DOCSLIB.ORG

Values at Barnatd Castle " SHOWBOAT. O

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Values at Barnatd Castle • ▪▪ • • gay, April 23rd, 1952. THE TEESDALE MEROURY. •••/•■•••• " SHOWBOAT. o Values at Barnatd Castle ++.4,4,44++4.01.44+4,40444.+444,4.4.+4.4.444.44 C34,1014.134.1:14,101+13+1214.04434* 11111111111111111M11111111111111111119111111111111111111111111111111111111111111111111111111111111111111111111111111111110111M1 See " Showboat," II vas SHOE COMPLETES THE PICTURE Enjoy a Good Picture. SPRINC CLEANING? E Buy a Kodak And tike a Good Picture. ting's Meat) Motel NEW CURTAINS, CUSHION g 1 COVERS: TELEVISION LESLIE GREENBANIL Isarnarb Castle Telephone 19 • We will make them for you = a Service for Amateur with your own material F-- AND RADIO Vividly gay, Phobographers, at the Ei 25, HORSEMARKET,. BARNARD CASTLE, COMFORTABLE LOUNGES :.--.F.E DEALER audaciously Phone 3103 CLOTHING REPAIR ::-....- I'] DEVELOPING & PRINTING BUFFET BAR COCKTAIL BAR 0 smart- Daily Service. SERVICE a. Agent for Book your table for Luncheon or Dinner (H. Wilson, Prop.). KODAK CAMERAS AND Records of Show Boat keep young in heart 0 FILMS, ETC. Good Food and Wines 13, THE BANK. 44=40.0.0.01+101+0+CI443 ZWZWZ2212:12:222.2eZ2.212:e obtainable on order in I TEL. 3342 WAISTELL'S " SAMPAN 9 T. B. RICHARDSON, R.P. 37, MARKET PLACE Maurice Jenkinson era 17, GALGATE . BARNARD CASTLE BARNARD CASTLE YOUR DEALER Plumber & Heating Engineer High - Class murphy T.411 ruiterers and lorists 27, GALGATE BARNARD CASTLE BARNARD Robert Anderson CASTLE 4, Authorised 'Calor Gas' Dealer FROZEN FRUITS, FISH & WALL'S ICE-CREAM always in stock Phone 385 Van Delivery Service in town and country Pbone 109 +4.00444.4.+444.4.4.4.4.444.4,4,4,4.4.4.4.4.4.444.+ re MIIIIIIIII11111111111111111111111111111111111111111111111111111111111111,1111111111111111111111111111111111111111111111111111111111111111 : 0004,0,1.04,534.0.1.10.04.04,0+04.C1+0+04.04, 202.',22".eZeZZ,2WZ: -....r.:2222:;e:Z2e2:122222121eZ:r57:0 A. he Best Pigs Your Summer Sports Requirements Tel. 388. NO- We Serve and Sell only the go to . Here comes "Show Boat" Permanent Waving Specialist Entertainment on the line BEST .J. & P. LANGSTAFF, Tennis - Cricket - Archery Machineless - Cold Waving Here come Walter W illsons RACKETS& BALLS BAT & BALLS BOWS & ARROWS Tinting Bleaching HIGH-CLASS Service with a smile "Make Believe" HIGH CLASS and the usual Accessories, from at the , CONFECTIONERY BEEF & PORK JEAN KIPLING, BUTCHERS, MORNING COFFEE 41„' JACK ASCOUGH'S • ' LADIES' Walter Willson's Ltd Phone 42 SCALA CAFE 36, THE BANK, HAIRDRESSER, LUNCHEONS The Toy Shot of Teesdale MARKET PLACE Call before BARNARD CASTLE. 11, THE BANK - BARNARD CASTLE 16, MARKET PLACE, The Show (Boat) AND TEAS Phone 91, Tennis Rackets Repaired BARNARD CASTLE. For High7Class Provisions and Good Service 443.04.014.04iO4.0 +0014.00+04,0447.,g40+040+0 uununu 1111111111111111111111111111111111111111111111111111111U111111111111111MMINIIIIMI1DIIIIIM111111111101 rePttriltetplta70.02147)tattegntOttaPtitc:%nten HOWARD KEEL 191111111 KATHRYN GRAY SON scored a personal Wins- 5 5 KAYS' = A. V. CARTER & SON, III was born iu alb Englanb You didn't serve in I formerly Cumuli t Styles), success in the lead 111 ton - Salem, N.C., 5 THE SHOWBOAT, MOTOR AND CYCLE of the London studied f o Q an STRATHMORE HOUSE, SCALA 11611 1111 But if . you served in the " Oklahoma " com- § 5 ENGINEERS, operatic car ee r, R.A.F. or W.A.A.F.' 11011SEXURKET, pany which led to Phone SS. Twice Nightly at 13 p.m. & 8-15 p.m. Phi 50. then made her Shirts 5 BARNARD CASTLE. h i a triumphant 5 