Resource List Major Vendors

Total Page:16

File Type:pdf, Size:1020Kb

Resource List Major Vendors SEMLA Preconference Workshop Music Acquisitions and Collection Development Oct. 18, 2012 Instructors: Holling Smith-Borne Director, Wilson Music Library Vanderbilt University [email protected] -and- Chris Durman George F. DeVine Music Library University of Tennessee Libraries 865-974-3474 [email protected] With thanks to Marci Cohen and Michael Fling. Resource List Major Vendors Baker & Taylor, Inc. (800) 775-1800 http://btol.com/ [email protected] Bel Canto Society (audio and video recordings) Department A, 85 Furniture Drive Milford, CT 06460 Phone: (800) 347-5056 Fax: (212) 877-2792 http://www.belcantosociety.org Broude Brothers Limited (scores only; publisher has own line of scholarly score editions) 141 White Oaks Road, P.O. Box 547 Williamstown, MA 01267-0547 Phone: (800) 525-8559 Fax: (413) 458-5242 http://www.broude.us/ [email protected] DVD Planet (videorecordings) 900 N Rohlwing Road Itasca, IL 60143 http://www.dvdplanet.com [email protected] Educational Music Service (scores; specializes in score orchestral literature) 33 Elkay Drive Chester, NY 10918 1 Phone: (845) 469-5790 Fax: (845) 469-5817 http://www.emsmusic.com [email protected] Facets Multi-Media (videorecordings) 1517 West Fullerton Ave. Chicago, IL 60614 Phone: (800) 331-6197 http://www.facets.org [email protected] Films for the Humanities and Sciences (videorecordings) 132 West 31st Street 17th Floor New York, NY 10001 Phone: (800) 322-8755 Fax: (800) 678-3633 http://www.films.com [email protected] Harrassowitz (Music Services) North American Library Services office 820 University Blvd. South, Suite 2C Mobile, AL 36609 Phone: (800) 348-6886 Fax: (800) 574-5732 http://www.harrassowitz.de [email protected] Hutchins & Rea (scores) PO Box 190309 Atlanta, GA 31119 Phone: (800) 733-BACH (2224) Fax: (404) 842-1248 http://www.hutchinsandrea.com/ Insight MEDIA (videorecordings) 2162 Broadway New York, NY 10024 Phone: (800) 233-9910 Fax: (212) 799-5309 http://www.insight-media.com/ [email protected] J.W. Pepper & Son, Inc. (scores only) 2480 Industrial Blvd. Paoli PA 19301 Phone: (800) 345-6296 Fax: (610) 993-0563 http://www.jwpepper.com/ [email protected] Kultur (videorecordings) 195 Highway 36 West Long Branch, NJ 07764 2 Phone: (732) 229-2343 http://www.kulturfilms.com/ [email protected] Luck’s Music Library (scores; specializes in orchestral literature) 32300 Edward PO Box 71397 Madison Hieghts, MI 48071 Phone: (248) 583-1820 Fax: (248) 583-1114 http://www.lucksmusic.net [email protected] Music Hunter Distributing Company Jay Sonin 4880 North Citation Drive, Suite 101 Delray Beach, FL 33445 Phone: (561) 450-7152 [email protected] Theodore Front Musical Literature, Inc. 16122 Cohasset St. Van Nuys, CA 91406-2989 Phone: (818) 994-1902 Fax: (818) 994-0419 http://www.tfront.com/ [email protected] Video Artists International and VAI Audio (recordings and videorecordings) 109 Wheeler Ave Pleasantville, NY 10570 Phone: (800) 477-7146 Fax: (914) 769-5407 http://www.vai-music.com [email protected] Many vendors offer e-mail notifications and customized spreadsheets for new publications or collections on a specific topic. Sources for Out-of-Print music books Abebooks (formerly known as Advanced Book Exchange) http://www.abebooks.com AddAll Used and Out-of-Print http://www.used.addall.com Alibris http://www.alibris.com Bookfinder www.bookfinder.com Amazon http://www.amazon.com (used) 3 Sources for Out-of-Print music recordings Alibris http://www.alibris.com Berkshire Record Outlet http://www.berkshirerecordoutlet.com BuyUsed.co.uk http://www.2ndhand.org.uk GEMM: Global Electronic Music Marketplace http://www.gemm.com Mikrokosmos.com (LPs, and 78 rpm) http://www.mikrokosmos.com Major record labels (three multinational companies control more than 80% of the world’s recorded music production. All market their own labels and distribute recordings of smaller companies as well. Sony Music Entertainment (formerly CBS/Sony) Includes Columbia Records, Epic Record Group, Legacy Recordings, Sony Classical, Sony Nashville, and Sony Wonder http:///www.sonymusic.com Universal Music Group Includes Decca, Deutsche Grammophon, Geffen, MCA, Mercury, Motown, Philips, Polydor, Universal Records, and Verve http://www.universalmusic.com Warner Music Group (division of Time Warner, often abbreviated WEA) Includes Atlantic Group, Elektra Entertainment Group, London-Sire Records, Rhino Entertainment Group, and Warner Bros. http://www.wmg.com Specialty Vendors, Labels and Catalogs Albany Records http://www.albanyrecords.com Allegro Media Group http://www.allegro-music.com Amazon.com (for materials not found elsewhere) Try Amazon International too at http://www.amazon.com/gp/feature.html?ie=UTF8&docId=487250 Arkiv Music http://www.arkivmusic.com 4 Azuradisc Disc Repair Center (CD resurfacing) 7307 South 89th Place Mesa, AZ 85212 (480) 827-8786 http://www.azuradisc.com BWI (vendor specializing in children’s materials for public libraries, offers standing orders for Billboard charts) 1340 Ridgeview Dr. McHenry, IL 60050 Phone: (800) 888-4478 Fax: (800) 888-6319 http://bwibooks.com/ [email protected] Collectors’ Choice (reissues) http://www.ccmusic.com eBay.com (especially for out-of-print items) Harmonia Mundi More than 50 labels http://www.harmoniamundi.com Heartland Music (reissues, mainly classic country) http://www.heartlandmusic.com Naxos (classical) http://www.naxos.com Nonesuch (known for world music but they also issue pop, jazz and folk) http://www.nonesuch.com Palm Kids (children’s music) http://www.palmkids.com Rhino (pop reissues) http://www.rhino.com Time-Life (gospel, country and pop reissues, mainly compilations) http://www.timelife.com Yesasia.com (current pop music from Asia, especially Japan and Korea) http://www.yesasia.com Streaming Music Vendors Classical.com http://www.classical.com Naxos http://www.naxos.com 5 Alexander Street Press: Classical Music Library, Contemporary World Music, American Song, Classical Scores Library, Smithsonian Global Sound, Opera in Video, and other specialized collections http://alexanderstreet.com/products/music Awards Academy Awards (songs and scores from films are awarded) http://www.oscars.org Nominees announced in January. Awards ceremony held in February. Grammy Awards http://www.grammy.com Nominees announced in December. Awards ceremony held in February. Latin Grammy awards ceremony held in November. Rock and Roll Hall of Fame http://rockhall.com Nominations announced in October. Inductees announced in December. Tony Awards http://www.tonyawards.com Nominations announced in May. Awards ceremony held in June. Blues Music Awards (formerly known as the W.C. Handy Blues Awards) http://www.blues.org Nominations announced in December. Awards ceremony held in May. Sources for identifying core recordings A Basic Music Library: Essential Scores and Sound Recordings, 3rd ed., Chicago: American Library Association, 1997. Holtje, Steve, and Nancy Ann Lee, ed., MusicHound Jazz: The Essential Album Guide, Detroit: Visible Ink Press, c1998. Libbey, Ted, The NPR Guide to Building a Classical CD Collection, 2nd ed., New York: Workman Pub., c1999. Moon, Tom. 1,000 Recordings to Hear Before You Die: A Listener’s Life List. New York: Workman Pub., 2008. MOJO Collection: The Ultimate Music Companion. 4th ed., fully rev. & updated. Edinburgh ; New York : Canongate, 2007. Rock and Roll Hall of Fame, for artists and songs that shaped rock and roll http://rockhall.com Rolling Stone The magazine regularly runs lists of greatest recordings of all time. “500 Greatest Albums of All Time” http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531 -or- “500 Greatest Songs of All Time” http://www.rollingstone.com/music/lists/the-500-greatest-songs-of-all-time-20110407 6 Periodicals with Music Reviews American Record Guide (classical reviews, no advertising) ISSN 0003-0716 http://www.americanrecordguide.com BBC Music Magazine (classical) http://www.bbcmagazines.com/music Billboard (reports national sales, with breakdown by genre) ISSN 0006-2510 http://www.billboard.com CDHotlist: New Releases for Libraries (online only) http://cdhotlist.btol.com/ CMJ (formerly New Music Monthly) (rock/pop) http://www.cmj.com Downbeat (Jazz and blues) ISSN 0012-5768 http://www.downbeat.com Entertainment Weekly (mostly rock/pop; some country, jazz) ISSN 1049-0434 http://www.ew.com/ew/ Fanfare (classical) ISSN 0148-9364 http://www.fanfaremag.com Goldmine (specializes in annotated rock discographies) ISSN 1055-2685 http://www.goldminemag.com/ Gramophone (classical) ISSN 0017-310X http://www.gramophone.co.uk International Record Review (classical) http://www.recordreview.co.uk MOJO: Music Magazine (rock/pop) ISSN 1351-0193 http://www.mojo4music.com/blog/ Music Reference Services Quarterly (primarily books) ISSN 1058-8167 Notes - Quarterly Journal of the Music Library Association (mostly classical) ISSN 0027-4380 Rolling Stone (rock/pop) ISSN 0035-791X http://rollingstone.com 7 RootsWorld: Listening To The Planet (online only) http://www.rootsworld.com/rw/ Sing Out! The Folk Song Magazine ISSN 0037-5624 http://www.singout.org The Source - The Magazine of Hip-Hop Music, Culture and Politics ISSN 1063-2085 http://www.thesource.com Spin (rock/pop) ISSN 0886-3032 http://www.spin.com Tempo (journal devoted to 20th-century and contemporary concert music) ISSN 0040-2982 Vibe (hip hop) ISSN 1070-4701 http://www.vibe.com/ Village Voice Pazz & Jop Poll (Based on poll of about 600 music critics. Results are announced
Recommended publications
  • Yesasia Holdings Limited 喆麗控股有限公司
    The Stock Exchange of Hong Kong Limited and the Securities and Futures Commission take no responsibility for the contents of this Post Hearing Information Pack, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this Post Hearing Information Pack. Post Hearing Information Pack of YesAsia Holdings Limited 喆 麗 控 股 有 限 公 司 (the ‘‘Company’’) (Incorporated in Hong Kong with limited liability) WARNING The publication of this Post Hearing Information Pack is required by The Stock Exchange of Hong Kong Limited (the ‘‘Exchange’’) and the Securities and Futures Commission (the ‘‘Commission’’) solely for the purpose of providing information to the public in Hong Kong. This Post Hearing Information Pack is in draft form. The information contained in it is incomplete and is subject to change which can be material. By viewing this document, you acknowledge, accept and agree with the Company, its sponsor, advisers or members of the underwriting syndicate that: (a) this document is only for the purpose of providing information about the Company to the public in Hong Kong and not for any other purposes. No investment decision should be based on the information contained in this document; (b) the publication of this document or supplemental, revised or replacement pages on the Exchange’s website does not give rise to any obligation of the Company, its sponsor, advisers or members of the underwriting syndicate to proceed with an offering in Hong Kong or any other jurisdiction.
    [Show full text]
  • Global Cities, Local Knowledge
    Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics Lim, Wei Ling Tania Patricia BSocSc (Hons), MSc (Media & Comms) Creative Industries Research and Applications Centre Queensland University of Technology Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 2005 Keywords Circuit of cultural production, East Asian popular culture, Television industries, Field of broadcasting, Formatting, Local knowledge, Media capitals, Neo-networks, Regional dynamics, TV Formats, martial arts dramas, teenage idol soap operas, game-shows. ii Abstract Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children’s animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres have become the focus for indigenous cultural entrepreneurs located in the East Asian cities of Hong Kong, Singapore and Taipei to turn their local TV programmes into tradable culture. This thesis is a re-consideration of the impact of media globalisation on Asian television that re-imagines a new global media order. It suggests that there is a growing shift in perception and trade among once-peripheral television industries that they may be slowly de-centring Hollywood’s dominance by inserting East Asian popular entertainment into familiar formats or cultural spaces through embracing global yet local cultures of production.
