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Starr, Ringo “Ž, Ž•, Ž——–•’’, •, •‘Ž Valentine, Dickie • Stark, Graham •, •Ž’– Vaudeville Express ” Steel, Anthony •Ž’– Vaughan, Frankie “ Steele, Tommy ‘–, Ž” Véronique, Madamoiselle Ž‘, Ž—, ”•–” Steinbeck, John “‘ Venables, Terry •– Stephenson, Pamela •”–, •‘ Villain •Ž– Stevens, Len •• Virgo, Commander Wally ŽŽ”, Ž–, •‘, •Ž Stewart, Rod •‘Ž Stonham, Lord Ž Wade, Dorothy •‘– Stout, Tara ”Ž“ Waldron, Sir John Ž– Strath, Superintendent Charles —––’, Ž– Walker, George •‘ Strip Tease Murder, e Ž Walhalla Gallery, e ” Sullivan, David •Ž Walsh, Connor –“, —‘, ”, •—, “‘–“, —”, Ž’• Tarrant, Alan Ž Walsh, John ”Ž’ Taylor, Elizabeth “•, •’“ Wardle, Irving •‘ Taylor, Peter •– Warren, Adele Ž’Ž Taylor, Rebecca •–— Water Babies, e Ž—‘ Tenser, Tony •’–Ž Waterhouse, Keith —, •’ atcher, Denis •”, •“ Watford Football Club •“”–‘, ”‘ atcher, Margaret •”Ž, •”‘––, •”–, •“ Watling, Dilys • atcher, Mark •”‘––, •” Watling, Jack • at Was e Week at Was “ Waugh, Alec “, ŽŽ” orne, Angela •” Waugh, Evelyn • Too Hot To Handle Ž Welles, Orson “• Tormé, Mel Ž, ‘– Wells, John •” Tramp •””, •‘–Ž, •–‘ West, Adam •Ž Trattoria Terrazza “” Westminster, Duke of ” Travolta, John —— We Strip Tonight ”“,  Tree, Ainsley ”’‘––, ”’—, ”• White, Doug Ž–—–“’, Ž—’, Ž—•–” Trier, Lars von •• White, Michael Ž••–” Trinder, Tommy —• Whitehouse, Mary Ž”Ž, ŽŽ, Ž”–, •”Ž–• Tropicana eatre Club, e –, Ž•, Ž“ Wilkie, David ••—, •‘’ Two Faces of Dr Jekyll, e Ž— Williams, Professor Frank •”• Tye, Kim •–’ Williams, Robin • Tynan, Kenneth Ž•• Wilson, Harold “— Winder, Very Reverend Canon W. R. – Undercover Girl Ž Windmill eatre, e Ž––•’, ”Ž–•, ”‘, –“, ’Ž, —Ž, ŽŽ’, •’–Ž, •’‘––, •Ž, •Ž•, Van Damm, Sheila —Ž •Ž, •”–, ••, •—, •—, ”Ž•; also see Van Damm, Vivian Ž––“, ” under Paramount City

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•Ž•–”, ••‘, •”–‘, •”—, •–‘––, •“–‘, Searle, Ronald —“ •““, •—”–, ”’”, ”—–Ž’, ”Ž–– Seaton, Reggie ”•, ”, ”“– Razzle ‚€ƒ Secombe, Harry —– Redgrave, Michael • Sedaka, Neil ••‘ Reed, Oliver — Self, Olive ”‘ Reid, Eden Ž–—–“’, Ž—’, Ž—•–” Sellers, Peter •, ““ Rennie, Michael — Shaw, Sebag ”’, ”•, ”–”—, –’ Revudeville Ž––•’, ”, •— Shedden, Dr Ian ”Ž–• Richard, Cli™ Ž”–, ŽŽ Shepard, Sam Ž•• Richardson, Charlie , ‘’ Silver, Bernie “Ž, ŽŽ”, •Ž Richardson, Eddie , ‘’, –’– Simi, Gérard •”, •—”, ”—–Ž’, ”Ž–– Richardson, George ——, ’‘–—, ‘—, ——, Simon, Ted “– Ž•’ Sinatra, Frank , •—, “• Richardson, Peter •”—–, •‘–‘ Sinclair, Bill “–, —”–‘ Richardson, Ralph ‘“ Small World of Sammy Lee, e Ž Richmond, Fiona Ž•–Ž, Ž•”––, Ž•—–”, Ž‘“, Smart, Jr, Billy —‘ Ž“–•, Ž“—–—Ž, Ž—”, Ž——–•’’, •’‘–“, Smedley-Aston, Brian •” ••–Ž•, •Ž–‘, •••, •”•, •”, ••, •‘–, Smith, Jon Ž’”– •–’, •“ Snatch €: Confessions of a Sex Star •Ž Rip-o„ •‘ Snitcher, Carl •Ž—, •”‘, •”—, ••, •‘––“, •–’, Riscoe, Harvey ”“ •—’, ”’–, ”– Rita Atkins’s Eight International Nudes ”• Society Boy “— Rooum, Donald –––“’ —’–•, “–—, •’–, ”, –, “’, Ž’–, Rothenstein, Charles •”’, •—•, •—“–— ŽŽ•–”, •’, •”“–—, •––“, •–’–Ž, •–‘, Rothermere, Lord “— •–“, •“‘–“, •—•–”, ”’” Royalty Folies, e Ž—––“, •’•–”, •’‘, •’ Soho Society, e •Ž, •– Rudel, Hans •–• Soho Ž Rushton, Willie “ Southern, Terry — Russell, Arnold ‘“ Spillane, Mickey ‘Ž–• Ryva, Carole Ž— Spinetti, Victor “, ŽŽ“, •’‘, •’“, •Ž, ••, ••‘ Sabrina (a.k.a. Norma Sykes) ‘— Spot, Jack (a.k.a. Jack Comer/Jacob Sainsbury, David ” Colmore) ‘––, ––‘, –’ Salussolia, Valerie ”“ Spring€eld, Dusty “ Sanderson, Joan •” Squires, Dorothy —‘ Sandilands, John “– St Cyr, Lili –—, ’” Saunders, Jennifer • St Francis Xavier’s College (a.k.a. SFX) ’– Savile, Jimmy Ž”– ‘, – Sayle, Alexei •”—–, •‘ Standing, John Ž“• Scarfe, Gerald •‘–Ž Stand Up, Virgin Soldiers •”– Scott-Coomber, Billy ” Stanshall, Vivian ŽŽ–•

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                      LQGG  SURRI  UG   YH OR  RI  ORRN  WKH

