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Technical and Bibliographic Notes Notes Technique the Institute Has Attempted to Obtain the Best Original Copy Available For Technical and Bibliog raphic Notes Notes technique ' The Institute has attempted to obtain the best original L institut a microl il re f h s wh ch copy available for filming . F eatu s o t i my i été possible de se wh ch a r an of i may be bibliographically unique . i may lte y plaire qu sont pe h h r r d c o or which ma hi ue i i t e ima ge s in t e e p o u ti n . y Oomp q . qu ps significantly change the usual method oi filming a re ou qui pe uve nt exi de norrnale de tilma Coloured covers Coloured pag Couverture de coule ur Cove rs da maged I Couverture endommagee Cove rs restored and"or laminated I Couverture restaurée et"ou pe liiculée Cover title missing Le titre de couverture ma nque Pages detach Coloured maps I Caries géographique s en coule ur Showthrough i r bl e r b ac " Coloured ink ( .a . othe than u o l k) ue e e ou o re Encre de coule ur (i. e . autre q bl u n i ) Coiowed plates and"or illustrations Planches et"ou illustrations e n coule ur Bound with othe r mate rial ’ B elié avec d autres docume nts Only edition available Seule edition disponible Tight binding may cause shadows ordistortion along interior margin La reliure se rrée pe ut ca use r de ' I ombre ou de la distorsion te long de la marge r intérie u e . Blank leaves added during restorations may appear w r s b hav bee ithin the text . Whe ne ve pos i le . these e n omitted froml ilming II se pe ut que ce rtaines pages ' bl anche s ajoutée s Iors d u ne re sta u rati on I a s o e c ta t apparaisse nt dans e texte . m i , l rsqu ela é i ' n f es. possible , ces pa ge s n o t pas été ilmé Additional comme nts I Comme ntaires suooléme ntaires: ‘ reproduced the nlte L e xe mpl e ire fil me f ut reproduit grece e l o g eneroelte de : Ca na da B i b l i o t héque na t i o na l e da Ca na da th e beet qua lity Lee imeg ee euive ntee ont m re produitee evoe ie ti on end le ib il l t l ue rend eo g y p g i n . compte te nu de lo condi t ion et ’ in w ith the de le ne tt ete de i ee w g empie ire f ilme . et e n conf ormit e ovec l ee conditio ne do cont ret de i m f l e ge . r covere ere fil med Lee ee e mpla l ree origina ux dont la couve rt u re e n e nd ending on pa pie r eet l mprimoe eont f il m“en comme nce nt il l uetreted impree pa r l e pre m ie r pl at et en te rmi nant eoit pe r l a epproprl ete . All derniere page qui com port e une e m pre i nt e ' ‘ d be i i on the d im reeeion ou d ill u r n g nn ng p et atio . eoit pa r l a eecond et reted im rec lat n p p . ee l o l e ce e . Toue l ee aut ree ee e mpl a irae g e with e pri nted originaux eont f il mee en co mme nce nt pa r l a pre miere pa ge qui compo rte une e m pre i nte ' ' d impreeeion ou d il l uetration et en te rmi na nt pa r la derniere pa ge qui com porte una te ile r e mp ei nte . ' Uh dee eymb ol ee euive nte eppe re it re eu r l o der i re ime ue cr f h n e ge de che q mi o i c e . ee io n l e " “ : to m l i nif see ey bo e e g l e A SuivR E . l e m “ “ ey b ol e V eig nif i. F I N . fil Lee cartee l a nch bl ux be med et . p ee . ta e a . etc . pe uve nt etre f il mee a doe ux d r u on f f r n ee too l e rge to be ta e ed ct i di e e te . re ere f il med Loreq ua ie doc u m e nt eet t rop gra nd pour et re d r r r u t n un l i h ii l m co ner . left to ep od i e aoul c c e . eet f i e e part i r ' n f r m e de l an ie eu erie ur a ch e de a uch y e ee e g p g u . g e e droit e . me il l uetrete the et de ha u t an baa. en pre na nt l e nomb re ‘ d imag ee neceeea ire . Lee diag rammee eu iva nts t r il l ue e nt la met hode . THE HERALDY OF CANADA G EO RG E SH ERWOO D H O D G I NS ' Re rint fro P Records o p ed m ape rs . V l . XI V of the n ario H ca O t istori l Socie ty . TO RONT O Published by the Society I 9 | 6 TH E H E RALDR Y O F CA NA D A . 8 1 C an ad a Ba s s w oo n H o no rs r a o v e rd The sc i enc e of he ral d ) is n exampl e f e ol ut io n . Th wo ” s u re of en oose e w as on e the de n n the e d E q i , t l ly appli d, c sig atio of shi l b n n h T he r nk m d us m ea r er or attenda t to a k ig t . a i pl ie was th a il itary m m on an nex t be o th of n h . The sh e d w as of r e i e, d l w at k i g t i l p i n u t i n o d o as s r e o f porta nc e f or defe ce in w a r as fo gh l e n days , ft en a e i s n n on e w n ed s m d v b perso al encou t ers, and up th shield as pai t o e e ice y which the ch eva l ier or mou nted man was k nown by his f ol low ers on the m o h is h ures ere field of batt l e . H e came with hel et n h ead, but is f eat w " v r often hidden be hind a cl osed iso r pol ished stee l . n a r n w s w w a r The sh ield or escut ch e o , associ ted, as it o igi al ly a , ith , ‘ ' i s f n s ef u r s n n , n ow t el ls the t y o a natio peac l p ogre s , a d th e cha ge has c ome about so gr adual ly and so i mpercept ibly that no one associat es the ' r s of ru f u n d en n on the w rr r s d p oduct a f it l la , wh show erstwh ile a io sh iel . or n n n n u s e with au ght of w a r , s ees a yth i g i co gruo s i n the e cuteh on of “ n h mb ems of r r u i ndu r the k night bea ri g t e e l p ospe o s st ia l l i f e . The ” r the om of o r do not now b boast of h er ald y , p p p we , el ong ex cl usi vely “ m m nor a r e e to- du d n to the ar ed ca p, th y y associate o ly wit h the pomp ” f s w a nd ci r cumsta nce o gl or i ou ar . The art of h er aldry ha d f or its pri mary object the iden tification of e r r or and dev e w n on u ou or the mail d wa i , a ic was or the s rt t . cloth jack et , “ ” h rmour n e w as the C of r m ov er t e st eel a , h e c it oat A s . The dev ice m w as also pai nt ed on the shi e ld. Later it became the. ea ns of recordi n g in r n h n ationa l succ ess w a , wh e pl aced on t e shiel d o f a v ict o r ious com m nder r e ser v in the r d on of us r ou u n a , p g t a iti s il l t i s h o ses , a d sti l l l a l er , the s n z on of the a ni n of nob e f m e i n the d s w n r ig ali ati o l a ili s, ay he w iti n g w as ifil c l and the a rt f n nk d u t o pri ti n g was u now n .
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