41, GALGATE, screen debut in § yOu should join the • :1144.ialists in - M-G-M debut in TNNEE DAYS ORLY - THURSDAY, FRIDAY & SATURDAY, APRIL 24, 25, 26 " .Arndy Hardy's " Annie Get Your Private Secretary." § "Rocket GOWNS, BARNARD CASTLE. Gun," with Betty Matinee Saturday at 1-30 pin. Her unusual com- MEN'S WEAR SHOPS R.A.F.Ae COATS, Tel. 33.4. Hutton. Since then bination of looks, § and enjoy; the Benefits. COSTUMES, he has appeared Booking Hours: •Mon., Tues., Wed., Thurs. Fri., 2 till 4, 6-15 till 7-15. singing voice and § SKIRTS, Etc. PETROL, OILS, ETC. with Jane Wyman, acting ability soo Full particulars from Saturday, 10-30 a.m. till 12, 2 P.m. till 4, 6-15 till 7-15. § A nthony gonald Ltd 111 Van Johnson and broutost her to F. WAINtE, Open till after Show evcry 11 1 near 'Boots' Barnard' Castle Also Agents for LEODIAN. Barry Sullivan in a " straight " Second House Reserved Seats not ( olleoted by 7-45 p.m. will be sold. stardom. Her, recent films include § Deerbolt Cottage,? " SI night. 111 Phone NO. 281. role in " Three Guys Named " That Midnight Kiss," "Grounds also at Middleabro , Durham & Par111114i on Startforth. 1111 5 IIIIIIMIIMME11111111111E1111111111111111111111111131M111111111111111111111111111111111111 Mike" and " Pagan Love Song," for Marriage' and " The Toast of tePtte:21tG'itOtrOtteintante:7410a0eOtert------- with Esther Williams. -------- 1111111 New Orleans." tcnt0,.._1t,:;71e,G7V.C7)te.---"etc:;')te:71t./7)t0)CC.:71tc7)C 21(ci"if0)tc:7)Ce.:71571c0.c:7)tG) 11 nussumussussustunumusummummumsuumussonsummussuunsmusummumsammumn 1111 111 11 = 11 REVIEW. We can make your house a MUSIC PROGRAMME. _-- =2:17000151:2--' 0 BLACKETTS 11111 Spring 1- One of the greatest entertain- 111111 ments of all time is brought to the --,..- 11 " MAKE BELIEVE "-Say:g by .." Scala screen in " Show Boat," Kathryn Grayson and Howard. Keel. FASHION snow 111111 Metm-Goldwyn-Mayer's new Techni- SHIOW color version of the immo:tal " YOU ARE LOVE "-Sung by Jerome Kern-Oscar Hammerstein II Kathryn Grayson and Howard Keel. I * Coats musical play, which has run up a and such a record number of performances. " WHY DO I LOVE YOU "- . wonderful PLACE SHringbyKow Graysonl aysou and * Suits Cap'n Andy Hawk's glittering ard Keel. Selection and exciting Mississipi show boat, the Cotton Blossom, is the setting " CAN'T HEIAP LOVIN' DAT Dresses 1 for the story of the stage-struck 'MAN "-Sung by Ave Gardner. Ex Magnolia, who falls in love with the 1111111 fascinating gambler, Gaylord Raven- " 014 MAN RIVER, " Sung by 111 al, and lets him whisk her off as his William Warfield. 111 THE "GONE WITH THE WIND", OF MUSICALS! 1 11 bride for a year of dove and luxury From the unforgettable Jerome Kero-Oscar 11 " GAMBLER'S SONG Chicago. But the honeyittoon "--Sallit, 111 in Hammerstein, II stage musical, hued as Edo. by Howard Keel. ends when Ravenal's gambling Ferbet's best-selling novel. blood reasserts its self and the "I MIGHT FALL BACK ON happy couple find themselves YOU "-Sung and danced by Marge dest:tute. Magnolia returns to her and Gower Champion and Chorus. family's ehow boat and Rexene' ratrin.GRAYSON strikes out on his own and it is not " BILL "-Sung by Ave Gardner. * Skirts .until years later, when a chance 1- happening informs Ravenal that he " AFTER THE BALL "--„Sung Ava GARDNER by Satilttyn Grayson and Chorus. * Blouses is a father, that the pair are again ' reconciled. Howard.KIEL The Store is filled with the most JOE E. BROWN is one of the exciting array of fashion wear ... AvA GARDNER came- to pictures There's a style and a price to suit you Just keep via the model