    [Show full text]
  • Asia-Pacific Online
    Asia-Pacific Online December 2003 www.emarketer.com This report is the property of eMarketer, Inc. and is protected under both the United States Copyright Act and by contract. Section 106 of the Copyright Act gives copyright owners the exclusive rights of reproduction, adaptation, publication, performance and display of protected works. Accordingly, any use, copying, distribution, modification, or republishing of this report beyond that expressly permitted by your license agreement is prohibited. Violations of the Copyright Act can be both civilly and criminally prosecuted and eMarketer will take all steps necessary to protect its rights under both the Copyright Act and your contract. If you are outside of the United States: copyrighted United States works, including the attached report, are protected under international treaties. Additionally, by contract, you have agreed to be bound by United States law. Asia-Pacific Online Table of Contents 3 Methodology 7 The eMarketer Difference 8 The Benefits of eMarketer’s Aggregation Approach 9 “Benchmarking” and Projections 9 I Introduction 11 II Asia-Pacific Overview 13 A. Population and Economy 14 B. Population 16 C. PCs 17 D. Internet Users 21 Internet User Forecasts 25 E. Broadband 28 Broadband Users 28 Broadband Forecast 31 Broadband Access Technologies 33 F.Internet Usage 35 G. Wireless and Mobile Content 39 H. Digital TV 44 III Australia 47 A. Internet Users 48 B. Broadband 52 Broadband Access Technologies 56 C. Internet Usage 58 D. Wireless 66 IV China 69 A. Broadband 73 B. Internet Usage 80 C. Wireless 82 D. Digital TV 88 V Hong Kong 89 3 ©2003 eMarketer, Inc.
    [Show full text]
  • Handbook for Korean Studies Librarianship Outside of Korea Published by the National Library of Korea
    2014 Editorial Board Members: Copy Editors: Erica S. Chang Philip Melzer Mikyung Kang Nancy Sack Miree Ku Yunah Sung Hyokyoung Yi Handbook for Korean Studies Librarianship Outside of Korea Published by the National Library of Korea The National Library of Korea 201, Banpo-daero, Seocho-gu, Seoul, Korea, 137-702 Tel: 82-2-590-6325 Fax: 82-2-590-6329 www.nl.go.kr © 2014 Committee on Korean Materials, CEAL retains copyright for all written materials that are original with this volume. ISBN 979-11-5687-075-3 93020 Handbook for Korean Studies Librarianship Outside of Korea Table of Contents Foreword Ellen Hammond ······················· 1 Preface Miree Ku ································ 3 Chapter 1. Introduction Yunah Sung ···························· 5 Chapter 2. Acquisitions and Collection Development 2.1. Introduction Mikyung Kang·························· 7 2.2. Collection Development Hana Kim ······························· 9 2.2.1 Korean Studies ······································································· 9 2.2.2 Introduction: Area Studies and Korean Studies ································· 9 2.2.3 East Asian Collections in North America: the Historical Overview ········ 10 2.2.4 Collection Development and Management ···································· 11 2.2.4.1 Collection Development Policy ··········································· 12 2.2.4.2 Developing Collections ···················································· 13 2.2.4.3 Selection Criteria ···························································· 13 2.2.4.4
    [Show full text]
  • Electronic Commerce
    Electronic Commerce B2C Str ategi es and Model s Edited by STEVE ELLIOT U niversity of N ewcastle, Australia JOHN WILEY & SONS, LTD Elect roni c C omme r c e W i l e y Ser i e s i t n e Im nfs o r m a t i on Sy s C U R R E N T V O L U M E S I N T H E S E R I E S Knig ht s &u r r May: Managers Divided Kr mcar :D I Ein Europe Wa r d : Strategic Planning for Information Systems (2nd Edition) McKe en & Smit h: Management Challenges in IS—Successful Strategies and Appropriate Action Re me nyi, Sher wood- Smit h wit h Whit e :hie vAingc Maximum Value from Information Systems—A Process Approach Wigand: Information, Organisation & Management—Expanding Markets Corporate Boundaries G a llie r s a at e sn :d InBformTaetionchnology & O rganizational Transformation— Innovation for the 21st Century O rganization W illc o c k s & La Scou itrc ingy of: InSfotrramtegication Systems—Perspectives and Practices W illc o c k s t s e &er yond:L e Bthe IT Productivity Paradox G r ot h: Future O rganizational Design—The Scope for the IT-based Enterprise Timme r les ct:r onicE Commerce—Strategies and Models for Business-to-Business Trading Renkema: The IT Value Q uest—H ow to Capture the Business Value of IT-Based Infrastructure Cur r ie: The Global Information Society Wal s ah m : Making Wo rld of Difference—IT in a Global Context Electronic Commerce B2C tSr ategi es andodel Ms Edited by STEVE ELLIOT U niversity of N ewcastle, Australia JOHN WILEY & SONS, LTD Copyright © 2002 by J ohn Wiley & Sosn Ltd, Baffins Lane, Chichester, West Sussex PO 19 1UD, England National 01243 779777 International (‡ 44) 1243 779777 e-mail (for orders and customer service enquiries): cs-books@ wiley.co.uk Visit our Home Page on http://www.wiley.co.uk or http://www.wiley.com All Rights Reserved.
