Tour Report 3 - 10 June 2018
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East Hartford Club Guest of Rotarians Here Will Plan
4 ft**? '*"!' «#<, *-r**i,T'' *•»> * > ..,... '" T'^ :'H • . '*£! Sj-L , V-.J" «•*• #4,? ,&S C?,# x •••••••' ;:-. '" *' \¥" "i^S>J? • : • 7,v#sBffi THE ONLY NEWSPAPER PUBLISHED IN THE TOWN OF ENFIELD, CONN. Fifty-Third Year—No. 24. THOMPSONVILjaErCONN., THURSDAY, SEPT. 29, 1932 Subscription $2.00 Per Year—Single Copy 5c. EAST HARTFORD Things to Remember Before Voting ENDORSED FOR Town Tickets As They Will Be DEMOCRATS TO CLUB GUEST OF At the Town Election Next Monday REGIONAL LOAN HOLD RALLY AT ROTARIANS HERE Voted At Election Next Monday The polls in all three of the voting districts will open at 6 A. M. BANK DIRECTOR THE HIGH SCHOOL and close at 4 P. M. DEMOCRATIC REPUBLICAN First Inter-City Meeting Avoid confusion by checking up in which district or precinct you Assessor are registered before balloting. Walter P. Schwabe Be Michael A. Mitchell Henry J. Bridge Local Candidates And Proves Unusually Suc _ Jn Thompsonville, if you live south of the Asnuntuck Brook, the ing Urged For Direc jrona or Freshwater Brook you are in Precinct 1, and you vote at the Board of Relief Out of Town Speakers cessful— Rev. Charles Town Court Room. torship of New Eng Michael J. Liberty Jeremiah H. Provencher Will Be Heard Tomor Noble of Hartford Ad If you live on the north side of the above named bodies of water Selectmen you are in Precinct 2, and your voting place is the Higgins School land Branch,of Federal Patrick T. Malley Orrin W. Beehler row Night—No Repub dresses Gathering. Auditorium. Francis T. Carey Robert J. -
BRACELETS. FASHIONABLE VISITORS and GUIDE ORAGE. Latest Creations in FETE and EVENING GOWNS at Moderate Prices WINES, SPIRITS An
GOLD WATCH AED BRACELETS. NEWEST AND BEST. LIMITED Real Gold Self-fitting Bracelets IjO W E S T POSSj b l b p r i c e s . xoith Jewelled Lever W atcher FROM 6 0 /- EACH. W m . Brufcrd&Son, GUARANTEED. Goldsmiths and Silversmiths, FASHIONABLE VISITORS AND GUIDE Wm, Bruford & 8on, ORAGE. 100, Terminus-rd., Eastbourne T e l e p h o n e : 22a;, E a s t b o u r n e Registered at the G.P.O. as a N ew spaper. EASTBOURNE, SATURDAY: NOVEMBER «, 1916 ised in Separate E s t a b l i s h e d 1856, PRICE ONE PENNY. impartments. ■ p ASTBOVRNB COLLEGE SCHOOL OF COMM] HE LADIES’ COLLEGE* Warehouses MARY H . COOPER, A r t i s t i c C o u r t D r e s s m a k e r . President i i QRA8 8 INGTON ROAD, EASTBOURNE. of 1 1 . PXVIINMY b o a s . THE DUKE OF DEVONSHIRE, T Shorthand, Typewrittn f. Book-keeping. Bus) A Day School for the Daughters of Cfeat l s a w i bourne. } VI Principals: toC. Geography, Arlthi ictlo, Latest Creations in FETE and EVENING GOWNS at Moderate Prices Head M aster t , The REV. V, S. WILLIAMS, K.A. MISS HITCHCOCK amd MISS CRAKE 'CERTIFICATED TE, .0H1 (Successors to Mias Dee Rnellee) -te-date Vans. Sohools ORIGINAL AND EXCLUSIVE DESIGNS. i - t 1 THE GAS COMPANY Assisted by a large Staff of Resident and Vhdtine Day and Evening cia nee. ' t- | ' !' ‘ * ^ Masters and Mistresses. -
Robert Morgan
ROBERTthe age of discovery MORGAN Kentucky Folk Art Center is a cultural and educational service of Morehead State University. Copyright © 2011 by Morehead State University Essay: Adrian Swain Acknowledgements & Introduction: Matt Collinsworth Catalog Design & Editing: Matt Collinsworth Photography: Melissa McIntosh TABLE OF CONTENTS Acknowledgements 2 Introduction 6 Wonderful Things by Adrian Swain 8 Checklist 44 1 ACKNOWLEDGEMENTS THIS PROJECT WOULD could not have been completed without the support of numerous individuals and organizations. First, we thank the artist Robert Morgan. He opened his home to us many times. He talked with us. He told us where to find works and loaned us his own. He helped us load hordes of brightly colored warriors into the back of moving vans. He spent the past twenty years making this work. Secondly, we want to thank all the