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Melly, George •’, •“Ž Nikolai –Ž–” Mencken, H. L. ”• Nite Life USA –Ž Mendez, Julie Ž—, ”•–”, ”“–— No Orchids for Miss Blandish ‘— Men Only Ž•“–”’, Ž”–“, Ž•, Ž”, Ž‘, Norman, Frank —–, •’ Ž‘“––’, Ž“Ž, Ž“”–, Ž““–—Ž, Ž—–, •’, Norman, Philip ŽŽ‘, Ž•“ •’‘, •, ••–, •–, •Ž–Ž, •”‘, •“, Nudes in Ice  •–—, ”Ž“ Mens’ World ”’ Oates, Chubby Ž“• Mercury, Freddie •–“ Obscene Publications Squad (a.k.a. Messina, Gino Ž‘ OPS) –‘, “–, —, ŽŽ•–”, Ž”, Mesurier, John le •’ Ž–, Ž‘, Ž“–‘, Ž““, Ž—•, •Ž“ Mifsud, Frank “Ž Oh! Calcutta! Ž•Ž–”, Ž•‘–“, Ž”Ž–•, Ž“•, Mills, John • Ž—‘––, •’”, •‘ Miss Snake Hips Ž’’– O’Horan, Darryl (son) see under McCarthy, Mitchell, Warren •Ž” Derry Mitchum, Robert – O’Horan, Noreen •––—, ”Ž, ’, ‘Ž, •‘, —–, Mizelas, André Ž‘– Ž’‘, Ž‘Ž, •“–— Model Directory ”’ Oliver, Matt Ž•–”, Ž‘––, Ž“’ Montgomery, James •Ž Olivier, Laurence ‘“ Moody, Detective Superintendent Bill ŽŽ”, Onassis, Jackie •” •‘, •Ž, •Ž“, •– Orton, Joe –, Ž•• More, Kenneth Ž— Osborne, John Ž“• Morrell, John •‘”– Osmonds • Most, Mickie •Ž– Owide, Oscar ”– Moumou see under Pyjama Tops Muggeridge, Malcolm ““, —, Ž”–, ŽŽ Paint Box Restaurant Club, e –, •• Murdoch, Rupert •– Pakenham, Frank see under Longford, Lord Murphy, Rose ‘– Palin, Michael • Musetti, Paul •, •ŽŽ, •Ž– Palmer, Raymond Ž” Musso, Claudio •‘• Panama eatre Club, e  Paramount City •–“, •“’–, ”’• Naked–As Nature Intended Ž’ Paris A†er Dark (variety show) ‘’ Nash, Johnny ‘’ Paris A†er Dark (cabaret show) •–Ž Nationwide Festival of Light, e ŽŽ Parker, Gerry ‘’ Nedwell, Robin •• Parkinson, Michael •– Neil, Andrew ”’ Parnell, Val –– Nell Gwynn Room, e see under Gargoyle Parnes, Larry Ž“Ž, Ž“– Club Patel, Dr Freddy ”Ž Newley, Anthony •’‘ Paul Raymond’s Erotica •”–‘, •‘ Newton-John, Olivia —“–— Pearce, Belinda •–‘–– Nicholson, Jack •’ Pearson, Harry ”Ž–

WKHORRNRIORYHUGSURRILQGG 

                      LQGG  SURRI  UG   YH OR  RI  ORRN  WKH

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King, Danny ”Ž––“ Longford Report, e Ž“”–, Ž“––—, • King, Superintendent Ž––—, •”, •“, ”’, Lord, Cecil “, ŽŽ ”—–’, ” Lucken, Wally Ž’–Ž, Ž—“ Klinger, Michael “, •–, •’Ž Knight, Tim •‘Ž, •–— MacInnes, Colin — Knowles, Bernard Ž• Mack, Bobbye ”• Kray twins •, ‘’ Mackay, Duncan •–— Kurtz, Irma “– MacKenzie-Clarke, John ’––“ MacKinnon, Chief Inspector Bill ‘—––’ Labriola, Maria see under Raymond, Maria Madame JoJo’s •“Ž, •—Ž, ”’” La Discothèque “• Magical Mystery Tour ŽŽ– Lahaie, Brigitte •”–‘ Mans€eld, Jayne —‘, Ž Lamb, William Ž‘, Ž“Ž Margaret, Princess ““ Lamone, Zelda –Ž– Mark, Robert Ž“, Ž“”–‘, •–‘ Lancaster, Burt “• Marks, George Harrison Ž’ Langham, Chris • Martin, Dean •— Larkin, Philip “ Mason, John ”–‘, Ž—• La Rue, Danny ‘–, “”, ““–—, Ž”‘, •“, ”“ Matolsci, Miklos •“, ——, Ž’Ž–•, Ž“, ŽŽ•, La Vie En Rose •—–‘’, •–’, •–Ž, •–––“ ŽŽ“–— Leary, Brian Ž— Matthews, Jessie Ž—‘ Le Cirque Nu de Paris –” Maudling, Reginald Ž” Lee, Christopher, Ž Mayall, Rik •”—, • Lee, Gypsy Rose ”•, –— Mayfair •—–‘ Leighton-Porter, Chrystabel (a.k.a. Maxim’s Revue Bar ŽŽŽ Jane) ”––“, ‘’ Maxwell, Robert •“”, •“‘ Lennon, John –, ŽŽ–•, Ž, Ž••, •Ž– McCarthy, Derry ’, ‘Ž, •‘, —–, Ž’‘, Le Sang d’un Poète •“Ž •“–—, ”’“, ”Ž’, ”•’, ”•Ž Les Nuits de Paris –Ž–, “”– McCarthy, Nerys ”Ž’ Let’s Get Laid (stage show) •’‘–– McCartney, Paul Ž• Let’s Get Laid (€lm) •Ž’– McEwan, Ian •” Lewis, Archie ”“, Ž•” McKay, Alick Ž‘ Lewis, Arthur Ž‘ McKeown, Catherina (aunt) — Lewis, Jerry •—, – McKeown, Josephine (aunt) — Lewis, Dr Sidney –— McKeown, Mary (aunt) — Liberace ‘’ McKeown, Maud (mother) see under Quinn, Lincoln, Paul ‘‘, “— Maud Living statues/tableaux see under McKeown, Sarah (aunt) — poses plastiques McKeown, Winifrid (aunt) — London, Donna ‘––“ McManus, Mick “ Longford, Lord Ž”Ž–—, ŽŽ––, Ž‘, Ž‘“––’– McShane, Ian •Ž– , Ž“Ž, Ž“”–, •Ž‘, •”• Meades, Jonathan •—“

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                      LQGG  SURRI  UG   YH OR  RI  ORRN  WKH

THE LOOK OF LOVE OF LOOK THE

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‚ „ – ƒ  –   o l a i r e t ma w a r e h t s a w t i . y s a t n a f g n i n e k c i u q - e s l u p f

• ‚ Š ” „ “ ƒ

‡ ƒ Š Ž „ ‹ ‚ „ Š ‡ Œ ’ ‚ ’ “

‹¯‹ | ›œž Ÿ žž¡¢¢£

p. •“‘ ‘Paul Raymond is not… Maxwell is’ (Daily Mail, Ž• June ——”) p. •“‘–– ‘Most of the apparent… Wardour Street’ (Inside Soho, pp. Ž–‘) p. •““ ‘I just… overnight’ (Daily Mail, “ March Ž’’“) p. •““ ‘Looking back… problems’ (Mail on Sunday, • January ——”) p. •“— ‘An institution that… heritage today’ (BusinessAge, December ——Ž) p. •“— ‘Raymond assured the… few quid’ (Daily Mirror, Ž’ April —““) p. •“— ‘Dubious about whether… his father’ (Daily Mail, Ž“ June ——–) p. •“— ‘I can’t bear… of four years’ (People,  May —““) p. •—’ ‘He just turned… straight for it’ (BusinessAge, November ——Ž) p. •—’ ‘I own that… that one’ (e Times online, — March Ž’’“) p. •—’–Ž ‘e €rst time… you employ’ (Steve Bleach in conversation with the author) p. •—Ž ‘She was taking…drink or drugs’ (interview with the author)

