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MORE INFORMATION to Use a Safe Boot Option, Follow These Steps
MORE INFORMATION To use a Safe Boot option, follow these steps: 1. Restart your computer and start pressing the F8 key on your keyboard. On a computer that is configured for booting to multiple operating systems, you can press the F8 key when the Boot Menu appears. 2. Select an option when the Windows Advanced Options menu appears, and then press ENTER. 3. When the Boot menu appears again, and the words "Safe Mode" appear in blue at the bottom, select the installation that you want to start, and then press ENTER. Back to the top Description of Safe Boot options • Safe Mode (SAFEBOOT_OPTION=Minimal): This option uses a minimal set of device drivers and services to start Windows. • Safe Mode with Networking (SAFEBOOT_OPTION=Network): This option uses a minimal set of device drivers and services to start Windows together with the drivers that you must have to load networking. • Safe Mode with Command Prompt (SAFEBOOT_OPTION=Minimal(AlternateShell)): This option is the same as Safe mode, except that Cmd.exe starts instead of Windows Explorer. • Enable VGA Mode: This option starts Windows in 640 x 480 mode by using the current video driver (not Vga.sys). This mode is useful if the display is configured for a setting that the monitor cannot display. Note Safe mode and Safe mode with Networking load the Vga.sys driver instead. • Last Known Good Configuration: This option starts Windows by using the previous good configuration. • Directory Service Restore Mode: This mode is valid only for Windows-based domain controllers. This mode performs a directory service repair. -
Advanced-Game-Design-With-Html5
www.allitebooks.com For your convenience Apress has placed some of the front matter material after the index. Please use the Bookmarks and Contents at a Glance links to access them. www.allitebooks.com Contents at a Glance About the Author .....................................................................................................xv About the Technical Reviewers .............................................................................xvii Acknowledgments ..................................................................................................xix Introduction ............................................................................................................xxi ■ Chapter 1: Level Up! .............................................................................................. 1 ■ Chapter 2: The Canvas Drawing API .................................................................... 59 ■ Chapter 3: Working with Game Assets ................................................................ 93 ■ Chapter 4: Making Sprites and a Scene Graph .................................................. 111 ■ Chapter 5: Making Things Move ........................................................................ 165 ■ Chapter 6: Interactivity ...................................................................................... 189 ■ Chapter 7: Collision Detection ........................................................................... 239 ■ Chapter 8: Juice It Up ....................................................................................... -
Metadefender Core V4.12.2
MetaDefender Core v4.12.2 © 2018 OPSWAT, Inc. All rights reserved. OPSWAT®, MetadefenderTM and the OPSWAT logo are trademarks of OPSWAT, Inc. All other trademarks, trade names, service marks, service names, and images mentioned and/or used herein belong to their respective owners. Table of Contents About This Guide 13 Key Features of Metadefender Core 14 1. Quick Start with Metadefender Core 15 1.1. Installation 15 Operating system invariant initial steps 15 Basic setup 16 1.1.1. Configuration wizard 16 1.2. License Activation 21 1.3. Scan Files with Metadefender Core 21 2. Installing or Upgrading Metadefender Core 22 2.1. Recommended System Requirements 22 System Requirements For Server 22 Browser Requirements for the Metadefender Core Management Console 24 2.2. Installing Metadefender 25 Installation 25 Installation notes 25 2.2.1. Installing Metadefender Core using command line 26 2.2.2. Installing Metadefender Core using the Install Wizard 27 2.3. Upgrading MetaDefender Core 27 Upgrading from MetaDefender Core 3.x 27 Upgrading from MetaDefender Core 4.x 28 2.4. Metadefender Core Licensing 28 2.4.1. Activating Metadefender Licenses 28 2.4.2. Checking Your Metadefender Core License 35 2.5. Performance and Load Estimation 36 What to know before reading the results: Some factors that affect performance 36 How test results are calculated 37 Test Reports 37 Performance Report - Multi-Scanning On Linux 37 Performance Report - Multi-Scanning On Windows 41 2.6. Special installation options 46 Use RAMDISK for the tempdirectory 46 3. Configuring Metadefender Core 50 3.1. Management Console 50 3.2. -
Keygen Songs
