes, France 2016 Stan Douglas: Photographs, David Zwirner, New York Stan Douglas: The Secret Agent, David Zwirner, New York Stan Douglas: The Secret Agent, Salzburger Kunstverein, Salzburg [catalogue] Stan Douglas: Luanda-Kinshasa, Pérez Art Museum Miami (PAMM) Stan Douglas: The Secret Agent, Victoria Miro, London Stan Douglas, Hasselblad Center, Gothenburg, Sweden [organized on occasion of the artist receiving the 2016 Hasselblad Foundation International Award in Photography] [catalogue] 2015 Stan Douglas: Interregnum, Museu Coleção Berardo, Lisbon [catalogue] Stan Douglas: Interregnum, Wiels Centre d’Art Contemporain, Brussels [catalogue] 2014 Stan Douglas: -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar.