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The Comment, January 23, 1986
Bridgewater State University Virtual Commons - Bridgewater State University The ommeC nt Campus Journals and Publications 1986 The ommeC nt, January 23, 1986 Bridgewater State College Volume 61 Number 1 Recommended Citation Bridgewater State College. (1986). The Comment, January 23, 1986. 61(1). Retrieved from: http://vc.bridgew.edu/comment/518 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. WhOGPI• Goldbtlrg thlnH p.7 Bridgewater State College m nt Janmry 23, 1_111 Vol XXXI _no 1 BS C's Pres.. Rondlleau resigns By Rondileau•s resignation was voted on Brent Rossi and and accepted by the Board of Trustees Roger Spring and the establishment of a screening and search committee will begin shortly. This After 24 years as President of the col committee, which will be chosen by the lege, Dr. Adrian Rondileau announced Board, will include members of the his ·resignation to the Board of Trustees administration, faculty, student body, on January IS. His resignation is effective alumni, and trustees. They will interview as of September l, 1986. all applicants. After they make their In his letter of resignation, Rondileau recommendations to _the Board, the promised to "do everything possible so Board, in turn, will make their recom that there may be a smooth transition n of mendations to the Massachusetts Board power. He also stated that "'in the of Regents. monthes ahead, we will all work together The president, who has been in office to foster and increase the forward during -what has been a period of great momentum of the College." diversification and enrichment of the col. -
June 2, 2018 FOLMC Record Auction Artist Title Label Catalog Notes Lot
June 2, 2018 FOLMC Record Auction Artist Title Label Catalog Notes Lot 1 Steely Dan Steely Dan's Greatest Hits MCA MCA2-6008 Lou Reed Rock and Roll Diary 67-80 Arista A2L 8603 Lot 2 Peter Gabriel So Geffen GHS 24088 A-ha Hunting High and Low Warner Bros 25300 John Waite Mask of Smiles EMI ST17164 Includes Poster Lot 3 Stray Cats Built For Speed EMI ST-17070 Shrink Steve Winwood Back in the High Life Island 25448-1 Lot 4 The Righteous Brothers Souled Out Verve V6-5031 Blue Label, Silver Print, T-Neck The Righteous Brothers Go Ahead and Cry Verve V6-5004 Blue Label, Silver Print, Deep Groove, T-Neck Lot 5 Talking Heads True Stories Sire 25512-1 Shrink, Hype Sticker Queen Queen Electra 75064 Shrink, Monarch Label Lot 6 Andy Summers & Robert Fripp I Advanced Masked A & M SP4913 Shrink, Hype Sticker Sting Nothing Like the Sun A & M SP6402 Shrink, 2 LP, Hype Sticker Lot 7 Creedence Clearwater Revival Cosmo's Factory Fantasy 8402 Blue Label Jimi Hendrix Experience Smash Hits Reprise 2025 Lot 8 ZZ Top Rio Grande Mud London XPS 612 Promo Sticker, Blue Label Boxed Rolling Stones Beggars Banquet London PS539 Gatefold Lot 9 Leon Russell Leon Russell Shelter SHE1001 Superman Logo Scott Fagan South Atlantic Blues Atco SD33-267 Lot 10 Gabor Szabo Rambler CTI Records 6035 Gatefold, RVG Pat Martino Strings! Prestige 7547 Preview Copy Lot 11 Pink Floyd The Wall Columbia PC236183 Gatefold Roger Waters Radio K.A.O.S Columbia FC40795 Lot 12 Led Zeppelin Led Zeppelin Atlantic SD8216 RAII Gold Record Award Sticker The Kinks Sleepwalker Arista AL4106 Lot 13 Deep Purple Made in Japan Warner Bros 2WS 2701 Gatefold, 2 LP Eric Clapton History of Eric Clapton Atco SD2-603 Gatefold, 2 LP Lot 14 Miles Davis Bitches Brew Columbia GP26 Gatefold, 2 LP Lot 15 R.E.M. -
Charles Town Samstag, 3