ƒ„ Hard Cash p. •—” ‘I went into… multimillionaire’ (Clive Harris in conversation with the author) p. •—” ‘Q: ‘Why do… customers in’ (David Collard in conversation with the author) p. •—–‘ ‘I €rst met… page man’ (Clive Harris in conversation with the author) p. •—‘–– ‘My wife… support he could’ (Mark Fuller in conversation with the author) p. •—“ ‘backcombed mega-mullet’ (e-mail from Jonathan Meades to the author) p. •—“ ‘If I was… last rites’ (BusinessAge, December ——Ž) p. •—“–— ‘My favourite… the car park’ (Clive Harris in conversation with the author) p. •—— ‘Heseemed…twohundreddecibels’(SteveBleachinconversationwiththe author) p. •—— ‘You may laugh… to confess’ (BusinessAge, December ——Ž) p. •—— ‘Look, I can’t… down here’ (BusinessAge, December ——Ž) p. •—— ‘Women will let you… your own’ (Steve Bleach in conversation with the author) p. ”’’ ‘Howard got the… company’ (Daily Mail, “ March Ž’’“) p. ”’’ ‘Debbie said… an explanation’ (,  November ——Ž)

ƒ Material Girl p. ”’ ‘have the sort… never retire’ (BusinessAge, November ——Ž) p. ”’ ‘Hospitalisation… disapproved of it’ (Mail on Sunday, •’ April ——) p. ”’Ž ‘He noticed… her responsibilities’ (Daily Telegraph, Ž– January ——•) p. ”’Ž ‘Proud of… encountered’ (Sunday Times Magazine, – August Ž’’“) p. ”’Ž ‘She came to… clean it up’ (Mail on Sunday, •’ April ——) p. ”’• ‘Another recipient… Kerr’s clinic’ (Speaking Out newsletter, Autumn ——) p. ”’” ‘Jean, I think… many charities’ (News of the World,  November ——Ž) p. ”’” ‘ey’re giving… state of a™airs’ (Sunday Telegraph, Ž— March ——Ž) p. ”’”– ‘Late on the… lambasted him’ (e Times, Ž June ——Ž) p. ”’ ‘Until Debbie… the phone down’ (News of the World,  November ——Ž) p. ”’–‘ ‘It’s not… statement’ (Mark Fuller in conversation with the author)

WKHORRNRIORYHUGSURRILQGG 

                      LQGG  SURRI  UG   YH OR  RI  ORRN  WKH

THE LOOK OF LOVE OF LOOK THE

s i nh ei l b i n r e c s i td n e c c la o o p r e v i faL eo c a r yat l n ,o y t i l i b a r e n l u tv a

™ d e t n i th a h rt e m m a t ts h g i l has t i ew c i o dv e t a l u d o ym l l u f e r a ,c u r ag

ma d ha e H . s t i u s e d ma - m o t s u c s i h s a l ma r o f d n a e t a l u c ma m i s a s r e n n

t n o C . e s e h t f o y n ma o s m o r f d ha d n o m y a R , e p y t o e r e t s e h t o t y r a r

r eb h ot et c n a l b m e s e or en r o b d e g r e m oe h rw e e t € o r yp z a e l ds n ha s a

sas da n o m y a R e e w e i v r e t n si ’ y e l d u tD u .B y o b - e d i lw a c i p y t o e r e t

w d e r u o v a l F d e y a r t r o p s g n i t t u c r e p a sp w e n e h t , n i a d s i d h t i

o l y l r e g n i g , s t n u a . h t a b r e h o t n i f l e s r e h g n i r e w

P g n i K f o t c e j b o g n i t c e sp u s n u s i h f o e n o s a w y n i t u r c s d e y e - g u b s ’ l u a

f o t h g i s t s r € s i h e  . e l o h y e k a h g u o r h t g n i r e e p y b h s e µ e l ma e f d e k a n

y l b u o d d e r e d n e r d e n i a t b o e v ha o t d e m i a l c d n o m y a R e s u a c e b t n e n i t r e p

r t S r M ‘ g n i d u l c n i r e t t a l e h t , ’ s w o h S e l o h y e K e h t f o g n i K e h t ‘ d n a ’ e s a e t p i

e  . s r e p a sp w e n , s e l t i t t n a p p i µ f o e g n a r a d n o m y a R n o d e w o t s e b e s

n e s e r p n e e b e v ha l a n o i t a n m o r f s e l c i t r a d e w o l l e y f o f a e h s a h t i w d e t

e l € s g n i p p i l c s s e r p a d e t s e u q e r y e l d u D d a H d ’ e h , e e w e i v r e t n i s i h n o

. d n o m y Ra

e t i r w o t – e n i z a g ma s w e n y l k e e w r a l u p o p a – t u o b a e r u t a e f t r a p - e e r h t a

a p u d e k c i p d ’ e h , n e e w t e b n I . r e t i r w n e e r c s d n a y a d To m o r f n o i s s i m m o c

o d e t a r t n e c n o c e h s y a d a w o N . r e t n e s e r p o i d a r t s i l e v o n a s a g n i k r o w n

n d e y o j n e d ha y e l d u D , y l t n e c e r l i t n U . s a w e h C B B a s a e m a f e d i w n o i t a

o j r e v e n e h w s r a e y w e f a ™ o d e v ha s d n o m y a R d l o w o h d e k s a s t s i l a n r u

p a g e g a e h t h g u o h t , r o i n e s s i h s e d a c e d o w t e s u a c e b r e t a e r g d e m e e s

s u o e t r u o c , y e l d u D t s e n r E s a w r e w e i v r e t n i t s e t a l t s o m l a d n a d e c i o v y t i u r f ,

u o c n e o t d e m o t s u c c a n w o r g d ha d n o m y a R s i H . s s e r p e h t h t i w s r e t n

. b u l c l a i s r e v o r t n o c s i h t u o b a m i h

w t s i l na r u o j e h t d n a d n o m y a R s u l p , s n a i c i n h c te w e i v r te n i o t e m o c ad h o h

s a w e c n e i d u a e h t t n e s e r p t A . w o h s e h t d e h c t a w e l b a t i v e n i e h t t s u j , e s r a p s

r p r e v o g n ‚ a u q , s r a t s e i v o m d n a s r e t s i r r a b y e h t e l i h w s k n i r d d e c i

t i l o p , s t a r c o t s i r a , n e m s s e n i s u b , s r e c u d o r p m l € , s r e t s g n a g , s r e g n i s , s n a i c i

v i t n e t t a l a u s u e h t y b d e l l € e b n o o s d l u o w s t a e s : d w o r c d e s s e r d y l t r ma s , e

ha s r i ha c d n a s e l b a t h c i h w d n u o r a , m u i r o t i d u a e s o  . d e g n a r r a n e e b d

d e c a r r e t e h t o t n i t e e f n e e ˜ € d e d n e t x e t I . e g a t s y t p m e e s i w r e h t o e h t o t n o

£ ¢ ¢ ¡ ž ž Ÿ ž  œ › | ²

ƒ„ †‡‡ˆ ‡‰ †‡Š | ‹¯±

ƒ€ Sugar and Spice and All ‚ings Vice p. •‘– ‘You’ll probably… lot of things’ (Sunday Times, – April —“•) p. •‘––“ ‘I phoned… get with me’ (e-mail from Fiona Richmond to the author) p. •‘“ ‘I will go… shape or form’ (Sunday Times, – April —“•) p. •‘— ‘launder money… of the ma€a’ (Evening Standard,  August —“) p. •–’ ‘He always struck… than you’ (interview with the author) p. •–’ ‘I drink far too much’ (Evening Standard, • April —“•) p. •–Ž ‘permitting… establishment’ (e Times, Ž– June —“•) p. •–Ž ‘the lease… client’s hands’ (e Times, ‘ September —“•) p. •–Ž ‘Sex shops should… do not want’ (e Times, Ž December —“•) p. •–” ‘Maria later alleged… on coke’ (Mail on Sunday, •’ April ——) p. •–” ‘When Jean became… He’s alright’ (People,  May —““) p. •– ‘Soon enough… by Howard’ (Mail on Sunday, • January ——”) p. •– ‘Raymond was disgusted… between them’ (Noel Botham in conversation with the author)

