Anarchists Are Terrorists
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EU and Member States' Policies and Laws on Persons Suspected Of
DIRECTORATE GENERAL FOR INTERNAL POLICIES POLICY DEPARTMENT C: CITIZENS’ RIGHTS AND CONSTITUTIONAL AFFAIRS CIVIL LIBERTIES, JUSTICE AND HOME AFFAIRS EU and Member States’ policies and laws on persons suspected of terrorism- related crimes STUDY Abstract This study, commissioned by the European Parliament’s Policy Department for Citizens’ Rights and Constitutional Affairs at the request of the European Parliament Committee on Civil Liberties, Justice and Home Affairs (LIBE Committee), presents an overview of the legal and policy framework in the EU and 10 select EU Member States on persons suspected of terrorism-related crimes. The study analyses how Member States define suspects of terrorism- related crimes, what measures are available to state authorities to prevent and investigate such crimes and how information on suspects of terrorism-related crimes is exchanged between Member States. The comparative analysis between the 10 Member States subject to this study, in combination with the examination of relevant EU policy and legislation, leads to the development of key conclusions and recommendations. PE 596.832 EN 1 ABOUT THE PUBLICATION This research paper was requested by the European Parliament's Committee on Civil Liberties, Justice and Home Affairs and was commissioned, overseen and published by the Policy Department for Citizens’ Rights and Constitutional Affairs. Policy Departments provide independent expertise, both in-house and externally, to support European Parliament committees and other parliamentary bodies in shaping legislation -
Secrets and Bombs: the Piazza Fontana Bombing and the Strategy of Tension - Luciano Lanza
Secrets and Bombs: The Piazza Fontana bombing and the Strategy of Tension - Luciano Lanza Secrets and Bombs 21: TIMETABLE – A Basic Chronology (with video links) January 29, 2012 // 1 2 Votes Gladio (Italian section of the Clandestine Planning Committee (CPC), founded in 1951 and overseen by SHAPE (Supreme Headquarters Allied Powers, Europe) 1969 25 April — Two bombs explode in Milan: one at the FIAT stand at the Trade Fair and another at the bureau de change in the Banca Nazionale delle Communicazione at Central Station. Dozens are injured but none seriously. AnarchistsEliane Vincileone, Giovanni Corradini, Paolo Braschi,Paolo Faccioli, Angelo Piero Della Savia and Tito Pulsinelliare arrested soon after. 2 July — Unified Socialist Party (PSU), created out of an amalgamation of the PSI and the PSDI on 30 October 1966, splits into the PSI and the PSU. 5 July — Crisis in the three-party coalition government (DC, PSU and PRI) led by Mariano Rumor. 5 August — Rumor takes the helm of a single party (DC — Christian Democrat) government. 9 August — Ten bombs planted on as many trains. Eight explode and 12 people are injured. 7 December — Corradini and Vincileone are released from jail for lack of evidence. Gladio 12 December — Four bombs explode. One planted in the Banca Nazionale dell’Agricoltura in the Piazza Fontana in Milan claims 16 lives and wounds a further hundred people. In Rome a bomb explodes in the Banca Nazionale del Lavoro, wounding 14, and two devices go off at the cenotaph in the Piazza Venezia, wounding 4. Another bomb — unexploded — is discovered at the Banca Commerciale in the Piazza della Scala in Milan. -
Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv
INVESTIGATING ITALY’S PAST THROUGH HISTORICAL CRIME FICTION, FILMS, AND TV SERIES Murder in the Age of Chaos B P ITALIAN AND ITALIAN AMERICAN STUDIES AND ITALIAN ITALIAN Italian and Italian American Studies Series Editor Stanislao G. Pugliese Hofstra University Hempstead , New York, USA Aims of the Series This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of spe- cialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fi elds of Italian and Italian American Studies by re-emphasizing their connection to one another. More information about this series at http://www.springer.com/series/14835 Barbara Pezzotti Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series Murder in the Age of Chaos Barbara Pezzotti Victoria University of Wellington New Zealand Italian and Italian American Studies ISBN 978-1-137-60310-4 ISBN 978-1-349-94908-3 (eBook) DOI 10.1057/978-1-349-94908-3 Library of Congress Control Number: 2016948747 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
PREVENTING TERRORISM? CONFLICT RESOLUTION and NATIONALIST VIOLENCE in the BASQUE COUNTRY Ioannis Tellidis a Thesis Submitted
