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Xavier Veilhan, Peter Zimmermann, Chiho Aoshima, Daniel Arsham, Hernan Bas, Sophie Calle, Maurizio Cattelan, Peter Con, Johan Creten, Matthew Day Jackson, Wim Delvoye, Lionel Estève, Elmgreen & Dragset, Daniel Firman, Bernard Frize, Giuseppe Gabellone, Gelitin, Duane Hanson, Jesper Just, Bharti Kher, Kolkoz, Klara Kristalova, Guy Limone, Jin Meyerson, Farhad Moshiri, Mr., Takashi Murakami, Jean-Michel Othoniel, Paola Pivi, Claude Rutault, Michael Sailstorfer, Aya Takano, Tatiana Trouvé, Piotr Uklanski, Xavier Veilhan, Peter Zimmermann, ... 76 rue de Turenne 75003 Paris T : +33 (0)1 42 16 79 79 [email protected] 10 impasse Saint Claude 75003 Paris Web : www.perrotin.com Xavier Veilhan th th st th th th 30 November - 11 December 2010. 1 -5 Dec : 10am - 7pm / 6 -11 Dec : 10am - 4pm Opening reception - Tuesday 30th November 2010 - 6pm / midnight MIAMI - 194 NW 30th Street, Miami, FL 33127 Galerie Perrotin in Miami is organizing the new solo show by Xavier Veilhan from November 30th to December 11th, 2010. Two new sculpture collections are being presented, the Stabiles and the Figures on plinths. Xavier Veilhan explores the conventions of classical statuary through a modernist and avant-garde aesthetic. During La Force de l’Art in 2006, the installation Le Baron de Triqueti, rendered this temporal oscillation of the artist, which also leads him to combine the most advanced technology with a traditional workmanship, palpable. For the past few years, Xavier Veilhan has been using a three dimensional sensing technique to make statues of friends or famous personalities who pose for him, produced from computer files that reproduce a «cloud of points». The series, The Architects in the gardens of Versailles in 2009, unveiled portraits ranging from realistic representation to the limits of abstraction. The Figures, phantom-like geometric forms, are set as though balanced on steel shafts. The resin plinths of these figures in solid wood, which are notably abstract reinterpretations of Architects (Jean Nouvel, Richard Rogers, Kazuyo Sejima, etc.), are also highly wrought, recalling Malevitch’s architectones. The subject and the plinth participate in the same research, much like the works of Brancusi. The Stabiles, made in metal, a tangible evolution from mobiles, borrow from the eponymous works of Calder in their shapes, but also from kinetic art in their construction. La Galerie Perrotin à Miami organise une exposition personnelle de Xavier Veilhan du 30 novembre au 11 décembre 2010. Deux nouveaux ensembles de sculptures sont présentés, les Stabiles et les Figures sur socle. Xavier Veilhan explore les conventions de la statuaire classique à travers l’esthétique moderniste des avant-gardes. Lors de La Force de l’Art en 2006, l’installation Le Baron de Triqueti, rendait palpable cette oscillation temporelle de l’artiste qui le conduit également à combiner les technologies les plus avancées à une facture traditionnelle. Depuis quelques années, grâce à la technique de la captation en 3D, Xavier Veilhan fait poser ses proches ou des personnages célèbres qu’il élève ensuite en statues, réalisées à partir de fichiers informatiques restituant un «nuage de points». La série desArchitectes dans les jardins de Versailles en 2009, dévoilait des portraits allant de la représentation