THE POETS Has Written Extensively on the Themes of American Sign Language Literary Theory and Poetry
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Media Advocacy. Fighting Defamation. Changing Hearts and Minds
GAY & LESBIAN AllIANCE AgAINST DEFAMATION PERFORMANCE REPORT 2007 Media Advocacy. Fighting Defamation. Changing Hearts and Minds. Personal Stories That Move Public Opinion 70280_GLAAD_r2.indd 1 6/26/08 1:04:19 PM GLAAD PERFORMANCE REPORT 2007 1 Letter from the President 1 Letter from the National Board Co-Chairs 2 Changing Hearts and Minds: Harnessing the Power of the Media to Move Public Opinion 8 Media Advocacy: Focused on Issues of Faith 14 Fighting Defamation: Holding Media Accountable 20 Timeline of Accomplishments 23 18th Annual GLAAD Media Awards 24 Support 30 Independent Auditors’ Report 31 Financial Statements 32 Board of Directors, Staff, Media Fellowships and Internships 70280_GLAAD_r2.indd 2 6/26/08 1:04:19 PM GLAAD PERFORMANCE REPORT 2007 1 Letter from the President Letter from the National Board Co-Chairs I often say that how our lives are portrayed in the media doesn’t On behalf of the GLAAD National Board of Directors and our make a bit of difference; it makes all the difference. Media advocacy, senior volunteers across the country, we are pleased and proud fighting defamation, and changing hearts and minds are at the to offer you this Performance Report for 2007. core of GLAAD ’s mission. Throughout 2007 and for over 22 years, GLAAD has met significant programmatic and operational our culture-changing work has helped empower Americans who milestones in 2007 that are critical to our continued success believe in fairness for all people. The visibility of the lesbian, gay, as the LGBT community’s national media advocacy and anti- bisexual and transgender (LGBT ) community, telling our individual defamation organization. -
Performance Poetry New Languages and New Literary Circuits?
Performance Poetry New Languages and New Literary Circuits? Cornelia Gräbner erformance poetry in the Western world festival hall. A poem will be performed differently is a complex field—a diverse art form that if, for example, the poet knows the audience or has developed out of many different tradi- is familiar with their context. Finally, the use of Ptions. Even the term performance poetry can easily public spaces for the poetry performance makes a become misleading and, to some extent, creates strong case for poetry being a public affair. confusion. Anther term that is often applied to A third characteristic is the use of vernacu- such poetic practices is spoken-word poetry. At lars, dialects, and accents. Usually speech that is times, they are included in categories that have marked by any of the three situates the poet within a much wider scope: oral poetry, for example, or, a particular community. Oftentimes, these are in the Spanish-speaking world, polipoesía. In the marginalized communities. By using the accent in following pages, I shall stick with the term perfor- the performance, the poet reaffirms and encour- mance poetry and briefly outline some of its major ages the use of this accent and therefore, of the characteristics. group that uses it. One of the most obvious features of perfor- Finally, performance poems use elements that mance poetry is the poet’s presence on the site of appeal to the oral and the aural, and not exclu- the performance. It is controversial because the sively to the visual. This includes music, rhythm, poet, by enunciating his poem before the very recordings or imitations of nonverbal sounds, eyes of his audience, claims authorship and takes smells, and other perceptions of the senses, often- responsibility for it. -
Alumni Revue! This Issue Was Created Since It Was Decided to Publish a New Edition Every Other Year Beginning with SP 2017
AAlluummnnii RReevvuuee Ph.D. Program in Theatre The Graduate Center City University of New York Volume XIII (Updated) SP 2016 Welcome to the updated version of the thirteenth edition of our Alumni Revue! This issue was created since it was decided to publish a new edition every other year beginning with SP 2017. It once again expands our numbers and updates existing entries. Thanks to all of you who returned the forms that provided us with this information; please continue to urge your fellow alums to do the same so that the following editions will be even larger and more complete. For copies of the form, Alumni Information Questionnaire, please contact the editor of this revue, Lynette Gibson, Assistant Program Officer/Academic Program Coordinator, Ph.D. Program in Theatre, The Graduate Center, City University of New York, 365 Fifth Avenue, New York, NY 10016-4309. You may also email her at [email protected]. Thank you again for staying in touch with us. We’re always delighted to hear from you! Jean Graham-Jones Executive Officer Hello Everyone: his is the updated version of the thirteenth edition of Alumni Revue. As always, I would like to thank our alumni for taking the time to send me T their updated information. I am, as always, very grateful to the Administrative Assistants, who are responsible for ensuring the entries are correctly edited. The Cover Page was done once again by James Armstrong, maybe he should be named honorary “cover-in-chief”. The photograph shows the exterior of Shakespeare’s Globe in London, England and was taken in August 2012. -
