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K yung h y un K im hegemoniC miimimiCry Korean PoPular Culture of the twenty-first Century Hegemonic mimicry Hegemonicmimicry Korean PoPu lar culture of tHe twenty- first century • • 2021 © 2021 All ights reserved Pinted in the United States of Ame i ca on acid- free paper ∞ Designed by Mathew Tauch Typeset in Huronia Pro and Quadraat Sans Pro by Westchester Publishing Servces Library of Congress Cataloging- in- Publicaton Data Names: Kim, Kyung Hyun, [date] author. Title: Hegemonic mimicry: Korean popu lar culture of the twenty- ¦rst century / Kyung Hyun Kim. Descipton: Durham: Duke University Press, 2021. | Includes bibliographical references and index. Ident¦ers: ¬¬ 2021000875 (pint) ¬¬ 2021000876 (ebook) µ 9781478013587 (hardcover) µ 9781478014492 (paperback) µ 9781478021803 (ebook) Subjects: ¬: Popu lar culture— Korea (South)— History— 21st century. | Mass media and culture— Korea (South) | Popu lar culture and globalizaton. | Glocalizaton— Korea (South) | K- pop (Subculture) | Popu lar music— Korea (South) | µ ¬: ¬ ¬¬ / Popu lar Culture | / Asia / Korea Classi¦caton: ¬¬ 923.23. 474 2021 (pint) | ¬¬ 923.23 (ebook) | ¬ 306.095195— dc23 ¬ ¬ rec ordord available at htps: // lccnlccn . locloc . gov / 2021000875 ¬ ¬ ebook rec ordord available at htps: // lccnlccn . locloc . gov / 2021000876 Cover art: Tiger JK (left) and Yoon Mi-rae duing a concert, 2019. Photo by Kyung Hyun Kim. For Yourim Lee contents ix Preface: Writing Pop Culture in the Time of Pandemic 1 Introducton: Of Mimicry and Miguk 35 1 Short History of K- -
Korean Journal of the Science of Emotion Sensibility Paper List (1998-2016).Xlsx
Korean Journal of the science of Emotion & sensibility Author Title Vol No pp Year 강인구(Kang In-ku) 한국의 감성과학: 지나 온 길과 나아갈 길(Emotional science in Korea: The way of the past and the way of 1 1 1~2 1998 the future) Kwang Myung Kim Philosophical Discussion on the Science of Emotion and Sensibility - Under Aspect of Sensitive Cognition 1 1 3~11 1998 Koo Hyoung Lee Sensibility Ergonomics in Social and Industrial Environment 1 1 13~17 1998 Chan Sup Chung Psychological aspects of the science of sensibility 1 1 19~24 1998 Tae Woo Han, Ju Ho Lee, Realistic Facial Expression Animation and 3D Face Synthesis 1 1 25~31 1998 Hyun S. Yang Kyung Hee Lee, Jae Phil Ko, Facial Feature Extraction for Face Expression Recognition 1 1 33~40 1998 Hye Ran Byun , Yill Byung Lee, Chan Sup Chung Jae Hyun Han , Chan Sup Mapping facial expressions onto internal states 1 1 41~58 1998 Chung J. M. Choi, M. C. Whang, B. Quantification of Positive and Negative Emotions by Single-Channel Brain Wave 1 1 59~67 1998 H. Bae, E. K. Yu, S. H. Oh, S. Y. Kim, C. J. Kim Dai Jin Kim, Jae Seung Effects of Total Sleep Deprivation on the First Positive Lyapunov Exponent of the Waking EEG 1 1 69~78 1998 Jeong , Jeong Ho Chae, Soo Yong Kim, Hyo Jin Go, In Ho Paik Jin Hun Sohn, Im Gap Yi, Patterns of Autonomic Responses to Affective Visual Stimulation: Skin Conductance Response, Heart 1 1 79~91 1998 Kyung Hwa Lee, Sang Sup Rate and Respiration Rate Vary Across Discrete Elicited-Emotions Choi, Estate M. -
North Koreans: Negotiating Gender and Class in Representations of North Korean Migrants on South Korean Television
“Becoming” North Koreans: Negotiating Gender and Class in Representations of North Korean Migrants on South Korean Television Eun Ah Cho, University of California, Irvine Abstract This article examines how North Korean migrants become subjects of their own narratives in South Korean society, with a focus on gender and class divisions as represented on television programs such as Now on My Way to Meet You (Ije mannarŏ gamnida, 2011–present), Moranbong Club (Moranbong k’ŭlŏp, 2015–present), and Unification of Love: Southern Men, Northern Women (Nam-nam-buk-nyŏ, 2014–2017). These shows aim to depict perfectly assimilated migrants who embody the South Korean government’s image of an ideal citizen and thereby introduce an impression of “North Korean-ness” in the absence of input from the North Korea, a closed country. North Korean migrants “become” North Koreans within the programs’ formats, with mixed results. On the one hand, a “double-paned window” perspective, which relies on the North Korean panelists’ testimonies, complicates the programs’ intended narrative of exemplary migrants. On the other hand, North Korean panelists actively fortify the binary gender frame of South Korean society. For example, North Korean male panelists become antagonists when their rough and unsophisticated characteristics appear to confirm South Korean men’s superiority. These South Korean television programs focus on the polar concept of “Southern men and Northern women,” thereby marginalizing North Korean male migrants and South Korean females. Such a stratified gender structure supports South Korean males’ authority and strengthens the heteronormative structure of South Korean society. Keywords: North Korean migrants, South Korean television, Now on My Way to Meet You, Moranbong Club, Southern Men Northern Women, gender, class, South Korean conservatism More than thirty thousand North Koreans lived in South Korea in 2016, according to the Ministry of Unification (2016).