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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Popular Music in Germany: History, Culture, Politics
Course Title Popular Music in Germany: History, Culture, Politics The History of Electronic Music in Germany Course Number REMU-UT.9811D01 SPRING 2020 Syllabus last updated on: 23-December-2019 Lecturer Contact Information Heiko Hoffmann Course Details Wednesdays, 6:15pm to 7:30pm Location: Rooms will be posted in Albert before your first class. Please double check whether your class takes place at the Academic Center (BLAC – Schönhauser Allee 36, 10435 Berlin) or at St. Agnes (SNTA – Alexandrinenstraße 118–121, 10969 Berlin). Prerequisites No pre-requisites Units earned 2 credits Course Description From Karlheinz Stockhausen and Kraftwerk to Giorgio Moroder, D.A.F. and the Euro Dance of Snap!, the first half of class considers the history of German electronic music prior to the Fall of the Wall in 1989. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s. One focus will be on regional scenes, such as the Düsseldorf school of electronic music in the 1970s with music groups such as Can and Neu!, the Berlin school of synthesizer pioneers like Tangerine Dream, Klaus Schulze and Manuel Göttsching, or Giorgio Moroder's Sound of Munich. 1 Students will be expected to competently identify key musicians and recordings of this creative period. The second half of the course looks more specifically at the arrival of techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall, up to the present. Indeed, Post-Wall East Berlin, full of abandoned spaces and buildings and deserted office blocks, was the perfect breeding ground for the youth culture that would dominate the 1990s and led techno pioneers and artists from the East and the West to take over and set up shop. -
Katalog Download
1 MERCH CREW CHARTS Alex: Wolves In The Throne Room, Lip- stick Killers, Isis, Devil´s Blood Danny: Anika, Zement, Shem, Mode- center, Orchestre Tout Puissant, Elara, Darkside, Band of Susans, The Bug „Tote Bag“ Rocket / Vinyl Cat 9,9 Slipmat 7,9 Super heavy 400gr/m2 CanvasCotton orange > black Götz: Anika, Darkside, Liminanas & Lau- white > black / black > white electric blue > black rent Garnier, Jose Gonzales, Horte, Web Siebdruck, 100% gekämmte Baumwolle, FearWear zertifiziert Shirts je 16,9 Größen S-XXL Web x Max Herre, Mono, Jeb Loy Nichols, Low, Molly Lewis, Vanishing Twin Kristof: Fake Fruit, Good Sad Happy Bad, Anika, Yves Tumor, Rolltreppe, Turnstile, Sault, Bachelor Sebastian: Sir Simon, Burkini Beach, circle rocket pilot doppeldecker Shitney Beers, Laura Stevenson, The white > charcoal white > electric blue black > purple rose deep navy > linen Deadnotes, Kaufmann Frust, e.s.t. Tobi: Modecenter, Absolute Body Control, Bootlicker, 50 Kaitenz Tom: Sonny Vincent, Raw Power, Turnstile, Leatherface, Amyl, Rats, Naked Raygun circle rocket pilot doppeldecker white > stereo red white > charcoal black > sport grey deep navy > faded denim LADEN MAILORDER Stühlingerstr. 15 Mo - Fr 10 - 18 h 79106 Freiburg Tel. 0761 208990 [email protected] Do - Sa 12 - 18 h Tel. 0761 5109130 Co2-neutraler Versand, portofrei ab 75,- (DE) Wir arbeiten mit 100% Naturstrom LPs, CDs, 7“s, Zubehör,VVK Sicheres Shoppen via SSL-Verschlüsselung Gutscheine, Bestellservice Geschenkgutscheine analog und digital 2nd Hand An- & Verkauf 2 1 FLIGHT13.COM *** Selling -
ON the FLOOR the On-The-Pulse Guide to the Deep, Down and Dirty Gyrations of Global Clubland
