Annual Dixie Jubilee Shows Two-Beat Still Draws Well
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BROWNIE the Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet
BROWNIE The Complete Emarcy Recordings of Clifford Brown Including Newly Discovered Essential Material from the Legendary Clifford Brown – Max Roach Quintet Dan Morgenstern Grammy Award for Best Album Notes 1990 Disc 1 1. DELILAH 8:04 Clifford Brown-Max RoaCh Quintet: (V. Young) Clifford Brown (tp), Harold Land (ts), Richie 2. DARN THAT DREAM 4:02 Powell (p), George Morrow (b), Max RoaCh (De Lange - V. Heusen) (ds) 3. PARISIAN THOROUGHFARE 7:16 (B. Powell) 4. JORDU 7:43 (D. Jordan) 5. SWEET CLIFFORD 6:40 (C. Brown) 6. SWEET CLIFFORD (CLIFFORD’S FANTASY)* 1:45 1~3: Los Angeles, August 2, 1954 (C. Brown) 7. I DON’T STAND A GHOST OF A CHANCE* 3:03 4~8: Los Angeles, August 3, 1954 (Crosby - Washington - Young) 8. I DON’ T STAND A GHOST OF A CHANC E 7:19 9~12: Los Angeles, August 5, 1954 (Crosby - Washington - Young) 9. STOMPIN’ AT TH E SAVOY 6:24 (Goodman - Sampson - Razaf - Webb) 10. I GET A KICK OUT OF YOU 7:36 (C. Porter) 11. I GET A KICK OUT OF YOU* 8:29 * Previously released alternate take (C. Porter) 12. I’ LL STRING ALONG WITH YOU 4:10 (Warren - Dubin) Disc 2 1. JOY SPRING* 6:44 (C. Brown) Clifford Brown-Max RoaCh Quintet: 2. JOY SPRING 6:49 (C. Brown) Clifford Brown (tp), Harold Land (ts), Richie 3. MILDAMA* 3:33 (M. Roach) Powell (p), George Morrow (b), Max RoaCh (ds) 4. MILDAMA* 3:22 (M. Roach) Los Angeles, August 6, 1954 5. MILDAMA* 3:55 (M. Roach) 6. -
Top 10 Albums Rhythm Section Players Should Listen to 1
Top 10 Albums Rhythm Section Players Should Listen To 1. Money Jungle by Duke Ellington Duke Ellington-Piano Charles Mingus-Bass Max Roach-Drums RELEASED IN 1963 Favorite Track: Caravan 2. Monk Plays Duke by Thelonious Monk Thelonious Monk- Piano Oscar Pettiford-Bass Kenny Clarke-Drums RELEASED IN 1956 Favorite Track: I Let A Song Out of My Heart 3. We Get Request by Oscar Peterson Trio Oscar Peterson-Piano Ray Brown-Bass Ed Thigpen-Drums RELEASED IN 1964 Favorite Track: Girl from Ipanema 4. Now He Sings, Now He Sobs by Chick Corea Chick Corea-Piano Miroslav Vitous-Bass Roy Haynes-Drums RELEASED IN 1968 Favorite Track: Matrix 5. We Three by Roy Haynes Phineas Newborn-Piano Paul Chambers-Bass Roy Haynes-Drums RELEASED IN 1958 Favorite Track(s): Sugar Ray & Reflections 6. Soul Station by Hank Mobley Hank Mobley-Tenor Sax Wynton Kelly-Piano Paul Chambers-Bass Art Blakey-Drums RELEASED IN 1960 Favorite Track: THE ENTIRE ALBUM! 7. Free for All by Art Blakey and the Jazz Messengers Freddie Hubbard-Trumpet Curtis Fuller-Trombone Wayne Shorter-Tenor Saxophone Cedar Walton-Piano Reggie Workman-Bass Art Blakey-Drums RELEASED IN 1964 Favorite Track: THE ENTIRE ALBUM 8. Live at the IT Club by Thelonious Monk Charlie Rouse-Alto Saxophone Thelonious Monk-Piano Larry Gales-Bass Ben Riley-Drums RECORDED IN 1964; RELEASED IN 1988 Favorite Track: THE ENTIRE ALBUM 9. Clifford Brown & Max Roach by Clifford Brown & Max Roach Clifford Brown-Trumpet Harold Land-Tenor Saxophone Richie Powell-Piano George Morrow-Bass Max Roach-Drums RELEASED IN 1954 Favorite Track(s): Jordu, Daahoud, and Joy Spring 10. -
Finding Aid to the Historymakers ® Video Oral History with Sonny Rollins