ƒˆ Monte Carlo and Bust p. •–‘ ‘a little goldmine’ (Guardian, Ž” May —“‘) p. •–– ‘He seemed… by me’ (Daily Express, “ July —“) p. •–– ‘Optimistic about… temporary’ (e Times, ‘ February —“) p. •–– ‘Among the few… insensitivity’ (Mail on Sunday,  June Ž’’“, and interview with the author) p. •–– ‘I’m amazed… promise to her’ (Daily Express, “ July —“) p. •–“ ‘the business he admitted… anything else’ (BusinessAge, December ——Ž) p. •–“ ‘I’ve invested in… have thought’ (BusinessAge, December ——Ž) p. •–— ‘A˜er she went… the pain’ (Mail on Sunday,  June Ž’’“) p. •–— ‘I can phone… or listen’ (Sunday Times Magazine, Ž February —“‘) p. •“’ ‘When I die… the company’ (Today, Ž“ June —“‘) p. •“’ ‘He liked to tell… went awry’ (former employee in conversation with the author) p. •“’ ‘he held… of the marriage’ (friend of Raymond in conversation with the author) p. •“’ ‘Incensed… she’d done’ (Mail on Sunday, •’ April ——) p. •“ ‘She always… cost a packet’ (interview with the author) p. •“Ž ‘Alarmed by… seeing Fawn’ (News of the World,  November ——Ž)

ƒ‰ Find the Lady p. •“Ž ‘I love it… seeing him’ (Soho in the Fi†ies, p. –) p. •“• ‘You never knew… West End show’ (Clive Harris in conversation with the author) p. •“•–” ‘As an editor… relished all that’ (Steve Bleach in conversation with the author) p. •“ ‘in danger… and shamed’ (Daily Mirror, ” January —““) p. •“ ‘I’ve always fancied… expansion’ (Daily Mirror,  January —““)

WKHORRNRIORYHUGSURRILQGG 

                        LQGG  SURRI  UG   YH OR  RI  ORRN  WKH

) r o h t u a e h t h t i w n io at s r e v n o c n i n o s d r a h c i R r e t e P ( ’ n u f f o ot l … t u o nd u o f r e v ne ‘I ‘ ‘ • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i le y a S i e x le A ( ’ r e ™ o e h t … l l a d ’ e w r e ˜ A ‘  ‘ • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i l l re r o M n h o J ( ’ at c l o o c … p o t e h t s a w t ‘I  – ” ‘ • . p

) Ž — —  r e b m e v o N   , d l r o W e h t f o s w e N ( ’ ne lo a e i b b e D … y e k r u t e h t e nc O ‘ ” ‘ • . p

) – — —  y l u J •  , h p a r g e l e T ay d n u S ( ’ g n i l i m s … e t i l o p y r e V ‘ • ‘ • . p

) r ho ut a

e h t h t i w n io at s r e v n o c n i e ye lo p m e P R P - x e ( ’ ” nd o m y a R r M “ … m i h g n i at re t y b ‘ • ‘ • . p

) ‘ “ —  y r a u r b e F Ž , e n i z a g a M s e m i T ay d n u S ( ’ ™ a t s r e h ot … s i h g n i nd e B ‘ • ‘ • . p

) Ž — —  r e b m e c e D , e g A s s e in s Bu ( ’ o g … t e g le p o e P ‘ • ‘ • . p

) Ž — —  r e b m e v o N , e g A s s e in s Bu ( ’ ? e s a le p … t s r € I n e h W ‘ • ‘ • . p

) ‘ “ —  y r a u r b e F Ž , e n i z a g a M s e m i T ay d n u S ( ’ t i t u o b a s u io r e s … d e v i r r a d a h e i b b e D ‘ Ž ‘ • . p

) “ ’ ’ Ž ne u J  , y a d n u S n o ail M ( ’ e m o h t n e w I … h c u s ne o g n i r e b m e m e ‘R Ž ‘ • . p

) ‘ “ —  y r a u r b e F Ž , e n i z a g a M s e m i T ay d n u S ( ’ h t i w t u o n e e b … d e s u n e ˜ o e ‘H  ‘ • . p

) • “ —  l i r p A •  , d r a d n a t S ng ni e v E ( ’ s e at m at re g ‘  ‘ • . p

) Ž “ —  r e b m e v o N •  , s s e r p x E y ail D ( ’ nd e i r f l r i g … t u o h t i w y p p a h ‘ ’ ‘ • . p

t re a b a C c i t o r E p o t s n- o N ƒ ƒ

) Ž “ —  r e b o t c O   , s e m i T e  ( ’ t n e m e re g a le b a c i m a n a ‘ —  • . p

) Ž “ —  r e b m e v o N •  , s s e r p x E y ail D ( ’ i l l ne n i M … t n a w e W ‘ —  • . p

) Ž — —  r e b m e c e D , e g A s s e in s Bu ( ’ n io l l i m • .  ¶ … at h t d e m i a l c o r p nd o m y a ‘R —  • . p

) Ž — —  r e b m e c e D , e g A s s e in s Bu ( ’ w no k u o y … s a w nd o m y a R r M ‘ “  • . p

) Ž — —  r e b m e c e D , e g A s s e in s Bu ( ’ s y a l p s i d e s o h t … k n i h t t ’ n o d ‘I –  • . p

)  “ —  r e b o t c O  • , s w Ne g n i n e Ev ( ’ r u o m a l g d e d d a … y l n i a t r e c ld u o w ‘I –  • . p

)  “ —  t s u g u A ’ Ž , r o r r i M y ail D ( ’ y ne o m n e t t o r … d e z a m a m a ‘I ‘  • . p

) — “ —  r e b m e c e D ’  , h p a r g e el T y l i Da ( ’ s u f o h t o b … t ’ n d i d e W ‘   • . p

) ? s i n e D r o f e n o ny A f o t p i r c s e h t f o r e v o c e h t n o d e t o u q ( ’ e c r a f s u lo l e v r a m a ‘ ”  • . p

) n o S nd a

s i g r u t S , n o t r e t s e h C y b d e c u d o r p re u h c o r b s le a s ( ’ n o nd o L n i … t s o m e h t f o ne o ‘ ”  • . p

)  “ —  ne u J —  , s e m i T e  ( ’ re t n e c … y a d - l l a n a ‘ •  • . p

) r o h t u a e h t h t i w w e i v r e t n i ( ’ g n i n r o m y r e v e … o t d e s u e W ‘ •  • . p

) “ – —  y a M  Ž , d l r o W e h t f o s w e N ( ’ r i a P s i  f o re a w e B ‘ Ž  • . p

) • “ —  l i r p A –  , s e m i T ay d n u S ( ’ e s e t l a M e h t t u o … at h t d e m i a l c e h ‘ Ž  • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i n o s d r a h c i R r e t e P ( ’ h c u o t ˜ o s … s a t s u J ‘   • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i r ne a l P l e g Ni ( ’ t u c r i a h y n n u f … o t d e s u ‘   • . p

