ATOMIC GHOST POETS RESPOND to the NUCLEAR AGE EDITED by JOHN BRADLEY Introduction by Terry Tempest Williams
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Carolyn G. Heilbrun I Beautiful Shadow: a Life of Patricia Highsmith by Andrew Wilson PRODUCTION EDITOR: Amanda Nash [email protected] 7 Marie J
The Women’s Review of Books Vol. XXI, No. 3 December 2003 74035 $4.00 I In This Issue I Political organizers are serious, while the patrons of drag bars and cabarets just wanna have fun, right? Julie Abraham challenges the cate- gories in her review of Wide Open Town: A History of Queer San Francisco. Cover story D I Before she died, Carolyn Heilbrun contributed a final essay to the Women’s Review—a discussion of Beautiful Shadow: A Biography of Patricia Highsmith. The piece expresses Heilbrun’s lifelong inter- est in writing women’s lives, and we publish it with pride and sadness, along with a tribute to the late scholar and mystery novelist. p. 4 Kay Scott (right) and tourists at Mona's 440, a drag bar, c. 1945. From Wide Open Town. I When characters have names like Heed the Night, L, and Celestial, we could be nowhere but in a Toni Morrison novel. Despite Tales of the city its title, Love, her latest, is more by Julie Abraham philosophical exploration than pas- Wide Open Town: A History of Queer San Francisco to 1965 by Nan Alamilla Boyd. sionate romance, says reviewer Deborah E. McDowell. p. 8 Berkeley, CA: University of California Press, 2003, 319 pp., $27.50 hardcover. I I The important but little-known n Wide Open Town, Nan Alamilla Boyd so much lesbian/gay/bisexual/transgender feminist Lucy Stone, who stumped presents queer San Francisco as the scholarship, have served as key points of the country for women’s suffrage, Iproduct of a town “wide open” to all reference in US queer studies over the past forms of pleasure, all forms of money-mak- two decades. -
JOHN GIORNO, Dial a Poem Selection of Poems
JOHN GIORNO, dial a poem Selection of poems Vito Acconci 1. Hello, 2:05 2. There, Then, 1:52 3. Pronouncing, 1:25 4. Hair, Forehead, 2:06 5. Small, 2:00 Kathy Acker 1. I Was Walking Down The Street, 2:30 Helen Adam 1. Cheerless Junkie Song, 2:45 Miguel Algarin 1. Setanta Y Cinco Abriles, 1:43 Amiri Baraka 1. Our Nation Is Ourselves, 4:42 2. Wailers, 4:45 Laurie Anderson 1. Born Never Asked, 4:30 2. Closed Circuits, 7:26 3. Dr. Miller, 4:22 4. It was Up In The Mountains, 2:11 5. For Electronic Dogs, 3:10 6. Structuralist Filmmaker, 1:12 Drums, :30 John Ashbery 1. Definitions Of Blue 1:48 2. Civilizations and Its Discontent, 1:56 3. The Tennis Courty Oath, 1:58 4. Our Youth, 1:49 Bill Berkson 1. Stanky, 1:36 2. Leave Cancelled, 1:30 3. Sheerstrips, 1:40 Charles Bernstein 1. Wall As, 2:48 Ted Berrigan 1. Flying from London to New York, 1:48 2. And this last poem is called Report It’s called things to do in New York City, 1:58 3. Excerpt Memorial Day, 3:53 4. To Jack Keroac, .55 Joe Brainard 1 I Remember The Day when Joe Kennedy Was Shot, 1:46 2. I Remember Sack Dresses, 1:45 3. I Remember Liberace, 1:49 4. I Remember What I thought If You Do Anything Bad, 1:49 5. I Remember When Fiber Glass 6. I Remember Organ Music, 1:47 7. I Remember My First Attempt At A Three-some, 1:55 8. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Interconnections and Tensions Between Postcolonialism and Feminism in South Asian Women Poets: the Case of Meena Alexander, Suniti Namjoshi and Imtiaz Dharker
Scuola Dottorale di Ateneo Graduate School Dottorato di ricerca in Lingue, Culture e Società Ciclo XXVI° Anno di discussione 2014 Interconnections and Tensions Between Postcolonialism and Feminism in South Asian Women Poets: the case of Meena Alexander, Suniti Namjoshi and Imtiaz Dharker SETTORE SCIENTIFICO DISCIPLINARE DI AFFERENZA: LIN/10 Tesi di Dottorato di Stefania Basset, matricola 955804 Coordinatore del Dottorato Tutore del Dottorando Prof.ssa Enrica Villari Prof. Shaul Bassi ACKNOWLEDGEMENTS Foremost, I would like to express my sincere gratitude to my supervisor, prof. Shaul Bassi, for the support, advice and encouragement during these three years. He has been an inspiration to give the best that I could. I also wish to thank him for the opportunity to meet Meena Alexander and to attend some of her seminars and lectures. I would