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Boston Symphony Orchestra Concert Programs, Summer, 2000

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Boston Symphony Orchestra Concert Programs, Summer, 2000 Tanglewood Baldwin & Tanglewood Celebrating A 61 -Year Musical Partnership | This season marks Baldwin's 61 st anniversary with Tanglewood. This very special association runs deep into trie Histories of both organizations. It began when Lucien Wulsin II, president of Baldwin during trie 1920s and 30s, met Serge Koussevitzky, trie renowned Russian conductor and music director of trie BSO. Koussevitzlcy was involved with Tanglewood from its inception and founded the Serge Koussfvitziky (above) Berkshire Music Center in 1940. Lucien Wulsin II (left) Wulsin, whose family had French- European roots, became good friends with Koussevitzky, who had lived in France in the early 1920s. It was this friendship, combined with noted Baldwin piano quality, that initiated the time-honored Baldwin-Tanglewood tradition. Since those early years, Baldwin has been the piano of choice for Tanglewood and many of its visionary leaders and alumni, including Charles Munch, Leonard Bernstein, Aaron Copland, Lukas Foss, Charles Dutoit and Seiji Ozawa. Today, the Baldwin tradition continues to grow with celebrated Tanglewood conductors Keith Lockhart and Robert Spano hecommg Baldwin Artists in recent years. This season, Baldwin pianos will share the stage at Tanglewood's orchestral and chamber music instrumental and vocal recitals, student performar the Festival of Contemporary Music, and performances by popular and jazz artists. As Official Piano, Baldwin is honored to play its part in the rich history and ongo\ng tradition of Tanglewood. Here's to ike next 61 years! Tanglewood on Parade Celebrating the 60th Anniversary Tanglew(©d of the Tanglewood Music Center Music Tuesday, August 1, 2000 Center For the benefit of the Tanglewood Music Center 2:00 Gates Open 2:00 Boston University Tanglewood Institute: Fanfares (Main Gate Drive; rear of Shed if rain) 2:00 Berkshire Highlanders (Highwood Gate) 2:30 Tanglewood Music Center Fellows: Chamber Music Concert (Seiji Ozawa Hall) Music of STRAUSS, BEADELL, RACHMANINOFF, GARFIELD, and BECKER 2:30 Boston University Tanglewood Institute: Chamber Music Concert (Chamber Music Hall) Music of DVORAK, FINE, MOZART, and SMETANA 3:00 Boston University Tanglewood Institute Young Artists Chorus and Orchestra (Koussevitzky Music Shed) Music of COPLAND, FAURE, FUSSELL, VERDI, BEETHOVEN, and BERNSTEIN 4:15 Tanglewood Music Center Fellows: Vocal Recital (Seiji Ozawa Hall) ALAN SMITH'S "VIGNETTES: ELLIS ISLAND" 5:15 Alpine Horn Demonstration (Lawn near Theatre) 5:30 Balloon Ascension (Lawn near Lion Gate, weather permitting) 6:00 Tanglewood Music Center Fellows: Chamber Music Concert (Chamber Music Hall) Music of SCHULLER, SCHUBERT, and STRAUSS 8:00 Tanglewood Music Center Fellows: Brass Music (Koussevitzky Music Shed) 8:30 Gala Concert Hot air balloon courtesy of Mr. and Mrs. Charles Joseph of Lebanon, New Jersey Artillery and cannon supplied by Eastover, Inc. Fireworks over the Stockbrige Bowl following the Gala Concert Program copyright ©2000 Boston Symphony Orchestra, Inc. Cover design by Sametz Blackstone Associates/Cover photos by J. Berndt JSBR A Message from Seiji Ozawa Welcome to Tanglewood on Parade, our young musicians who have worked very annual celebration of Tanglewood and the hard to earn a place in these programs. Tanglewood Music Center, which is cele- This freedom from financial concern allows brating its sixtieth anniversary this year. them to focus all their attention on music- Tanglewood on Parade is a festive cele- making. There is no other place in the bration with a special purpose—to provide world like Tanglewood, where young funds to support the Tanglewood Music musicians are inspired by the Boston Center, one of the most influential centers Symphony Orchestra, the TMC Faculty, for advanced musical study in the world. the guest artists who perform here, and In fulfillment of Serge Koussevitzky's the unique Tanglewood landscape. dream, young musicians come to this The Tanglewood Music Center has beautiful setting to work under the super- held a special place in my heart since I vision of outstanding artist- teachers, all in arrived here in 1960. Making others feel daily contact with the life of the Boston welcome here has also become an impor- Symphony Orchestra. Members from tant part of my life. For two months each each section of the BSO participate in the year we live and work together. This is daily activities of the Tanglewood Music the spirit that welcomed me when I first Center, in master classes, repertoire ses- arrived, and which I hope to pass on to sions, orchestra exchanges, and chamber others. Just as I found a home in music music coachings. In addition, TMC at Tanglewood, so do hundreds of aspir- Fellows this summer will participate in a ing young musicians who come here each production of Verdi's opera Fahtajf and. a summer. We all thank you for helping to wide variety of special programs led by make this possible. BSO players and guest artists. In tonight's concert, the