)  ‘ – ’ ‘ Ž . p p , on i s s e s s o P g n ki l a W ( ’ ” e v i at n r e t l a “ g n i h t e m o s … e i l l i W at  ‘ ’  • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i r ne a l P l e g Ni ( ’ p i r t S c i m o C … t h g i r n r u T ‘ ’  • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i n o s d r a h c i R r e t e P ( ’ n u r nd a … e m a c n le l A h t i e K ‘ ’  • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i le y a S i e x le A ( ’ g n i ld i u b e h t n i … r e b m e m e r ‘I — ” • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i n o s d r a h c i R r e t e P ( ’ p i r T c i m o C … t s r € e h t n O ‘ — ” • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i n o s d r a h c i R r e t e P ( ’ t i f o l l a … nd u o r t n e w ‘I — ” • . p

r e h t o M y M d e l l i K d n o m y a R l u a P Š ƒ

£ ¢ ¢ ¡ ž ž Ÿ ž  œ › | ² ¯ ‹

ƒ„ †‡‡ˆ ‡‰ †‡Š | ±

nasal,constricteddelivery.Hehadatemperamentthatwasphlegmatic, guarded,watchful,initiallyevenalittleshyandabruptwithstrangers, hisold-fashioneddecorumpronetobemisinterpretedascoldness.And hehadpractisedcharmwithwhichhekeptjournalistsatadistance while purveying an illusion of intimacy, of privileged access. He’d woothemwithhisself-deprecation,hisbracing,ostensiblyguileless candour, his ample stock of dryly humorous stories about his rackety past,storiesgarnishedbyacatchylaughredolentofamis€ring lawnmower.Mouthrealigningitselfintoacontagioushalf-smile, cigarettewavedwithatheatrical µourish,he’dsay,‘I’ve never had a good write-up and I don’t expect yours to be the €rst.’ It was part of a repertoire of lines Raymond trotted out during interviews, his delivery displaying all the brisk con€dence of a former top-of-the-bill performer in provincial variety shows. ‘I have read parts of a book, but never an entire book,’ he delighted in telling reporters. ‘Maybe I attempted to read the wrong sort of book.’ Sometimes he’d justify this tone of gleefully mischievous philistinism by adding, ‘Reading could destroy my instinct for what’s popular. e average man doesn’t read books. And I understand the mass trade. I believe I have the touch that the ordinary man in the street wants.’ On other occasions he’d strike a rare note of self-congratulation by gesturing to his luxurious surroundings and saying, ‘Not bad for a lad who arrived from Liverpool with €ve bob in his pocket…’ Questions about the future of his lucrative, red-plush-adorned realm elicited the pronouncement, ‘ere’ll always be sex – always, always, always.’ Forced to defend the nature of his business, he’d dispense another of his old favourites: ‘It’s simply that a normal, healthy chap likes to see a pretty girl without any clothes on.’ Raymond’s routine captivated his current interviewer, who was fascinated by the contradictions of his personality, by what Dudley later described as ‘his breathless audacity’. e €rst instalment of the eventual

THE LOOK OF LOVE WKHORRNRIORYHUGSURRILQGG 

                        LQGG  SURRI  UG   YH OR  RI  ORRN  WKH

 “ —  ’ Ž ™ – ” • ) t s u g u A , r o r r i M y ail D ( ’ o - p i r … d e t n i r p nd o m y a R r M ‘ . p

 “ —    ) h c r a M , s s e r p Ex

y l ai D nd a ,  “ —  y l u J ’  , r o r r i M y ail D ( ’ r e ™ o s ’ nd o m y a R … t e re t S g n i n w o D e t i p s e D ‘ – ” • . p

) ’ “ —  y r a u r b e F ‘  , s e m i T e  ( ’ m a e t … y l re e nc i s e W ‘ – ” • . p

) r e b m e c e D , e g A s s e in s Bu ( ’ y r t n u o c s i h … re e nc i s y r e v a ‘ . p Ž — —  – ” •

) ’ “ —  y r a u r b e F ‘  , h p a r g e el T y l i Da ( ’ n io t c a e m o s e k i l ‘ – ” • . p

) r ho ut a

e h t h t i w n io at s r e v n o c n i nd o m y a R f o nd e i r f ( ’ r a l u c i t r a p n i … at h t t l e f e h ‘ ‘ ” • . p

)  “ —  t s u g u A ’ • , d l r o W e h t f o s w e N ( ’ r e v lo e at r e d i s n o c … l u a P t h g i n ne O ‘  – ” ” • . p

) — – —  t s u g u A • , ail M y ail D ( ’ e s u o h e t i h W y r a M r o f … y l i t at N ‘ • – Ž ” • . p

)  – —  l i r p A –  , r o r r i M y ail D ( ’ y c a v i r p … f o n io at l io v a ‘ Ž ” • . p

) — – —  y l u J ” , d l r o W e h t f o s w e N ( ’ ™ o s e h lot c … y l t c e f r e p a s a w t ‘I  ” • . p

n a e l C f o n e e u Q e h t t e M n r o P f o g n i K e h t n e h W  ƒ

) r ho ut a

e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ h g u o h t , m i h g n i k i l … y e h t re u s m ’ ‘I — • • . p

) r o h t u a e h t h t i w w e i v r e t n i ( ’ h t i w s a w e h s … e m ld o t d n o m y a ‘R – . p — “ • •

) r o h t u a e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ n i e v a c … m i h d e k i l s y a w l a ‘I “ • • . p

) — – —  y a M “  , s s e r p x E y ail D ( ’ k r o w d r a h … t i b le t t i l a ‘ – • • . p

) — – —  l i r p A ” Ž , d r a d n a t S ng ni e v E ( ’ d w o r c - a - t n re ‘ ‘ • • . p

)  — —  l i r p A ’ • , y a d n u S n o ail M ( ’ e nc e t s i x e r e p o r p … e h t n i t e m e W ‘ ‘ • • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ t i t u o b a … y r e v s a w l u a P ‘  • • . p

)  — —  l i r p A ’ • , y a d n u S n o ail M ( ’ n a m s s ne i s u b a … d r a w o H l i t n U ‘  • • . p

)  — —  l i r p A ’ • , y a d n u S n o ail M ( ’ e d i s a d e v o m … not d i d “ e i b b e D ‘  • • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ g n i h t n w o … d r a w o H , d a e t s n ‘I  • • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i m a h t o B l e o N ( ’ l u a P o t … g i b a s a w d r a w o ‘H  • • . p

) Ž — —  r e b m e v o N   , d l r o W e h t f o s w e N ( ’ n i a g a e m e e s … re e w e w le i h W ‘ ” • • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ r e t h g u a l h t i w … at re g a d a h e W ‘ ” – Ž • • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ t n e t r o p a … nd u o r g k c a b e h t n ‘I  • • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ d e g a t s up g n i e b … g n i n r u t y B ‘  • • . p

) r o h t u a e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ g n i n r o m at h t … l l a s a w t ‘I  – ’ • • . p

) Ž — —  r e b m e v o N   , d l r o W e h t f o s w e N ( ’ l a m r no o t k c a b … d e b i r c s e d r e at l n a e J ‘ ’ • • . p

) Ž — —  r e b m e v o N   , d l r o W e h t f o s w e N ( ’ ! g n i d d e w y m t a … e m d le l a c e h S ‘ ’ • • . p

) “ – —  y r a u n a J — , r o r r i M y ail D ( ’ n a i c i s u m a … y l t n e u q e s b u s e h S ‘ ’ • • . p

) – – —  ne u J • Ž , s s e r p x E y ail D ( ’ r e up s ‘ ’ • • . p

) r ho ut a

e h t h t i w n io at s r e v n o c n i nd o m y a R n a e J f o nd e i r f ( ’ e i b b e D r o f y p p a h … s a w n a e J ‘ — Ž • . p

) r ho ut a

e h t h t i w n io at s r e v n o c n i e g d o H n a h at n o J ( ’ w no k nd o m y a R … e at r e p s e d s a w e h S ‘ — Ž • . p