also like to thank all the members of the Collegio Docenti del Dottorato, and in particular prof.ssa Enrica Villari, for her zeal in caring for us and for the inspiring passion for literature she passed on to us. Of course this work could have never been done without the help of The British Library and its helpful librarians. During my stay in London, I found in the British Library a peaceful and inspiring place to study. I all wish to thank all the members of AISCLI (Associazione Italiana di Studi sulle Culture e Letterature di Lingua Inglese), who have organized AISCLI Summer School in World Cultures and Literatures, and in particular prof.ssa Carmen Concilio for the organization of the event. I am also grateful to them for the opportunity to participate in the ASICLI conference “Cultures and Imperialisms”, which has been an incredibly enriching experience. -
2011 Showcase Is on Display in Kray Hall from June 28 to July 30
The Poets House Showcase is made possible through the generosity of hundreds of publishers and authors who have graciously contributed their books. We are also deeply grateful to Deborah Saltonstall Pease for her ongoing support. Thanks to the National Endowment for the Arts, the New York State Council on the Arts, the NYC Department of Cultural Aairs, The Rockefeller Brothers Fund, The JM Kaplan Fund, Bloomberg Philanthropies, The Concordia Foundation, the Leon Levy Foundation, The Lila Acheson Wallace Theatre Fund of the New York Community Trust, and our many Poets House Members for their support of this project. | Poets House | 10 River Terrace | New York NY 10282 | poetshouse.org | Celebrating the 19th annual Poets House Showcase, with 2,459 poetry titles on display. Welcome to the Showcase, Poets House’s annual, all-inclusive exhibition of more than 2,000 poetry books, chapbooks, broadsides, and multimedia works published in the United States. We welcome you to this comprehensive celebration of U.S. poetry and poetry publishing. Collection Development Approach Poets House invite publishers to participate in the annual Showcase by donating copies of their new poetry titles, which are displayed for a monthlong exhibition. The books are then integrated into our 50,000-volume poetry library, one of the largest collections of poetry open to the public. The Poets House mission has always been to be all-inclusive, to offer a democratic home for the range of poetry books published nationally. Our Showcase reflects this inclusivity. We search for it all: big presses, micropublishers, and artists’ collectives participate annually. Our research is informed by the entire poetry community, by poets and publishers, who continually send us their newest titles; and library visitors looking for a recent poet or publication. -
Edited by Ishmaei Reed
Edited by Ishmaei Reed THUNDER'S MOUTH PRESS NEW YORK CONTENTS Ishmael Reed Introduction xv NATURE & PLACE Agha Shahid Ali A Lost Memory of Delhi 5 Evan Braunstein Newark 7 David Colosi Sun with Issues 8 William Cook Endangered Species 11 Alicia Gaspar de Alba from Elemental Journey: Anniversary Gift, #4 and #5 16 Diane Glancy Hides 20 Cynthia Gomez San Jose: a poem 22 Ray Gonzalez Three Snakes, Strawberry Canyon, Berkeley 24 Linda M. Rodriguez Guglielmoni Hurakdn: A Two Way Poem 26 Jim Gustafson The Idea of Detroit 28 Juan Felipe Herrera Earth Chorus 30 Andrew Hope III Shagoon 1-4 32 Genny Lim Animal Liberation 34 Reginald Lockett Oaktown CA 37 Susan Marshall Chicago 39 Claude McKay Africa 40 Marianne Moore The Steeple-Jack 41 William Oandasan #8 from The. Past 43 Charles Olson At Yorktown 43 J. Cody Peterson Lajolla. In 3 Acts 45 Ishmael Reed Earthquake Blues 47 Carl Sandburg Chicago 49 Delmore Schwartz The Heavy Bear Who Goes with Me 51 May Swenson Weather 52 Arthur Sze Every Where and Every When 54 Kathryn Takara Cows and Alabama Folklore 57 Lorenzo Thomas Hurricane Doris 59 Yumi Thomas Love Poem to an Avocado from a Tomato 63 Nick Van Brunt Los Angeles 64 Whitney Ward Montana's Biggest Weekend 65 Greg Youmans Pear's Complaint 67 Al Young Seeing Red 69 Bessie Smith Black Mountain Blues 70 MEN & WOMEN Gwendolyn Brooks The Battle 75 Ina Coolbrith Woman 76 Chitra Banerjee Divakaruni The Brides Come to Yuba City 78 Jack Forbes Something Nice 81 Mandy Kahn Untitled 82 Alex Kuo from Lives in Dreadful Wanting 83 Eugene B. -