Keygen songs click here to download Some of the best keygen-8 bit songs mixed by me in 1 www.doorway.ruist soon Dl link: (As a Mix) http://www. 5 good keygen songs! All of them for download at www.doorway.ru under these names: Razor - Diablo. Top Ten Best Keygen Songs Ever Made. CineManiacs . Awesome idea for a Top 10 (we all KNOW these. i always wonder why and when people start to put this songs in the keygens?! the best keygen song is. Here you can find music from crack keygen, trainer intro, from different release/crack groups. Select group from menu on the left and download music in *.xm, AiR · R2R · KEYGENMUSiC · All Time Top Keygen discography and songs: Music profile for Keygen, formed February stream 12 keygen playlists including 8bit, chiptune, and 8 bit music from your desktop or mobile device. sounds of piracy 1: keygen songs compilation. Can someone explain to me what a "keygen song" is I think they generate the key needed to have a license or something but I am probably. Get all the lyrics to songs by Keygen and join the Genius community of music scholars to learn the meaning behind the lyrics. Cover statistics for Keygen: see which songs of other artists Keygen covered on a concert. Keygen. NARCiSSUS_-_FlashFXP_finalcrk. NARCiSSUS_-_Offline_Explorer_Enterprise_crk. NDT_-_Reflexive_Arcade_Games_crk. Keygen Songs Mix [best Of]. 7 Тагове: mix songs keygen. Категории: Музика. 2. 0. eatmycrit. Абонирай се. Keygen Songs Mix Best Of mp3 скачать, слушать онлайн в хорошем качестве There are thousands of these things out there and all of the tracks in them As Dmitry explains, the origin of keygen music is rooted in the early. -
Users Manual
Users Manual DRAFT COPY c 2007 1 Contents 1 Introduction 4 1.1 What is Schism Tracker ........................ 4 1.2 What is Impulse Tracker ........................ 5 1.3 About Schism Tracker ......................... 5 1.4 Where can I get Schism Tracker .................... 6 1.5 Compiling Schism Tracker ....................... 6 1.6 Running Schism Tracker ........................ 6 2 Using Schism Tracker 7 2.1 Basic user interface ........................... 7 2.2 Playing songs .............................. 9 2.3 Pattern editor - F2 .......................... 10 2.4 Order List, Channel settings - F11 ................. 18 2.5 Samples - F3 ............................. 20 2.6 Instruments - F4 ........................... 24 2.7 Song Settings - F12 ......................... 27 2.8 Info Page - F5 ............................ 29 2.9 MIDI Configuration - ⇑ Shift + F1 ................. 30 2.10 Song Message - ⇑ Shift + F9 .................... 32 2.11 Load Module - F9 .......................... 33 2.12 Save Module - F10 .......................... 34 2.13 Player Settings - ⇑ Shift + F5 ................... 35 2.14 Tracker Settings - Ctrl - F1 ..................... 36 3 Practical Schism Tracker 37 3.1 Finding the perfect loop ........................ 37 3.2 Modal theory .............................. 37 3.3 Chord theory .............................. 39 3.4 Tuning samples ............................. 41 3.5 Multi-Sample Instruments ....................... 42 3.6 Easy flanging .............................. 42 3.7 Reverb-like echoes .......................... -
Foundations for Music-Based Games
Die approbierte Originalversion dieser Diplom-/Masterarbeit ist an der Hauptbibliothek der Technischen Universität Wien aufgestellt (http://www.ub.tuwien.ac.at). The approved original version of this diploma or master thesis is available at the main library of the Vienna University of Technology (http://www.ub.tuwien.ac.at/englweb/). MASTERARBEIT Foundations for Music-Based Games Ausgeführt am Institut für Gestaltungs- und Wirkungsforschung der Technischen Universität Wien unter der Anleitung von Ao.Univ.Prof. Dipl.-Ing. Dr.techn. Peter Purgathofer und Univ.Ass. Dipl.-Ing. Dr.techn. Martin Pichlmair durch Marc-Oliver Marschner Arndtstrasse 60/5a, A-1120 WIEN 01.02.2008 Abstract The goal of this document is to establish a foundation for the creation of music-based computer and video games. The first part is intended to give an overview of sound in video and computer games. It starts with a summary of the history of game sound, beginning with the arguably first documented game, Tennis for Two, and leading up to current developments in the field. Next I present a short introduction to audio, including descriptions of the basic properties of sound waves, as well as of the special characteristics of digital audio. I continue with a presentation of the possibilities of storing digital audio and a summary of the methods used to play back sound with an emphasis on the recreation of realistic environments and the positioning of sound sources in three dimensional space. The chapter is concluded with an overview of possible categorizations of game audio including a method to differentiate between music-based games. -
Hitachi Unified Storage File Module File Services Administration Guide
