Mastergrad Musikkvitenskap
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We Taller D Radio GWR Shapes up for Consolidation
JULY 6, 2002 Volume 20, Issue 28 Music £3.95 euros 6.5 Nelly's Hot In Here (Uni- versal) is this week's high- est new entry on M&M's Eurochart Hot 100 singles, at number eight. Media®we taller dradio M&M chart toppers this week GWR shapes Eurochart Hot 100 Singles up for consolidation EMINEM by Jon Heasman comment on the moves, saying thatprogramming and other content at Without Me full details of the restructure will beGWR stations will all become part of (Interscope) LONDON- Another big radio group ismade public in late July. The amount GWR Creative, forming an indepen- European Top 100 Albums slimming down in order to be fit forof job losses involved in the dent business unit operat- EMINEM the rigours of the UK's big post -Com- processisunknown,al- ing along similar lines to The Eminem Show munications Bill shake -out. though in its recent annual GWR's London -based sales (Interscope) FollowingtheCapital Radio report the company allud- division Opus. The manag- group's decision to dispense with the ed to the need to cut costs ing director of Bristol -based European Radio Top 50 managing director's role at its local inthe coming financial GWR Creation is Dirk KYLIE MINOGUE stations (M&M, June 22), it is under-year,giventherecent Anthony (pictured), former- Love At First Sight stood that the GWR Group is alsodownturns in advertising ly GWR's group programme (Parlophone) eliminating the local MD position atrevenue. director. European Dance Traxx its stations. In addition, it has set up "There will no longer be GWR is also dispensing a new centralised programming andmanaging directors at with the programme con- MOONY content department-GWR Cre- GWR [local stations]," a GWR source troller's position at its smaller sta- Dove (I'll Be Loving You) ation-and hopes tocentraliseits tells M&M. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Song List Now Available Online - to Recive a Copy of This List Leave Your Email Address with the DJ
To Recive A Copy Of This List Leave Your Email Address With The DJ 1 Giant Leap Abba Air My Culture Andante Andante All I Need Angeleyes 10 CC Chiquitita Air Supply Dreadlock Holiday Dancing Queen All Out Of Love I'm Not In Love Does Your Mother Know Fernando Aitch Gimme Gimme Gimme 2 Unlimited Taste Make It Shake Honey Honey No Limit I Have A Dream Akon 3 Doors Down Knowing Me Knowing You Lay All Your Love On Me Bananza (Belly Dancer) Kryptonite Mamma Mia Don't Matter Money Money Money Locked Up 30 Seconds To Mars SOS Lonely Kings And Queens Super Trouper Right Now (Na Na Na) Take A Chance On Me Smack That 4 Non Blondes Thank You For The Music Sorry, Blame It On Me What's Up The Name Of The Game Voulez Vous Al Green 411 Waterloo Let's Stay Together When I Kissed the Teacher Dumb Winner Takes It All Al Martino On My Knees Spanish Eyes Teardrops ACDC 5 Seconds Of Summer Back In Black Aladdin Heatseeker Don't Stop One Jump Ahead Hells Bells Good Girls Highway To Hell She's Kinda Hot Aladdin (2019 film) It's A Long Way To The Top Youngblood Friend Like Me Let There Be Rock Prince Ali Rocker 5 Star Speechless Stiff Upper Lip Rain Or Shine Thunderstruck Aladdin Soundtrack Whole Lotta Rosie 50 Cent You Shook Me (All Night Long) A Whole New World 21 Questions Candy Shop Ace Of Base Alanah Myles In Da Club All That She Wants Black Velvet Just A Lil Bit Always Have Always Will Don't Turn Around Alanis Morissette 5th Dimension Sign Everything Aquarius Let The Sunshine Hand In Pocket Up Up And Away Adam And The Ants Hands Clean Prince Charming Ironic -
Sakspapirer Og Årsrapport NOPAS GENERALFORSAMLING 25
Sakspapirer og årsrapport NOPAS GENERALFORSAMLING 25. MAI 2020 Foto: Marthe Vee 4 INNHOLD [Innholdslisten er klikkbar] SAKSLISTE 7 Forretningsorden 8 ÅRSBERETNING 2019–2020 9 1. Styret og generalforsamling 12 2. Administrasjon 13 3. Medlemmer 14 4. Tillitsvalgte 16 5. Musikkpolitisk arbeid 16 6. Samarbeidspartnere 26 7. Faglige møteplasser 28 8. Priser 38 9. Tilskudd til skapende virksomhet 42 10. For medlemmer 44 11. Forvaltningsselskaper og andre virksomheter 46 12. Regnskap 50 13. Lister (tillitsvalgte, bevilgninger, arrangementer osv.) 52 ÅRSOPPGJØR 2019 78 ANDRE SAKER 88 Desisorrapport 89 Medlemskontingent for 2020 91 Honorar for NOPAs styre og komiteer 92 Valg og nominasjoner til styrer og utvalg 93 Kriterier for medlemskap i NOPA 103 Forslag til vedtektsendringer 104 ORIENTERINGSSAKER 119 NOPAs budsjett 2020 120 Stiftelsen Cantus. Årsberetning og regnskap for 2019 126 Komponistenes vederlagsfond. Årsberetning og regnskap for 2019 132 Tekstforfatterfondet. Årsberetning og regnskap for 2019 150 ORDLISTE 168 4 Lars Bremnes Foto: Martin Bremnes 6 TIL NOPAS MEDLEMMER Innkalling til digital generalforsamling MANDAG 25. MAI 2020 | KL. 14.00–18.00 SAKSLISTE SAK 1. KONSTITUERING A. Godkjenning av innkalling B. Godkjenning av saksliste C. Godkjenning av forretningsorden D. Valg av møteleder. Styrets forslag: Hans Marius Graasvold, NOPAs advokat E. Valg av referent. Styrets forslag: Tine Tangestuen, administrativ leder i NOPA F. Valg av to medlemmer til å undertegne protokollen G. Valg av tellekorps SAK 2. GODKJENNING AV NOPAS ÅRSBERETNING 2019–2020 SAK 3. GODKJENNING AV NOPAS ÅRSREGNSKAP 2019 SAK 4. GODKJENNING AV DESISORRAPPORT SAK 5. FASTSETTELSE AV MEDLEMSKONTINGENT FOR 2020 SAK 6. FASTSETTELSE AV HONORAR FOR NOPAS STYRE OG KOMITEER SAK 7. -
Skar.Pdf (2.070Mb)
Under overflaten: En undersøkelse av norske kvinnelige populærmusikkartisters iscenesettelser av kjønn, seksualitet og sjangerdiskurs Anja Kristin Solheim Skar Masteroppgave i sosiologi Institutt for Sosiologi og Samfunnsgeografi Det samfunnsvitenskapelige fakultet UNIVERSITETET I OSLO Våren 2011 © Anja Kristin Solheim Skar 2011 Under overflaten: En undersøkelse av norske kvinnelige populærmusikkartisters iscenesettelser av kjønn, seksualitet og sjangerdiskurs Anja Kristin Solheim Skar http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo Sammendrag Fokus i min masteroppgave er norske kvinnelige musikkartister, nærmere bestemt hvordan norske kvinnelige musikkartister iscenesetter kjønn og seksualitet. Mitt formål har vært å finne ut av, med hovedvekt på det visuelle, hvordan artistene iscenesetter seg selv i forhold til normer og forventninger til kjønn og seksualitet, og hvordan iscenesettelsene påvirkes av å befinne seg i konteksten populærmusikk, med særlig fokus på betydningen av sjangertilhørighet og autentisitet. Mitt overordnede teoretiske perspektiv er et poststrukturalistisk queerperspektiv, med forankring i Judith Butlers perspektiver på kjønn og seksualitet. Fordi kjønn og seksualitet i oppgaven blir forstått som i stor grad diskursivt konstruert, og fordi jeg vil undersøke kjønn og seksualitet i et kulturelt felt, drar jeg også nytte av perspektiver på diskurs, kultur og hegemoni. Fordi mye av materialet mitt er av visuell og ikke tekstlig art, er det nødvendig å finne frem til analytiske grep som gjør at jeg kan ”oversette” fotografiene til tekst. For å gjøre dette benytter jeg meg av en semiotisk tilnærming til fotografiene, i tillegg til Erving Goffmans studie Gender Advertisments (1979). Analysefokus ligger hovedsakelig på visuelle iscenesettelser, som analyseres gjennom artistenes albumcovre og pressefotografier, men også tekst i form av offentlig publiserte intervjuer og omtaler. -
Youandmeagainsttheworld.Pdf (9.000Mb)
FORORD Denne oppgaven har sitt utspring i kjærlighet til en musikkgenre, og etter hvert kjærlighet til miljøet rundt akkurat denne genren. Det var sånn den ble til. En stor takk til alle i miljøet som har kommet med talløse oppmuntringer underveis i prosessen med oppgaven, og som har bidratt med informasjon og synspunkter, stort og smått. Og for at miljøet finnes, selv om det var ukjent for meg veldig lenge og jeg trodde jeg var omtrent den eneste i verden som likte denne type musikk. Uten at tre travle popstjerner hadde stilt velvillig opp, hadde oppgaven manglet et viktig aspekt og svært viktig innsikt fra musikkverdenen som ikke menigmann uten videre kan ta del i. Tusen takk til dem for at de tok seg tid til å prate med meg og for at de trodde på prosjektet mitt. Gjennom sin musikk og sine bidrag til oppgaven har de vært en viktig kilde til både inspirasjon og motivasjon. 2 KAPITTELOVERSIKT 1. Innledning med problemstilling side 4 2. Metode side 7 3. Musikkindustrien – og media side 11 3.1 Musikk på radio side 15 3.2 Musikk på tv side 16 4. Symbolsk kapital i forskjellige kulturelle felt side 17 4.1 Bourdieu – ulike former for kapital side 18 4.2 Sosiale og kulturelle felt side 19 4.3 Symbolsk makt side 21 4.4 Subkulturell kapital side 22 5. En kort historie om synth side 26 6. Subkultur – i et teoretisk perspektiv side 29 6.1 Synth som subkultur side 32 7. Bandpresentasjoner side 45 7.1 Apoptygma Berzerk – In This Together side 45 7.2 Combichrist – This Shit Will Fcuk You Up side 58 7.3 Gothminister – Happiness in Darkness side 68 8. -
Press Statement
“To know what you have, and to give all of it up – even if you Throughout, he’s consistently found ways to create new para- know that it’s going to keep haunting you for the rest of your digms largely via a distinct and innovative approach to the me- life. Phantom pain. Diagnosing what is the best of two evils – diums of six strings, pickups, effects and amplification. is what this album is about.” “From when all ends came loose. Pieces, like mounted in my Amputation, the new album by Stian Westerhus, may be musicianship with rusty bolts, continuously oxidizing their centred on dislocation, loss and melancholia, yet from such way through my skin.” turbulent origins a work of life-affirming catharsis has arrived. His first release for House of Mythology – following a plethora Amputation, however marks new frontiers for this always of acclaimed collaborative and solo work – is a triumph of bold and intrepid pathfinder, encompassing a mission in experimentation and abstraction, marrying a fearless innova- which Westerhus’ ever-evolving exploration of his instrument tive drive with stark emotional resonance. Otherworldly and combines with a series of soundworlds that seamlessly veer exhilarating, it’s the sound of a virtuoso musician throwing from tender melody to bracing electronic edifices of sound to away both caution and co-ordinates and taking a dive into the convey a startlingly articulate speech of the heart. Though unknown, with spellbinding results. existing strictly in its own distinct headspace, the emotive cry of “How Long” – burnished by celestial guitar filigree and “It´s music I’ve dropped to the floor repeatedly, maybe even plaintive falsetto harmonies yet with a refrain that snags in on purpose. -
IFPI Norges Årsrapport
Musikkåret 2017 IFPI Norges årsrapport SIGRID Foto: Petroleum Records Design: Anagramdesign . no Innhold årsrapport 2017 Innledning ................... 3 KYGO ....................... 5 Sammendrag av musikk- undersøkelsen 2017 ........... 6 Statistikk..................... 7 Fornyelse av opphavsretten i Norge og Europa – del 2 ..... 10 Cezinando ................... 11 Spellemann 2017 ............ 12 Astrid S..................... 14 United Screens – Topplista.... 15 Hkeem & Temur ............. 16 FORSIDE: Alan Walker ................. 17 Streaming topp20 2017 ...... 18 Streaming, norsk topp20 2017 19 SIGRID Album topp20 2017......... 20 Norges nye popkomet tok oss med storm Radio topp20 2017 .......... 21 Totalsalget av innspilt med låten «Don’t Kill My Vibe» i 2017. Hun fikk mye oppmerksomhet internasjo- Gabrielle .................... 22 musikk i Norge går opp nalt og var både på «The Tonight Show Seeb ....................... 