route. Born in most famous and best loved Smithfield, N.C., •she graduated comedians on the screen. After 7CfmriimpraN a long and 'highly successful rolling along from Atlantic Christian College BRTSVN * New Spring Hats and achieved her Alan career, he has . B Delightfully feminine, flattering first acting pointers STERLING • I HIPHEID recently been star- and atioctively priced. ring in the stage with Norma Shearer '‘"K‘v `` In the fresh, dear colours of tO in " We Were Way " Harvey," Spring. Felt or straw-they're Dancing." She was Owe •• both in • America equally charming. last seen at zz lie and on a tour which 000105Stms. M - G - M with anew included London Gregory Peck in and Australia. He "The Great Sinner" cut short his and with Barbara Arttafriel Australian tour Stanwyck a n d specially to play the lovable Cap'n Andy FURNISHERS & DRAPERS Te1:162 James Mason in A MeTRO•GOLDWYPI■ MAYia PICTUR,i • COST. V " East Side, West in the present F.. Side." picture. / of Barnard Castle n1111111111111111111111111U11111111111111111111111111111111111111111111111111111111111a1111111111111111111111111111111111111111111101111111IIIIIIIIIIIIIIIIIIIIIIMMIIIInininnininifinniumminaminnffill111111111191191111111111111111111111111111111111111111111111111111011111111F1 t4:71t21tAfz:71tei% t4:714c:7)ce;ue7)ce?)ce:,)(4:;Ite7,cezt.e7)catviceac.ace:9olco., ■ ■ ■■••••••• Mt eftree tento•••• 1111111111111111111111111111111111111111111111111111411111111111111111111M1111111111111111111111111110111illimumiumm 01•6~•••••••••••••••••■•••••••WWWW•rea~a/%0••••■••••■••~00•~••••■•■••■••■•••"•••• Ofte.eseM0••• se els•• ••••• +0.ki,.1444+++++.4441. After the Show, complete the night with a good Supper art "Show Boat" for Songs and Romance J. LEE THOMAS, LEE & SONS, t 0 BALIOL STREET. Phone 351 2, BEDE ROAD, C. H. SUTTON, MACDONALD'S BUT tfor Wholesale Potato BARNARD CASTLE. is I FISH & CHIP TAXIS Registered DECORATING RESTAURANT, Mile043 33[0MMir & PRIVATE HIRE CARS. Merchants, Florists Builders, Joiners and 4', I CONTRACTOR. NEWGATE. Six and Eight Seaters. BOWES Undertakers. I •••■•••••••■••■•■•••■••■••••■••■••~••■■••••••••• Fruiterers I Estimates Free, 311Eftliaint Home Grown Produce Funerals Completely Furnished I Cremations Arranged. All Work Guaranteed. Our Speciality I J. T. KAVANAGH, FOR LAUGHTER F. NEVISON, TELEPHONE 71 •I Enquiries: in the MARKET PLACE, Nun,: Barnard Castle '220 st, I CANINE SPECIALIST Frozen Fief', Fruit & Vegetables DAY OR NIGHT. AND AQUARIST. BARNARD CASTLE. 9, HORSE
Load more

Recommended publications
  • Show Boat Little Theatre on the Square
    Eastern Illinois University The Keep 1967 Shows Programs 1967 Summer 7-24-1967 Show Boat Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1967_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Show Boat" (1967). 1967 Shows Programs. 8. http://thekeep.eiu.edu/little_theatre_1967_programs/8 This Book is brought to you for free and open access by the 1967 at The Keep. It has been accepted for inclusion in 1967 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. "Central Illinois' Only Equity Stur lZlusic and Drama Theatre" Eleventh Season a May - October 1967 Sullivan, Illinois 6uy S. Little, Jr. Presents BRUCE YARNELL in "HOVJ BOAT" July 25 - August 6, 1967 6y S. littleI Jr. PRESBNTS BRUCE YARNELL "SHOI BOAT' Music by JEROME KERN Book and Lyrics by OSCAR HAMMERSTEIN 2nd Based on the novel "Show BoaP by EDNA FERBER wlth MARCIA KIN6 Jetill Little, Art KQSUI~John KelsoI Stwe S-:. EDWARD PIERSON and BUTTERFLY MaQUEEW Directed by ROBERT BAKER ::.:;:' Choreography by GEORGE BUNT Musical Direction by DONALD W. CHA@ Assistant Murical Direction by ROIBRT MCWCapW . .* Scenery ~esi~nedby KENNETH E. LlQ%f@. Production Stag. Manamr Assistant Stage Mmapr RICHARD GHWON BILL TSOKOS =MEN- Wk ENTIRE PRODUCTION UNDER THE SUPERVISION OT 5 :. --, . ' I CAST , , -: Captain Andy.. ..........................., ....................... ART -1 Ellie .........................................................