B E N N I N G T O N W R I T I N G S E M I N A
MFAW PUBLIC SCHEDULE June 15–24, 2017 NOTE: Schedule subject to change All faculty, guest, and graduate lectures and readings will be held in Tishman Lecture Hall, unless otherwise indicated. All evening Faculty and Guest Readings will be held in the Deane Carriage Barn. Thursday, June 15 7:00 Faculty & Guest Readings: Kaitlyn Greenidge and Amy Hempel Friday, June 16 Graduate Readings 4:00 Alexander Benaim 4:20 Andrea Caswell 4:40 Michael Connor 7:00 Faculty & Guest Readings: Benjamin Anastas and Mark Wunderlich 8:00 Historical Presentation: Lynne Sharon Schwartz: “Historic Recordings of Great 20th Century American Authors Reading their Work.” Deane Carriage Barn Saturday, June 17 Graduate Lectures 8:20 Ashley Olsen: “50 Shades of Consent: Sexual Desire and Sexual Violence in Contemporary Short Stories.” This lecture will examine tests from contemporary female authors including Mary Gaitskill, Margaret Atwood, and Roxane Gay. 9:00 Katie Pryor: “Persona & Violence in Ai’s Cruelty & Iliana Rocha’s Karankawa.” Both of these poets use persona poems to explore violence. What is powerful about this poetic device? How does the persona poem involve the reader and interrogate our notions of self? We’ll explore the connections and differences between these poets and their first books. 9:40 Karen Rile: “The Bad Writing Competition: Introducing Narrative Distance to Undergraduates.” A technique-centered workshop that offers coordinated readings and prompts can help beginning writers focus on discrete, achievable goals. But demonstrating smooth narrative distance shifts presents a practical challenge in an undergraduate workshop setting. The Bad Writing Competition, or mastery through parody, is a deft solution—with some unexpected ancillary benefits. -
B Barg Creative Resume
Barbara Barg Chicago,IL. [email protected] Writing Books The Origin of THE Species (Semiotext(e) ) Distributed by Massachusetts Institute of Technology (MIT) Press Back cover photograph by Robert Mapplethorpe Obeying the Chemicals (Hard Press); Photographs by Nan Goldin Anthologies American Poets Say Goodbye to the 20th Century (Four Walls Eight Windows) Edited by Andrei Cordrescu and Laura Rosenthal Poems for the Nation: A Collection of Contemporary Political Poems (Seven Stories Press) Edited by Allen Ginsberg with Andy Clausen and Eliot Katz AM LIT: Neue Literatur Aus Den USA (Edition Druckhaus / Germany) Edited by Gerard Falkner and Sylvere Lotringer Out of This World: The Poetry Project at St Mark's Church-in-the-Bowery; 1966-1991 (Crown Publisher, Inc) Edited by Anne Waldman, forward by Allen Ginsberg The L=A=N=G=U=A=G=E Book (Southern Illinois University Press) Edited by Charles Bernstein and Bruce Andrews Screenplays Nothing for You Spirit Photographer Self-Made Boy Gun Control Written with Andrea Kirsch for Jump Room Films, Independent Production Company in Paris Exhibition Catalog Essay for Barbara Ess’s photography exhibit I Am Not This Body The Curtis Marcus Gallery (New York City) Barbara Barg!Page 1 Teaching Pulse Poem Pulse (Chicago School of Poetics) Class focusing on rhythm, tone, voice, texture (ongoing) Writing/Oral History Oral history interviews/writing workshop for parents Chicago Arts Partnership In Education/Victor Herbert Elementary School Jesl Cruz, teacher/Arnie Aprill, Director of CAPE Chicago, IL Voluntary -
The Mayhem Poets Resource Guide
teacher resource guide schooltime performance series the mayhem poets about the who are in the performance the mayhem poets spotlight Poetry may seem like a rarefied art form to those who Scott Raven An Interview with Mayhem Poets How does your professional training and experience associate it with old books and long dead poets, but this is inform your performances? Raven is a poet, writer, performer, teacher and co-founder Tell us more about your company’s history. far from the truth. Today, there are many artists who are Experience has definitely been our most valuable training. of Mayhem Poets. He has a dual degree in acting and What prompted you to bring Mayhem Poets to the stage? creating poems that are propulsive, energetic, and reflective Having toured and performed as The Mayhem Poets since journalism from Rutgers University and is a member of the Mayhem Poets the touring group spun out of a poetry of current events and issues that are driving discourse. The Screen Actors Guild. He has acted in commercials, plays 2004, we’ve pretty much seen it all at this point. Just as with open mic at Rutgers University in the early-2000s called Mayhem Poets are injecting juice, vibe and jaw-dropping and films, and performed for Fiat, Purina, CNN and anything, with experience and success comes confidence, Verbal Mayhem, started by Scott Raven and Kyle Rapps. rhymes into poetry through their creatively staged The Today Show. He has been published in The New York and with confidence comes comfort and the ability to be They teamed up with two other Verbal Mayhem regulars performances. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
FIELD, Issue 93, Fall 2015
FIELD CONTEMPORARY POETRY AND POETICS NUMBER 93 FALL 2015 OBERLIN COLLEGE PRESS EDITORS David Young David Walker ASSOCIATE Pamela Alexander EDITORS Kazim Ali DeSales Harrison Shane McCrae EDITOR-AT- Martha Collins LARGE MANAGING Marco Wilkinson EDITOR EDITORIAL Paris Gravley ASSISTANT DESIGN Steve Farkas www.oberlin.edu/ocpress Published twice yearly by Oberlin College. Poems should be submitted through the online submissions manager on our website. Subscription orders should be sent to FIELD, Oberlin College Press, 50 N. Professor St., Oberlin, OH 44074. Checks payable to Oberlin College Press: $16.00 a year / $28.00 for two years / $40.00 for 3 years. Single issues $8.00 postpaid. Please add $4.00 per year for Canadian addresses and $9.00 for all other countries. Back issues $12.00 each. Contact us about availability. FIELD is also available for download from the Os&ls e-bookstore. See www.0s-ls.com/field. FIELD is indexed in Humanities International Complete. Copyright © 2015 by Oberlin College. ISSN: 0015-0657 CONTENTS 7 Russell Edson: A Symposium John Gallaher 11 So Are We to Laugh or What Dennis Schmitz 15 Edson's Animals Lee Upton 20 Counting Russell Edson Charles Simic 23 Easy as Pie B. K. Fischer 26 Some Strange Conjunction Jon Loomis 31 Consider the Ostrich * * Elizabeth Gold 35 A Child's Guide to the Icebergs 36 Dementia Cait Weiss 37 Calabasas 38 The Prophets Mark Irwin 39 Events miniaturized, but always present G. C. Waldrep 40 Lyme Vector (I) Cynthia Cruz 41 Guidebooks for the Dead (I) 42 Guidebooks for the Dead (II) Ales Steger 43 The Ancient Roman Walls translated by Brian Henry and Urska Charney Hailey Leithauser 44 Slow Danger 45 Midnight Catherine Bull 46 Muskoxen 47 Long Day Karl Krolow 48 A Sentence translated by Stuart Friebert 49 We're Living Faster Tam B lax ter 50 Stillness in the passenger seat after the impact 51 Having left by the back door 52 Back Mary Ann Samyn 53 Things Nozv Remind Us of Things Then 54 Understanding and Doing 55 Better Already (3) Beverley Bie Brahic 56 Black Box fames Hang 57 [First it didn't sound...] D. -
Raquel Z. Rivera Puerto Rican Artist & Scholar
Fall–Winter 2013 Volume 39: 3–4 The Journal of New York Folklore Raquel Z. Rivera Puerto Rican Artist & Scholar Remembering Pete Seeger Irish Lace in Western NY Fair Fotos A Portrait of Karyl Denison Eaglefeathers (1952–2012) From the Director From the Editor On September 17, Henry’s nomination was supported by several What a blow to hear of 2014, Henry Arquette folklorists and folklore organizations, and it Peter Seeger’s death on received the highest was promoted by members of his Mohawk January 27, 2014 at the award that this na- community, in recognition of his importance age of 94. tion offers to folk and not only as a traditional artist but also for his I thought the man traditional artists. A prominence in teaching others to carry on would live forever. maker of utilitarian the tradition. One can’t say with certainty What a champion of so baskets held in high what the effect of this award will have for the many causes over the regard by his Haude- future. The youngest members in attendance, decades of his life, and nosaunee Mohawk community, Henry Ar- great grandchildren of Henry Arquette, made a master of weaving music into this activism. quette was one of nine award honorees for the nine-hour journey from Akwesasne to I’m so glad to have joined recent 2014, and the only artist from New York State Washington, DC, to witness the ceremony. celebrations of his life’s work. At last year’s to receive the National Endowment for the Their wide-eyed look at the ceremony and benefit concert at Proctors Theater in Arts National Heritage Fellowship Award for its trappings of splendor will without doubt Schenectady, I enthusiastically sang along 2014. -
Carolyn G. Heilbrun I Beautiful Shadow: a Life of Patricia Highsmith by Andrew Wilson PRODUCTION EDITOR: Amanda Nash [email protected] 7 Marie J