23 2,1 % fra 2016 til 2017 starring Jimmy Fallon» og «The Late Late Troféoversikt 2017 ........... 24 Show with James Cordon». Etter flere kon- og streaming står nå serter både i Norge og i utlandet, har hun IFPI Insight 2017............. 26 for hele 85 % av salget. også vært opptatt med å lage sin debut Vidar Villa................... 27 album som forhåpentligvis kommer ut Dagny ...................... 28 i 2018. Hun var nominert til to priser under Spellemann 2017 og vant prisen for Årets IFPI Norge .................. 29 Nykommer & Gramostipend. 2 Innledning 2017 var et nytt godt år i norsk musikkindustri og nordmenn fortsetter å streame musikk som aldri før. Totalsalget av innspilt musikk i Norge er opp 3,7 % fra 2016 til 2017 og streaming står nå for hele 85 % av salget av innspilt musikk i Norge. Årstallene for 2017 viser at det ble solgt Det totale fysiske salget (CD, vinyl osv.) innspilt musikk for hele kr. -
Tore Brunborg
Tore Brunborg Slow Snow ACT 9586-2 German release date: April 24th, 2015 Still waters run deep And the admiration for Brunborg goes further than Manu Katché, in 2012 he was honoured with the On a per-capita basis, no other country in the world "Buddyprisen", Norway's most prestigious jazz award. spawns more top-class jazz musicians than Brunborg now proves his worth one yet again on "Slow Norway. Jan Garbarek is the guiding star, but it was also Snow", an album that exclusively showcases his own the second generation born in the 60s that helped "Nordic compositions. It is characterised by the interweaving of Jazz" to global notoriety: Nils Petter Molvær, Bugge closeness and distance, relaxation and compaction, Wesseltoft, Geir Lysne, Eivind Aarset and saxophonist Tore eccentricity and simplicity, of electronic and natural sounds. Brunborg. Although highly respected in the Norwegian jazz Especially the contrast between the entirely reduced, almost scene, Brunborg has until now been known internationally gnarly bass rhythms and motifs and the warm and lyrical as a sideman, however this year, the 54 year-old brings out saxophone lines that lend pieces like "History" and "Tree his own international release, his ACT debut "Slow Snow". Strong, Tall Swaying, Swinging, Sighing" (a title that borders on an allegorical description of the song's The fact that he has not stepped into the limelight contents) an inspired, powerful flow that grabs you and until now may be due to Brunborg's unassuming doesn't let go. Brunborg selected his fellow campaigners and halcyon character. He grew up in the introspective for the record carefully: on the drums the 46 year-old Per and placid Voss, a town of 7000 inhabitants on the banks of Oddvar Johansen, a five-time winner of the Lake Vangsvatnet just north of the city of Bergen, "Spellemannprisen" (the Norwegian Grammy), who has surrounded by mountains, forests and waterfalls. -
The Nordic Fiddlers Bloc
THE NORDIC FIDDLERS BLOC The Nordic Fiddlers Bloc is Olav Luksengård Mjelva, Anders Hall and Kevin Henderson who come from Norway, Sweden and the Shetland Islands respectively. They are three of the finest young fiddlers currently working in the folk music scene and are in great demand playing in various musical constellations throughout the world. The project is the brainchild of Anders Hall who felt that combining the three unique distinctive fiddle styles together would create a special sound. Anders hunch proved to be correct after first exchanging musical thoughts with each other in Voss in May 2009. From the first note that was played they realized this was a collaboration that had to continue such was the feeling of excitement and respect for each other’s playing and traditions. Norway, Sweden and Shetland has three of the richest fiddling traditions in the world as well as many well documented historical links going back hundreds of