Charles Town Samstag, 3. Oktober 2020 Race 1 1 01:00 900 m 22.000 Race 2 2 01:32 1400 m 10.000 Race 3 3 02:02 1400 m 17.000 Race 4 4 02:32 900 m 15.000 Race 5 5 03:02 1300 m 10.500 Race 6 6 03:32 1300 m 14.000 Race 7 7 04:02 1300 m 26.000 Race 8 8 04:32 900 m 24.000 03.10.2020 - Charles Town ©2020 by Wettstar / LiveSports.at KG / Meeting ID: 213679 Seite 1 03.10.2020 - Charles Town Rennen # 10 Seite 2 WANN STARTET IHR PFERD... A. P. d'Oro 5 Cook The Books 4 Meet Ms Bobbi Rae 4 Paul's Plunder 8 Step Out Dancing 3 Bay Hill 5 Cryptosonde 2 Meyers Storm 2 Prince Of Windsor 3 Super Garner 3 Bella Femmina 4 Danz A Rebel 5 Modern Cowpoke 2 Respected 6 Swiss Sunrise 1 Best Shot 1 Fancy Concho 7 Mongolian Angel 8 Righteous Man 7 Thank You Girl 6 Blimey Limey 5 Feisty And Sassy 7 Moon Me Again 8 Rip Thorn 7 Thunder Punch 4 Bold Valor 3 Global First 4 Ms. Haiti 8 Roaring Sidecar 6 Traci's Girl 8 Bustin Bunny 8 Grand Fiber 1 Northern Heat 6 Rocket Road 3 Trikki Nikki 8 Carter's Run 3 Harbour Town 7 Not A Trick 1 Scythe 1 Weaving You Behind 2 Cashton Peak 5 He's A Gold Digger 7 Nurse Tompkins 6 Shore Shot 8 Whiskey Humor 7 Catch My Caboose 3 Hot Possebility 6 Offshore Trip 5 Smookie 8 Whoa Black Betty 8 Celia's Pride 4 Lil Silver Fox 2 Outvoted 5 So Red The Rose 6 Wild Cork 4 Charitable Visit 3 Mayhem Like Me 7 Pap's Legacy 2 Stacksdenero 5 Your Eyes To Mine 6 WANN STARTET IHR JOCKEY / FAHRER.. -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
Artist Review: Revisiting Sting-An Under-Recognized Existentialist Song Writer1
International Journal of Multidisciplinary Research and Growth Evaluation www.allmultidisciplinaryjournal.com International Journal of Multidisciplinary Research and Growth Evaluation ISSN: 2582-7138 Received: 01-05-2021; Accepted: 18-05-2021 www.allmultidisciplinaryjournal.com Volume 2; Issue 3; May-June 2021; Page No. 550-561 Artist review: Revisiting sting-an under-recognized Existentialist song writer1 Li Jia International College, Krirk University, Thanon Ram Intra, Khwaeng Anusawari, Khet Bang Khen, Krung Thep, Maha Nakhon10220, Thailand Corresponding Author: Li Jia Abstract Artistic expressions such as songs and poetry are examples of a solo artist but also helped him in communicating his free activities and are privileged modes of revealing what the thoughts and ideals to the world. His music, words and life world is about. Art’s power, in the case of existentialism, is are inextricably linked and this can be seen in many of Sting to a large extent devoted to expressing the absurdity of the ’s confessional songs that have connections to events in his human condition since for the existentialists, the world in no personal life. Existential characteristics have affected Sting longer open to the human desire of meaning and order. Sting both as a person and a musician. This paper calls for more is included in this pool of gifted artist and his talent in making researches on his music legacy that the world owned him for songs has not only paved the way for his successful career as a long time. Keywords: Sting, Existentialist, Song Writer Introduction Artistic expressions such as songs and poetry are examples of free activities and are privileged modes of revealing what the world is about. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Pugh-Sellers 1 Seeing Humans, Making Commodities: Slave Ship
Pugh-Sellers 1 Seeing Humans, Making Commodities: Slave Ship Rebellions on Film Senior Thesis Presented to The Faculty of the School of Arts and Sciences Brandeis University Undergraduate Program in African and African-American Studies and History Chad Williams, Adviser In partial fulfillment of the requirements for the degree of Bachelor of Arts By Lucia Pugh-Sellers April 2020 Committee members: Name: Chad Williams Signature:___________________________________ Name: Alice Kelikian Signature:___________________________________ Name: Faith Smith Signature:___________________________________ Pugh-Sellers 2 ACKNOWLEDGEMENTS I would like to thank my