FREEMASONRY and CATHOLICISM Max Heindel
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DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
ERROL FLYNN: the REBEL by Laurie Titman Laurietitman
ERROL FLYNN: THE REBEL by Laurie Titman [email protected] FADE IN: EXT. MT. LEE, LOS ANGELES - DAY - ’HOLLYWOOD’ SIGN EXT. WARNER BROS STUDIO - DAY Looking down at the motif on the roof. Warner Bros. CLIP #1 FROM ADVENTURES OF ROBIN HOOD (1938 WARNER BROS.) Flynn, swings down from tree on a vine. Stands on branch. ROBIN HOOD Welcome to Sherwood my Lady. CLIP #2 FROM ADVENTURES OF ROBIN HOOD (1938 WARNER BROS.) The sword fight on the staircase with Guy Gisbourne. EARL CONRAD (VO) Errol Flynn was once described as tinsel town’s most handsome man but fame has it’s dark side. His amour morphed into phallic symbolism when he became a pawn in a political power game. He was cut by his own sword. INT. TITCHFIELD HOTEL, JAMAICA - NIGHT - 1958 Curled up in the corner of the bedroom, dissipated, ERROL FLYNN - 49, sweats profusely and groans, as he twists, turns and grips his stomach and bangs his head against the wall. WOODSIE - 15, long blond hair, petite and pretty, wearing her dressing gown, enters with a bowl of water. She kneels by him. Squeezing a sponge, she wipes him down. WOODSIE The doctor will be here first thing. She pops the pill in his mouth. Gives him a drink. FLYNN I don’t think I can hold out. BULB FLASHES. 2. BLACK & WHITE STILL of Flynn’s blank look. TOM COCHRAN (VO) Ladies and Gentlemen of the jury. Let us look at what we have here. An undoubted ravisher of innocent young women. INT. LA COURT ROOM - DAY - 1943 (FLASHBACK) TOM COCHRAN, 40ish - the slick DDA plays to the jury in front of a room full of WOMEN spectators and PRESSMEN. -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
Theological and Ideological Complexities
ABSTRACT The Donatist Church in an Apocalyptic Age Jesse A. Hoover, Ph.D. Mentor: Daniel H. Williams, Ph.D. As a dissident Christian tradition that still endured sporadic Imperial persecution, the Donatist church occupied a unique niche within the wider apocalyptic milieu of late antiquity. This was an era characterized by intense eschatological speculation, spurred on by the recent political ascendency of Christianity within the Empire, the rise of rival theological communions in its wake, and mounting anxiety over the increasing tenuousness of Roman rule in the western provinces. Despite its often-overstated estrangement from the transmarine Christian communities of late antiquity, Donatism was no stranger to this phenomenon. In this dissertation, I wish to contextualize extant Donatist interaction with apocalyptic exegesis in order to see where it remained in continuity with the wider western apocalyptic tradition and where it diverged. This is a topic which will require some nuance. The dominant tendency within early and mid-twentieth century academic discussions of Donatist apocalypticism – when it is mentioned at all – have been to portray it as evidence of an anachronistic inclination within Donatist theology or as a symptom of simmering national or economic dissatisfaction, a religious warrant for social unrest. Reacting to such interpretations, more recent discussions of Donatism which emphasize its theological viability have tended to avoid the topic altogether. In this project, in contrast, I portray Donatist apocalyptic exegesis as an essentially dynamic, adaptive theological phenomenon. As befits an ecclesiastical communion which once formed the majority church in North Africa, Donatist interaction with apocalypticism was neither monolithic nor static. -
Learning to Love the Pearl of Great Price ______
Learning to Love the Pearl of Great Price ____________________________________________________________ Contents Introduction to the Pearl of Great Price 2 • Some Unique Doctrinal Contributions of the Book of Moses 392 The Book of Moses • Some Unique Contributions of Overview of the Book of Moses 3 the Book of Abraham 395 Brief Early History of the Prophet Moses 8 • The Book of Abraham Facsimiles 399 Moses Chapter 1 9 • Moses Chapter 2 29 The History of the Coming Forth of the Pearl of Great Price 403 Moses Chapter 3 46 Moses Chapter 4 60 • The Joseph Smith Papyri and Their Relationship to the Book of Abraham 413 Moses Chapter 5 78 Moses Chapter 6 103 • Moses and Mount Sinai 428 Moses Chapter 7 139 Moses Chapter 8 170 The Book of Abraham Abraham Chapter 1 184 Abraham Chapter 2 207 Abraham Chapter 3 219 Abraham Chapter 4 241 Abraham Chapter 5 257 Facsimiles of the Book of Abraham 264 Joseph Smith–Matthew 283 Joseph Smith–History 313 The Articles of Faith 356 Supplemental Articles • Brief Biblical History of Abraham (Genesis 12-25) 376 • Abrahamic Lore that Supports the Book of Abraham 381 • Some Unique Contributions of the Pearl of Great Price to Our Gospel Understanding 388 An Introduction to The Pearl of Great Price ____________________________________________________________ Through the prophet Joseph Smith the Lord has mercifully revealed to us, in this last dispensation, priceless insights into eternal doctrines and into the lives and ministries of prophets of the distant past. Many of these insights appear in the collection of scripture we have come to know as the Pearl of Great Price. -