individual collectors and institutions who loaned works of art: Jim Brancaccio, Linda Breathitt, Barry and Laura Crume, Georgia Henkel, Susan Masterman, Van Meter Pettit and Linda Blackford, Dan and Wendy Rowland, the University of Kentucky Art Museum, and UK HealthCare. As always, we owe our thanks to everyone at Morehead State University, our parent institution. Without MSU’s consistent support and trust, projects like this would be impossible. We also offer our thanks to the Friends of Kentucky Folk Art Center Board of Directors, who work diligently on our behalf. Fires of Pangea, 2010, Found materials, 43 x 40 x 24 2 Like a grand procession to music of distant bugles pouring, triumphantly moving, and grander heaving in sight, They stand for realities—all is as it should be. -
Fonds C 7-3 John Boyd Numbered Photographs
List of: Fonds C 7-3 John Boyd numbered photographs Reference File Item Title and Physical Description Date Ordering Information Code Code C 7-3 Hauling in his Christmas meat [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 Red fox tracks on a fallen log. [duplicate of C 7-2-0-4- [189-] To view, order C 7-3, in 25] container B117468 1 photograph C 7-3 [Butterfly on a twig; not the same image as C 7-2-0-4- [189-] To view, order C 7-3, in 23] container B117468 1 photograph C 7-3 [Boys playing under a stone bridge] [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 The joys of the summer breakers [shows children at [189-] To view, order C 7-3, in the beach] container B117468 1 photograph C 7-3 [Stormy sky over Queen's Park, Toronto] [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 On the St. Clair River, S.S. "Tashmoe" [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 Along Talford Creek [shows man fishing; duplicate of C [189-] To view, order C 7-3, in 7-2-0-4-65] container B117468 1 photograph C 7-3 [Rowing on an afternoon] [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 Chippawa Indian guide on a fishing trip [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 Evening bass fishing at Kettle Point - Lake Huron [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 [An interesting fault line in a river bank] [189-] To view, order C 7-3, in 1 photograph container B117468 C 7-3 [Roman Catholic wooden church on hillside] -
Doors Open Block Party See Inside Cover for Information
DOORS OPEN BLOCK PARTY SEE INSIDE COVER FOR INFORMATION Free access to 170+ buildings and 35+ tours across Milwaukee over 2 days. EXPLORE YOUR CITY! We have a new website— visit doorsopenmilwaukee.org to build your itinerary. Tripoli Shrine Center, photo by Jon Mattrisch, JMKE Photography A SPECIAL THANK YOU TO OUR PRESENTING SPONSOR, WELLS FARGO AND TO THE NATIONAL ENDOWMENT OF THE ARTS, FOR RECOGNIZING DOORS OPEN WITH AN ART WORKS DESIGN GRANT. DOORS OPEN IS GRATEFUL FOR THE GENEROUS SUPPORT FROM OUR SPONSORS IN-KIND SPONSORS DOORS OPEN MILWAUKEE BLOCK PARTY & EVENT HEADQUARTERS East Michigan Street, between Water and Broadway (the E Michigan St bridge at the Milwaukee River is closed for construction) Saturday, September 28 and Sunday, September 29 PICK UP AN EVENT GUIDE ANY TIME BETWEEN 10 AM AND 5 PM BOTH DAYS ENJOY MUSIC WITH WMSE, FOOD VENDORS, AND ART ACTIVITIES FROM 11 AM TO 3 PM BOTH DAYS While you are at the block party, visit the Before I Die wall on Broadway just south of Michigan St. We invite the public to add their hopes and dreams to this art installation. Created by the artist Candy Chang, Before I Die is a global art project that invites people to contemplate mortality and share their personal aspirations in public. The Before I Die project reimagines how walls of our cities can help us grapple with death and meaning as a community. 2 VOLUNTEER Join hundreds of volunteers to help make this year’s Doors Open a success. Volunteers sign up for at least one, four-hour shift to help greet and count visitors at each featured Doors Open site throughout the weekend. -