committee members, who have inspired and helped me enormously during my time at Brandeis. I am grateful to know Professors Faith Smith and Alice Kelikian, who each influenced me so much, and ultimately changed my life. Professor Chad Williams, my thesis advisor, was a model of patience, offering step-by-step guidance and sage advice. His dedication to teaching was evident from the first day I stepped into his class, when he showed himself willing to engage with an intimidated first-year student. I could not have finished this thesis without these profoundly important academic mentors. I also want to thank everyone else who helped me through this thesis process, particularly: Kavita, for being my thesis-writing buddy and commiserator; Yael, for her empathy; Allison, for advice and laughter; Tamar; my thesis cohort (Dannie, Victoria, and Jake). Finally, I would like to acknowledge my family, especially my parents and sisters, for their wholehearted support, which keeps me going. I recognize and wrestle with my positionality as white woman, and one who has largely benefited from the systems of racism I describe here. -
Richard Matthews Hallet: Architect of the Dream
Colby Quarterly Volume 7 Issue 10 June Article 3 June 1967 Richard Matthews Hallet: Architect of the Dream Richard Cary Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 7, no.10, June 1967, p.416-452 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary: Richard Matthews Hallet: Architect of the Dream For the of Born in Bath, Maine July 21,1887 We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, A nd sitting by desolate streams. ARTHUR O'SHAUGHNESSY Published by Digital Commons @ Colby, 1967 1 Colby Quarterly, Vol. 7, Iss. 10 [1967], Art. 3 https://digitalcommons.colby.edu/cq/vol7/iss10/3 2 Cary: Richard Matthews Hallet: Architect of the Dream Colby Library Quarterly Series VII June 1967 No. 10 RICHARD MATTHEWS HALLET: ARCHITECT OF THE DREAM By RICHARD CARY T ROAD'S END on Spruce Point in the morn A ing of a spring day, white light deflects off the blue waters of Boothbay Harbor and picks out the equally blue eyes of a large man slumped in a deep chair, deep in the room. Books in long files dominate the walls, and tables are stacked with reading matter of many descriptions. Out of this deceptively passive atmosphere rises a voice with the quality of a subdued gale, rich and easy and glad, the voice of a born yarner. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
CRE 209 18 Wheeler the Revea
Artist Record Format Notes 18 Wheeler Boddha UK 7" CRE 198 18 Wheeler Steel Guitars UK 7" CRE 209 18 Wheeler The Revealer UK 7" CRE 188 60 FT Dolls Alison's Room UK 7" Red vinyl - # 2094 60 FT Dolls Happy Shopper UK 7" Singned by all three members - gray vinyl 60 FT Dolls Talk To Me UK 7" Signed by all three members - orange vinyl 60 FT Dolls The Big 3 US CS Promo Geffen promo cassette Arcadia Goodbye Is Forever US 7" Picture sleeve Arcadia So Red The Rose US LP With lyric insert Arcadia Election Day US 7" Picture sleeve Arnold Barn Tapes UK 10" Arnold Windsor Park UK 7" CRE 300 Ash Angel Interceptor UK 7" # 95 Audience, The A Pessimist Is Never Disappointed UK 7" Yellow vinyl with poster Babe The Blue Ox Chicken Head Bone Sucker US 7" Ballroom Take It UK 7" MUM 92 Ballroom Take It UK 7" MUM 106 - later release with different sleeve Beekeepers, The Hold On UK 7" Bernard Butler Stay Together UK 7" CRE 281 Bikini Kill I Like F***ing US 7" Kill Rockstars - with sticker and insert/poem Bikini Kill New Radio US 7" Kill Rockstars Bikini Kill Peel Sessions US 7" Bikini Kill/Huggy Bear Split 12" UK LP Bis Keroleen UK 7" Split 7" with Heavenly - K Records Bis Pop Song UK 7" Split 7" with Lugworm Bis Sweet Shop Avengers UK 7" Wiiija - pink sleeve Bis Sweet Shop Avengers (Hi-Fi Mix) UK 7" Wiiija - yellow sleeve Black Box Recorder Child Psychology UK 7" Bluetones Marblehead Johnson UK 7" # 1043 Bluetones Sleazy bed track UK 7" # 2504 Blur Charmless Man UK 7" FOOD 77 - Gatefold Blur Charmless Man US CD Promo Promo CD with unique sleeve Blur Chemical World UK 7" FOOD 45 - red vinyl Blur Country House UK CD Blur M.O.R. -
