DOCSLIB.ORG

Atmosphere Magazine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Atmosphere Magazine ......••..,, ......... ... ..... •••••••• ..... ..•.....••••. ....... •. ••••••.... .. •.•.....• • • • •. I • .♦.....•••••. ...•....•.... > ..•••••••............ .. • •.•. •.•.•.•.•.•. •• • • • • • • • •• • •• •♦ • •• • • ...•••••••...... ••••.. •.• • •.•.•.• ♦ •••••••.. ••••••••••••••✓••••••• • • • • • • • •. •.•.•. •.•.•.• •....• .• .•..•..•..• .•.·.·.·.·.... G TEMPLE Ml ••••• ••••• • • •• • • •• •• •• •• •• •• •• • • •• •• •• •• •• •• •♦ • .........................• • • ♦ •••••••••••••••••• • JOY ROOM ••.. ♦. ••••••••••••••••••••••••...... ., .............. • ....• • • • •···················· • • • • .• • .• • • • • • • • • ♦ •••••••• . ... ...... ....... ............... • •• •••••..... ♦ ♦ . THUNDER ROOM .............• • • •• ............. ...................... ..... • ..........• ♦ •••••••••. ........... • ♦ •••••••••• DJ FACE ...... • .••••••••.......... ♦ ••. .. ..... • •••• ♦ •••••• . .♦ • .• .• .••••••••....... .....·.·..... ..... GROOVERIDER ...................................... ....................... ·.•.·.. • ............• • • • ♦ ••••••• • ••• ♦ ••• .• .• .• .• .• .• ..• • .• .• .♦. • . ............... ............ .• ♦ ••••• ♦ TONY TRAX ............. • ••••• ♦ • RODNEYT ..................................... ................. ♦ .......... •• •• •• • ••••••••• • • • • • • • • ........ • .♦....... •••• • ••. ♦ • • .......................... • • • • • • • • • • • • • • • • • • ♦ ••• ...................... ................... ♦ ....................... ........................................... • • •••••• • • • • • • • • • • .• • • ... • . .. ...... .. ♦. ♦. •••••.... ..... .......... .• .♦. • .• .• .• .• • .• .• .• • .• • • • • .♦ •••.. ERROL SIMMS DJ RON '. ........... ....... ......... .................... .• ..• • .• .• ..• • .• .• .♦. ••••••••••••........... .........' • ••••• ♦ •• .................................................. .• ..•••••••.... ♦. •••••••••••••............. ................ .......................................... .. .. n ..................... l. ............... ... ♦. .. • .• .• • • • ..• •••••••••••... .. ........ ♦• ♦. ••••••••••••••••. ............... DARREN JAY .• .• .• • ..• • • .• • .• ..• • .• .♦. •••••. ........ ..•.......••.•........................ ...................... FRANKiE-SHAG-BONES ...................................... r'tl!s.en·'..... .. .............................. .· ..~ ............. ... •. • .• .• • . • .•••••.......... ♦. .• DJ BROCKIE (KOOL FM) . ..... ..... ....... .. .·-:-:.. ..❖:•...... ... ....:-:..♦• • • • .• .• • • • • • • • • • • • • • • • • • • ••• ♦ • • • • • • ••••••••••• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ••••••• ♦ ••• • .• ..• • .• .• .• .• .• .• .• .• .• .• .• .• .• .• .• .• .• .• ..• . • .• .• .• .• .• .• ..• • .• .• ..........••••• ••• ♦ • . ... o ··=~~.=;=~~t;:J:··· .... ·::j:~> . ·•:::::::====:=~~~~~~~:6..: I;:) :·...... a I ■ . ... .... ... .... ...... - .... ... "'i I ·.···••\·•············..... ................. ... ........... ..................... .......................... .. • ....................• • • • • • • • • • • • • • • • • • • .....• • • • .• .• .....