ON THE FLOOR The on-the-pulse guide to the deep, down and dirty gyrations of global clubland FABRIC PREPS 18TH BIRTHDAY CELEBRATIONS London clubbing institution announces marathon sesh… FABRIC has locked in a ma-hoo-sive line-up for its Then on Saturday night a 30-hour marathon line-up like this, leaving will be the biggest 18th birthday, the fi rst celebrated by the club session begins, offering house and techno of the challenge of all. since reopening in January following an extensive highest calibre all the way until Monday morning. The Farringdon venue missed out on its annual court battle. As per, Fabric is pulling out the big guns, birthday bash last year after being forced into including Ricardo Villalobos, Ben UFO, Blawan, closure by authorities following the drug-related FABRICLIVE will kick-start what’s set to be a Abdulla Rashim, Hammer, Jay Clarke, Margaret deaths of two clubbers. An outcry by the massive weekend on Friday 20th October, offering Dygas and Raresh. Naturally, legendary residents worldwide clubbing community and the club’s something for the breakbeat and bass-heads. DJ Craig Richards and Terry Francis will also be #saveourculture campaign — which raised funds Hype, Hazard, Dub Phizix & Strategy, Randall b2b getting a slice of the cake, with the promise of to fi ght the subsequent court battle — helped Total Science, Logan D b2b Voltage, Kahn & Neek, more surprise guests to boot. Fabric re-open in January. Considering that Chimpo (playing a dubplate set) and many more For those that need a breather, a re-entry policy comeback, we’re expecting nothing short of an are confi rmed to play. -
Classic Albums: the Berlin/Germany Edition
Course Title Classic Albums: The Berlin/Germany Edition Course Number REMU-UT 9817 D01 Fall 2018 Syllabus last updated on: 15-Sep-2018 Lecturer Contact Information Heiko Hoffmann [email protected] Course Details Wednesdays, 6:15pm to 7:30pm (14 weeks) Location NYU Berlin Academic Center, Room BLAC 101 Please double check whether your class takes place at the Academic Center (BLAC) or at St. Agnes (SNTA). Prerequisites No pre-requisites Units earned 2 credits Course Description A classic album is one that has been deemed by many —or even just a select influential few — as a standard bearer within or without its genre. In this class—a companion to the Classic Albums class offered in New York—we will look and listen at a selection of classic albums recorded in Berlin, or recorded in Germany more broadly, and how the city/country shaped them – from David Bowie's famous Berlin trilogy from 1977 – 79 to Ricardo Villalobos' minimal house masterpiece Alcachofa. We will deconstruct the music and production of these albums, putting them in full social and political context and exploring the range of reasons why they have garnered classic status. Artists, producers and engineers involved in the making of these albums will be invited to discuss their seminal works with the students. Along the way we will also consider the history of German electronic music. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s as well 1 as the arrival of Techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall in 1989, up to the present. -
'Insipid': Exploring the Valorization of Mainstream Popular Music in Online Indie Music Criticism
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-18-2013 12:00 AM Distinguishing the 'Vanguard' from the 'Insipid': Exploring the Valorization of Mainstream Popular Music in Online Indie Music Criticism Charles J. Blazevic The University of Western Ontario Supervisor Dr. Matt Stahl The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Charles J. Blazevic 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Critical and Cultural Studies Commons Recommended Citation Blazevic, Charles J., "Distinguishing the 'Vanguard' from the 'Insipid': Exploring the Valorization of Mainstream Popular Music in Online Indie Music Criticism" (2013). Electronic Thesis and Dissertation Repository. 1236. https://ir.lib.uwo.ca/etd/1236 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. DISTINGUISHING THE ‘VANGUARD’ FROM THE ‘INSIPID’: EXPLORING THE VALORIZATION OF MAINSTREAM POPULAR MUSIC IN ONLINE INDIE MUSIC CRITICISM (Thesis format: Monograph) by Charles Blazevic Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Charles Blazevic 2013 ABSTRACT This thesis explores recent transformations in the way mainstream popular music is valorized in online indie music publication Pitchfork. Indie music culture has traditionally defined itself in opposition to mainstream popular taste, through social and aesthetic differentiation mechanisms grounded in connoisseurship and DIY ethics. -