years. It is refreshing to see these links being rectified in the musical collaboration that is The Nordic Fiddlers Bloc. They have blended three individual styles from these three Nordic regions but still allow their three distinct flavours to come through in a sound that is unique, meaningful, intense and invigorating. Anders Hall – Sweden Anders Hall comes from Arbrå, Hälsingland in Sweden. He plays fiddle, viola and also the Hardanger fiddle, an instrument he studied at the Ole Bull Academy in Voss from 2006-2008. As a result he now has a unique knowledge of both, Norwegian traditional music as well as his native Swedish. -
A Phonological Analysis of Songs by Norwegian Singers Sung in English
American, British or Norwegian English?: A Phonological Analysis of Songs by Norwegian Singers Sung in English René Asgautsen Master’s Thesis in English Phonetics Department of Foreign Languages University of Bergen May 2017 Acknowledgements First I would like to thank my supervisor, Kevin McCafferty for his guidance, motivation and constructive criticism. Sorry for always getting the stylesheet wrong! And thanks to Christian Utigard for feedback. I would also like to thank all the other English Master students, friends and family and my neighbors who had to endure me listening to all the songs I used in the thesis. And thanks to Morten Harket, Hans-Erik Dyvik Husby, Sverre Kjelsberg (Rest in peace), Marit Larsen, Alex Rinde, Ida Maria Sivertsen and Jahn Teigen for recording the songs. ii TABLE OF CONTENTS Acknowledgements ii TABLE OF CONTENTS iii List of Tables vii List of Figures viii 1.0 Introduction……………………………………………..……………………………… 1 1.1 Aim and Scope…………………………………………..………………………………. 1 1.2 About the Singers……………………………………….………………………………. 2 1.3 Sverre Kjelsberg………………………………………....……………………………….3 1.4 Jahn Teigen ………………………………………………………………………………3 1.5 Morten Harket …………………………………………..……………………………….4 1.6 Hans-Erik Dyvik Husby …………………………………………………………………4 1.7 Alex Rinde ……………………………………………….……………………………….6 1.8 Marit Larsen …………………………………………….……………………………….7 1.9 Ida Maria Sivertsen ……………………………………...………………………………7 1.10 Data and Methods ……………………………………..……………………………….8 1.11 The Subject of English in Norwegian Schools ……………………………………….10 2.0 Background ……………………………………………..………………………………12 -
Scratching the Surface
Scratching the Surface Marit Larsen and Marion Ravn: Popular Music and Gender in a Transcultural Context Jon Mikkel Broch Ålvik A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Musicology Faculty of Humanities University of Oslo 2014 1 2 Table of Contents ACKNOWLEDGEMENTS .................................................................................................................5 CHAPTER 1 ........................................................................................................................................9 INTRODUCTION: SCRATCHING THE SURFACE.......................................................................9 BACKGROUND: CRITICAL AND POPULAR MUSICOLOGY............................................................................ 12 ON SINGING (AND WRITING) IN ENGLISH: GLOBAL LANGUAGE AND THE PARADOX OF AUTHENTICITY................................................................................................................................................. 14 AN INTERSECTION OF DISCIPLINES: INTERTEXTUALITY, PHENOMENOLOGY, PERSONA .................... 32 OUTLINE OF THESIS........................................................................................................................................ 35 CHAPTER 2 ..................................................................................................................................... 37 GROWING UP IN PUBLIC: SOCIAL BACKGROUND AND THE EMERGENCE OF SUBJECTIVITIES IN M2M...........................................................................................................