• • • • • • .........••••• ♦ • • .• ............••••••••••••. • PA'S ON THE NIGHT M.BEAT j~IIB.IJSM~Q. .. QR(91~. ....IY......lNKNOWN. (ANDY C) CONFIRMED • • ..• • • • • • • • • • • • • .• • • .• • • .• • • • • • .• . .• • • • .• • • • • • ••••••••••• . .. .... .. .♦. ... .. ... • ♦ ••••••••••••• ♦ • • • • • • • • • • • • • • • • • • • • • • • • •• ♦ ••••••• ·7:.:.):1·. ):\:;.:.·.;o·: o .=r5......8. 3···1·........08"··3:.:: ·=·,·. ·.· ·.o.._. ' . .. .. • • • • .• • • • . ♦ - . .. .... ' .. .. 606303 ·...........♦ •••••••••••.·... ♦·.· ••••••••••••••••••••••••••••••••...........·....·...·.·...·.·.·.·•··• ..·.. info • • • • • ♦ •••••••••••••••••••••••••••••••••. .. ... .. .. ....... • • • • • ..• • • • • • .• • • .• • • • • • • • • • ••••••••••••. .... .. .... .♦ . at the raw club 112a great·:=:=r=oss=:g·j'i street w1 (watch the ride) .. ALTaRED STATES CON T ·E NT 5 CONTINUE& BTllENGTH TO STRENGTH •11coao °SHOP•AaC>VII CAltOUUl AltCADE t>•8 50UTHCHURCH ROAD. SOUTHl!!.ND ON HA. ESSEX Q BASS INTERVIEIIV 070:Z -462908 SPARKING THE SPLIFF• •• TOP BUZZ INTERVIEIIV CHARLIE"$ CHEIIVNS A DAV IN THE LIFE. .. ADANIS HOUSE TECHNO/NEIIVS & VIEIIVS CLUB REVIEIIVS IIVHERE TO GO To put pay to the rumours that have been going around, we have not gone bust, but have been enjoying our summer holiday. Over the last month we have sat back and taken in some of the better vibes on the scene, starting with World Dance at Lydd and ending with lnnersense's, first birthday, both of which you will read about later. We have also thought heavily about certain other 'publications' attitude towards the scene and each other. We would like to point out that as far as we are concerned the scene needs as much good publicity as possible and FOR ALLY.OUR LISTENING NEEDS the value space on each of these pages should be used wisely. Whe~~~r;r!;~~orT~~~:.~~t~lsh We now ..U Vlnyt Gotag~oUMt, Tronc:e & Tectvlo as wal oa Gro~g US. Belgian & Dutch Imports. Bitching isn't needed and isn't wanted! We shall Maulve Selection ol Hardcore, Jungle, 8reakbeat & Rave. say no more. Atmosphere Kru '93. Massive S.lectlon of Rave Events on Tope & Video PAGE 3 you might experience real problems - 'Everybody's talking goes as long as Istill enjoy tt I'll still be involved. etc. HAVE YOU EVER DONE ANY LIVE PAS, IF SO ANY SPARKING about me' ABROAD? THE SPLIFF Physically draw isn't addictive but psychologically (you I've done quite a few PAs including a small club tour of Yeah know, that grey stuff in your head) some people con miss it America wtth the rest of the crew. But really Idon1 get as much & ,NACKING when it's not around. The clearest physical harm is the time Iwould like because Ihave to run the label. as tobacco. OF THE SCENE OUT OF THE U.K.? THE ,NEED some as smoking WHAT 00 YOU THINK If you also drop acid be aware that people who do and WHEN DID YOU START MAKING TRAX? The scene abroad is really strong. Like in America they know so continue to use the weed hove experienced confusion, lock The first tune Idid was at the beginning of 1990, tt was called much about the label and the U.K. scene ifs unbelievable, and of concentration, even some paranoia that con happen to 'Dance Tones' by 'Hypersonic' and tt got pretty big on the