Laurel Halo Program
music / sound Laurel Halo THU / SEP 04TH 7:30 PM STAFF Johannes Goebel / Director Geoff Abbas / Director for Stage Technologies Eric Ameres / Senior Research Engineer S. Argeo Ascani / Curator, Music David Bebb / Senior System Administrator Peter Bellamy / Senior Systems Programmer Michael Bello / Video Engineer Victoria Brooks / Curator, Time-Based Visual Arts Eric Brucker / Lead Video Engineer Ash Bulayev / Curator, Dance + Theater Michele Cassaro / Guest Services Coordinator John Cook / Box Office Manager Roxanne DeHamel / Web Developer David DeLaRosa / Production Technician Zhenelle Falk / Artist Services Administrator Laurel Halo William Fritz / Master Carpenter Directed by Joseph H. Lewis Kimberly Gardner / Manager, Administrative Operations Ian Hamelin / Project Manager Katie Hammon / Administrative Specialist Halo’s brand of electronic music fuses techno and dance-driven Ryan Jenkins / Event Technician sounds with a heavy dose of ambient synths and samples. Shannon Johnson / Design Director Pamela Keenan / Production Technician CathyJo Kile / Business Manager The sound of Laurel Halo resists categorization. Halo, who also has recorded under Eileen Krywinski / Graphic Designer the name King Felix, makes electronic music that reaches across genres. Her 2012 Carl Lewandowski / Production Technician album Quarantine is populated with synth-y drones and arpeggios accompanied by Eric Chi-Yeh Lin / Lead Stage Technician intense emotional lyrics (The Wire named it their album of the year), while her most Stephen McLaughlin / Event Technician -
The Cinematic Orchestra to Believe
THE CINEMATIC ORCHESTRA TO BELIEVE TRACKLISTING 1. To Believe featuring Moses Sumney 2. A Caged Bird/Imitations of Life featuring Roots Manuva 3. Lessons 4. Wait For Now/Leave The World OVERVIEW featuring Beverly Tawiah 5. The Workers of Art It’s been eleven years since The Cinematic Orchestra released their last studio album, Ma 6. Zero One/This Fantasy featuring Fleur. At the time, the record was recognized for its bold departure from the group’s sonic Larry Brown traditions; in the years since, it’s been continuously celebrated, with tracks like “To Build A 7. A Promise featuring Heidi Vogel Home (feat. Patrick Watson)” reaching huge audiences, spilling out of televisions, cinemas and radios long after its release. They didn’t really disappear – the group toured the world a couple times over, selling out iconic venues like the Royal Albert Hall and Sydney Opera House, released a live album, and were called on to score films and mix compilations and WIG456 CATALOG NUMBER programme events. March 15th, 2019 RELEASE DATE The release of their fourth studio album, To Believe, in March 2019, is the next step in a process of constant evolution. Born out of the band’s latest formation, it’s a creative FILE UNDER Alternative “C” partnership between founder Jason Swinscoe and longtime friend and collaborator Dom Smith, along with an extended family of regular bandmates and collaborators. Guided by a FORMATS CD communal spirit, the changing members are consistent with their ethos, where no individual UPC: 887828045624 ego takes precedence. Guest vocalists on To Believe include the art-soul singer Moses Sumney, legendary UK rapper Roots Manuva, longtime vocal collaborator Heidi Vogel and many more. -
1. Nuoƫhyllyn Helmiä Ja Vuoden Parhaita Taidemusiikkiääniʃeitä / Ilona Heinonen