From Tamburlaine to Henry V
ORE Open Research Exeter TITLE The Smoke of War: From Tamburlaine to Henry V AUTHORS Preedy, CK JOURNAL Shakespeare DEPOSITED IN ORE 15 January 2019 This version available at http://hdl.handle.net/10871/35467 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication The Smoke of War: From Tamburlaine to Henry V Early in Tamburlaine Part 1, Marlowe’s protagonist promises that his army’s bullets, “[e]nrolde in flames and fiery smouldering mistes”, will occupy the heavens (2.3.20). Uniting the technological with the supernatural, Tamburlaine is characterised as a warrior who commands the “compasse of the killing bullet” (2.1.41), with the smoky emissions generated by his ordnance complementing his martial ambitions. As Tamburlaine and his rival Bajazeth compete for discursive and material control of the fictional – and theatrical - air, deploying smoke, flying bullets, and airborne contagion, Marlowe’s drama introduces an association between pollution and achievement that Shakespeare would subsequently interrogate in Henry IV and Henry V. While Shakespearean characters such as Hotspur continue to celebrate the fumes of “smoky war” (1 Henry IV 4.1.115), Shakespeare also registers the performative risks of generating environmental pollution: an approach that culminates in Henry V when the title protagonist’s threats conflate bullets with rotting bodies and render the air itself a poisoned weapon that “choke[s]” the atmosphere (4.3.99-108). -
SAM 600 of Australia Newsletter Issue No.149 May - June, 2019
SAM 600 of Australia Newsletter Issue No.149 May - June, 2019 Winners of the first VARMS ½A Electric Texaco event 19th May 2019, at VARMS Field. L to R: Kevin Fryer 3rd, Bob Wilson 1st and Bruce Clapperton 2nd. ECHUCA September 21st-22nd Saturday: 1/2A Texaco, Duration, Burford Sunday: 8.30 am AGM meeting, Texaco, ‘38 Antique, (Climb & Glide) November 9th & 10th COHUNA Saturday: 1/2A Texaco, Duration, Burford Sunday: Texaco, 38 Antique { Climb & Glide } November 24th BALLARAT 1/2A Texaco, Climb & Glide, Texaco The Thermaleer No.149 Page 2 SAM 600 Australia - Victorian Old Timers Association Inc. Committee President Vice President Kevin Fryer Lyn Clifford Home: Home: 03 9842 4361 03 5456 2541 Mobile: Mobile: 0438 561 440 0429 165 669 Email: Email: [email protected] [email protected] Secretary/Treasurer Contest Director Public Officer Don Grant Brian Dowie Home: Home: 03 5623 4966 03 9706 2074 Mobile: Mobile: 0419 871 506 0402 918 916 Email: Email: [email protected] [email protected] Committee Member Newsletter Co-Ordinator Safety Officer Member Registrar Pat Keeley Brian Laughton Steve Gullock Roger Mitchell [email protected] [email protected] [email protected] 03 5456 4236 “The Thermaleer” is the official newsletter of SAM 600 of Australia, Victorian R/C Old Timers Association (SAM600) Inc. The Thermaleer No.149 Page 3 FROM THE PRESIDENT Kevin Fryer. Good news for a change. The VMAA and the MAAA have done a good job working with CASA to get us increased heights to fly our comps the details and locations are still to be finalised. -
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ON YOUR MARKS A Nomadic Season of Events ON YOUR MARKS A Nomadic Season of Events Written by Marsha Bradfield Edited by Lucy Tomlins and Marsha Bradfield hink sculpture is the stuff you trip over while angling for a better simply called Art. We at PSC are unapologetic for our belief in sculpture as view of the paintings?1 Wrong. If the six events featured in this 1 This is a variation on multidimensional technique.5 For us this goes beyond both craft skills (i.e. 5 For a good discussion publication are any indication, it’s sculpture that’s tripping – the quote attributed to carving, casting, constructing) and life skills (including everyday activities on ‘technique’ as an American painter Ad alternative to ‘skill’ tripping out of its three-dimensional form as it wrestles with Reinhart, ‘Sculpture is