    [Show full text]
  • Global Offering
    YesAsia Holdings Limited YesAsia YesAsia Holdings Limited (Incorporated in Hong Kong with limited liability) Stock Code : 2209 GLOBAL OFFERING YesAsia Holdings Limited Sole Sponsor and Sole Global Coordinator IMPORTANT IMPORTANT: If you are in doubt about any of the contents of this prospectus, you should obtain independent professional advice. YesAsia Holdings Limited 喆 麗 控 股 有 限 公 司 (Incorporated in Hong Kong with limited liability) GLOBAL OFFERING Number of Offer Shares : 39,540,000 Shares (subject to the Over-allotment Option) Number of Hong Kong Offer Shares : 3,954,000 Shares (including 395,000 Employee Reserved Shares) (subject to reallocation) Number of International Offer Shares : 35,586,000 Shares (subject to reallocation and the Over-allotment Option) Offer Price : Not more than HK$3.33 per Offer Share (payable in full on application in Hong Kong dollars, subject to refund, plus brokerage of 1%, SFC transaction levy of 0.0027% and Stock Exchange trading fee of 0.005%) and expected to be not less than HK$3.00 per Offer Share Stock Code : 2209 Sole Sponsor, Sole Global Coordinator, Joint Bookrunner and Joint Lead Manager Joint Bookrunners and Joint Lead Managers (in alphabetical order) Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited (the ‘‘Stock Exchange’’) and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this prospectus, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this prospectus.
    [Show full text]
  • Dnet Helps Producers and Artists Get Connected by CHRISTOPHER WALSH Nections
    THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT SEPTEMBER 1, 2001 Studio Craft From A Distance EDNet Helps Producers And Artists Get Connected BY CHRISTOPHER WALSH nections. Using the nascent tech- or `It will have problems.' But [the NEW YORK -The landmark 1993 nology, producer Phil Ramone craft- EDNet] guys sat behind me all the sessions at Capitol Studios in Holly- ed seamless duets between Sinatra time and monitored my stuff so that wood that produced Frank Sinatra's and guest artists who were often we didn't have breakdowns." Duets album permanently trans- Ramone remembers hyping EDNet formed the recording industry-and to studios, encouraging them to get for far more than the music. the technology. One studio that al- Duets-which paired Sinatra with ready had it was the Hit Factory, the more than a dozen contemporary &dnet legendary New York City recording singers, including Lenny Kravitz facility. `We were the first in New York and Barbra Streisand -was the in 1993, when we were doing Duets music world's first high -profile use thousands of miles away. with Phil Ramone and [engineer] Al of Entertainment Digital Network, "When the Duets album came up, Schmitt," says CEO Troy Germano. or EDNet (pronounced E -D -net). I realized that there are so many Such artists as Bono, Gloria Estefan, EDNet is a telecommunications great artists who are not always in and Charles Aznavour came to the Hit network that allows artists in differ- the same city," Ramone says. That's Factory to record with Sinatra -who ent locations to collaborate si- when he decided to use EDNet.