    [Show full text]
  • The Great American Songbook in the Classical Voice Studio
    THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been
    [Show full text]
  • Jerome Kern Collection [Finding Aid]. Library of Congress. [PDF Rendered
    Jerome Kern Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2005 Revised 2010 March Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu002004 LC Online Catalog record: http://lccn.loc.gov/95702650 Processed by the Music Division of the Library of Congress Collection Summary Title: Jerome Kern Collection Span Dates: 1905-1945 Call No.: ML31.K4 Creator: Kern, Jerome, 1885-1945 Extent: circa 7,450 items ; 102 boxes ; 45 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: The collection consists primarily of Kern's show music, some holograph sketches; most are manuscript full and vocal scores of Kern's orchestrators and arrangers, especially Frank Saddler and Robert Russell Bennett. Film and other music also is represented, as well as a small amount of correspondence. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Bennett, Robert Russell, 1894-1981. Kern, Jerome, 1885-1945--Correspondence. Kern, Jerome, 1885-1945. Kern, Jerome, 1885-1945. Kern, Jerome, 1885-1945. Selections. Saddler, Frank. Subjects Composers--United States--Correspondence. Musical sketches. Musicals--Scores. Musicals--Vocal scores with piano. Titles Kern collection, 1905-1945 Administrative Information Provenance The bulk of the material, discovered in a Warner Bros.
    [Show full text]
  • Show Boat” (1932) Added to the National Registry: 2005 Essay by Todd Decker (Guest Post)*
    “Show Boat” (1932) Added to the National Registry: 2005 Essay by Todd Decker (guest post)* Helen Morgan Original album package Paul Robeson Before the long-playing record (or LP) made original cast albums a key component of the Broadway musical, record companies recognized the potential of turning a Broadway score into a unified experience for home listeners. The 1927 musical “Show Boat” was the first to receive this treatment. In 1932, the year of “Show Boat’s” first Broadway revival, the Brunswick label released a set of four specially-recorded 78s of songs from the show. The discs were bound in a handsome album featuring cover art taken from the sheet music for the Broadway show which had, in turn, been derived from the cover of Edna Ferber’s 1926 novel. The lavish set’s liner notes described the collection as an “album of music from one of the most tuneful and popular operettas of the modern day.” Conducted by Victor Young and using custom orchestral arrangements—not those played by the pit orchestra in the theater—the Brunswick set features two singing stars who shaped “Show Boat” both in the minds of its creators and for the show’s enthusiastic early audiences: Paul Robeson and Helen Morgan. Music critics praised the unity of Young’s collection, “obviously recorded as a unit and with great care.” And even though listening to all eight sides would have been a clunky affair at the time—involving much changing and flipping of discs—Young clearly imagined the set as a whole. The inclusion of sides titled “Overture” and “’Show Boat’ Finale” suggest a partial playing order.
