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Tom Rubnitz / Dynasty Handbag
TOM RUBNITZ / DYNASTY HANDBAG 9/25/2012 PROGRAM: TOM RUBNITZ The Mother Show, video, 4 mins., 1991 Made for TV, video, 15 mins., 1984 Drag Queen Marathon, video, 5 mins., 1986 Strawberry Shortcut, video, 1:30 mins., 1989 Pickle Surprise, video, 1:30 mins., 1989 DYNASTY HANDBAG The Quiet Storm (with Hedia Maron), video, 10 mins., 2007 Eternal Quadrangle, video, 20 mins., 2012 WHITE COLUMNS JIBZ CAMERON JOSH LUBIN-LEVY What does it mean to be a great performer? In a rather conventional sense, great performing is often associated with a sense of interiority, becoming your character, identifying with your role. In that sense, a great performer could become anyone else simply by looking deep within herself. Of course, there’s a long history of performance practices that reject this model. Yet whether it is a matter of embracing or rejecting what is, so to speak, on the inside, there is an overarching belief that great performers are uniquely adept at locating themselves and using that self to build a world around them. It is no surprise then that today we are all expected to be great performers. Our lives are filled the endless capacity to shed one skin for another, to produce multiple cyber-personalities on a whim. We are hyperaware that our outsides are malleable and performative—and that our insides might be an endless resource for reinventing and rethinking ourselves (not to mention the world around us). So perhaps it’s almost too obvious to say that Jibz When I was a youth, say, about 8, I played a game in the Cameron, the mastermind behind Dynasty Handbag, is an incredible woods with my friend Ocean where we pretended to be hookers. -
160 Emmy Photographs by Tommy Garcia/The Jude Group Grooming by Grace Phillips/State Management
Randy Barbato and Fenton Bailey 160 EMMY PHOTOGRAPHS BY TOMMY GARCIA/THE JUDE GROUP GROOMING BY GRACE PHILLIPS/STATE MANAGEMENT FOR MORE THAN A QUARTER-CENTURY, RANDY BARBATO AND FENTON BAILEY’S WORLD OF WONDER HAS TACKED CLOSELY TO THE CULTURAL ZEITGEIST, EMBRACING — AS BAILEY PUTS IT — “THE UNEXAMINED AND THE UNCONSIDERED.” SAYS BARBATO: “OUR WORK TYPICALLY HAS A CONNECTION TO PEOPLE WHO FEEL MARGINALIZED OR JUDGED.” BY MICHAEL GOLDMAN TelevisionAcademy.com 161 USHING INTO THE CONFERENCE ROOM ON THE TOP FLOOR OF THE 1930S ART DECO BUILDING THEY OWN ON HOLLYWOOD BOULEVARD, RANDY BARBATO AND FENTON BAILEY APOLOGIZE FOR THEIR LATENESS. THEY’VE JUST COME FROM THE EDIT ROOM, WHERE THEY LOCKED THE FINAL CUT OF MENENDEZ: BLOOD BROTHERS, A TV MOVIE THEY COPRODUCED AND CODIRECTED FOR A JUNE DEBUT ON LIFETIME. Blood Brothers is one of hundreds of projects made by World of Won- English television. That show explored the camcorder revolution, building on der, the production company they have jointly operated since 1991. Bailey a theme that helped launch Barbato and Bailey’s producing careers. and Barbato have flourished by crossing genres and media platforms, and by Fascinated by New York public-access television, the duo created their spotlighting extreme and often controversial topics, including tabloid news, first TV show, Manhattan Cable, out of public-access clips in 1991. It was a gender roles, LGBT issues and, more generally, almost all aspects of human hit in the U.K. and led to more programs there, like the one that eventually sexuality. earned Nevins’s attention. She hired them in 1993 to produce HBO’s Shock “Sex is the engine or driving force of who humans are,” Bailey says. -
Understanding the Market for Gender Confirmation Surgery in the Adult Transgender Community in the United States
Understanding the Market for Gender Confirmation Surgery in the Adult Transgender Community in the United States: Evolution of Treatment, Market Potential, and Unique Patient Characteristics The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Berhanu, Aaron Elias. 