The Women’s Review of Books Vol. XXI, No. 3 December 2003 74035 $4.00 I In This Issue I Political organizers are serious, while the patrons of drag bars and cabarets just wanna have fun, right? Julie Abraham challenges the cate- gories in her review of Wide Open Town: A History of Queer San Francisco. Cover story D I Before she died, Carolyn Heilbrun contributed a final essay to the Women’s Review—a discussion of Beautiful Shadow: A Biography of Patricia Highsmith. The piece expresses Heilbrun’s lifelong inter- est in writing women’s lives, and we publish it with pride and sadness, along with a tribute to the late scholar and mystery novelist. p. 4 Kay Scott (right) and tourists at Mona's 440, a drag bar, c. 1945. From Wide Open Town. I When characters have names like Heed the Night, L, and Celestial, we could be nowhere but in a Toni Morrison novel. Despite Tales of the city its title, Love, her latest, is more by Julie Abraham philosophical exploration than pas- Wide Open Town: A History of Queer San Francisco to 1965 by Nan Alamilla Boyd. sionate romance, says reviewer Deborah E. McDowell. p. 8 Berkeley, CA: University of California Press, 2003, 319 pp., $27.50 hardcover. I I The important but little-known n Wide Open Town, Nan Alamilla Boyd so much lesbian/gay/bisexual/transgender feminist Lucy Stone, who stumped presents queer San Francisco as the scholarship, have served as key points of the country for women’s suffrage, Iproduct of a town “wide open” to all reference in US queer studies over the past forms of pleasure, all forms of money-mak- two decades. -
The Newsletter of the Creative Writing Program at the University of Houston
The Newsletter of the Creative Writing Program at the University of Houston WWW.UH.EDU/CWP John Antel Dean, CLASS Wyman Herendeen English Dept. Chair j. Kastely CWP Director Kathy Smathers Assistant Director Maria Martinez Program Coordinator Glenn Blake Alumni Coordinator Undergraduate Advisor 713.743.3015 [email protected] 2004-2005 Edition Every effort has been made to include faculty, students, and alumni news. Items not included will be published in the next edition. From the Director... The academic year 2004/2005 was a particularly full one. We welcomed Claudia Rankine to the faculty; we participated in the inaugural course for the new Cynthia Woods Mitchell Center for Col- laboration among the Arts; and on April 16, 2005, we hosted a celebration of the UH Creative Writ- ing Program’s 25th anniversary. This year we will welcome Kimiko Hahn to the poetry faculty and welcome Patricia Powell in the Fall and Peter Turchi in the Spring as visiting professors of fiction. And 19 new students will join the program: 10 in poetry; 8 in fiction, and 1 in non-fiction. In 2005/2006 we will address the undergraduate concentration in Creative Writing; we will work with the Graduate Studies Program to reform our graduate programs; and we will continue our ef- forts to build a strong and effective alumni association. It was especially gratifying in April to visit with alumni and former faculty. It allowed us the op- portunity to recognize the special contributions of some of our former faculty, to acknowledge people in the community who have generously supported the program over the years, and to ac- claim the achievements of our alumni. -
The Wolfe Institute
The Wolfe Institute The Ethyle R.Wolfe Institute for the Humanities, in cooperation with the Center for Italian American Studies, presents L is for Lion An Italian Bronx Butch Freedom Memoir Annie Rachele Lanzillotto is the author of L is for Lion: An Italian Bronx Butch Freedom Memoir (SUNY Press 2013), and the book of poetry Schistsong (Bordighera Press 2013). She is the songwriter and vocalist of the albums Blue Pill (Annie Lanzillotto Band / StreetCry Productions), a rock and blues collaboration with Adeel Salman, Eleven Recitations, (StreetCry), and Carry My Coffee, (StreetCry), a duet with cellist Lori Goldston. Lanzillotto was born and raised in the Westchester Square neighborhood of the Bronx, and in Yonkers, New York, of Barese heritage. She received a B.A. with honors in medical anthropology from Brown University and an MFA in writing from Sarah Lawrence College. Her poem “Triple Bypass” won the Italian American Writers Association Paolucci Award in Poetry, and was published in the 2002 anthology, The Milk of Almonds: Italian-American Women Writers on Food and Culture, edited by Edvige Giunta and Louise DeSalvo. Her poems “Manhattan Schist” and “My Grandmother’s Hands” both won Rose and John Petracca Awards second place from Philadelphia Poets. Lanzillotto made her acting debut in 1993 with her solo show, Confessions of a Bronx Tomboy: My Throwing Arm, This Useless Expertise at Under One Roof Theater and Manhattan Class Company in New York City. Lanzillotto has received fellowships and performance commissions from New York Foundation For The Arts, Dancing In The Streets, Dixon Place, Franklin Furnace, and The Rockefeller Foundation.