like articulating ideas and networking). It also includes the values, principles in art education the conditions of its own possibility. What are the realities something you bump and commitments of sculpture as a specific sensibility preoccupied with see Dave Beech, Tof sculptural practice today? What does it take to not only survive but into when you back up the phenomenological experience of materiality and space. Gaining a better ‘Teaching the to look at a painting’. Unteachable,’ Art also thrive as sculptors? What are sculptural resources and what do we sense of sculptural technique within the broader context of contemporary Monthly 377 (June mean when we speak about ‘material,’ ‘skill,’ ‘ambition,’ ‘space to work’ and art and design is one of PSC’s main concerns as it aims to meet the needs 2014): 8-10. -
Enclosing the Fishery Commons: from Individuals to Communities BONNIE J
Property in Land and Other Resources Edited by Daniel H. Cole and Elinor Ostrom Property in Land and Other Resources Edited by Daniel H. Cole and Elinor Ostrom © 2012 by the Lincoln Institute of Land Policy All rights reserved. Library of Congress Cataloging- in- Publication Data Property in land and other resources / edited by Daniel H. Cole and Elinor Ostrom. p. cm. Includes index. ISBN 978- 1- 55844- 221- 4 1. Right of property. 2. Real property. 3. Natural resources. I. Cole, Daniel H. II. Ostrom, Elinor. HB701.P737 2012 333.3—dc23 2011029993 Designed by Westchester Book Ser vices Composed in Minion Pro by Westchester Book Ser vices in Danbury, Connecticut. Printed and bound by Puritan Press Inc., in Hollis, New Hampshire. Th e paper is Rolland Enviro100, an acid- free, 100 percent PCW recycled sheet. MANUFACTURED IN THE UNITED STATES OF AMERICA Contents List of Illustrations vii Foreword ix DOUGLASS C. NORTH Introduction DANIEL H. COLE and ELINOR OSTROM Property Systems 1 Opportunities and Limits for the Evolution of Property Rights Institutions THRÁINN EGGERTSSON 2 Th e Variety of Property Systems and Rights in Natural Resources DANIEL H. COLE and ELINOR OSTROM The California Gold Rush 3 Gold Rush Legacy: American Minerals and the Knowledge Economy KAREN CLAY and GAVIN WRIGHT Commentary PETER Z. GROSSMAN 4 Gold Rushes Are All the Same: Labor Rules the Diggings ANDREA G. MCDOWELL Commentary MARK T. KANAZAWA Air 5 Property Creation by Regulation: Rights to Clean Air and Rights to Pollute DANIEL H. COLE Commentary WALLACE E. OATES 6 Rights to Pollute: Assessment of Tradable Permits for Air Pollution NIVES DOLŠAK Commentary SHI- LING HSU vi n Contents Wildlife 7 Who Owns Endangered Species? JASON F. -
Pangea United 22.03–9.06.2019
Pangea United 22.03–9.06.2019 Muzeum Sztuki w Łodzi Więckowskiego 36 msl.org.pl It is more than likely […] that we are no longer the citizens of any one particular state. Deep down, we carry within us the countries that we were born in: this means their chaotic diversity, rivers and mountain ranges, forests and savannahs, the changing seasons, birdsong, insects, air, sweat and humidity, grime and city noises, laughter, disorder, and confusion. Achille Mbembe, Politiques de l’inimitié, 2016 [forthcoming in English, 2019, as Necropolitics] The history of Pangaea, or ‘Pangaia’, is the tale of a mega-continent that existed about 200-250 million years ago, combining all the currently separated continental blocks. The fragmented pieces of what was once Pangaea still bear the traces of that oneness. By making use of this geological metaphor, the Pangea United exhibition invites viewers to imagine our earthly community as one household, one home. Artists taking part in the exhibition ask a number of questions in order to spark our ecological imagination. How can prototypes created within the art world teach us responsibility for the often-unnoticed suffering inflicted on other bodies? Can the logic of industrial live- -stock production lead to a similarly objectifying production of human life? What is the