2016. Understanding the Market for Gender Confirmation Surgery in the Adult Transgender Community in the United States: Evolution of Treatment, Market Potential, and Unique Patient Characteristics. Doctoral dissertation, Harvard Medical School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:40620231 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Scholarly Report submitted in partial fulfillment of the MD Degree at Harvard Medical School Date: 1 March 2016 Student Name: Aaron Elias Berhanu, B.S. Scholarly Report Title: UNDERSTANDING THE MARKET FOR GENDER CONFIRMATION SURGERY IN THE ADULT TRANSGENDER COMMUNITY IN THE UNITED STATES: EVOLUTION OF TREATMENT, MARKET POTENTIAL, AND UNIQUE PATIENT CHARACTERISTICS Mentor Name and Affiliation: Richard Bartlett MD, Assistant Professor of Surgery, Harvard Medical School, Children’s Hospital of Boston Collaborators and Affiliations: None ! TITLE: Understanding the market for gender confirmation surgery in the adult transgender community in the United States: Evolution of treatment, market potential, and unique patient characteristics Aaron E Berhanu, Richard Bartlett Purpose: Estimate the size of the market for gender confirmation surgery and identify regions of the United States where the transgender population is underserved by surgical providers. -
Lessons in Neoliberal Survival from Rupaul's Drag Race
Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary. -
2013 Thomson Reuters. No Claim to Original US Government Works. 1 8
Marr, Abbey 1/4/2013 For Educational Use Only MEDICAID POLICY & GENDER-CONFIRMING..., 8 Seattle J. for Soc.... 8 Seattle J. for Soc. Just. 497 Seattle Journal for Social Justice Spring/Summer, 2010 Transgender Issues and the Law MEDICAID POLICY & GENDER-CONFIRMING HEALTHCARE FOR TRANS PEOPLE: AN INTERVIEW WITH ADVOCATES Dean Spade Introduction Author and Interview Facilitator Gabriel Arkles, Phil Duran, Pooja Gehi, Huy Nguyen Transgender Advocates Copyright © 2010 by Seattle Journal for Social Justice; Dean Spade, Gabriel Arkles, Phil Duran, Pooja Gehi, Huy Nguyen INTRODUCTION 1 Access to healthcare is a significant issue in the United States, especially for populations facing disproportionate poverty, medical abuse, and discriminatory denial of treatment. Trans people live at a complex crossroads-- the law defines us through medical norms by requiring medical evidence of our gender at every turn, yet many laws and policies deny that our medical needs are real or that the care we seek is legitimate. 2 Gender-confirming healthcare for transgender people is widely misunderstood, and some of the most popular misunderstandings are reflected in administrative regulations. Perhaps the most common misunderstanding is the belief that all transgender people undergo genital surgery as the primary medical treatment for changing gender. In fact, gender-confirming healthcare is an individualized treatment that differs according to the needs and pre-existing conditions of individual transgender people. 3 Some transgender people undergo no medical care related to their expression of a gender identity that *498 differs from their birth-assigned sex. 4 Others undergo only hormone therapy treatment or any of a number of surgical procedures. -
Viacomcbs Celebrates 66 Primetime Emmy Award Nominations
ViacomCBS Celebrates 66 Primetime Emmy Award Nominations July 14, 2021 CBS Television Network, CBS Studios and Paramount+ Score 35 Total Nominations Stephen Colbert’s The Late Show, The Election Night Special and Tooning Out the News Receive 9 Nominations, the Most of Any Late Night Brand ViacomCBS’ MTV Entertainment Group Earns 20 Nominations, Including First-Time Nominations for Paramount Network’s “Yellowstone” and MTV Documentary Films’ “76 Days” SHOWTIME® Receives Six Nominations, Including “Shameless” star William H. Macy for Outstanding Lead Actor In A Comedy Series LOS ANGELES--(BUSINESS WIRE)--Jul. 13, 2021-- ViacomCBS earned 66 Academy of Television Arts & Sciences 73rd Primetime Emmy Award nominations across its combined portfolio. CBS Television Network, CBS Studios and Paramount+ together received a total of 35 Primetime Emmy nominations. CBS’ “The Late Show with Stephen Colbert” – the #1 late night talk show on television – received five nominations, marking the series’ 18th Emmy nomination to date. CBS landed several nominations for talent and special programming, including “Oprah With Meghan And Harry: A CBS Primetime Special” and “John Lewis: Celebrating A Hero.” “The Pepsi Super Bowl LV Halftime Show Starring The Weeknd” and “The 63rd Annual Grammy Awards” also received multiple nods this year. For her starring role in “Mom,” Allison Janney was nominated for Outstanding Lead Actress in a Comedy Series. CBS Studios received 21 nominations, among them an Outstanding Competition Series nod for “The Amazing Race.” Short-form series “Carpool Karaoke: The Series” was also nominated. Paramount+, together with CBS Studios, picked up six nominations this season, including four nominations for “Star Trek: Discovery.” “Star Trek: Lower Decks'' and “Stephen Colbert Presents Tooning Out the News'' each received their first-ever Emmy nominations. -