PREVENTING TERRORISM? CONFLICT RESOLUTION AND NATIONALIST VIOLENCE IN THE BASQUE COUNTRY Ioannis Tellidis A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2008 Full metadata for this item is available in the St Andrews Digital Research Repository at: https://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/426 This item is protected by original copyright This item is licensed under a Creative Commons License Preventing Terrorism? Conflict Resolution and Nationalist Violence in the Basque Country Ioannis Tellidis Thesis submitted for the degree of DOCTOR OF PHILOSOPHY In the School of International Relations, UNIVERSITY OF ST. ANDREWS September 2007 i Abstract This study examines the debates on nationalism, terrorism and conflict resolution, and intends to identify, on the one hand, the reasons why and the instances in which nationalist discourses usurp the notions of political violence and present it as a legitimate option for opposing a State, and on the other, whether there exist circumstances where conflict resolution techniques and approaches can be useful in isolating terrorist discourses from the nationalist ones, without necessarily criminalising the latter. The study employs a critical and discourse analysis approach to explaining ethno-nationalist and terrorist phenomena, arguing that a contextualisation of the nationalist and terrorist objects of study is necessary in order to comprehensively analyse the relationship between the two, and the instances where the former gives rise to the latter. The purpose of the study is to develop a theoretical framework for the understanding of nationalism and terrorism as interconnected practices, and looks into ways in which conflict resolution can intervene and prevent the infusion of the two. -
Milan and the Memory of Piazza Fontana Elena Caoduro Terrorism
Performing Reconciliation: Milan and the Memory of Piazza Fontana Elena Caoduro Terrorism was arguably the greatest challenge faced by Western Europe in the 1970s with the whole continent shaken by old resentments which turned into violent revolt: Corsican separatists in France, German speaking minorities in Italy’s South Tyrol, and Flemish nationalists in Belgium. Throughout that decade more problematic situations escalated in the Basque Provinces and Northern Ireland, where ETA and the Provisional IRA, as well as the Loyalist paramilitary groups (such as the UVF, and UDA) participated in long armed campaigns. According to Tony Judt, two countries in particular, West Germany and Italy, witnessed a different violent wave, as the radical ideas of 1968 did not harmlessly dissipate, but turned into a ‘psychosis of self- justifying aggression’ (2007, p. 469). In Italy, the period between 1969 and 1983, where political terrorism reached its most violent peak, is often defined as anni di piombo, ‘the years of lead’. This idiomatic expression derives from the Italian title given to Margarethe Von Trotta’s Die bleierne Zeit (1981, W. Ger, 106 mins.), also known in the UK as The German Sisters and in the USA as Marianne and Juliane.1 Following the film’s Golden Lion award at the 1981 Venice Film Festival, the catchy phrase ‘years of lead’ entered common language, and is now accepted as a unifying term for the various terrorist phenomena occurred in the long 1970s, both in Italy and West Germany. By the mid 1980s, however, terrorism had begun to decline in Italy. Although isolated episodes of left-wing violence continued to occur – two governmental consultants were murdered in 1999 and in 2002 respectively – special laws and the reorganisation of anti-terrorist police forces enabled its eradication, as did the 1 collaboration of many former radical militants. -
Building a Global Terrorism Database
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Building a Global Terrorism Database Author(s): Gary LaFree ; Laura Dugan ; Heather V. Fogg ; Jeffrey Scott Document No.: 214260 Date Received: May 2006 Award Number: 2002-DT-CX-0001 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. BUILDING A GLOBAL TERRORISM DATABASE Dr. Gary LaFree Dr. Laura Dugan Heather V. Fogg Jeffrey Scott University of Maryland April 27, 2006 This project was supported by Grant No. 2002-DT-CX-0001 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of view in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. Department of Justice. TABLE OF CONTENTS Excutive Summary.................................................................................................. 1 Building a Global Terrorism Database ................................................................... 4 The Original PGIS Database.......................................................................... 6 Methods.................................................................................................................. -