    [Show full text]
  • Do It Again: Sequences in Gershwin and Kern's Popular Songs
    Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 7 Issue 1 Article 4 May 2014 Do It Again: Sequences in Gershwin and Kern’s Popular Songs Maxwell Ramage Indiana University Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Composition Commons, and the Music Theory Commons Recommended Citation Ramage, Maxwell (2014) "Do It Again: Sequences in Gershwin and Kern’s Popular Songs," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 7 : Iss. 1 , Article 4. Available at: https://trace.tennessee.edu/gamut/vol7/iss1/4 This Article is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. DO IT AGAIN: SEQUENCES IN GERSHWIN AND KERN’S POPULAR SONGS MAXWELL RAMAGE mericans George Gershwin (1898–1937) and Jerome Kern (1885–1945) both A succeeded as Broadway composers but began as “song pluggers” on New York’s Tin Pan Alley.1 Their popular-song output, however, was far from hackwork; indeed, their chromatically inflected, extended tertian harmonies enriched the expressive palette available to song composers at large.2 Gershwin and Kern seem to have influenced one another: Gershwin idolized the elder composer3 and stated that his early songs “paid [Kern] the tribute of frank imitation.”4 Conversely, Howard Pollack hears in Kern’s song “Whip-Poor-Will,” for example, suggestions of Gershwin’s “From Now On.”5 In view of the special regard in which Gershwin held Kern, I will compare and contrast their popular songs.
    [Show full text]
  • High Sierra Theatres Announces San Francisco Opera’S Show Boat
    FOR IMMEDIATE RELEASE HIGH SIERRA THEATRES ANNOUNCES SAN FRANCISCO OPERA’S SHOW BOAT THE CLASSICAL AMERICAN MUSIC THEATRE EXCLUSIVE Santa Fe, NM (March 24, 2015) – HIGH SIERRA THEATRES today announced that they will be premiering San Francisco Opera’s Show Boat on June 6 at 4:00 PM and June 10 at 7:00 PM Instead of just showing Hollywood Blockbusters, the Desert Sky Cinema and The Movie Picture Showhouse present alternative programs such as Operas, Broadway Shows and Art Exhibits. Presentation A true classic of American musical theater, this tale of life on the Mississippi from the 1880s to the 1920s is both a poignant love story and a powerful reminder of the bitter legacy of racism. Director Francesca Zambello’s grand-scale production is "a triumph—a stylish, fast-paced and colorful show that had the capacity audience on its feet, cheering loud and long" (Chicago Classical Review). The magnificent Jerome Kern-Oscar Hammerstein II score, which includes such classic songs as "Ol’ Man River," "Can’t Help Lovin’ Dat Man," "Make Believe" and "You Are Love," will sound glorious "under the authoritative baton of music-theater maestro John DeMain" (Chicago Tribune). "No one should miss it" (Chicago Sun- Times). According to General Director David Gockley, "Show Boat will be done in grand opera fashion in the way the creators conceived. The Opera House is—I believe—the appropriate venue for these great classic musicals that require full-voiced, 'legit' singing." "One memorable song follows another, each an enduring thread in the fabric of American
    [Show full text]
  • YCH Monograph TOTAL 140527 Ts
    UNIVERSITY OF CALIFORNIA Los Angeles Transformation of The Musical: The Hybridization of Tradition and Contemporary A dissertation submitted in partial satisfaction of the requirement for the degree Doctor of Philosophy in Music by Yu-Chun Hu 2014 Copyright by Yu-Chun Hu 2014 ABSTRACT OF THE DISSERTATION Transformation of The Musical: The Hybridization of Tradition and Contemporary by Yu-Chun Hu Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair Music and vision are undoubtedly connected to each other despite opera and film. In opera, music is the primary element, supported by the set and costumes. The set and costumes provide a visual interpretation of the music. In film, music and sound play a supporting role. Music and sound create an ambiance in films that aid in telling the story. I consider the musical to be an equal and reciprocal balance of music and vision. More importantly, a successful musical is defined by its plot, music, and visual elements, and how well they are integrated. Observing the transformation of the musical and analyzing many different genres of concert music, I realize that each new concept of transformation always blends traditional and contemporary elements, no matter how advanced the concept is or was at the time. Through my analysis of three musicals, I shed more light on where this ii transformation may be heading and what tradition may be replaced by a new concept, and vice versa. My monograph will be accompanied by a musical work, in which my ultimate goal as a composer is to transform the musical in the same way.