Finding Aid to The HistoryMakers ® Video Oral History with Sonny Rollins Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Rollins, Sonny Title: The HistoryMakers® Video Oral History Interview with Sonny Rollins, Dates: December 3, 2016 Bulk Dates: 2016 Physical 8 uncompressed MOV digital video files (3:30:19). Description: Abstract: Jazz composer and saxophonist Sonny Rollins (1930 - ) composed the jazz standards “Oleo,” “Airegin,” and “Doxy,” and released over sixty albums in his name, including Saxophone Colossus (1956) and Freedom Suite (1958). Rollins was interviewed by The HistoryMakers® on December 3, 2016, in Woodstock, New York. This collection is comprised of the original video footage of the interview. Identification: A2016_113 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz composer and saxophonist Sonny Rollins was born on September 7, 1930 in New York City. His parents, immigrants from the U.S. Virgin Islands, raised him in Manhattan’s central Harlem and Sugar Hill neighborhoods. Rollins received his first alto saxophone at seven years old; and was heavily influenced by saxophonist Charlie Parker by the time he enrolled at Edward W. Stitt Junior High School. Rollins switched to tenor saxophone, and was mentored by pianist Thelonious Monk. Upon graduating from high school, Rollins made his first recordings with Babs Gonzales, J.J. Johnson, Bud Powell, and Fats Navarro. He went on to record with such jazz legends as Miles Davis, the Modern Jazz Quartet, Charlie Parker and Thelonious Monk. In 1954, Rollins’ compositions “Oleo,” “Airegin,” and “Doxy” were featured on Miles Davis’ Bags' Groove. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
BARRY HARRIS NEA Jazz Master (1989)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BARRY HARRIS NEA Jazz Master (1989) Interviewee: Barry Harris (December 19, 1929 - ) Interviewer: Aaron Graves with recording engineer Ken Kimery Date: August 20th, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 36 pp. Graves: My name is Aaron Graves, today is August the 20th 2010. We’re here at the University of the Streets with Master Barry Harris. And we’re going to ask Mr. Harris, if you would to give us – state your name for us. Harris: Okay. Barry D. Harris. The “D” stands for Doyle. Barry Doyle Harris. Graves: Barry Doyle Harris. Harris: That’s right. Graves: That’s new to the world? Harris: All Irish all the way. Graves: Irish? Harris: Irish and English and Scottish. And born – when – December 15th, 1929. Graves: Mm-hm. Harris: In a little cabin. [laughs] Graves: When – where were you born? Harris: Where was I born? For additional information contact the Archives Center at 202.633.3270 or [email protected] Graves: Where were you born? Harris: I was born in Herman Kiefer Hospital in Detroit. You know, so Detroit was really my home, you know for quite a few years. Graves: So, mother and father. What’s your mother and father’s names? Harris: Mother’s named Bessie, father’s named Melvin. Graves: Melvin. Harris: That’s right, as you know. Graves: Alright. So who named you? Do you know who named you – your name is Barry Doyle… Harris: Don’t ask me. -
Sonny Rollins Sonny Boy Mp3, Flac, Wma
Sonny Rollins Sonny Boy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Sonny Boy Country: France Released: 1990 Style: Bop, Hard Bop MP3 version RAR size: 1207 mb FLAC version RAR size: 1603 mb WMA version RAR size: 1521 mb Rating: 4.6 Votes: 954 Other Formats: AA ASF AUD VQF TTA FLAC WAV Tracklist Hide Credits 1 Ee-Ah 6:53 2 B. Quick 9:11 3 B. Swift 5:14 The House I Live In 4 9:21 Piano – Wade LeggeTrumpet – Kenny Dorham 5 Sonny Boy 8:22 Companies, etc. Distributed By – Carrere – 99 929 Phonographic Copyright (p) – Fantasy, Inc. Copyright (c) – Fantasy, Inc. Credits Bass – George Morrow Design – Don Schlitten Drums – Max Roach Engineer – Rudy Van Gelder Mastered By – Phil De Lancie Piano – Kenny Drew (tracks: 1 to 3, 5) Tenor Saxophone, Composed By – Sonny Rollins Notes ℗&© 1990, Fantasy Inc. #4 : Recorded October 5, 1956. #1-3, 5 : Recorded December 7, 1956. Other