) – – —  ne u J • Ž , s s e r p x E y ail D ( ’ l l e w g n i o d ‘ — Ž • . p

³ ¯ ‹ | Š ‡ † ‰ ‡ ˆ ‡ ‡ † „ ƒ

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feature series would pose the question ‘Is his sort of entertainment harmless or a moral menace?’ To counter the predictable accusations of immorality, Raymond – or maybe his publicist – fed Dudley a line about him being a devout Roman Catholic, spiritually at ease despite the apparent incompatibility between his religious faith and his chosen career. Quizzed about the titillating contents of his newest show, which featured a naked woman dancing with a boa constrictor, Raymond shrugged his well-padded shoulders and said, ‘But what harm can there be in showing beautiful girls in interesting acts? Everything is clean, wholesome and above board.’ Right then, Dudley was studying Raymond as intently as Raymond was studying the girl he was about to audition. Regular letters from girlslikeherarrivedattheRevuebar:girlswhofanciedreinventing themselves as gypsy seductresses, Nordic goddesses or South American sexpots, girls from any social class, their letters enclosing a snapshot moreo˜enthannottakenbyanobligingboyfriendorbrotheron somewindsweptBritishbeach.Frequently,Raymond’swifeJean– responsibleforchoreographingandproducingtheshowsaswellas designingthecostumes–wouldattendthesubsequentauditionsand rehearsalswiththeirfour-year-olddaughterDebbie,who’dthrow tantrums unless Jean brought her along. Since his wife wasn’t there to help him reach a verdict on the current would-be recruit, Raymond had to rely on his own judgement. Not that he lacked belief in his ability to select the appropriate candidates. He told people that he always looked at a stripper’s face €rst because that’s ‘what makes everything come alive on a girl’s body’. e attributes of a perfect stripper had, he believed, the immutable authority of Old Testament scripture. Call them the Four Commandments. ou shalt be between eighteen and thirty years old. ou shalt be €ve feet eight inches tall. ou shalt weigh nine stone. And thou shalt not have excessively large breasts, the preferred dimensions being between thirty-six and thirty-

THE LOOK OF LOVE WKHORRNRIORYHUGSURRILQGG  ‹°š | ›œž Ÿ žž¡¢¢£

Š€ Money with Menaces p. Ž–•–– ‘McGrath didn’t… drove away’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act)

Šˆ Room at the Top Shelf p. Ž–“ ‘As Raymond waited… collect a parcel’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž–“ ‘Abruptly shi˜ing… from the box o‚ce’ (Daily Telegraph, • December —–Ž) p. Ž–“–“’ ‘When the man… now be dead’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž“’ ‘good witnesses’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž“ ‘I’m something of… now’ (Evening News,  April —–Ž) p. Ž“ ‘To them… ex-missus’ (Daily Mail, Ž— October —–”) p. Ž“ ‘ey had a great… very normal’ (Noel Botham in conversation with the author) p. Ž“Ž ‘considerably more… than Men Only’ (e Longford Report, p. •’–) p. Ž“• ‘During periods… boredom’ (Sunday Times magazine, – August Ž’’“) p. Ž“• ‘Why bother… knickers?’ (e Times, • January —–•) p. Ž“• ‘What I have… should have’ (e Times, ŽŽ January —–) p. Ž“• ‘Two of the more… not wasted’ ’ (John Osborne: A Patriot for Us, p. •–) p. Ž“• ‘Oates was… incident occurred’ (interview featured in Channel ”’s e Real Paul Raymond) p. Ž“” ‘the most extreme… Publications Act ——’ (letter from Raymond Blackburn to Robert Mark, ‘ September —–Ž, National Archives, DPP Ž/‘Ž) p. Ž“ ‘Men Only had… obvious in Club International’ (e Longford Report, p. •“) p. Ž“ ‘e plain fact… ine™ective’ (e Fall of Scotland Yard, p. —•) p. Ž“ ‘I see no… by the police’ (Daily Express, Ž’ September —–Ž) p. Ž“ ‘extreme pornographic… dog’ (letter from Blackburn to the Director of Public Prosecutions, “ November —–Ž, National Archives, DPP Ž/‘Ž)

Š‰ Something Blue p. Ž“– ‘Soon as the… with us’ (Rusty Humphreys in conversation with the author) p. Ž“– ‘It was probably… other crazy’ (interview with the author) p. Ž““ ‘I cannot… no one else’ (Daily Mirror, Ž• September —–Ž) p. Ž“— ‘e law isn’t… who draws it’ (Evening News, Ž— September —–Ž) p. Ž—’ ‘She was annoyed… Raymond’s marriage’ (Tell-Tale Tits, p. –—) p. Ž—’ ‘Raymond’s lawyers… expropriated porn’ (Sun, — December —–Ž) p. Ž—’ ‘I was in fear… children’ (Sun, • December —–Ž) p. Ž— ‘Brian Leary… o™ending issue obscene’ (Evening Standard, ” December —–Ž, and

Evening News, ” December —–Ž)

                      LQGG  SURRI  UG   YH OR  RI  ORRN  WKH THE LOOK OF LOVE OF LOOK THE

WKHORRNRIORYHUGSURRILQGG 

™ p u - e k ma e h t , t c e e d e r i s e d e h t g n i v e i h c a m o r f r a F . d e t a c i t s i h p o s

e r o m , r e d l o e n o e m o s f o e c n a r a e p p a e h t r e h e v i g o t d e n g i s e d , p u

w - e k ma h c u m o o t t i b a d n a s s e r d r e m m u s l a n o s a e s n u n a g n i r a e w s a

n e t o p r e h s s e r p m i o t r e g a E e g a t s n o y l t n e r r u c l r i g e h t , r e y o l p m e l a i t

. ’ t en m n i a t er t en

w o d o t g n i h t o n e l y t s - y l i m a f , d e n € e r f o s r u o h o w t ‘ t s u j e r e w y e  . x e s h t i

a u x e s a d e v i r e d d ha , d e t s i s n i e h , s w o h s s i H . d i d y e h t t ha w m o r f l l i r h t l

o s e k i l n u , t ’ n s a w o h w s l r i g d n € o t g n i y r t , s e u g a e l l o c n a e p o r u E s i h f o e m

u b u s r e t e i u q e h t e h d i a s o s l a e H . s r e p p i r t s t s e b e h t e d ma , t l e f e h , o h w s b r

r o t n e e k s a w e h m o r f s l r i g , ’ s e m o h d o o g ‘ d e m r e t e h t ha w m o r f s l r i g t i u r c e

s u a c e b d e r u o v a f d i a s e H . s s e n y o c g n i t t u p ™ o y n a d e k c a l y e h t t h g u o h t e h e

s r e m r o f r e p , e l u r e r e w e c n e i r e p x e s s e n i s u b w o h s f o n e dg i m s a t s a e l t a h t i w

e r e w o h w s l r i g a s A . y l l u f e c a r g g n i k l a w f o e l b a p a c d n a s u o i c s n o c f l e s n u

k o o l t s u j t ’ n s a w r o f g n i k o o l s a w he , o N . s e t u b i r t t a s u o i v b o e h t r o f g n i

, s n o i t i d u a d e l u d e h c s d n o m y a R r e v e n e h W e h t ha t m i a l c o t d e k i l e h

s t h g i e w . b l ’ ’  s s e r p - h c n e b o t d e p p i u q e e r e w

s m r a d n a s t s a e r b l a c i r t e m m y s a , s n o i x e l p m o c y e h t f i s a r a e p p a t ’ n d i d t ha t

s d e d n u o r y l t b u s e v ha d l u o c e r u l l a e n i n i m e f y t s a p , s p i h d oa r b , s h c ma o t

n i k c a B . r e t a l s r a e y y t r i h t s t n e l a v i u q e r i e h t f o s m g i d a r a p e s e h t , ’ ‘ — 