Literature, R a C E , Ethnicity
LITERATURE, RACE, AND ETHNICITY CONTESTING AMERICAN IDENTITIES SUB G6ttingen 7 IWlllllllIIillH217 188 818 l > 91 2004 A 1748 \j Joseph T. Skerrett, Jr. University of Massachusetts at Amherst THE LONGMAN LITERATURE AND CULTURE SERIES General Editor: Charles I. Schuster, University of Wisconsin at Milwaukee New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal CONTENTS Foreword ix Acknowledgments XII Introduction 1 The Concept of This Book 9 PART I. FRAMING THE PEOPLE: DEFINITIONS AND CONTESTATIONS 11 Introduction to Part I 11 l. VALUES: INVITATIONS AND EXCLUSIONS 13 Thomas Jefferson et al. THE DECLARATION OF INDEPENDENCE 15 Thomas Jefferson from NOTES ON THE STATE OF VIRGINIA 19 Hector St. John de Crevecoeur LETTER III from LETTERS FROM AN AMERICAN FARMER 2 4 from THE IMMIGRATION ACT OF 1790 36 Benjamin Franklin "ADVICE TO SUCH AS WOULD REMOVE TO AMERICA" 3 7 SLAVE AUCTION NOTICE 43 Frances E. W. Harper "THE SLAVE AUCTION" 44 Frederick Douglass INDEPENDENCE DAY SPEECH 45 Abraham Lincoln THE EMANCIPATION PROCLAMATION 49 from INDIAN REMOVAL ACT OF 1837 50 Red Jacket 1805 ORATION OF RED JACKET 52 Gertrude Bonnin/Zitkala-Sa from "THE SCHOOL DAYS OF AN INDIAN GIRL" 5 5 iv I CONTENTS 2. IMMIGRANTS AND ATTITUDES 65 James M. McPherson "ANTI-NEGRO MOB VIOLENCE IN THE NORTH, 1862-63" 67 G. F. Streckfuss from DER AUSWANDERER NACH AMERICA 72 "No IRISH NEED APPLY" SIGN AND SONG 73 SONGS FROM GOLD MOUNTAIN 74 Maxine Hong Kingston from CHINA MEN 75 Edith Maude Eaton (Sui Sin Far) "IN THE LAND OF THE FREE" 80 Jacob Riis from How THE OTHER HALF LIVES 86 Abraham Cahan "A GHETTO WEDDING" 90 Henry James from THE AMERICAN SCENE 100 Constantine M. -
American Book Awards 2005
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2005 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Poetry Reading Flyers of the Mimeograph Revolution
Poetry Reading Flyers of the Mimeograph Revolution Poetry reading flyers are transitory by nature — quickly printed, locally distributed, easily discarded and thus frequently overlooked by scholars and curators when researching and documenting literary activities. They appear from time to time as fleeting one-offs in archives and collections, yet when viewed in the context of a large group these seemingly ephemeral objects take on significance as primary documents. Through close observation of this collection of poetry reading flyers, one gains insight into considerations of the development and representation of literary communities and affiliations of poets, the interplay of visual image, text and design, and the evolution of printing technology. A great many of the flyers appeared during the flowering of the mimeo revolution, an extraordinarily rich period of literary activity which was in part characterized by a profusion of poetry readings, performances, and publications documented by the flyers. This collection includes flyers from the mid-sixties to the present with a focus on the seventies, and embraces a range of poets and national venues with particular attention to activity in New York City and the San Francisco Bay Area. For a reading by Lewis Warsh and Harris Schiff, Ear Inn, New York City, December 6, n.d. Flyer. 11 x 8-1/2 inches. There are approximately 400 flyers (including a smattering of posters and cards), which are often 8 ½ x 11 – 8 ½ x 17 inches and printed as cheaply as possible, frequently via mimeograph, and often intended to be mailed. More than 250 writers and artists and nearly 100 venues are represented with a strong concentration on the Poetry Project at St. -
2010 18 Annual Poets House Showcase Exhibit Catalog