pirates. break beat is getting really strong in Europe too and a few of the some people even when they bin the acid. This might also It was co-written with Andre who went on to set up D-Zone on the label go out there for PAs, but like Isaid Idon1 get artists happen if you use speed, ecstocy or magic mushrooms. Records. the time. HOW MANY HAVE YOU PRESSED TO DATE? WHAT ARE YOUR PLANS FOR THE FUTURE? I your central nervous system. This is I've released 7 tracks of my own and done bits of production on I've got a track being promoted at the moment uncler the name Cannabis depr~i~_ you experience. Now, we others peoples stuff plus a few remixes. Of my own material I've 'Boogie Times Tribe' which is a collaboration myseij and D'Cruze. responsible fofJhifi~lcilied.Jeeling N~~~t fuel beer or wine and spirits probably sold about 40,000 across the titles as singles. There Also I recently co wrote a theme tune to a television series, I'd all know thotpf~fuWro maiiO:l~erence is you con get busted was a long gap between singles last year because I just didn1 like to do a Q-Bass mini LP soon as well. con also do tbis'/ihe fd cannabis. have time to record my own stuff. WHAT PRODUCERS DO YOU RATE? and get ac:r,mfuol.reco wfh WHAT GOTYOU INTO THE SCENE? OJ Hype is always original, Ilove the stuff OJ SS is doing. ~~ke leaving Well I've always been a record collector, then after James my engineer who has worked on all recent projects with ~:~;~¾1~~!I~:~~e~:i:k· i~t it'~;ntb~~e~I l~~;n~.me to school and working in a record store Idecided to open my own me. And my favourite track from earlier this year is 'D' Livin' - shop (Boogie Times in Romford) This was in '89 and there was of theirs. Why', but Idon1 think I've heard anything else blocks looking like brown slate, such a strong vibe in the area tt would have been difficult not to ANY SHOUTS? C~~~~~j~ Ig:~~: \n t AAquori~e \indf u9ber, or in gross form, looks like herbs or get involved, but tt was also about the time when break beats Moving Shadow Crew, Mike James, D'Cruze, Dominate, Hype, jcig~}iffl(~e~Wond stalks in it. Some gross is seriously were starting to get used, so as my first love is Hip Hop it made tt C, De Underground Crew, and all the artists and friends . Andy like lumps of gross stuck together.These ore more acceptable to me. that have helped make Suburban Base a reality. Mri>vifltW~~S HOW DO YOU GET INSPIRATION TO MAKE RECORDS? the MN@esfports the flower buds. Your inspiration comes from this going on around you. Like at the Soft, smokable, non-addictive and useful for chillin' o~~:::: \ •..-. •? ' off a smell moment there's loadsa things pissing me off so Ifind tt diffJCUlt These ore amongst the many claims mode in favour of the : Apart:f~9~ necking draw, some ways it gives .w.w- ··· is noticeable. Others might writing happy stuff, and when Imade 'Hardcore will Never Die' it wicked weed. # (joints, hot knives, eel.) which was like a reaction against the shitty music press at the time that TETRAHYDROCANNABINOLS (Where is thotb~~~J; { : :nofnotice what it is but they will notice. try to run the scene down. con stay in your HAVE YOU EVER EXPERIMENTED WITH ANY OTHER dictionary?) is the active chemical that gets stoned,-gives.