€ € e v i t c a r t at n a d n a e c a f y t t re p a s a d ne e d e h m o r f e ot m re re e w re u g

s i h d n a n o i h s a f g n i g n ha c f o n o i t c e µ e r a n I t ha w , s e t s a t g n i g n ha c n w o

y f y t t e r p e v ha y l b a i r a v n i s e r u g € e v i t c a r t t a h t i w ’ . s e c a

˜ € n e o ‘ , g n i r a l c e d f o d n o f s a w e h , ’ s l r i g y t t e r p s l r i g t u b , s e r u g d a b e v ha

e h t t u o b a s n io at s i l a r ne e g d r u s b a g n i s s re p x e y r e V ‘ . d ne io t i d u a e h s l r i g

a g b u l c e h t n i h t i w n o i t i s o p l a g e r s i H r o f e t a d n ma e h t m i h e v

. ’ s m o s o b ‘ r o ’ s t s u b ‘ m e h t

a R , r e n w o b u l c - p i r t s a n i s u o l ma o n a d n u o f g n i l l a c n o d e t s i s n i d n o m y

o k a e r t s a g n i y a r t e B . s t e h t i p e l u f t s u l h c u s y n a y e l d u D t ha t s s e n h s i d u r p f

e l , ’ s t s a e r b ‘ s a m e h t o t r e f e r o t t n a t c u l e r s y a d r o ’ s a k o o z a b ‘ , ’ s t i t ‘ e n o l a t

s s e n h s i m a e u q s s s a l c - e l d d i m h t i w g n i l g n i m e s o h t n i s a w d n o m y a R ,

p u t c i r t s s i h f o y c a g e l a s a s p ha r e P . y p p o µ ma g o d c i l o h t a C , g n i g n i r b

o o t e b d ’ y e h t d e n o s a e r e h , t ha t n ha t r e g g i b e r e w y e h t f I . s e h c n i t h g i e

° | Š ‡ † ‰ ‡ ˆ ‡ ‡ † „ ƒ

‹¯´ | ›œž Ÿ žž¡¢¢£

p. •’— ‘As Jean walked… bye, Paul’ (Daily Mirror, Ž— October —–”) p. •’— ‘I hope we are… the settlement’ (Daily Mirror, Ž— October —–”) p. •’— ‘I’m numb… success it is’ (Daily Mirror, Ž— October —–”) p. •’— ‘Stripped… of ¶Ž’,’’’’ (Daily Mirror, Ž— October —–”) p. •’— ‘I will not be… sort of money’ (Sunday Mirror, • November —–”) p. •’ ‘Paul was always… bloody useless’ (Jonathan Hodge in conversation with the author) p. • ‘Most investors… elbow room’ (Property Week, • November Ž’’’) p. •Ž ‘Watching Raymond… at that stage’ (interview with the author) p. • ‘We were talking… she agreed’ (News of the World, “ January —–‘) p. •‘ ‘the Tamburlaine-like… lowest point’ (e Times, Ž November —–‘) p. •– ‘With a photographer… football €eld’ (Big Mal, pp. ŽŽ–•) p. •“ ‘We wouldn’t… nobody’s complained’ (e Times, Ž“ June —–‘) p. •“ ‘Except for… family business’ (Daily Mail, Ž March ——“) p. •“ ‘Himself a… family business’ (Daily Mail, Ž March ——“) p. •“–— ‘Back in London… was out’ (Sunday Times Magazine, – August Ž’’“, and Daily Mail, Ž March ——“) p. •— ‘Derry remembered… his nerves’ (Sunday Times Magazine, – August Ž’’“) p. •— ‘He portrayed… never notice’ (interview featured in Channel ”’s e Real Paul Raymond) p. •— ‘Derry was still… “.•’ p.m.’ (Sunday Times Magazine, – August Ž’’“) p. •— ‘If I had… co™ee?’ (Daily Mail, Ž March ——“)

ƒ† A Captain of Skindustry p. •Ž’ ‘Now Britain’s… Together’ (Internet Movie Database) p. •ŽŽ ‘We felt… pleasant experience’ (Daily Mirror, •’ November —–‘) p. •ŽŽ ‘He used to say… proper friend’ (e-mail from Fiona Richmond to the author) p. •ŽŽ–• ‘Debbie was already… control of it’ (Daily Express, Ž• June —––) p. •Ž” ‘ey get paid… exploiting men’ (BusinessAge, December ——Ž) p. •Ž” ‘Way-mon Wevue Bar’ (former uniformed policeman in conversation with the author) p. •Ž” ‘To his annoyance… being nude’ (Women’s World, November —––) p. •Ž”– ‘when he said… the music hall’ (Guardian, Ž January —––) p. •Ž ‘the frankly… lady’ (Keeping the British End Up, pp. –Ž) p. •Ž–‘ ‘Don’t be… ¶’’ a week’ (Daily Mirror, — May —––) p. •Ž‘ ‘performance of… splendour’ (Daily Telegraph, quoted in e Times, Ž— October —––) p. •Ž‘–– ‘I’ve been working… a worker’ (Daily Express, Ž• June —––) p. •Ž– ‘I became… turned up’ (Jonathan Hodge in conversation with the author) ƒ‡ Playboy of the West End World p. •Ž“ ‘Each purchase… a thrill’ (Today, Ž“ June —“‘)

WKHORRNRIORYHUGSURRILQGG  ƒ„ †‡‡ˆ ‡‰ †‡Š | ‹°Œ

Š Tonight’s the Night p. Ž—–‘’‘Concerned about… garage at her house’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž‘’ ‘Further matters… into the facts’ (Daily Telegraph, Ž“ October —–) p. Ž‘ ‘Strip King… Court Riddle’ (Daily Mirror, Ž“ October —–) p. Ž‘ ‘Justice would… this case’ (Daily Telegraph, Ž“ October —–) p. Ž‘ ‘in a great state… guilty or not’ (Daily Telegraph, Ž“ October —–) p. Ž‘ ‘Now that… dropping the charges’ (Daily Mail, Ž— October —–, and Daily Telegraph, Ž“ October —–) p. Ž‘ ‘On Tuesday, Ž… Remember Mrs McKay’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž‘Ž ‘at Friday… started yet’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž‘Ž ‘I appeal to… seven years’ (Daily Mirror, Ž November —–) p. Ž‘Ž–• ‘Raymond had to wait… to Mr Raymond’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act)

ŠŠ ‚is Is Your Executioner Speaking p. Ž‘” ‘We think it’s… of Barking’ (Evening News,  April —–Ž) p. Ž‘ ‘nothing to suggest… the incidents’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž‘ ‘under consideration’ (list of current OPS cases,  January —–Ž, National Archives, DPP Ž/‘Ž) p. Ž‘‘–– ‘Until Monday… put the phone down’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act)

Šƒ Greetings from Pornland p. Ž‘“ ‘suitable for… family’ (e Longford Report, p. •) p. Ž‘— ‘I replied… been corrupted’ (Observer, Ž” April —““) p. Ž‘— ‘Bob Guccione… exploited women’ (e Longford Report, pp. —‘––) p. Ž‘— ‘ey both stressed… itself and its readers’ (e Longford Report, pp. •’––“) p. Ž–’ ‘Lord Longford?… specialise in’ (Evening News, ” January —–Ž) p. Ž–’–Ž ‘Between the €nal… on stand-by’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž–Ž ‘a big operation’ (interview with the author) p. Ž–Ž ‘Adams and a group… wait here’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed

under the Freedom of Information Act)