Transgender History / by Susan Stryker
u.s. $12.95 gay/Lesbian studies Craving a smart and Comprehensive approaCh to transgender history historiCaL and Current topiCs in feminism? SEAL Studies Seal Studies helps you hone your analytical skills, susan stryker get informed, and have fun while you’re at it! transgender history HERE’S WHAT YOU’LL GET: • COVERAGE OF THE TOPIC IN ENGAGING AND AccESSIBLE LANGUAGE • PhOTOS, ILLUSTRATIONS, AND SIDEBARS • READERS’ gUIDES THAT PROMOTE CRITICAL ANALYSIS • EXTENSIVE BIBLIOGRAPHIES TO POINT YOU TO ADDITIONAL RESOURCES Transgender History covers American transgender history from the mid-twentieth century to today. From the transsexual and transvestite communities in the years following World War II to trans radicalism and social change in the ’60s and ’70s to the gender issues witnessed throughout the ’90s and ’00s, this introductory text will give you a foundation for understanding the developments, changes, strides, and setbacks of trans studies and the trans community in the United States. “A lively introduction to transgender history and activism in the U.S. Highly readable and highly recommended.” SUSAN —joanne meyerowitz, professor of history and american studies, yale University, and author of How Sex Changed: A History of Transsexuality In The United States “A powerful combination of lucid prose and theoretical sophistication . Readers STRYKER who have no or little knowledge of transgender issues will come away with the foundation they need, while those already in the field will find much to think about.” —paisley cUrrah, political -
Cavar Thesis Final 2020.Pdf
Abstract: What, how, and who is transbutch? In this thesis, I examine memoirs and personal essays that define and defy boundaries between “butch" and “transmasculine" subjectivity –– and investigate my own queer experience in the process –– in order to counter the myth of an irreparable trans/ butch divide. Deemed by some to be “border wars,” conflicts between transness and butchness are emblematic of the contested (hi)stories on which the identities are founded: namely, white supremacy, colonialism, transmedicalism, and lesbian separatism/trans-exclusionary radical fem- inism. Ensuing identity-battles –– which have increased with increased access to biomedical transition –– rely on a teleological approach to identity, and, I argue, may only be ameliorated by prioritizing experiential multiplicity and political affinity over fixed, essential truth. Through en- gagement with a variety of personal narratives by authors such as S. Bear Bergman, Ivan Coyote, Rae Spoon, and blogger MainelyButch, I counter the understanding of identity as intrinsic and immutable, showing instead the dynamism of transbutch life, its stretchiness as a personal and community signifier, and its constant re-definition by its occupants. 2 Enacting Transbutch: Queer Narratives Beyond Essentialism BY: SARAH LYNN CAVAR Bachelor of Arts Mount Holyoke College South Hadley, MA 2020 3 Acknowledgements: How to start but with a story. I am about to send this final document to my advisor, Jacquelyne Luce, in anticipation of a thesis defense that is as I write this only days away. Without her sup- port and guidance at every stage –– all the way from a disorganized 120-page Google Doc of notes to the PDF you now read –– this thesis would not be possible. -
Feminist Media Studies “She Is Not Acting, She
This article was downloaded by: [University of California, Berkeley] On: 06 January 2014, At: 10:16 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Feminist Media Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rfms20 “She Is Not Acting, She Is” Sabrina Strings & Long T. Bui Published online: 27 Aug 2013. To cite this article: Sabrina Strings & Long T. Bui , Feminist Media Studies (2013): “She Is Not Acting, She Is”, Feminist Media Studies, DOI: 10.1080/14680777.2013.829861 To link to this article: http://dx.doi.org/10.1080/14680777.2013.829861 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK at the PICTURES a Film by Fenton Bailey & Randy Barbato