    [Show full text]
  • 1.Jerome Kern Bulletin.5.3.14.Pub
    DONATIONS RECEIVED THIS EVENING What if you were nine years old, lived in metro Atlanta and were homeless? You probably have a sibling or two, a mother and/or father who is/are trying to find work that will pro- vide food and shelter for you. But sometimes that isn’t enough. What happens then? Accord- ing to United Way, the average age of a homeless person in Atlanta is the tender age of nine. Each of the community ministries that Morningside Presbyterian Church supports work dili- gently to end the picture that was just painted for you. And there are many similar pictures that we can paint. Whether it’s providing financial support and a meal at Journey or Clifton Sanctuary Ministries, both transitional living programs for men who are homeless, or Morn- ingside’s youth group playing bingo at Calvin Court with the senior citizens who live there, we strive to make our world a better place for those who need a little dose of sunshine in their lives. It bears repeating, this wonderful evening of music is our gift to you. We hope that your gift will be your financial support to the Community Outreach program at Morningside. As you leave, please give as you are able - cast members will be at each door taking your donations. Our church needs your support. Our community needs your support. Our God needs your support. The Way You Look Tonight Baron Mullis, Senior Minister Morningside Sings Jerome Kern Drew Stockstill, Minister of Young Adults & Adult Education Dana Hughes, Affiliate Minister Robert Bolyard, Interim Choirmaster 1411 North Morningside Drive, NE, Atlanta, GA 30306 A Gala Benefit Evening TEL 404.876.7396; Preschool 404.685.8758 EMAIL [email protected]; WEB morningsidepc.org Saturday, May 3, 2014, 7:30 p.m.
    [Show full text]
  • Beauty and the Beast March 23 - June 11
    The Dinner TheaTre of Columbia Presents January 12 - marCh 19, 2017 Next at TOBY’s Disney’s Beauty and the Beast March 23 - June 11 HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 15-COL-00013Good Columbia Ad Resize - Downtown rates Columbia Brand Ad-4.5X3.75BW.indd backed 1 by 8/27/15 2:30 PM Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois The Dinner TheaTre of Columbia Presents Show Boat Music by Jerome Kern Book & Lyrics by Oscar Hammerstein II Based on the novel “Show Boat” by Edna Ferber This Production Originally Produced by Goodspeed Musicals Michael P. Price, Executive Director Adapted & Directed by Rob Ruggiero Directed by Toby Orenstein & Mark Minnick Musical Direction by Ross Scott Rawlings Choreography by Set/Lighting Design by Mark Minnick David A. Hopkins Costume Design by Sound Design by AT Jones & Company Mark Smedley SHOW BOAT is presented by special arrangement with Rodgers & Hammerstein, 601 West 26th St, Suite 312, New York, NY 10001. 212/564.4000. Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com The CAST Captain Andy Hawks ………….……........................…… Robert John Biedermann 125 Ellie May Chipley ………………………………..…...............................
    [Show full text]
  • Johnson, Jay Cee (JC) Collection, 1896-1981
    Jay Cee (J. C.) Johnson Collection (September 14, 1896-February 27, 1981) BIOGRAPHICAL NOTE Jay Cee (J. C.) Johnson, a Jazz and Pop composer, was often referred to as the “composer’s ‘composer.’” Johnson was born in Chicago, Illinois, on September 14, 1896, and died on Friday, February 27, 1981, at St. Luke’s Hospital in Manhattan (New York City), at the age of 84. He received early education in the Chicago Public School System. His mother, Ellen, and his father—who worked as a waiter on the railroad, was away from home most of the time—is unknown. J. C. expressed an interest in music at an early age, but his mother, who sang in the church choir, did not encourage her son to pursue a career in music. Later, while studying the violin, a friend began to give him piano lessons, and because of his attention dedication sounds better in learning to play, his mother decided that this would be his instrument of choice. At the age of 19, following the death of his mother, he moved to New York City, where he began to study piano with a man named Sam Patterson. Around 1920, he began to work as a session pianist, working with singers such as Ethel Waters, who sung in his first recorded hit titled “You Can’t Do What My Last Man Did,” and would go on to record many of his songs. Johnson would go on to compose more songs, including his first version of “Travel’ lin All Alone,” with Billie Holliday as vocalist (one of her first significant hit songs).