versions Category Artist Title (Format) Label Category Country Year Sonny Boy (LP, Sonny Prestige, PR 7207, PRLP 7207 Album, Mono, PR 7207, PRLP 7207 US 1961 Rollins Prestige RM) Sonny Boy (LP, Sonny ACV 2075 Album, Ltd, Doxy ACV 2075 Italy 2016 Rollins Num, RE) Sonny Boy (LP, Sonny PR 7207 Album, Mono, Prestige PR 7207 US 1964 Rollins RE, RM) Original Jazz Sonny Sonny Boy (CD, 00025218634823 Classics, 00025218634823 Europe 2006 Rollins Album, RE, RM) Prestige Original Jazz Sonny Sonny Boy (LP, OJC-348, P-7207 Classics, OJC-348, P-7207 US 1989 Rollins Album, RE, RM) Prestige Related Music albums to Sonny Boy by Sonny Rollins Thelonious Monk / Sonny Rollins - Work! Sonny Rollins - The Best Of Sonny Rollins Sonny Rollins - Tour De Force Sonny Rollins - Sorry Rollins With The Modern Jazz Quartet Sonny Rollins Quintet - Rollins Plays For Bird Sonny Rollins - Plus 4 Sonny Rollins Quartet - Tenor Madness Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew - Sonny Rollins With The Modern Jazz Quartet Sonny Rollins - Moving Out Sonny Rollins - Saxophone Colossus. -
How Sonny Defeated the Dragon in His Six-Decade Career, Legendary Saxophonist Sonny Rollins Has Claimed Many a Triumph
How Sonny Defeated the Dragon In his six-decade career, legendary saxophonist Sonny Rollins has claimed many a triumph. But his greatest may have come during a quiet period in Chicago By Neil Tesser (Chicago Reader) A decade ago, on September 9, 1998, the YMCA building at 3763 S. Wabash became an official Chicago landmark. Completed in 1913, it gained an annex in 1945, and today it remains a hub of neighborhood activity. Stately on its quiet and well-kept Bronzeville block, it bears a plaque describing it as “an important center of community life” that offered housing and job training for “new arrivals from the South during the ‘Great Migration’ of African-Americans in the first decades of the 20th century.” In a perfect world, there would be a second plaque below it: “Sonny Rollins slept here.” Another such plaque might adorn the considerably less well-kept Central Arms Hotel at 520 E. 47th, just east of Vincennes. Still another could mark an empty lot on the 300 block of East Garfield, where the Rhumboogie Club once stood, but it wouldn’t say anything about sleeping: Rollins played at the Rhumboogie with the man who would become Sun Ra, and nobody slept with Sun Ra around. In 1955 Rollins was already a veteran of studio groups led by Miles Davis and Thelonious Monk, and he would soon be acclaimed as the outstanding tenor saxophone voice of his generation. But for most of that year he lived in obscurity on Chicago’s south side, working menial jobs and barely gigging. -
Multimedia Processing Techniques for Retrieving, Extracting, and Accessing Musical Content
Multimedia Processing Techniques for Retrieving, Extracting, and Accessing Musical Content Techniken der Multimediaverarbeitung zur Suche, Extraktion und den Zugriff auf musikalische Inhalte Dissertation Der Technischen Fakult¨at der Friedrich-Alexander-Universit¨atErlangen-N¨urnberg zur Erlangung des Doktorgrades Doktor der Ingenieurwissenschaften (Dr.-Ing.) vorgelegt von Stefan Balke aus H¨oxter Als Dissertation genehmigt von der Technischen Fakult¨at der Friedrich-Alexander-Universit¨atErlangen-N¨urnberg Tag der m¨undlichen Pr¨ufung: 21.03.2018 Vorsitzender des Promotionsorgans: Prof. Dr.