Load more

Recommended publications
  • 17 Cut and Run EP- by ECMO (Ozone Records)
    19 Nicolette “Ohsay,NaNa” 18 Depth Charge “Depth Charge vs Silver Fox” 17 Cut and Run EP- by ECMO (Ozone records) 16 Badman MDX “Come with me” 15 Orbital “Midnight or choice” 14 Rebel MC “Black meaning good” 13 Nightmares on Wax “A case of Funk” 11 Eon “Fear mind killer” 10 Blapps Posse “Don't hold back” 9 State of Mind “Is that it?” 7 Cookie Watkins “I'm attracted to you” 6 Oceanic “Insanity” 5 Outlander “Vamp” 4 Bugcann “Plastic Jam” 3 Utah Saints “What can you do?” 2 DSK “What would we do?” 1 Prodigy “Charlie says” THE HOUSE THAT JACK BUILT:-____________________________ -Witch Doctor “Sunday afternoon” (Remix) -DCBA “Acid bitch” (Colin Dale dtd 26.08) -Mellow House “The Flower” TONYMONSON;- THE “SWEET RHYTHYMS CHART”:-31.08.1991 25 Reach “Sooner or later” 23 Sable Jeffries “Open your heart” 21 Boyzn'Hood (Force one network) “Spirit” 20 (CD) Le Genre 19 Cheryl Pepsi Riley “Ain't no way” 12 Pride and Politic “Hold on” 11 Phyllis Hyman “Prime of my life” 10 De Bora “Dream about you” 9 Frankie Knuckles “Rain falls” 8 Your's Truly “Come and get it” 7 Mica Parris “Young Soul Rebels” 6 Jean Rice Your'e a victim” (remix) 5 Pinkie “Looking for love” 4 Young Disciples “Talking what I feel” COLIN DALE;- THE “ABSTRACT DANCE SHOW”:-02.09.1991 1 Bizarre,Inc (Brand new) “Raise me” 2 12” on white label from deejay Trance “Let there be house” 3 IE Records - Reel-to-Real “We are EE” 4 Underground Music movement “ Voice of the rave” (from Italy) Electronic- from PTL 5 Exclusive on Acetate 12” from Virtual Reality “Here” 6 12” called Aah - Really hardcore
    [Show full text]
  • Repeat-The-Beat: Industries, Genres and Citizenships in Dance Music Magazines Repeat-The-Beat: Iii
    Repeat-The-Beat: Industries, Genres and Citizenships in Dance Music Magazines Christy Elizabeth Newman This dissertation is submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) in Communication Studies at Murdoch University 1997 Repeat-The-Beat: i Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. ____________________ Christy Elizabeth Newman Repeat-The-Beat: ii Copyright License Permission to copy all or part of this thesis for study and research purposes is hereby granted. 1. Signed Christy Elizabeth Newman Date: November 3, 1997 2. Title of Thesis:Repeat-the-Beat: Industries, Genres and Citizenships in Dance Music Magazines Repeat-The-Beat: iii Abstract This thesis examines a particular cultural object: dance music magazines. It explores the co-imbrication of the magazines with dance music and considers how a reconfiguration of the field of genre theory can help to dismantle the generic separations of ‘textual’ and ‘industrial’ approaches to cultural objects. The main argument of the thesis is as follows. The magazine industries produce an object of cultural exchange which is made commercially viable through a narrowing of its target audiences. These audiences arise in the space created by the dance music industries’ negotiation of an imagined contest between 'underground' authenticity and 'mainstream' productivity. In turn, dance music magazines produce a powerfully exclusive space for the communication networks of the dance music genre by capitalising on the desire to stabilise genre and therefore taking up generic instability as a positive youth marketing strategy.
    [Show full text]
  • Drum and Bass
    HOW TO MAKE DRUM AND BASS __Dozent Johann Köhnen Darkstep Jump Up Dozent Johann Köhnen Dozent __ DIE ENTWICKLUNG Techstep Drumstep Drum & Bass Jungle Hardstep Ragga DnB Breakbeat Hardcore Atmospheric DnB Halftime Neurofunk Liquid Funk Happy How to make Drumand Bass to make How Hardcore __ Jazzstep Sambass DER REESE/REECE BASS Dozent Johann Köhnen Dozent __ __Verstimmter Casio CZ __Phase Distortion (einfache Konkurrenz zu FM) How to make Drumand Bass to make How __ CASIO CZ Dozent Johann Köhnen Dozent __ How to make Drumand Bass to make How __ ERSTE MAL GESAMPLET Dozent Johann Köhnen Dozent __ __Ray Keith OG Junglist __Breaks von alten Hip Hop Records How to make Drumand Bass to make How __ LTJ BUKEM UND DIE GEBURT VON „LIQUID“ Dozent