1. Nuoƫhyllyn helmiä ja vuoden parhaita taidemusiikkiääniƩeitä / Ilona Heinonen NuoƩeja: Carter, Maƫ. PianisƟn käsikirja Djawadi, Ramin, säveltäjä. Game of thrones : original music from the HBO television series : easy piano Erased Tapes : solo piano Hanski, Ilkka. Jazzbasso : perusteet ja improvisoinƟ Hiiohoi! : lauluja mereltä Joka kodin laulukirja Krzywacki, Petri. Jazzkitara : sointupohjainen improvisoinƟ Lasten lied! : ohjelmistoa nuorille laulajille ja pianisteille Tuurna, Stefanie. Vapaat kädet : pianonsoiton ja improvisoinnin opas Vahervuo, Sini. Pieni nokkahuilukirja : nokkisalkeet kaikenikäisille TaidemusiikkiääniƩeitä: Adams, John, säveltäjä. Doctor Atomic : opera in two acts / Gerald Finley, Julia Bullock, BBC Symphony Orchestra, John Adams (joht.) Bach, Johann SebasƟan, säveltäjä. Mass in B minor / Katherine Watson, Tim Mead, Reinoud Van Mechelen, And- ré Morsch, Les Arts Florissants, William ChrisƟe (joht.) Bach, Johann SebasƟan, säveltäjä. Six evoluƟons : Bach cello suites / Yo-Yo Ma (sello) Beethoven, Ludwig van, säveltäjä. Missa solemnis / Bach Collegium Japan, Masaaki Suzuki (joht.) Beethoven, Ludwig van, säveltäjä. Symphony no. 4 in B-Ňat major op. 60 ; Symphony no. 5 in C minor "Fate" op. 67 / WDR Sinfonieorchester, Jukka-Pekka Saraste (joht.) Debussy, Claude, säveltäjä. Préludes ; Children's corner / Paavali Jumppanen (piano) Händel, Georg Friedrich, säveltäjä. Handel arias / Franco Fagioli, Pomo d’Oro, ZeĮra Valova (joht.) Langgaard, Rued, säveltäjä. Symphonies 2 & 6 : including Jacob Gade's Tango jalousie / Wiener Philharmoniker, Sakari Oramo (joht.) Levit, Igor, piano. Life : Bach, Busoni, Liszt, Schumann Lindberg, Magnus, säveltäjä. Tempus fugit ; Violin concerto no. 2 / Frank Peter Zimmermann, RSO, Hannu Lintu (joht.) Messiaen, Olivier, säveltäjä. Catalogue d'oiseaux / Pierre-Laurent Aimard (piano) Monteverdi, Claudio, säveltäjä. Vespro della Beata Vergine / Collegium Vocale Gent, Philippe Herreweghe (joht.) Reich, Steve, säveltäjä. Pulse ; Quartet / InternaƟonal Contemporary Ensemble, Colin Currie Group Rantala, Iiro, piano. -
Issue 9 MASTHEAD EDITORIAL EVENTS LETTER from the EDITOR
ADHOC Issue 9 MASTHEAD EDITORIAL EVENTS LETTER FROM THE EDITOR SENIOR EDITORS EVENTS DIRECTOR “Influenced by” can be a slippery slope. It’s a tempting descrip- Mike Sugarman Ric Leichtung tor for music writers, helpful for would-be record buyers, and Joe Bucciero frequently a compliment for the artist at hand. A quick, favorable MARKETING MANAGER comparison to White Light/White Heat is widely comprehensible FOUNDING EDITORS Tyler Richman (to a certain milieu, at least), and it lets everyone know a given Emilie Friedlander rock & roll record hits the satisfying sonic spots, right? Of course, Ric Leichtung “influenced by” can hurt too. Writers can deploy it in an effort to paint a record as “unoriginal.” An overabundance of such refer- CONTRIBUTING EDITOR ences, meanwhile, might distract the reader. And while White Bobby Power Light/White Heat is great, what contemporary artist wants to hear for the umpteenth time that they sound like something from 1968? COPY EDITOR In this issue of AdHoc, we look at the influences and inspira- Tyler Richman tions behind some top-notch recent music. But rather than take the influence solely at sonic value—i.e., this record sounds like CONTRIBUTING WRITERS White Light/White Heat—we search for the deeper implications, Michael Blair personal and societal, to which these inspirations point. L.A. punk Miguel Gallego band Gun Outfit is influenced by ’70s outlaw country, sure enough; Tabs Out how do they approach these time-worn touchstones, though, to DeForrest Brown Jr. fashion a twenty-first-century object of community-building? Kode9 layers his compositions with dense techno-economic DESIGN theoretical concepts; how does he use these ideas in concert Sharon Gong with cold electronic music to access something ultimately deeply personal? In the issue we also speak to Deafheaven and Alex G COVER about the formulations of their recent albums, both of whom cull Rachel Giannascoli ideas not just from the music they listen to but the visual arts as well, all as a means to explore human relationships in nuanced ways. -