Hitachi Unified Storage File Module File Services Administration Guide Release 12.5 MK-92HUSF004-09 December 2015 © 2011-2015 Hitachi, Ltd. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or stored in a database or retrieval system for any purpose without the express written permission of Hitachi, Ltd. Hitachi, Ltd., reserves the right to make changes to this document at any time without notice and assumes no responsibility for its use. This document contains the most current information available at the time of publication. When new or revised information becomes available, this entire document will be updated and distributed to all registered users. Some of the features described in this document might not be currently available. Refer to the most recent product announcement for information about feature and product availability, or contact Hitachi Data Systems Corporation at https://portal.hds.com. Notice: Hitachi, Ltd., products and services can be ordered only under the terms and conditions of the applicable Hitachi Data Systems Corporation agreements. The use of Hitachi, Ltd., products is governed by the terms of your agreements with Hitachi Data Systems Corporation. 2 Hitachi Unified Storage File Module File Services Administration Guide Hitachi Data Systems products and services can be ordered only under the terms and conditions of Hitachi Data Systems’ applicable agreements. The use of Hitachi Data Systems products is governed by the terms of your agreements with Hitachi Data Systems. By using this software, you agree that you are responsible for: a) Acquiring the relevant consents as may be required under local privacy laws or otherwise from employees and other individuals to access relevant data; and b) Verifying that data continues to be held, retrieved, deleted, or otherwise processed in accordance with relevant laws. -
The Emergence of Estonian Hip-Hop in the 1990S Underlies Much Hip-Hop Sentiment” (2004: 152)
Th e Emergence of Estonian Hip-Hop in the 1990s Triin Vallaste Abstract In this article I trace the ways in which hip-hop as a global form of expression has become indigenized in post-Soviet Estonia. Hip-hop’s indigenization coincides with the collapse of the Soviet Union in 1991. After the dissolution of the USSR, dominant Estonian social discourses eagerly celebrated re-entering the European-American world and embracing its values. The uncensored global media outlets acces- sible after 1991 and rapid developments in information technology shortly thereafter were crucial to the history of Estonian-language rap. Hip-hop artists’ extensive involvement with new media and technolo- gies refl ects an extremely swift transition from ill-equipped to fl uent manipulation of technology, which aff ected cultural production and structures of participation in various sociocultural spheres. While hip- hop culture emerged in the South Bronx during the early 1970s as a radical voice against increasing economic hardship and social marginalization, Estonian hip-hop was established in the early 1990s and developed in the context of a rapidly growing economy, rising living standards, and strong national feel- ing within a re-independent Estonian state. Hip-hop artists’ production vividly reveals both the legacies of Soviet rule and the particular political economy of post-Soviet Estonia. Hip-hop, with its roots in expressive Caribbean, (2003: 468). To invoke Tom Boellstorff ’s notion of African-American, and Latino cultures, has be- “dubbing culture” (Boellstorff 2003), indigenized come fundamental to millions of peoples’ iden- rap “is more than just a quotation: it adds a step, tities worldwide, a fact which necessitates mak- fi rst alienating something but then reworking it ing sense of the specifi c ways hip-hop functions in a new context” (2003: 237, cited in Keeler 2009: in diverse communities and cultures. -
Computer Demos—What Makes Them Tick?
AALTO UNIVERSITY School of Science and Technology Faculty of Information and Natural Sciences Department of Media Technology Markku Reunanen Computer Demos—What Makes Them Tick? Licentiate Thesis Helsinki, April 23, 2010 Supervisor: Professor Tapio Takala AALTO UNIVERSITY ABSTRACT OF LICENTIATE THESIS School of Science and Technology Faculty of Information and Natural Sciences Department of Media Technology Author Date Markku Reunanen April 23, 2010 Pages 134 Title of thesis Computer Demos—What Makes Them Tick? Professorship Professorship code Contents Production T013Z Supervisor Professor Tapio Takala Instructor - This licentiate thesis deals with a worldwide community of hobbyists called the demoscene. The activities of the community in question revolve around real-time multimedia demonstrations known as demos. The historical frame of the study spans from the late 1970s, and the advent of affordable home computers, up to 2009. So far little academic research has been conducted on the topic and the number of other publications is almost equally low. The work done by other researchers is discussed and additional connections are made to other related fields of study such as computer history and media research. The material of the study consists principally of demos, contemporary disk magazines and online sources such as community websites and archives. A general overview of the demoscene and its practices is provided to the reader as a foundation for understanding the more in-depth topics. One chapter is dedicated to the analysis of the artifacts produced by the community and another to the discussion of the computer hardware in relation to the creative aspirations of the community members. -