réaliste jusqu’aux limites de l’abstraction. Les Figures, formes fantomatiques et géométriques, sont fixées comme en équilibre sur des tiges en acier. Les socles en résine de ces figures en bois massif, réinterprétation abstraite notamment des Architectes (Jean Nouvel, Richard Rogers, Kazuyo Sejima...), sont également très élaborés, rappelant les architectones de Malévitch. Le sujet et le socle participent de la même recherche, à l’image des oeuvres de Brancusi. Les Stabiles en métal, évolution sensible des mobiles, empruntent aux oeuvres éponymes de Calder dans leur formes mais aussi à l’art cinétique dans leur construction. Xavier Veilhan was born in 1963, he lives and works in Paris, France. SOLO EXHIBITIONS (selection) : 2011 - Espace Louis Vuitton, Tokyo ; Andréhn-Schiptjenko,Stockholm ; Mücsarnok Kunsthalle, Budapest ; Cité Radieuse, Marseille ; Galerie Perrotin, Paris ; 2010-2011 - Louis Vuitton shop, New York Galerie Emmanuel Perrotin, Miami ; Le Carrosse, Metz ; The Mount, Lenox ; Kukje Gallery, Seoul ; Artcurial, Paris ; Sorry We’re Closed, Bruxelles ; Château de Versailles, Versailles ; Costes Restaurant Le Germain, Paris ; Pinacoteca Giovanni e Marella Agnelli, Torino ; Gering & López Gallery, New York ; Andréhn-Schiptjenko, Stockholm ; MAMC, Strasbourg ; The Photorealist Project, National Academy Museum, New York ; traveling to The Rose Art Museum, Brandeis University, Waltham (Massachusetts) ; Centro de Arte Caja de Burgos, Burgos ; Pinksummer, Genova ; Éléments célestes, artistic conception, Chanel Jewelry; traveling to Taïwan, Paris, New York, Hong Kong, Tokyo ; Espace 315, Centre Pompidou, Paris ; Fondation Vasarely, Aix-en-Provence ; traveling to Ecuries de Saint-Hugues, Cluny ; Galeria Javier Lopez, Madrid; Forum, Centre Pompidou, Paris ; Barbican Art Gallery, London ; Center for Contemporary Art, CCA Kitakyushu, Japan ; Figure n°2 (Nina) Konsthallen, Göteborg ; Fundació Joan Miró, Centre d’Estudis d’arte contemporani, Barcelona ; Le Magasin, Grenoble ; 2010 5th floor terrace, Centre Pompidou, Paris ; The Rhinoceros, Yves St. Laurent, New York Chêne, résine, peinture polyuréthane / Oak, resin, polyurethane pain PUBLIC PROJECTS : Palais des Congrès, Communauté Urbaine de Lyon (with Renzo Piano Building Workshop), 160 x 14,5 x 14 cm / 63 x 5 3/4 x 5 1/2 inches public work commissioned, Lyon ; Le Lion, Place Stalingrad, public work commissioned, Bordeaux ; Le Monstre, Place du Marché, public work commissioned, Tours SELECTED GROUP EXHIBITIONS (selection) : French window looking at the contemporary art through the Marcel Duchamp prize, Mori Art Museum, Tokyo (2011) ; Le Mont Analogue, Centro Cultural Metropolitan, Quito, traveling to Montevideo ; Les Elixirs de Panacée, Palais Bénédictine, Fécamp ; Chefs d’oeuvres?, Centre Pompidou, Metz; Art for the World (the Expo), The City of Forking Paths, World Expo 2010, Shanghaï ; Catch me, Kunsthaus Graz, Graz ; De leurs temps 3, (à l’occasion du 10ème anniversaire de l’ ADIAF), MAMC, Strasbourg ; Hors Pistes Another Images Mouvements, Centre Pompidou, Circuito Off, Cortile Palazzo ; Foscari Venezia ; Galerie Emmanuel Perrotin, Miami ; Le sort probable de l’homme qui avait avalé le fantôme, Conciergerie, Paris, curated by Christian Rizzo & Bernard Blistène, artistic director at the Pompidou Center ; Galerie Emmanuel Perrotin, Paris ; N’importe Quoi, Musée