BSO and TMC Orchestra perform together in what is always a very special highlight of our summer. By joining us here today you are sup- Seiji Ozawa porting the important work of the Tangle- wood Music Center's extraordinary young musicians, young professionals and con- servatory or post-graduate level students of exceptional accomplishment. Each year generous patrons provide financial support that makes it possible to maintain the TMC. Without this help from music lovers like yourselves, the Tanglewood Music Center could not survive. The Boston University Tanglewood Institute offers similar advanced training to musi- cians of high school age. Their participa- tion reflects more than thirty years of partnership with the Boston Symphony. Every ticket sold today helps us con- tinue to offer tuition-free Fellowships to The Tanglewood Music Center Since its start as the Berkshire Music Cen- director, Seiji Ozawa became head of the ter in 1940, the Tanglewood Music Center BSO's programs at Tanglewood, with has become one of the world's most influ- Gunther Schuller leading the TMC and ential centers for advanced musical study. Leonard Bernstein as general advisor. Leon Serge Koussevitzky, the Boston Symphony Fleisher served as the TMC's Artistic Orchestra's music director from 1924 to Director from 1985 to 1997. In 1994, with 1949, founded the school with the inten- the opening of Seiji Ozawa Hall, the TMC tion of creating a premier music academy centralized its activities on the Leonard where, with the resources of a great sym- Bernstein Campus, which also includes the phony orchestra at their disposal, young Aaron Copland Library, chamber music instrumentalists, vocalists, conductors, and studios, administrative offices, and the composers would sharpen their skills under Leonard Bernstein Performers Pavilion adja- the tutelage of Boston Symphony Orches- cent to Ozawa Hall. In 1997, Ellen High- tra musicians and other specially invited stein was appointed Director of the Tangle- artists. wood Music Center, operating under the The school opened formally on July 8, artistic supervision of Seiji Ozawa. 1940, with speeches and music. "If ever The Tanglewood Music Center Fellow- there was a time to speak of music, it is ship Program offers an intensive schedule now in the New World," said Koussevitzky, of study and performance for advanced alluding to the war then raging in Europe. instrumentalists, singers, conductors, and Randall Thompson's Alleluia for unaccom- composers who have completed most of panied chorus, specially written for the cer- their formal training in music. Besides the emony, arrived less than an hour before the continuing involvement of Seiji Ozawa and event began but made such an impression individual BSO members; master classes that it continues to be performed at the and coachings led by distinguished guest opening ceremonies each summer. The faculty; the Conducting Class led by Robert TMC was Koussevitzky 's pride and joy for Spano, head of the TMC's Conducting Pro- the rest of his life. He assembled an extra- gram, and Phyllis Curtin's master classes ordinary faculty in composition, operatic for singers, the Tanglewood Music Center's and choral activities, and instrumental performance; he himself taught the most gifted conductors. Koussevitzky continued to develop the Tanglewood Music Center until 1950, a year after his retirement as the BSO's music director. Charles Munch, his successor in that position, ran the Tanglewood Music Center from 1951 through 1962, working with Leonard Bernstein and Aaron Copland to shape the school's programs. In 1963, new BSO Music Director Erich Leinsdorf took over the school's reins, returning to Koussevitzky s hands-on leadership approach while restoring a renewed emphasis on contemporary music. In 1970, three years before his appointment as BSO music Serge Koussevitzky : 2001 Tanglewood Schedule Add your name to our mailing list. Receive a 2001 Tanglewood schedule and enter a drawing to win two free tickets at a Tanglewood concert in 2001. Coupon will be entered in a drawing for two free tickets to a regular-priced BSO concert of your choice during the 2001 Tanglewood season (subject to availability). Only one entry per family is permitted. Employees of the Boston Symphony Orchestra, Inc., are not eligible. Drawing will be held in March 2001. Please return coupon to: After September 1 2001 Tanglewood Schedule 2001 Tanglewood Schedule c/o Friends Office c/o Development Office Tanglewood Symphony Hall Lenox, MA 01240 Boston, MA 02115 Yes, please send me a 2001 Tanglewood schedule and enter my name in the drawing to win two free tickets for the 2001 Tanglewood season. Name. Address. City State Telephone 2000 summer season includes a fully staged It would be impossible to list all the production of Verdi's Falstajfunder the distinguished musicians who have studied direction of Seiji Ozawa, and performances at the Tanglewood Music Center. Accord- of orchestral and chamber music of Aaron ing to recent estimates, 20% of the mem- Copland celebrating the centennial of the bers of American symphony orchestras, composer's birth.
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