    [Show full text]
  • ETA) Handbook 2013-2014
    KOREAN-AMERICAN EDUCATIONAL COMMISSION English Teaching Assistant (ETA) Handbook 2013-2014 Edited by Ashlee Anton, Leslie Kang, Anthony Cho, Tracey Lam, Hemlata Mistry, Andrew Moncada, and Elaine Townsend 2013 ETA Orientation Coordinator Team 1 We must try, through international education, to realize something new in the world -- a purpose that will inspire us and challenge us to use our talents and material wealth in a new way, by persuasion rather than force, cooperatively rather than competitively, not with the intention of gaining dominance for a nation or an ideology, but for the purpose of helping every society develop its own concept of public decency and individual fulfillment. - Senator J. William Fulbright 2 3 Table of Contents Introduction to the ETA Handbook……………………………………………………………….8 ETA Program Background and Introduction ...................................................................................9 The Fulbright Office ......................................................................................................................10 Key Staff Members ....................................................................................................................10 Getting Ready to Go ......................................................................................................................11 Passport ......................................................................................................................................11 Visa ............................................................................................................................................11
    [Show full text]
  • Asian Street Fashion Pdf, Epub, Ebook
    ASIAN STREET FASHION PDF, EPUB, EBOOK James Bent | 272 pages | 09 Dec 2014 | Thames & Hudson Ltd | 9780500544402 | English | London, United Kingdom Asian Street Fashion PDF Book Discover our Joggers. Too bold? In fact, the trend has inspired a large number of TikTok creators to recreate this specific style of shooting. Both local and foreign labels are well aware of revolutionary Japanese fashion. Please update your browser. In almost every video, the subjects will stare directly into the camera, almost acknowledging our fascinated stares from the other side of the screen. At yayukata. Related Post Dry, oily, or combination skin—these 6 Singaporean beauty brands will suit all needs. Combining street style and a retro backdrop, and applying a unisex cut, we get a mix of their overall style. It has influenced the mainstream fashion industry big time! The two creators, both big fans of Asian streetwear brands, were instantly drawn to the confident energy that many of the Chinese street-style stars exude, and they wanted to recreate it in their own way. We're hiring lifestyle writers! Spotify Saturdays with Singaporean Rock singer kotoji. Looking for a wider variety of cosmetics? Topics Global Street Style. The typical black-and-white stripe pattern was reimagined, infusing contrasting stripe sizes together. Fashiontroy Street Style long sleeves crew neck khaki oversized striped sweater autumn winter. Read More. Photographers are posting them directly, which, just like the influencer industry in the US, helps to build their own accounts and followings online. Asian shopping sites. Enter: Oeey Dewy. Where are the latest threads and ideas brought together so you can pick stuff you love and make it your own? She offered a lot of sharp insight.
    [Show full text]
  • Yesasia Holdings Limited (The ‘‘Company’’) (A Company Incorporated in Hong Kong)
    The Stock Exchange of Hong Kong Limited and the Securities and Futures Commission take no responsibility for the contents of this Application Proof, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this Application Proof. Application Proof of YesAsia Holdings Limited (the ‘‘Company’’) (a company incorporated in Hong Kong) WARNING The publication of this Application Proof is required by The Stock Exchange of Hong Kong Limited (the ‘‘Exchange’’) and the Securities and Futures Commission (the ‘‘Commission’’) solely for the purpose of providing information to the public in Hong Kong. This Application Proof is in draft form. The information contained in it is incomplete and is subject to change which can be material. By viewing this document, you acknowledge, accept and agree with the Company, its sponsor, advisers or member of the underwriting syndicate that: (a) this document is only for the purpose of providing information about the Company to the public in Hong Kong and not for any other purposes. No investment decision should be based on the information contained in this document; (b) the publication of this document or supplemental, revised or replacement pages on the Exchange’s website does not give rise to any obligation of the Company, its sponsor, advisers or members of the underwriting syndicate to proceed with an offering in Hong Kong or any other jurisdiction. There is no assurance
    [Show full text]
  • Curated Fashion and Social E-Commerce Platform FEASIBILITY
    Curated Fashion and social E-commerce platform FEASIBILITY STUDY April, 2017 CONTENTS Introduction...................................................................................................................................................3 Description of roducts and Services..............................................................................................................4 Technology Considerations .......................................................................................................................... 5 Market Analysis............................................................................................................................................6 Industry overview.....................................................................................................................................6 China......................................................................................................................................................6 Hong Kong ............................................................................................................................................7 ASEAN................................................................................................................................................10 India.....................................................................................................................................................12 Customer characteristics and preferences..............................................................................................
    [Show full text]