Accidental Death of an Anarchist DARIO FO 1970
Accidental Death of an Anarchist DARIO FO 1970 https://www.encyclopedia.com/arts/educational-magazines/accidental-death-anarchist INTRODUCTION Dario Fo's Accidental Death of an Anarchist (1970) responds to events unfolding in Italy in the late 1960s and early 1970s. Generally, it looks at police corruption and suspicions regarding the government's collusion in this corruption. More specifically, it addresses the actual death of an anarchist who was being held in police custody following the bombing of a Milan bank that killed sixteen people and wounded about ninety. The police asserted that the anarchist's death was a suicide, that the man threw himself from a fourth-floor window in despair at being found out for his crime. At the subsequent inquest, the presiding judge declared the death not a suicide but an accident. Most Italians believed that the death was the result of overly harsh interrogation techniques, if not a case of outright murder on the part of the interrogators. Accidental Death of an Anarchist is mainly about police corruption, underscored by the play's focus on impersonation, infiltration, and double-talk. A fast-talking major character, the Maniac, infiltrates a police headquarters. Posing as an investigating judge, he tricks the policemen into contradicting themselves and admitting that they are part of a cover-up involving the death of an anarchist. In infiltrating police headquarters by misrepresenting himself (impersonation), the Maniac reminds audiences of how most political groups in Italy, particularly left-wing groups, were infiltrated by police agents who acted as informers. The Maniac's flip-flop of point of view and statement achieves much the same effect as his impersonations do. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: King, Amy Title: Italy’s secular martyrs the construction, role and maintenance of secular martyrdom in Italy from the twentieth century to the present day General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Italy’s secular martyrs: the construction, role and maintenance of secular martyrdom in Italy from the twentieth century to the present day Amy King A thesis submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts. -
The Fallout in Spain (PDF)
Woodrow Wilson Center Press Chapter Title: After the 2004 Madrid Train Bombings: The Fallout in Spain Book Title: Al-Qaeda's Revenge Book Subtitle: The 2004 Madrid Train Bombings Book Author(s): Fernando Reinares Published by: Columbia University Press; Woodrow Wilson Center Press Stable URL: https://www.jstor.org/stable/10.7312/rein70454.22 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Columbia University Press and Woodrow Wilson Center Press are collaborating with JSTOR to digitize, preserve and extend access to Al-Qaeda's Revenge This content downloaded from 208.95.48.49 on Sun, 27 Jun 2021 21:56:56 UTC All use subject to https://about.jstor.org/terms 14 After the 2004 Madrid Train Bombings: The Fallout in Spain The 3/11 attacks in Madrid, which killed 191 and injured over 1800 people, had other domestic consequences beyond their already-mentioned impact on the Spanish general elections that took place three days later, on March 14. Again, there is little doubt that the mobilization of a significant segment of the electorate, spurred by the terrorist massacre and its aftermath, secured the victory of the Partido Socialista Obrero Español at the polls. -
Accidental Death of an Anarchist Dario Fo
Accidental Death of an Anarchist Dario Fo Introduction “The public who came to the theatre – progressive students, workers, but also large numbers of the lower middle classes – was overwhelmed by the grotesque and apparently mad way in which the play worked. They split their side laughing at the effects produced by the comical and at the same time satirical situations. But as the performance went on, they gradually came to see that they were laughing at the whole time at real events, events which were criminal and obscene in their brutality: crimes of the state.” Dario Fo on the audience reactions to the first performances of Morte accidentale di un anarchico in Milan. Dario Fo has long been regarded as one of Italy’s foremost writers whose plays have been published and performed all over the world. He is