d’art contemporain de Lyon, Lyon ; Everything else, Franklin Parrasch Gallery, New York ; Demolition Party, Royal Monceau Palace Hotel, Paris; Allsopp Contemporary, London ; Prospect 1 New Orleans, Biennial of international contemporary art, New Orleans; The Incomplete, Chelsea Art Museum, New York; Intrusions au Petit Palais (works from the Fonds Municipal d’Art Contemporain), Petit Palais, Paris ; Airs de Paris, Centre Pompidou, Paris (La Cabane Éclatée aux Paysages Fantômes, a project with Daniel Buren; Aérolite, a musical show with Air) ; La Force de l’Art / Grand Palais 2006, Paris ; Supernova: Experience Pommery # 3, Domaine Pommery, Reims ; Thank You For The Music, Simon Lee Gallery, London ; Collection and new acquisitions, Viktor Pinchuk Foundation, Kiev ; Boucle, Jardin des Tuileries ; Ville Nouvelle, Cour de l’Hôtel de Ville, Nuit Blanche, Paris ; InTRANSIT from Object to Site, David Winton Bell Gallery, Brown University, Providence ; Water (Without You I’m not)-Thoughts of a fish in a deep sea, 3rd Biennial of Contemporary Art of Valencia, Valencia ; Fundacion La Caixa Collection, 20 years with Contemporary Art: New Acquisitions, Caixa Forum, Barcelona ; De lo Real y lo Ficticio: Arte contemporaneo de Francia, Museo de Arte Moderno de Mexico, Mexico City ; traveling to Bass Museum, Miami ; None of the Above, Swiss Institute – Contemporary Art, New York ; Genesis Sculpture: Experience Pommery #2, Domaine Pommery, Reims ; Eblouissement, Galerie Nationale du Jeu de Paume, Paris ; Contrepoint, Musée du Louvre, Paris ; D’un pas…L’autre, Jinan ; It Happened Tomorrow, 7th Lyon Biennale of Contemporary Art, curated by Le Consortium, Lyon ; Coollustre, Collection Lambert, Avignon, curated by Eric Troncy ; 25th edition of 2 International Biennial of Graphic Arts, Ljubljana, Slovenia, curated by Christophe Chérix and Lionel Bovier ; Glass Wall, device conceived for Faits et Gestes, Atelier de mécanique, Parc des ateliers SNCF, Arles ; Audiolab 2, Palais de Tokyo, Paris ; Collections croisées, CAPC, Bordeaux ; La Part de l’autre, Carré d’art, Nîmes ; Les animaux sortent de leur réserve, Centre Pompidou, Paris ; Sculpture Now, Palm Beach Institute of Contemporary Art, Palm Beach ; The Speed Art Museum, Louisville; Optical Optimism, Galerie Simonne Stern, New Orleans ; Light X Eight, Jewish Museum, New York ; 2002 Taipei Biennial: Great Figure n°1 (Xavier) Theatre Of The World, Taipei Fine Arts Museum, Taiwan ; Métamorphoses et Clonage, Musée d’art contemporain de 2010 Montréal ; Jour de fête, Centre Pompidou, Musée national d’art moderne, Paris ; Xn00, Espace des Arts, Châlon-sur- Saône; curated by L. Bovier in collaboration with E. Lebovici, JC Masséra, S. Moisdon Trembley, H.U. Obrist, assisted Chêne, résine, peinture polyuréthane / by Nicolas Trembley; Over the Edges, S.M.A.K., Gent ; The Collective Works, Centre d’art Contemporain de Toulouse, Oak, resin, polyurethane paint Toulouse ; L’oeuvre collective, Les Abattoirs, Toulouse; curated by Pascal Pique ; Vivre sa vie, Tramway, Glasgow, curated 171 x 13 x 15 cm / 67 1/4 x 5 1/4 x 6 inches by Tanya Leighton For all images : © Veilhan/Adagp, Paris, 2010 & Courtesy Galerie Perrotin, Paris & Miami For any additional information, please contact : Héloïse Le Carvennec [email protected] T. + 33 1 42 16 91 80.
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