Johann Köhnen Dozent __ __Jazz/Klassik Piano Training __Einflüsse aus diesen Genres __DnB DJ im „Speed“ - Rave Club in London (zs. mit DJ Fabio) How to make Drumand Bass to make How __ __Gegenbewegung von Jungle DAS SCHWEBEN Dozent Johann Köhnen Dozent __ __Triolen oder ungerade Notenanzahl bringt den „Flow“ 3 gegen 4 How to make Drumand Bass to make How __ 5 gegen 4 HEUTIGER SOUND Dozent Johann Köhnen Dozent __ __Grundrhythmus minimalisiert __Halftime immer beliebter How to make Drumand Bass to make How __ HEUTIGER SOUND Dozent Johann Köhnen Dozent __ __Drums allgemein sehr kurz (Transient + Pitch Env) __Phasen Versatz: Extra Transient !! (Nik Noisia / Feed Me) __ How to make Drumand Bass to make How __ Quelle: ARTFX Facebook WORKFLOW IN DRUM AND BASS Dozent Johann Köhnen Dozent __ How to make Drumand Bass
    [Show full text]
  • Mike Chav Drum Library Download
    Mike chav drum library download The Drum Arsenal is a bundle of 5 kits, all created by Mike Chav, What is the value of a professional engineer's personally hand crafted drum library? . Your copy of Drum Arsenal will be sent to your email for instant download so you can. Download free Mike Chav Drum Arsenal Vol WAV. Audio Samples, Libraries. Visit us and download Mike Chav Drum Arsenal absolutely for free. The Drum Broker - Mike Chav Drum Arsenal · Sample Libraries, MB, Download Free eBook:Mike Chav Drum Arsenal Vol WAV - Free epub, Bangin Drum Samples from Mike Chav's Arsenal + Ultimate. Dark Rollers sample pack by Ray Keith offers three full length Drum & Bass classics The Drum Sample Broker intros Mike Chav Drum Library—5 Drum Kits. Mike Chav's Drum Arsenal can be purchased for $50 via Producers Choice. Booms collection, which is included in the Drum Arsenal pack. MIKE CHAV DRUMS I HATE it when sites present drums like they are I mean its Mike Chavez Drums what if this is the pack to son them all?Freshest drum kit packages??? - Page 7. Mike Chav Drum Arsenal Vol 1 8 Wav rapidshare megaupload hotfile, Mike Chav Drum Arsenal Vol 1 8 Wav via torrent download, Mike Chav Drum Arsenal Vol. Bangin Drum Samples from Mike Chavs Arsenal + Ultimate Kit Drum Broker Mike Chav Drum Arsenal WAV | MB Taught the art of Drum Bangin Drum Samples from Mike Chav's Arsenal + Ultimate Kit If you are still sleeping on the Mike Chav drum kits, here is a chance to preview Mike was taught how to sound design and create drums by the late J Dilla.
    [Show full text]
  • Darren Styles & Gammer
    FREE, PARDNER TheHARD DATA FALL 2015 A.D. ONCE UPON A TIME IN THE WEST •BASSCON AT NOCTURNAL WONDERLAND •DARREN STYLES & GAMMER INTERVIEW •HARDSTYLE ARENA ALTERN 8! DJ RON D CORE! TR-99’s TRAUMA & NORTHKORE REPORTS! http://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR & MORE! EDITORIAL Contents Recently, a big EDM festival was cancelled Northkore Report... page 3 that claimed to bring all the “tribes” together. Yet, Basscon @ Nocturnal Wonderland... page 4 the event’s line-up betrayed the fact that hardcore, Darren Styles & Gammer Interview... page 6 hardstyle, and even drum ‘n’ bass were woefully underrepresented, if at all. Th e disregard for Digitrack Reviews... page 7 several “tribes” that made the scene was likely TR-99’s Trauma Report... page 8 a factor resulting in woeful ticket sales for the Vinyl Views... page 11 festival. Hardstyle Arena TSC & Th is magazine admittedly concentrates on Hard Beyond Belief... page 12 the harder side of rave/EDM. We aren’t all things Event Calendar... page 15 to everyone; we can’t be. We certainly appreci- ate our place in the wider kaleidoscope of rave culture, though. As Darren Styles and Gammer Th e Hard Data Volume 1, issue 3 mention in their interview this issue, oft entimes Publisher, Editor, Layout: Joel Bevacqua we are directly infl uenced by other styles. Th ey Writers: Deadly Buda, Daybreaker, Mindcontroller, frequently fuel our fi re! Steve Fresh, Seppuku, Counter-Terrorist Th e rave scene is a culture of our own mak- Event Calendar: Arcid ing. Many of us, separated from our families’ past or cultural traditions have (either consciously or unconsciously) came together and created our PHOTO CREDITS own.