Soloud Audio Engine
SoLoud Audio Engine Jari Komppa February 7, 2020 i These pages were intentionally left blank. ii (Except for this text) iii © 2020 Komppa, Jari Contents 1 Introduction 1 1.1 Quick Start. 4 1.2 Frequently Asked Questions . 7 1.2.1 What does it play? . 7 1.2.2 What dependencies does it have? . 7 1.2.3 Is there a DLL / C-Interface? . 7 1.2.4 What’s the animal in the logo? . 7 1.2.5 Is there a mailing list? . 7 1.2.6 No doxygen docs? . 8 1.2.7 Why not use this superior fork of libmodplug? . 8 1.2.8 Why did SoLoud move to libmodplug? . 8 1.2.9 Can SoLoud do HRTF? . 8 1.2.10 What about surround speakers? . 8 1.2.11 Are these real questions? . 8 1.3 Directory Structure . 9 1.3.1 Overview. 9 1.3.2 src . 10 1.3.3 demos . 10 1.4 Premake / GENie . 11 1.5 Legal . 13 1.5.1 SoLoud Proper . 13 1.5.2 OGG Support . 13 1.5.3 MP3 Support . 13 1.5.4 Wav Support . 14 1.5.5 Speech Synthesizer . 14 1.5.6 Vizsn . 14 1.5.7 Fast Fourier Transform (FFT) . 14 1.5.8 Sfxr . 14 1.5.9 RPGMaker Wrapper Generator. 15 1.5.10 TED and SID support . 17 1.5.11 Vic . 18 1.5.12 Openmpt . 18 1.5.13 FreeVerb . 18 2 Concepts 19 2.1 Generic Audio Concepts . 19 2.1.1 Audio Source and Instance. -
TDT4290 at IDI/NTNU Group 2
TDT4290 at IDI/NTNU Group 2 Frode Sandholtbr˚aten, Jostein Gogstad, Michael Stokes, Remy Jensen, Espen Nielsen, Konrad G Beiske Customer: Bouvet ASA Preface This report is the result of a project performed during the autumn semester of 2007 by six Masters degree students at The Norwegian University of Science and Technology (NTNU) - Department of Computer and Information Science. The project is a part of the course TDT4290 - Customer Driven Project. Our customer in this project was Bouvet ASA, a Norwegian consulting company with its headquarter in Oslo. The representatives from Bouvet ASA was Stig Lau and Unn Aursøy. The task presented was to create a prototype of an application capable of mixing music, although the application should be extensible so that other media types could be incorporated easily. This application should be realized by the use of new technologies such as topic maps, tolog and Qt Jambi. The customer also requested that the development model used by the group should be iterative which made this report different from the previous ones in this course. The group would like to thank the customer's representatives, Stig Lau and Unn Aursøy, for all the feedback and suggestions received throughout the project. We would also thank Reidar Conradi and Ida Sørensen for keeping the project on track. Last, we wish to say thanks to Marte Svalastoga for the nice logo she created for our front page. Trondheim, November 20th 2007. Frode Sandholtbr˚aten Jostein Gogstad Michael Stokes Espen Nielsen Konrad G. Beiske Remy Jensen Abstract This paper describes the result of customer driven project 2007, group 2. -
Music Player Free Download for Pc 10 Best Music Players for Windows Pcs
music player free download for pc 10 Best Music Players for Windows PCs. Are you fond of listening to music? Here are the pros and cons for 10 best music players for Windows users. Some of them play videos, but all play audio files. Check this list and decide which music player you should stick to. Freemake Music Box. Freemake Music Box is a free software developed by Freemake Assets Corporation. Originally Freemake Music Box played only online music from YouTube. However, now the software supports offline files from your PC. Pros: Freemake Music Box is easy to use and lets you manage your music library easily. It is free and many people adore it for its intelligent music search capabilities. The software features a very crisp visual interface and video watching function. The main feature of Freemake Music Box is the ability to play both offline and play online music. If the software can’t find a track on your PC, it’ll stream it from the Web. Freemake Music Box also lets create and import playlists in most popular formats: M3U, M3U8, ASX, TPL, KPL, WPL, AIMPPL, PLC, PLS, RLC, ZPL, XSPT, SMI. Cons: The interface is not very full and looks a little too empty when compared to others. The software doesn’t have an equalizer option, neither it supports music CDs. Moreover, if you like changing skins of your music player, Freemake Music Box is not your choice. Supported formats: MP3, WMA, AAC, FLAC, WAV, OGG, M4A, APE, AIFF, M4B, MP2, MP1, MPC, M4R, SPX. Windows Media Player.