Russia/Iran Vs. Israel | the False Islamic Antichrist | Euro Collapse
Russia/Iran vs. Israel | The False Islamic Antichrist | Euro Collapse | Mideast Peace | Zion | Avalon | Atlantis | Babylon: The City | Babylon: The Church | Occult Wedding | British Freemasonry | America | Film Industry | Hitler's Grail | Mark of Cain | Mark of Beast | 11:11 | 2012 Copyright 1993-2012 The real “Beast” of the Bible is a very different person. Instead of being a frightening person, he will be greatly honored, respected, and loved by the majority of the world. He will also be accepted as the prophesied Christ to rule the world in peace and prosperity. When [his] Anti-christian Kingdom is finally destroyed, the world will not rejoice in thanksgiving for their release from oppression and Satanic control. They will do just the opposite. People will “weep and mourn” over Babylon’s collapse (Revelation 18:11). They will “bewail” and “lament” because this kingdom of human excellence and perfection has come to an end. Trade and craft will have reached dazzling heights of prosperity under the “Beast.” Culture and the fine arts will show the apex of human accomplishment during his reign. The Secret of the Number 666 FROM ANTIQUITY TO ANTICHRIST: THE BRITISH ROYAL SECRET EXPOSED Two Royal Families in Great Britain have claimed of them to be descendants of the Royal House of David, a Bloodline which supposedly produced many of the ruling Houses of Europe today, including the British Monarchy and current ruling House of Windsor. The other family important to this lineage is the Scottish House of Stuart (Spencer), whose most infamous descendant was the late Princess Diana. While there is discrepancy as to whether or not the Windsor claims to the Throne of England are legitimate (being descendants of the Germanic House of Saxe-Coburg-Gotha), most agree that the Stuart lineage are not only the rightful heirs to the Throne of England (and Scotland), yet also to the Throne of David, and Israel itself. -
The LDS Story of Enoch As the Culminating Episode of a Temple Text," BYU Studies Quarterly: Vol
BYU Studies Quarterly Volume 53 | Issue 1 Article 5 1-1-2014 The DSL Story of Enoch as the Culminating Episode of a Temple Text Jeffrey M. Bradshaw Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Bradshaw, Jeffrey M. (2014) "The LDS Story of Enoch as the Culminating Episode of a Temple Text," BYU Studies Quarterly: Vol. 53 : Iss. 1 , Article 5. Available at: https://scholarsarchive.byu.edu/byusq/vol53/iss1/5 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Bradshaw: The LDS Story of Enoch as the Culminating Episode of a Temple Tex Book of Enoch in Ethopian (c. 1450–1500), folio 2, © The Remnant Trust, Inc. The Book of Enoch (or 1 Enoch) is an important collection of ancient Jewish writings regard- ing Enoch composed between the late fourth century bce and the turn of the era. It was preserved as a canonical work by the Ethiopian Orthodox Church, but parts of it have also been found in Hebrew among the Dead Sea Scrolls. It was known to New Testament authors, it is quoted in Jude 1:14–15, and it was accepted by some of the early Church Fathers as scripture. The five books that make up 1 Enoch are considered different compo- sitions that were later redacted into one book, and each can be given its own date. -
The Dying God Title Page (Required) the Dying God
Half Title Page (required) The Dying God Title Page (required) The Dying God The Hidden History of Western Civilization David Livingstone Copyright Page (required) All Rights Reserved. Copyright © 2000 David Livingstone No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage or retrieval system, without the permission in writing from the publisher. Published by Writers Club Press For information, please contact: iUniverse.com 5220 South 16th Street Suite 200 Lincoln, NE 68512-1274 (Click here to input any legal disclaimers or credits, if any.) ISBN: 1-58348-XXX-X Printed in the United States of America Table of Contents (optional) Introduction Chapter 1: The Sons of God Chapter 2: Venus Chapter 3: Baal Chapter 4: Hercules Chapter 5: Prometheus Chapter 6: Dionysus Chapter 7: Apollo Chapter 8: Enoch Chapter 9: Mithras Chapter 10: Logos Chapter 11: Thoth Chapter 12: Seth Chapter 13: Idris Chapter 14: Metratron Chapter 15: Baphomet Chapter 16: Percival Chapter 17: Hermes Chapter 18: Hiram Chapter 19: Lucifer Introduction (optional) Western Civilization Few would acknowledge, given the state of our society’s technological advance, that our understanding of history could be significantly inaccurate. The problem is that, due to a general lack of knowledge of the accomplishments of other civilizations, the history of Western civilization, presumed to have begun in Greece, progressed through Rome and culminated in modern Europe and America, is confused with the history of the world. While certain achievements are recognized for other cultures, the West is believed to have not only dominated modern history, but all of history, and therefore, has been the single greatest contributor of the accomplishments that have benefited mankind. -
The Effects of Satire and Farce in the Plays of David Williamson