-Ing. Reinhard Lerch 1. Gutachter: Prof. Dr. Meinard M¨uller 2. Gutachter: Prof. Dr. Gerhard Widmer Abstract Music constitutes a challenging multimedia scenario. Besides music recordings, there exist a number of other media objects including symbolic music representations, video recordings, scanned sheet music, or textual metadata. Developing tools that allow users to retrieve information from different types of music-related data is central to the research area known as Music Information Retrieval (MIR). This requires techniques from various engineering fields such as digital signal processing, image processing, data management, and machine learning. In this thesis, we develop novel multimedia processing techniques and explore their capabilities and limitations within different complex music scenarios. The thesis consists of three main parts. In the first part, we consider retrieval scenarios within a Western classical music setting. For example, given a short monophonic melodic theme in symbolic notation as a query, retrieve all corresponding documents in a collection of polyphonic music recordings. In another related retrieval scenario, we aim to link the score of musical themes, scanned from book pages, to their symbolic counterparts given in MIDI format. -
Study in Brown – Liner Notes
Clifford Brown Study In Brown (EmArcy) Study In Brown Clifford Brown, trumpet; Max Roach, drums; Harold Land, tenor sax; Richie Powell, piano; George Morrow, bass. 6. Sandu (Clifford Brown) 4:57 1. Cherokee (Ray Noble) 5:44 7. Gerkin For Perkin (Clifford Brown) 2:57 2. Jacqui (Richie Powell) 5:11 8. If I Love Again (Murray--Oakland) 3:24 3. Swingin' (Clifford Brown) 2:53 9. Take The A Train (Billy Strayhorn) 4:18 4. Lands End (Harold Land) 4:58 5. George's Dilemma (Clifford Brown) 5:36 Recorded on February 23, 1955. The career of Clifford Brown and Max Roach has followed a steadily climbing course since these two amazing musicians were signed to an exclusive EmArcy contract barely a year ago. The release of a new set of performances by them is an event of major importance in jazz circles. The numbers on this particular set have a special distinction: they are the first Brown-Roach combo sides recorded in New York. First on the menu is the 20-year-old Ray Noble standard "Cherokee." Starting out with the melody played in unison by the two horns while Max offers a simple after-beat rhythm accompaniment, the performance gets into high hear with a phenomenal solo by Clifford. The same comments apply, to a large degree, to the solos of Harold Land on tenor saxophone, Richie Powell on piano, and when Max takes over for a demonstration of his unique agility on the snares. "Jacqui" is a light-hearted original composition by pianist Richie Powell, with a theme that has the two horns running parallel, mostly in thirds, with a twelve-bar blues format for the middle part. -
JREV2.11Full.Pdf
SPIRITUALS to SWING FROM THE FAMOUS CARNEGIE HALL CONCERTS — with such artists as: COUNT BASIE ORIGINAL ORCHESTRA • BENNY GOODMAN SEXTET • LESTER YOUNG • BUCK CLAYTON • SIDNEY BECHET • TOMMY LADNIER • JOE TURNER • HELEN HUMES • BIG BILL BROONZY • CHARLIE CHRISTIAN • JO JONES • JAMES P. JOHNSON • ALBERT AMMONS • "LIPS" PAGE • MEADE LUX LEWIS • PETE JOHNSON • Mitchell's Christian Singers • Fletcher Henderson • Ida Cox • Harry Edison • Herschel Evans • Lionel Hampton • Ed Lewis • Golden Gate Quartet • Sonny Terry • Bull City Red • Shad Collins • Kansas City Six • Earl Warren • Dickie Wells • Benny Morton • Arthur Bernstein • Jack Washington • Nick Fatool • Walter Page • Freddie Greene • Dan Minor Regular List Price $7.96 Special Jazz Collectors Price; 39 FOR THE TWO- RECORD SET Postage Prepaid on this item CHESTERFIELD MUSIC SHOPS, INC. 12 WARREN STREET NEW YORK 17, N. Y. for your Please send sets of John Hammond's Spirituals To Swing at the convenience special Collectors Price of $6.39 per set. $ enclosed. in Send FREE LP Catalog. ORDERING Name BY MAIL Address use