2010 18th Annual Poets House Showcase Exhibit Catalog The Poets House Showcase is made possible through the generosity of hundreds of publishers and authors who have graciously contributed their books. We are also deeply grateful to Deborah Pease for her ongoing support. Thanks to the National Endowment for the Arts, the New York State Council on the Arts, the NYC Department of Cultural Affairs, The Concordia Foundation, the Leon Levy Foundation, The Lila Acheson Wallace Theatre Fund of the New York Community Trust, and our many Poets House Members for their support of this project. Poets House 10 River Terrace New York NY 10282 poetshouse.org Celebrating the 18th annual Poets House Showcase, we welcome you to our new home beside the Hudson! The Showcase is Poets House’s annual, all-inclusive exhibition of more than 2,000 poetry books, chapbooks, broadsides, and multimedia works published in the United States. We began the Showcase as a combination collection-development approach to building our library and a celebration of poetry publishing. We invited publishers to participate by donating copies of their new poetry titles, and in this way we continually add to our library all of the latest books, building one of the most comprehensive collections of poetry available to the public. Our mission has always been to be all-inclusive, to offer a democratic home for the range of poetry books published nationally. And we searched for it all: big presses, micropublishers, and artists’ collectives participate annually. To ensure that we reach as many presses as possible, our collection-development approach includes contacting publishers but also searching for artists’ books by micropublishers and artists’ collectives on such sites as Etsy (a place to buy and sell handmade objects). -
Gently Read Literature
1 | P a g e Contents 4—Colleen Abel on Caryl Pagel’s 61—An Insurgency of Language: Stacia M. Experiments I Should Like Tried At My Own Fleegal’s review of Mary Biddinger’s poetry Death collection O Holy Insurgency 6—Christina M. Rau on Emma Bolden’s 63—Suzanne Hard on Luanne Rice’s novel poetry collection Maleficae The Lemon Orchard 10—Amy Pence on reading On Ghosts by 65—Margaret Rozga reviews Terry Elizabeth Robinson Blackhawk’s poetry collection The Light 12—Michael Kasper reviews the novel Lift Between Your Right Arm by Peter Cherches 68—Jonterri Gadson reviews allegiance by 15—Making Music from the Badlands of Francine j. harris Horror Vacui: Virginia Konchan reviews 71—Emilie Esther‐Ann Schnabel reviews Joshua Marie Wilkinson’s Swamp Isthmus Animal Husbandry Today by Jamie Sharpe 18—Parth Vasa reviews Kirby Gann’s novel 73—Samantha Duncan reviews Alex Ghosting Dimitrov’s poetry collection Begging for It 21—David Appelbaum on Bill Yarrow’s 75—Sing a Song of Darkness: Katherine Yets Pointed Sentences on Hymn for the Black Terrific by Kiki 24—Ed Davis reviews the novel The Virgins Petrosino by Pamela Erens 78—Help Me Solve a Mystery, Who is Who 27—Robin Martin reviews Bonnie ZoBell’s and Where are We?: Katherine Yets on Carrie short stories in The Whack Job Girls Olivia Adams’ Forty‐One Jane Doe’s 30—Fred Misurella reviews George Guida’s 82—The Poem is a Ritual that Conceals: C. short fictions in The Pope Stories Kubasta reviews Jeffrey Pethybridge’s Striven, 32—Bonnie ZoBell reviews Valerie the Bright Treatise Fioravanti’s short story collection Garbage 85—Acceptance Inside an Envelope: Night at the Opera Katherine Yets reviews of Julie Marie Wade’s 35—Grace Curtis reviews Frances Hatfield’s poetry collection Postage Due poetry collection Rudiments of Flight 88—Olivia Stiffler’s poetry collection 37—Robin Martin reviews Adam Berlin’s Otherwise, We Are Safe reviewed by novel The Number of Missing Margaret Rozga 40—Christina M. -
A Current Listing of Contents
WOMEN'S SlUDIES LIBRARIAN The University ofWisconsin System EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS VOLUME 10, NUMBER 4 WINTER 1991 PublishedbySusanSearing,Women'sStudies Librarian :: University of Wisconsin System 112A Memorial Library::: 728 State Street Madison, Wisconsin 53706 :: (608) 263-5754 A CURRENT LISTING OF CONTENTS Volume 10. Number 4 Wlnter 1991 Periodical literature is the cutting edge. of women's scholarship, feminist theory, and much of women's culture. A Current Ma. of ConterlfS is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis. with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Penom. will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographicinformation should a reader wish to subscribe to a joumal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of no&&,. preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of m.The annotated listing provides the following information on each journal: 1. Year of first publication. 2. Frequency of publication. 3. U.S. subscription price(s).