2008 Erik Axel Karlfeldt Memorial Open Round 10
2008 Erik Axel Karlfeldt Memorial Open Round 10 1. A 2003 album by Portastatic whose first track was “Oh Come Down” had a title which referred to the “summer” of one of these. A song which asks “Do you need someone to hide behind?” and which instructs someone to “ignore the shadows on the wall” refers to the “season” of one of these. In addition to that Yo La Tengo song, this animal gives its name to an indoor soccer team which plays in Amway Arena in Orlando, as well as a hockey team which plays at HP Pavilion on the West Coast. Madeleine Poe is played by Sarah Carter on a TV show of this name, in which the main character is a deputy district attorney played by James Woods. FTP, name this vicious aquatic animal which features in the novel Meg and the movie Jaws. ANSWER: shark (accept The Summer of the Shark before the second sentence) 2. In its first episode, Jon Glaser played Mr. Story, though Flavor Flav’s guest appearance was sadly cut. Other guest stars include Dick Gregory as the Sun and David Cross in roles like T-Totaled Timbo and Junkyard Jessup. Memorable episodes include one about Liquid Imagination, while the second half of one episode is the first half played backwards. Regular segments include “Funny/Not Funny” featuring mangled corpses, awkward interviews by children in “Beat Kids,” and man-on- the-street interviews by a blue-tinted character. Clarence, anthropomorphic letters, and the main character Chauncey are puppets on, FTP, what surrealist MTV2 show which is presented as a parody of children’s shows. -
Virginia Woolf, Hd, Germaine Dulac, and Walter Benjamin
LYRIC NARRATIVE IN LATE MODERNISM: VIRGINIA WOOLF, H.D., GERMAINE DULAC, AND WALTER BENJAMIN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Cheryl Lynn Hindrichs, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Professor Sebastian Knowles, Adviser Approved by Professor Brian McHale ______________________________ Professor James Phelan Adviser Graduate Program in English ABSTRACT This dissertation redefines lyric narrative—forms of narration that fuse the associative resonance of lyric with the linear progression of narrative—as both an aesthetic mode and a strategy for responding ethically to the political challenges of the period of late modernism. Underscoring the vital role of lyric narrative as a late- modernist technique, I focus on its use during the period 1925-1945 by British writer Virginia Woolf, American expatriate poet H.D., French filmmaker Germaine Dulac, and German critic Walter Benjamin. Locating themselves as outsiders free to move across generic and national boundaries, each insisted on the importance of a dialectical vision: that is, holding in a productive tension the timeless vision of the lyric mode and the dynamic energy of narrative progression. Further, I argue that a transdisciplinary, feminist impulse informed this experimentation, leading these authors to incorporate innovations in fiction, music, cinema, and psychoanalysis. Consequently, I combine a narratological and historicist approach to reveal parallel evolutions of lyric narrative across disciplines—fiction, criticism, and film. Through an interpretive lens that uses rhetorical theory to attend to the ethical dimensions of their aesthetics, I show how Woolf’s, H.D.’s, Dulac’s, and Benjamin’s lyric narratives create unique relationships with their audiences.