this City Zone State handy blank Sorry no C.O.D. Discount Records—262 Sutter St., San Francisco, Calif. Special offer also available Discount Records—201 North La Salle, Chicago, Illinois from coast to coast at: Discount Records—202 Michigan Ave., Detroit, Michigan Chesterfield Music Shops—485 Madison Avenue, New York City, N. Y. Or take the next paragraph, same col• Naturally, when I speak of jazz, I speak umn, when I wrote, "the following prop• of a band style, an instrumental and LETTERS ositions are offered for consideration," orchestral style. It is not merely a use and what came out was "the following of blues scales nor for a notable proportions". -
Clifford Brown/Sonny Rollins/Max Roach Quintet (Essential Jazz Classics, 4 Stars)
‘Complete Studio Recordings,’ Clifford Brown/Sonny Rollins/Max Roach Quintet (Essential Jazz Classics, 4 stars) ‘Saxophone Colossus,’ Sonny Rollins (Essential Jazz Classics, 4 stars) The first of these June 2 discs spotlighting the “100 Best Jazz Albums of All Time” was recorded in 1956 by trumpeter Clifford Brown, tenor saxophonist Sonny Rollins, drummer Max Roach, bassist George Morrow and pianist/arranger Richie Powell. These tracks made up two albums (Clifford Brown and Max Roach at Basin St. and Sonny Rollins Plus 4) comprising the entire recorded output of this fantastic group, due to the car accident 6/26/56 that took the life of Brown, Powell and Powell’s wife. The music is superb, with galloping tempos, melodic mastery, and superb soloing. Highlights include Roach’s inventive drumming, wonderful interplay between trumpet, sax and piano, the jaunty opener “Gertrude’s Bounce,” and a playful version of “Love is a Many Splendored Thing.” The second CD spotlights Sonny Rollins’ saxophone wizardry; and was recorded early June 1956. A second album, Work Time, recorded in 1955, is also included. Max Roach drums on both albums, with pianist Tommy Flanagan/bassist Doug Watkins on the Colossus tracks; and pianist Ray Bryant/bassist George Morrow on the Work Time tunes. Highlights include the calypso-flavored opener, “Saint Thomas,” Rollins’ homage to Chicago, “Strode Rode,” and the minor-key “Blue 7,” which features impressive solos from everyone, proving that Rollins’ sax playing is a marvel while his group doesn’t lag behind. Ricky Flake is a former punk rocker and music fan who lives in Biloxi. -
The Complete Mercury Max Roach Plus Four Sessions (#201) DISCOGRAPHY
The Complete Mercury Max Roach Plus Four Sessions (#201) DISCOGRAPHY THE COMPLETE MERCURY MAX ROACH PLUS FOUR SESSIONS DISC ONE 1. Mr. X (A) 5:14 (Max Roach) 2. Body and Soul (A) 6:50 (Green-Heyman-Eyton- Sour) 3. Just One of Those Things (A) 7:19 (Cole Porter) 4. Ezz-thetic (B) 9:19 (George Russell) 5. The Most Beautiful Girl in the World (B) 7:05 (R. Rodgers-L. Hart) 6. Woody 'n' You (B) 6:52 (Dizzy Gillespie) 7. Dr. Free-Zee (B) 2:06 (Max Roach) 8. I'll Take Romance (C) 4:33 (B. Oakland-O. Hammerstein II) 9. It Don't Mean a Thing (If It Ain't Got That Swing) (C) 4:43 (D. Ellington-I. Mills) 10. Blues Waltz (C) 6:34 (Max Roach) 11. Love Letters (C) 8:55 (W. Donaldson-G. Kahn) DISC TWO 1. Little Folks (D) 5:37 (Max Roach) 2. Minor Trouble (D) 6:59 (Ray Bryant) 3. Valse Hot (D) 14:23 (Sonny Rollins) 4. Lover (E) 6:15 (R. Rodgers-L. Hart) 5. Raoul (F) 4:47 (Max Roach) 6. This Time The Dream's On Me (F) 5:18 (H. Arlen-J. Mercer) 7. Tune Up (F) 7:43 (Eddie Vinson) 8. Confirmation (G) 4:26 (Charlie Parker) 9. Au Privave (G) 4:16 (Charlie Parker) 10. Anthropology (G) 4:26 (C. Parker-D. Gillespie) 11. Yardbird Suite (G) 3:54 (Charlie Parker) DISC THREE 1. Billie's Bounce (H) 5:35 (Charlie Parker) 2. Ko-Ko (H) 7:55 (Charlie Parker) 3.