    [Show full text]
  • Notes on Musicarnival's Production Years, 1954-65
    NotesUnder on Musicarnival’s the Production TentYears, 1954-65 UnderNotes on Musicarnival’s the Production Years,Tent 1954-65 * * Written by Bill Rudman and Rebecca Paller To accompany audio restorations produced by The Musical Theater Project The Lt. Col. Robert “Jim” Price Musicarnival Audio Archive is part of the John L. Price, Jr. Musicarnival Archives Copyright © 2017 by The Musical Theater Project except entries written by Rebecca Paller, Barbara Perris, Stanley Green and Ken Bloom Cover design by Steven Schultz Photos courtesy of the John L. Price, Jr. Musicarnival Archives, Cleveland Public Library -ii- The Partnership CLEVELAND PUBLIC LIBRARY serves four million patrons annually at 28 branches across the city, lending more than 6.5 million items from a collection of more than 10 million. CPL’s library services are also available at the Public Administration Library in City Hall; “The People’s University on Wheels” bookmobile; Ohio Library for the Blind and Physically Disabled; and the “On the Road to Reading” literacy van. CPL is the home for the Ohio Center for the Book, CLEVNET library cooperation, and KnowItNow24x7 virtual reference service. For more information, visit www.cpl.org. Dedicated to preserving the rich legacy of the art form, Goodspeed Musicals’ SCHERER LIBRARY OF MUSICAL THEATRE carefully maintains a comprehensive collection of scores, sheet music, scripts, original cast recordings, programs, photographs and theater memorabilia on the Goodspeed campus in East Haddam, Connecticut. These reference tools are utilized by the musical theater community across the nation in the re-creation and revitalization of period musicals and in the creation and development of new works.
    [Show full text]
  • Show Boat 15/4/05 11:10 PM Page 2
    120789bk Show Boat 15/4/05 11:10 PM Page 2 “Brunswick Presents 7. Why Do I Love You? 3:43 14. Can’t Help Lovin’ Dat Man 3:59 18. Bill 4:16 The Musical Romance” Countess Olga Albani & Frank Munn Carol Bruce, Helen Dowdy,Kenneth (P.G.Wodehouse–Oscar Hammerstein II– Show Boat (1932) Brunswick 20117, BX 12159-A Spencer & Chorus Jerome Kern) Recorded 9 August 1932 Carol Bruce 1. Overture 4:21 15. Life Upon The Wicked Stage 3:51 Victor Young & The Brunswick Concert 8. Finale 4:09 Colette Lyons & Chorus 19. Nobody Else But Me 4:05 Orchestra & Chorus Victor Young & The Brunswick Concert 16. You Are Love 4:26 Jan Clayton & Chorus Brunswick 20114, BX 12230-A Orchestra with Vocal Chorus Charles Fredericks & Jan Clayton Tracks 10–19 recorded in New York on Recorded 20 August 1932 Brunswick 20117, BX 12231-A 11 & 14 February 1946 with Show Boat Recorded 26 August 1932 17. Why Do I Love You 3:14 2. Ol’ Man River 3:59 Jan Clayton, Charles Fredericks & Chorus Orchestra conducted by Edwin MacArthur. Paul Robeson All recorded in New York with Victor Columbia 71757/61-D in Album MM 611, Brunswick 20114, BX 12096-A Young & The Brunswick Concert Orchestra mx XCO35831/40 Issued as Brunswick Album 38 Recorded 21 July 1932 All items Jerome Kern–Oscar Hammerstein II except where noted 3. Bill 3:56 Show Boat Transfers & Production: David Lennick • Digital Restoration: Graham Newton (P.G.Wodehouse–Oscar Hammerstein II– Studio Recording after 1936 film Jerome Kern) 9.
    [Show full text]