i “Sugared Placebos”? The effects of satire and farce in the plays of David Williamson Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Education Faculty of Human Development Victoria University By Elvira Sammut DipTeach(WASTC), BEd(ECU), MEd(ECU), LTCL(Drama) 2008 ii Declaration This Thesis contains no material which has been submitted for examination in any other course or accepted for any degree or diploma in any University. To the best of my knowledge and belief, it contains no material previously published or written by another person, except where due reference is made in the text Signed …………………………………………………………………………… Elvira Sammut. July 2008 iii This Thesis is dedicated to the memory of my Mother, Elena Suarez Gallagher Corbett, whose passion and vision instilled in me her love of reading and her deep belief in education. She travels with me. iv Acknowledgements I would like to express my thanks to Dr. Tarquam McKenna and Dr. Mary Weaven at Victoria University for supervising this thesis. I am very grateful for their generous support, constructive criticism, and many kindnesses. And for the sheer niceness of their manner. This thesis was commenced at Curtin University, Perth, Western Australia. Mention must be made of Dr. Donald Pulford and Dr. Paul Genoni who supervised the drafts of the early chapters. Thank you both. I am grateful to Dr. Felicity Haynes of University of Western Australia for her expertise, help and encouragement in enabling me to complete this project. I am also deeply indebted to Victoria University, Footscray, Victoria, for giving me the opportunity to complete this work. -
Up for Grabs Coprorate Vibes Playtexts 2.P65
i DAVID WILLIAMSON’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), Corporate Vibes and Face to Face (both in 1999) and The Great Man (2000). Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. David Williamson has won the Australian Film Institute film script award for Petersen (1974), Don’s Party (1976), Gallipoli (1981) and Travelling North (1987) and has won eleven Australian Writers’ Guild AWGIE Awards. -
David Williamson
'The Ways We Live Now' David Williamson Australia has always seemed a very crude society, and this play explains better than most why so many Australians of talent chose to live in Britain and America ... If this is Australia, the Aborigines should have won. So opined English-born Clive Barnes in January 1974, reviewing an Off-Broadway production of David Williamson's The Removalists for the New York Times. Barnes had already seen London's Royal Court production (in July-August 1973) of this play which, first performed in Melbourne and Sydney 'alternative' theatres two years before, had quickly won its young writer a national reputation. By the time Barnes reviewed the play, that reputation was becoming international, for at the end of 1973 Williamson had won the London Evening Standard's George Devine Award for Most Promising Playwright. Barnes's assumption that a play, realist (though also absurdist) in mode, mirrored a whole society, or reflected the perceiver's stereotyped impressions of that society, had not been shared by this London counterparts. Although Harold Hobson of the Sunday Times felt that the play was evil, pandering to the audience's worst instincts by offering scenes of violence that (curiously) he thought belonged more in the brothel than on the stage, other London reviewers had been more receptive to this black comedy of machismo run riot, in which two policeman meddle in a domestic dispute and end up bashing the husband to death. Most of them saw the play as a psychological-cum-moral fable with implications extending far beyond the particulars of its Australian setting and the issue of police violence. -
Sugar Babies - the Quintessential Burlesque Show
MARCHI APRIL, 1987 Vol. II No 2 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust· Sugar Babies - The Quintessential Burlesque Show personality and his own jokes. Not all the companies, however, lived up to the audience's expectations; the comedians were not always brilliant and witty, the girls weren't always beautiful. This pr'oved to be Ralph Allen's inspiration for SUGAR BABIES. "During the course of my research, one question kept recurring. Why not create a quintessen tial Burlesque Show out of authentic materials - a show of shows as I have played it so often in the theatre of my mind? After all, in a theatre of the mind, nothing ever disappoints. " After running for seven years in America - both in New York and on tour - the Australian Elizabethan Theatre Trust will mount SUGAR BABIES in Australia, opening in Sydney at Her Majesty's Theatre on October 30. In February it will move to Melbourne and other cities, including Adelaide, Perth and Auckland. The tour is expected to last about 39 weeks. Eddie Bracken, who is coming from the USA to star in the role of 1st comic in SUGAR BABlES, received rave reviews from critics in the USA. "Bracken, with his rolling eyes, rubber face and delightful slow burns, is the consummate performer, " said Jim Arpy in the Quad City Times. Since his debut in 1931 on Broadway, Bracken has appeared in Sugar Babies from the original New York production countless movies and stage shows. Garry McDonald will bring back to life one of SUGAR BABIES, conceived by Harry Rigby, happened to be at the con Australia's greatest comics by playing his , Ralph G.