also seen as one of the leading, modern political satirists. Accidental Death of an Anarchist is one of his defining plays and its origins are absolutely rooted in the left-wing workers’ political struggle against injustice, oppression and corruption. At 16:45 on the 12th of December 1969 a slow burning fuse detonated 18lbs of explosives hidden in Milan’s Banca Nazionale Dell’Agricoltura (National Agricultural Bank), in Piazza Fontana. The resulting explosion ripped through the building, killing 16 people and injuring 88. At the same time another bomb detonated in a bank in Rome and yet another unexploded device was discovered in the Tomb of the Unknown Soldier. Soon after the Piazza Fontana explosion, the police arrested around 80 socialists, communists and known anarchists, including Giuseppe ‘Pino’ Pinelli. -
La Lapide Con Su Scritto: «A GIUSEPPE PINELLI FERROVIERE
La lapide con su scritto: «A GIUSEPPE PINELLI FERROVIERE ANARCHICO UCCISO INNOCENTE NEI LOCALI DELLA QUESTURA DI MILANO IL 16-12-1969 GLI STUDENTI E I DEMOCRATICI MILANESI» fu collocata nei giardini davanti alla Banca Nazionale dell’Agricoltura in piazza Fontana, la sera del 16 dicembre 1977, su iniziativa del Cuam (Collettivo unitario antifascista milanese) e del Movimento lavoratori per il socialismo, da un gruppo di studenti, anarchici ed ex partigiani, presenti la mamma di Giuseppe Pinelli, Rosa Malacarne, e Lidia Franceschi. Almasio Cavicchioni-buenaVista photo 1 In tutti gli anni successivi fu meta dei cortei che ogni anno, il 12 e il 15 dicembre, data assunta dagli anarchici milanesi come anniversario dell’assassinio di Pinelli, si concludevano in quella piazza. Sfregi e imbrattamenti si susseguirono in quegli stessi anni ad opera in particolare dei fascisti che vi si accanirono con vernice nera. Fu sempre ripulita. Nel 1982 la lapide fu distrutta a martellate. Fu sostituita sabato 11 dicembre, con una nuova e più grande, con la stessa scritta, posta dal Partito di unità proletaria, nel corso di una manifestazione studentesca promossa unitariamente da Democrazia proletaria e dal Pdup. Prima di questa un’altra lapide dedicata a Giuseppe Pinelli era stata precedentemente inaugurata il 15 dicembre 1975 in piazzale Lugano dagli anarchici milanesi con la seguente iscrizione: «NEL SESTO ANNIVERSARIO DELL’ASSASSINIO DI GIUSEPPE PINELLI GLI ANARCHICI MILANESI TESTIMONIANO CHE NON ARCHIVIERANNO QUESTO DELITTO DI STATO» 1987 A seguito delle reiterate proteste da parte della Questura milanese e dei partiti di destra, fascisti in primis, con pressioni esercitate anche dalla Procura della Repubblica, il 10 novembre 1987, la giunta milanese guidata dall’esponente socialista Paolo 2 Pillitteri e composta da Dc, Psi, Pri, Psdi e Pli, annunciava la decisione che la lapide sarebbe stata rimossa e portata al Museo di storia contemporanea di via Sant’Andrea. -
An Introduction to the Education Pack
ACCIDENTAL DEATH OF AN ANARCHIST An Introduction to the Education Pack This Education Pack is Designed to accompany “ Accidental Death Of An Anarchist” produced by Northern Broadsides. It is divided into two sections: Behind the Scenes Background & Research Behind the Scenes consists of interviews (in both written and video form), images and photographs designed to give you an insight into how Northern Broadside’s have approached this production. All the interviews, drawings and photographs were taken during the 3 week rehearsal period at the rehearsal space in Halifax and the Viaduct Theatre in Halifax. Behind the Scenes contains: an interview with Richard G Jones, Lighting Designer actors’ question Time a gallery of photographs from rehearsals Photo diary of a Get In illustrations of costume designs for the play illustrations of set designs for the play Background and Research contains articles, background information on the playwright, styles of theatre, different practitioners and the people on whom the play is based. It is designed to provide: discussion topics for seminars and essays learners with an opportunity to explore aspects of the play in more detail. These have been put together for students studying Drama, Theatre Studies and Politics at both A level and Degree Level. Background and Research consists of: Dario Fo—a brief history Guiseppe Pinelli—the man whose death inspired this play Jean Charles De Menezes and The Anarchist Salsa ‘The Task of Anarchy’ —an article by Deborah McAndrew Bertolt Brecht—a brief history Commedia dell’Arte—a brief history A breakdown of the characters in the play definitions of anarchism interesting links We hope that you enjoy this pack.