    [Show full text]
  • Matthew Collin Is a Former Editor of the Big Issue, I-D Magazine and the Time out Website. He Has Worked As a Foreign Correspond
    Matthew Collin is a former editor of The Big Issue, i-D magazine and the Time Out website. He has worked as a foreign correspondent for the BBC and now reports for Al Jazeera from Tbilisi, Georgia. He has also written for many newspapers and magazines, including the Guardian, Observer, Independent, Daily Telegraph and Mojo. His other books, This is Serbia Calling and The Time of the Rebels, were also published by Serpent’s Tail. John Godfrey, who worked on the original research and interviews for this book, is a former editor of i-D, deputy editor of The Face and executive producer at Rapido TV. He now lives in Sydney, Australia, where he is the executive producer of factual and documentary programmes at SBS. Praise for Altered State ‘At last somebody has written the real history of the last ten years, and written it with such wit, verve, empathy and profound intelligence. If you’ve been part of the scene in any way, this brilliant book will serve as positive affirmation. If you haven’t, yet still feel moved to pontificate about it, you will no longer have the excuse of doing so from a position of ignorance. I can’t recommend this marvellous piece of work enough and in a sane world it would sell more copies than any other book written over the last decade’ Irvine Welsh ‘The first full history of the dance boom which, fuelled by Ecstasy, has transformed British culture over the past decade: here you will also find the drive to transcendence, or oblivion, that is at the heart of British pop’ Jon Savage ‘Altered State is not just timely; it was crying out to be written’ Independent altered state the story of ecstasy culture and acid house matthew collin with contributions by john godfrey A complete catalogue record for this book can be obtained from the British Library on request The right of Matthew Collin to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 Copyright © 2009 Matthew Collin All rights reserved.
    [Show full text]
  • A Midsummer Night's Mash-Up
    A Midsummer Night's Mash-up Adapting Shakespeare as a Canada Day Dance Party by MARK MCCUTCHEON n 1 July 2000, Toronto's Opera House became the unlikely set for a passing strange adapta- "participatory theatre" (8) wherein the dance floor "serves tion of Shakespeare's A Midsummer Night's as the stage for ... transformative experiences" (9) . By Dream. Serenity Industries, a Toronto dance transformative experiences, May means a process where- party promotion company, hired the Queen by successful dance parties join the individual dancers OStreet East Theatre turned concert hall to host A and DJs in a collectivity whose transcendent vibe can be Midsummer Night's Dream - a Canada Day rave . palpable, despite - or even because of - the event's ephemeral transience : "The evening's direction remains Theorizing the Theatricality of the Dance Party unknown until the participants engage with it" (10). Clearly, some preliminary explanations are required to However, "transforming" is also a specific DJ technique discuss a rave as a theatrical adaptation of Shakespeare . It for mixing the beats of two records . The resulting double is worth noting at the outset that this party belongs to an entendre suggests the myriad ways in which performance identifiable genre of rave adaptations of Shakespeare . On is at the heart of the rave experience: a cultural continuum 24 June 1989, the seminal London acid house party com- (a discontinuum, if you will) collaboratively produced by pany Sunrise hosted A Midsummer Night's Dream (see Fig . the explicitly theatrical performances of the DJs and MCs, 1). More recently, film has become a genre in which rave as well as the carnival of performances taking place aesthetics join Shakespearean scripts : Baz Luhrmanri s among party goers, promoters and everyone else in atten- William Shakespeare's Romeo + Juliet suggested that dance.