environmental potential of humble actions, such as scrubbing floors with recycled fabric, seeding cress in public spaces, or organizing meetings where women can collectively discover the burdensome legacy of patriarchy? What can we learn from people who live in communities under threat of extinction, many of whom belong to so-called indigenous and folk cultures? What would be the value of goods, money and labour in a future devoid of all prospect of economic growth? Why will the borders, zones, and territories that divide the Earth forever remain fictitious and porous? The artworks presented in this exhibition form a kind of essay, a meditation on the matter of human attentiveness and the interdependence of life in all its forms. -
English for Senior Students Part III (B) Compiled by H
Daugavpils Pedagoìiskâ universitâte Angïu valodas katedra English for Senior Students Part III (b) Compiled by H. Marðavs 1 9 9 9 Apstiprinâts Angïu valodas katedras sçdç 1999. gada 23. septembrî, protokols Nr. 1. Recenzentes Dr. paed. B. Kalniòa, lektore S. Piïucka Mâcîbu grâmata ir domâta jaunâko kursu studentiem angïu valodas leksikas apguvei un tekstu analîzes iemaòu izkopðanai. Redaktore: B. Kalniòa Korektors: H. Marðavs Teksta salicçja un maketçtâja: M. Stoèka ISBN 9984140997 © DPU izdevniecîba Saule, 1999 CONTENTS UNIT 5. K. Grahame. The Wind in the Willows ...................... 137 Vocabulary Items .............................................................................. 140 Vocabulary Exercises......................................................................... 147 Text Exercises .................................................................................. 159 Discussion Exercises ......................................................................... 160 UNIT 6. R.D. Bradbury. Fahrenheit 451 .................................. 170 Vocabulary Items .............................................................................. 174 Vocabulary Exercises......................................................................... 179 Text Exercises .................................................................................. 189 Discussion Exercises ......................................................................... 191 UNIT 7. J.D. Salinger. The Catcher in the Rye ........................ 200 Vocabulary -
Ancient Observatories - Timeless Knowledge
Deborah Scherrer Ancient Observatories - Timeless Knowledge Compiled by Deborah Scherrer Stanford Solar Center Compilation © 2015-2018, Stanford University Solar Center and Deborah Scherrer. Permission given to use for educational, non-commercial purposes. Copyrights for much of the material and images remain with their creators. 1 Deborah Scherrer Table of Contents Introduction to Alignment Structures ........................................ 3 Monuments .................................................................................... 4 Steppe Geoglyphs ........................................................................................................... 4 Goseck Circle .................................................................................................................. 6 Nabta Playa ..................................................................................................................... 8 Temples of Mnajdra ...................................................................................................... 10 Newgrange .................................................................................................................... 12 Majorville Medicine Wheel .......................................................................................... 15 Stonehenge .................................................................................................................... 18 Brodgar ........................................................................................................................