Turmoil Ctm 2018
AMENRA ‡ BAMPA PANA & MAKAVELI ‡ BLISS SIGNAL ‡ BOYS NOIZE CHAMPION WITH MC SERIOUS ‡ CHRISTOPHER BAUDER & KANGDING RAY ‡ COLLEEN ‡ CUNTROACHES ‡ DAF ‡ dJ PANIC THE DARKRAVER ‡ DENGUE DENGUE DENGUE ‡ DREW MCDOWALL ‡ EQUIKNOXX feat SHANIQUE MARIE CTM 2018 WITH ERNEST BERK RETROSPECTIVE COMPANY CHRISTOPH WINKLER, GROUP A, RASHAD BECKER & PAN DAIJING GAIKA ‡ GEORGE LEWIS & ROSCOE MITCHELL ‡ HITMAKERCHINX & DJ AARON ‡ HOLLY HERNDON ENSEMBLE ‡ HYPH11E TURMOIL JACE CLAYTON — JULIUS EASTMAN MEMORIAL DINNER ‡ JAMES FERRARO ‡ JANA RUSH ‡ JASSS ‡ JLIN ‡ KABLAM 26 JAN — 4 FEB 2018 BERLIN KILBOURNE ‡ KLEIN ‡ LAUREL HALO ‡ LOTIC & RODERICK GEORGE ‡ MARCUS SCHMICKLER FESTIVAL FOR ADVENTUROUS MEDUSA’S BED — LYDIA LUNCH, ZAHRA MANI, MIA ZABELKA ‡ NADAH EL SHAZLY ‡ NAKED ‡ NENE H ‡ NIHILOXICA MUSIC & ART OKKYUNG LEE ‡ RASHAAD NEWSOME ‡ RECONDITE ‡ ROXXXAN ‡ SCOTT KELLY WITH JOHN JUDKINS ‡ SWAN MEAT TCF ‡ THE MOVER AKA MARC ACARDIPANE ‡ and MANY MORE CTM 2018 Musik war stets ein Mittel, um die Zumutungen der Welt zu bän- UNCANNY VALLEYS OF A POSSIBLE FUTURE digen. Aber auch ein Mittel, mit dem sich unser In-der-Welt-Sein TURMOIL verändern lässt. Während wir uns täglich selbst dabei beobacht- THE CTM 2018 EXHIBITION en können, wie wir den fortdauernden Druck politischer, sozialer Music has always been a remedy for the ruthlessness of this und ökologischer Krisenmomente und den dadurch ausgelösten ANNE DE VRIES ‡ FrÉDÉRICK A. Belzile ‡ GuY BEN-ARY ‡ Jessica Ekomane ‡ Lawrence LEK world, a tool for altering our own way of being and for creating emotionalen Aufruhr als eine neue Realität normalisieren, führt das PETER FLEMMING ‡ TEUN VONK ‡ Zorka WOLLNY & Andrzej Wasilewski ‡ ZULI community. With the Turmoil theme, CTM 2018 inquires into Festival seine Beschäftigung mit den widerständigen Potentialen the potential of sound and music to invigorate resilience and von Sound und Musik fort. -
Computer Grrrls
Publié sur Culture Mobile (http://www.culturemobile.net) Accueil > Computer grrrls Computer grrrls artek [1] Connectez-vous [2] ou inscrivez-vous [3] pour publier un commentaire Les cultures du numérique Nouvelles écritures [4] / Captures d’écran du blog Visibility, destiné à promouvoir le rôle et l’image des femmes dans les musiques électroniques. Et si l’on accordait toute la place qu’elles méritent à ces femmes qui inventent leur style au cœur de la scène musicale électronique ? Une génération de compositrices apporte un nouveau souffle à la musique électronique Depuis dix ans, de nombreuses jeunes femmes se lancent dans une carrière de compositrices, de DJ ou d’artistes sonores. Si certaines d’entre elles ne se démarquent pas de leurs collègues masculins, d’autres explorent une voie plus personnelle aux confins de la pop, de la techno et de l’expérimentation, dans laquelle la dimension de l’intime, la question de l’autobiographie et du genre se mêlent à un élan d’innovation esthétique et technologique. Ces recherches, tant au niveau de la forme que du contenu, s’accompagnent chez elles d’une prise de conscience de la sous représentativité des femmes sur la scène musicale ainsi que des efforts redoublés dont elles doivent faire preuve pour imposer leur talent. Cette dynamique incite les plus revendicatrices d’entre elles à engager des actions unitaires, militantes, pédagogiques ou culturelles afin de rompre leur isolement. La musique électronique n’a jamais été aussi populaire… Que l’on évoque sous ce terme la vague croissante des artistes et des musiciens dont les recherches formelles et les inventions numériques ont désormais envahi une grande partie des manifestations culturelles… Ou que l’on fasse référence au courant plus massif et populaire de l’EDM (Electronic Dance Music), dont le succès inattendu sur le territoire américain a entraîné dans son sillage une grande part de la jeunesse occidentale.