    [Show full text]
  • Generator Magazine, 4-8 One) to : Sven Vath Competition, Generator, Project for R&S, Due for Release in the Early Peartree Street, London, Ecl V 3SB
    and culture of Plus Going Global - British Dance Labels Take On The World! ISSN 0969-5206 11 111 " 9 770969 ,,,o,, I! I OW HMV • KNOW Contents April 1995 Vol 2 Issue 3 Features 10 Moby 14 Move D 19 Riccardo Rocchi 20 Danny Tenaglia 24 Crew 2000 2 6 Carl Craig 32 DJ Pierre 37 Dimitri 38 A Bad Night Out? 40 Havana 44 On-U-Sound 52 Caroline Lavelle 54 Going Global! 70 DJ Rap 81 Millennium Records Live 65 Secret Knowledge 68 A Positive Life Regulars 5 Letters 8 From The Floor 50 Fashion 57 Album Reviews 61 Single Reviews 71 Listings 82 The World According To ... Generator 3 YOU IOlC good music, ri&11t? Sl\\\.tle, 12 KILLER MASTERCUTS FLOOR-FILLERS ~JIIA1fJ}J11JWJ}{@]1J11~&tjjiiliJ&kiMJj P u6-:M44kiL~ffi:t.t&8/W ~-i~11J#JaJJA/JliliID1il1- ~~11JID11ELJ.JfiZW-J!U11-»R dftlhiMillb~JfJJlkmt@U¾l E-.fiW!JJlJMiijifJ~)JJt).ilw,i1!J!in 11Y$#~1kl!I . ' . rJOJ,t'tJi;M)J4&,j~ letters.·• • Editor Dear Generator, Dear Generator, and wasting hours-worth of Tim Barr Que Pasa? Something seems to My friends and I are wondering conversationa l aimlessness in Assistant Editor (Advertising) have happened at Generator about a frequent visitor to your an attempt to discover exactly Barney York HQ. One minute, there I was letters page. It seems that the where it was you left those last thinking your magazine was military have moved up north three papers, or, indeed, your Art Direction & Design Paul Haggis & Derek Neeps well and t ruly firmed up with and installed someone with head.
    [Show full text]
  • Ambient Music the Complete Guide
    Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality.
    [Show full text]
  • Composition Portfolio
    Suade Bergemann Composition Portfolio Producing Techno Grooves Commentary Submitted for the degree of Doctor of Philosophy International Centre for Music Studies University of Newcastle upon Tyne March 2011 Abstract PhD submission consisting of a portfolio of recordings presented both in their published form on five twelve-inch vinyl records and on two compact discs. The portfolio is accompanied by a commentary intended to facilitate access to the aesthetic statement presented in the portfolio Following Charles Keil’s distinction between ‘embodied meaning’ and ‘engendered feeling’ this project investigates approaches to the creation of Techno music in terms of the significance of specific sounds, techniques and technologies in generating subsyntactic value. The concept of the groove and the importance of microtiming as they operate in my practice are discussed in the commentary and demonstrated through the production of a series of Techno records including both original compositions and remixes. Contents List of Plates List of Figures List of Examples List of Audio Recordings Acknowledgments Declaration Page No. Chapter 1 Introduction 5 Chapter One - Theory gives an account of Charles Keil’s distinction between ‘embodied meaning’ and ‘engendered feeling’, discusses the concept of groove in relation to my practice and critiques Sarah Thornton’s dismissal of aesthetic value in Club Cultures and Mark Butler’s dismissal of rhythmic distinctions in Unlocking the Groove. 18 Chapter Two – Portfolio Overview gives an overall perspective on the development of the portfolio and covers details of the use and provenance of each individual track. 33 Chapter Three – Sound, Technique and Technology – Connecting with the Social gives an account of my compositional practice in terms of the significance of specific sounds and technologies as illustrated using examples from the portfolio.