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy BArbAto BERLINALE SCREENING SCHEDULE (PREMIERE) Sunday, February 14th at 5:00 PM @ (P&I SCREENING) Sunday, FebruAry 14th At 9:00 PM @ Running Time: 1:48:24 minutes For press materials, please visit: Press ContAct Press ContAct Public Insight Dogwoof Andrea Klasterer Yung Kha Office: +49/ 89/ 78 79 799-12 Office: +44(0)20 7253 6244 Andrea cell: +49 163 680 51 37 Yung cell: +44 7788546706 Email: [email protected] Email: [email protected] InternAtionAl Sales InternAtionAl Press DOGWOOF [email protected] Vesna Cudic [email protected] / +44 7977 051 577 www.mapplethorpefilm.com www.facebook.com/MapplethorpeFilm www.twitter.com/Mapplethorpedoc www.filminc.com MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy Barbato SHORT SYNOPSIS MAPPLETHORPE: LOOK AT THE PICTURES is the first definitive, feature length portrait of the controversial artist since his untimely death in 1989. A catalyst and an illuminator, but also a magnet for scandal, Robert Mapplethorpe had but one goal: to ‘make it’ as an artist and as an art celebrity. He could not have picked a better time: the Manhattan of Warhol’s Factory, Studio 54, and an era of unbridled hedonistic sexuality. His first solo exhibition in 1976 already unveils his subjects: flowers, portraits and nudes. Mapplethorpe quickly gains notoriety through his explicitly sexual photographs from the gay sadomasochistic scene as well as nude pictures of black men. Directors Fenton Bailey and Randy Barbato were given unrestricted access to Mapplethorpe’s archives for their documentary Mapplethorpe: Look at the Pictures, in which this exceptional artist talks candidly about himself in recently discovered interviews. -
Guide to the Dennis Mcbride Collection on LGBTQ Las Vegas, Nevada
Guide to the Dennis McBride Collection on LGBTQ Las Vegas, Nevada This finding aid was created by Tammi Kim. This copy was published on March 25, 2021. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1vp61 © 2021 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Dennis McBride Collection on LGBTQ Las Vegas, Nevada Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note ............................................................................................................................................ 3 Scope and Contents Note ................................................................................................................................ 4 Arrangement .................................................................................................................................................... 4 Administrative Information ............................................................................................................................. 5 Related Materials ............................................................................................................................................. 5 Names and Subjects ....................................................................................................................................... -
Drag Language Translation on Rupaul's Drag Race
ISSN: 2317-2347 – v. 10, n. 1 (2021) Todo o conteúdo da RLR está licenciado sob Creative Commons Atribuição 4.0 Internacional Drag language translation on RuPaul’s Drag Race: a study on representation through subtitles1 / A tradução da linguagem drag em RuPaul’s Drag Race: um estudo sobre representação através de legendas Jeremias Lucas Tavares * Master’s degree student in Language and Teaching at the Federal University of Campina Grande. Researches about translation, focusing on Intersemiotic Translation and Audiovisual Translation, with emphasis in gender and sexuality. Currently researches about the use of neutral language on the subtitling of the TV show Pose. http://orcid.org/0000-0001-8337-5999 Sinara de Oliveira Branco ** Associated professor at the Federal University of Campina Grande, of the undergraduate course of Letras (English) and of the Graduate program on Language and Teaching (PPGLE). Experienced in the area of Letras, with emphasis on Linguistics and on Translation, acting in the following themes: Translation and Culture, Intersemiotic Translation and Cinema, and Didactics of Translation. http://orcid.org/0000-0003-2739-2254 Received: December,19th. 2020. Approved: January, 08th, 2021. How to cite this article: TAVARES, Jeremias Lucas; BRANCO, Sinara de Oliveira. A tradução da linguagem drag em RuPaul’s Drag Race: um estudo sobre representação através de legendas. Revista Letras Raras. Campina Grande, v. 10, n. 1, p. 204-229 jan. 2021. 1 This article is based on a previous research, which was developed in the academic unit of the UFCG in 2019, intitled Drag language and performance on RuPaul’s Drag Race: a study about representation through subtitles and intersemiotic translation.