    [Show full text]
  • Chapter 11: a Radical City Dnb, Bass & Jungle New Home at Boomtown
    Chapter 11: A Radical City MATTERLEY ESTATE – WINCHESTER 7TH – 11TH AUGUST 2019 TICKETS ON SALE NOW Boomtownfair.co.uk DnB, Bass & Jungle new home at Boomtown introducing... Relic ​ Boomtown, the Hampshire based festival known for delivering exceptional and diverse lineups, is coming towards the end of the 12 unique district announcements, with three more to go it has now unleashed a fresh new look to their 20,000 capacity drum and bass arena with the launch of the brand new ‘Relic’ stage. ​ ​ Relic has risen from the ashes of the former headquarters of Boomtown’s fictional Bang Hai ​ ​ Corporation; where technology and nature intertwine to breath a whole new lease of life into ​ an iconic stage. Electrical bolts and free flowing data fuse to feed the giant flora to the backdrop ​ of thunderous beats of a heavyweight line-up spanning decades and subgenres of drum & bass ​ and bass across three days. Ragga-jungle legend Shy FX returns to the festival headlining Relic on the Friday night. He is ​ ​ ​ ​ joined by drum and bass supergroup, Bad Company UK, who are making their Boomtown ​ ​ debut They follow another debut from liquid legend High Contrast, Austrian visionary Mefjus ​ ​ ​ ​ ​ with Maksim MC, prolific producer Break with MC GQ, the interesting pairing of Lenzman b2b ​ ​ ​ ​ ​ ​ ​ LSB featuring DRS on the mic, Need For Mirrors and dark and gritty sounds from Bristol ​ ​ ​ ​ ​ producer Kyrist. ​ Headliners Chase and Status take over Saturday with RTRN II JUNGLE, a history lesson in ​ ​ ​ ​ jungle music with a DJ set from themselves as well as appearances from Brockie & Det, Clipz ​ and DJ Rap and exclusive back to backs including Benny L b2b Shimon b2b T>.
    [Show full text]
  • Obituary Database for 1985 to 2005 Complied at the Lebanon Library by the Staff and Volunteers in the Heritage Room
    Obituary Database for 1985 to 2005 complied at the Lebanon Library by the staff and volunteers in the Heritage Room. Databases merged by staff at Thorntown Public Library’s Guinn Local History/Genealogy Room Thank You for your work on genealogy projects. LAST NAME FIRST NAME DATE OF PAPER DATE OF DEATH A white woman 4 May 1992 dead 2 to 4 d Aaron Joann Cozzy 26 MAR 1991 Abbit Charles Edgar Apr 18 2003 Abbit Betty R. Moon 02 JAN 2000 Abbitt Chester Marion 29 JUL 1989 Abbitt Conrad D. 26 NOV 1985 Abbitt Edith O. 23 AUG 1992 Abbitt Helen Louise 05 SEP 1994 Abbitt Mary A. 18 MAY 1991 Abbott Angelia L. "Ann" (Avery) Feb 16 2004 Abbott Clayton Allison Jun 25 2004 Abbott Clayton Allison Jun 26 2004 ABBOTT HAROLD K. NOV 15 2002 Abbott Jessie G. 02 OCT 1993 Abbott Marijane 08 JUN 1993 Abbott Ruby M. 11 JAN 1986 Abernathy Stephen Scott Sep 28 2004 Abner Charles Alan 15 JUN 2000 Abner Loretta May 26 APR 1994 Abston Chester O. "Jack" Jun 12 2004 Abston Lorrene 12 DEC 1990 Abston Marvin W. Apr 04 2005 Abston Sally Jane Roe 19 APR 1989 Achenbach Anna 18 NOV 1998 Ackerson Mariel M. 11 FEB 1998 Acton Clayton 20 APR 1992 Acton Delbert B. 01 MAY 2000 Acton Dick FEB 7 2003 Acton Emma A. 14 DEC 1992 Acton Gloria Hall 23 Apr 2001 Acton James Richard FEB 8 2003 Acton Loretta Lee 22 NOV 2000 Acton Mae 23 MAY 1997 Acton Molly D 28 SEP 1995 ACTON PHYLLIS A.
    [Show full text]