                      LQGG  SURRI  UG   YH OR  RI  ORRN  WKH THE LOOK OF LOVE OF LOOK THE

WKHORRNRIORYHUGSURRILQGG 

’ . s t n e i t pa

s i h g n i n i m a x e r o t c o d a n ha t e r o m o n m a I , s l r i g e h t o T ‘ . y e l d u D

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. s t € t u o e r u t u o c e t u ha s ’ e f i w s i h , s e e f

l o o h c s s ’ r e t h g u a d s i h , s t i u s w o R e l i v a S s i h , y e l t n e B t x e n s i h f o t s o c e h t o t

g n i t u b i r t n o c t u o b a , s s o l d n a t € o r p t u o b a , s s e n i s u b t u o b a s a w t I . y e n mo

t u b , x e s t o n – n o i s s e s b o g n i d i b a s i h t u o b a s a w t I . s l r i g g n u o y y t t e r p

g n i l g o t u o b a t ’ n s a w s i h t , m i h r o F . y t i d u n e l ma e f t u o b a é s a l b d n o m y a R ˜ e l

d ha y r t s u d n i k s e h t n i e d a c e d a t s o m l A . a n i h c f o e c e i p a g n i s i a r p p a r e l a e d

e u q i t n a n a f o t n e m h c a t e d e h t h t i w d e h c t a w e h , s n o i t c u r t s n i s i h d e w o l l o f

e h s s A . s e h t o l c g n i n i ma e r r e h ™ o e k a t o t r e h d e k s a e h , y l ˜ o s g n i k a e p S

. s s e n h s i t t e u q o c d n u o f - w e n a d e r i u q c a d ha n o i s s e r p x e r e h

, e z a g l a t t i m m o c - n o n , l a i n e g s i h t e m e h s e m i t t x e N . s s e r d r e h n ha t y l w o l s

g n i d d e h s , s se o p e t i s i u q e r e h t g n i k i r t s d n a e g a t s e r o m e c n e c i t e r l a i t i n i r e h

s a w l r i g e h t , n o i t c e r i d s ’ d n o m y a R r e d n U e h t d n u o r g n i c n i m n o o s

. s r e t o o c s f o z z u b d i o t c e s n i

c f o m u h e h t , s e l t s i h w - f l o w , s t u o h s e: r t a e h t e h t y r g n a e h t , s e i r r o l d n a s r a

s n o d n o L l a r t n e c g n i d n u o r r u s e h t m o r f s e s i o n o t n i k a e l o t d e d n e t s t e e r t

e m r o f r e p e h t d e i n a p m o c c a d n a b e c e i p - e e r h t a , e c n e s b a s ’ d n a b e h t n I . s r

m e v o m r e h d n e l o t c i s u m e m o s h t i w e n o d e v ha , y l i r a n i d r O . m h t y h r s t n e

h d n a d n o m y a R h t o b f o t n o r f n i d e d a r a p d n a d l u o c e h S . r e w e i v r e t n i s i

f e b d e u s n e e s u a p le b a t r o f m o c n u r e h not A d n u o r d le l e v i w s e h s re o

n o m e v i s r u c , d e d l i g s ’ d n o m y a R y b d e h s i l l e b m e . m a r g o

n e b y l d r a w k w a d o o t s e h s , s e o h s n o - p i l s d n a h c r a m u i n e c s o r p a h t a e

o n g n i r a e w w o N . s s e r d r e h ™ o d e l e e p e h s n e  s e i t n a p , a r b r e h t u b g n i h t

k e e s f i s a , s g n i w e h t o t n i d e c n a l g l r i g e  . s n o i t c u r t s n i r e h t r u f g n i

. d o n t h g i l s a h t i w

t a e l i m s g n i t a i t a r g n i , s u o v r e n a d e h s a µ e h S d e d n o sp e r e H . d n o m y a R

. b u l c - p i r t s r e h t o y n a r o r a b e u v e R

i v e r p , d o o h i l e k i l l l a n i , e h s d ha r o N . e r o f e b e h t e d i s n i t o o f t e s y l s u o

d e n o i t i d u a n e e b r e v e n d ’ e h s l l e t d l u o c u o Y . s s e n w o l l a c r e h d e s i s ha p m e

£ ¢ ¢ ¡ ž ž Ÿ ž  œ › | ¯

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p. Ž— ‘their understandings’ (Evening Standard, ” December —–Ž) p. Ž— ‘excitement of the senses’ (Guardian,  December —–Ž) p. Ž—Ž ‘We concede that… trying to say’ ([Watford] Evening Echo,  December —–Ž)

Š„ ‚e Raymond Follies p. Ž—•–” ‘All of a sudden… at Mr Raymond’s o‚ce’ (e Times, ‘ December —–Ž) p. Ž—” ‘the appalling violence… normal life’ (Daily Express, ŽŽ December —–Ž) p. Ž—” ‘He couldn’t understand… reconciliation’ (interview with the author) p. Ž—” ‘Another thing… troubled him’ (friend of Raymond in conversation with the author) p. Ž—” ‘On the eve… her petition’ (People,  May —““) p. Ž—” ‘Noel Botham described… kid’ (Noel Botham in conversation with the author) p. Ž— ‘is is a good day…enough for me’ (Daily Express, • March —–•) p. Ž— ‘According to her… acceptable €gure’ (Daily Express,  August ——”) p. Ž— ‘Raymond expressed… ¶Ž’,’’’’ (Sunday Mirror, – April —“•) p. Ž— ‘In her account… short of cash’ (Daily Express,  August ——”) p. Ž—– ‘Raymond envisaged it as… Parisian cabaret’ (Sunday Telegraph, Ž” February —–”) p. Ž—– ‘With luck, he… and sets’ (Guardian, •’ March —–”) p. Ž—– ‘Instead of being… sex you up’ (New Statesman, ” December —–•) p. Ž—“ ‘It’s not right for me’ (Daily Express, Ž• June —––) p. Ž—“ ‘Pure coincidence… bravely volunteered’ (Daily Mirror,  March —–”) p. Ž—— ‘Letting Debbie… in-jokes’ (interview with the author) p. •’’ ‘It had an interior… hated’ (Tell-Tale Tits, p. “—) p. •’’ ‘Richmond talked… in Latin’ (Tell-Tale Tits, p. “—) p. •’ ‘the judge delivered… Tiger Tim’s Weekly’ (e Times, – February —–”) p. •’ ‘I’m not… entertainer’ (Sunday Times, Ž” February —–”) p. •’ ‘Tits, bums… what I like’ (Sunday Times, Ž” February —–”) p. •’• ‘Feigning… damned amateurs’ (Daily Mirror,  March —–”) p. •’• ‘tart-traps’ (London: City of Disappearances, p. Ž–)

Š Let’s Get Laid p. •’ ‘Losers’ Lounge’, (Just the One, p. “—) p. •’ ‘Raymond just… membership card’ (Michael Dillon in conversation with the author) p. •’–‘ ‘I once asked… deepest sympathy’ (Michael Dillon in conversation with the author) p. •’‘ ‘Once the ring… for granted’ (Sunday Mirror, – April —“•) p. •’– Raymond had, by then… the police’ (Tell-Tale Tits, p. ’) p. •’“ ‘When Fiona… it would show’ (Up Front, p. ŽŽ) p. •’“ ‘to work up… hard way’ (Daily Express, Ž• June —––) p. •’“ ‘Both her parents… a table’ (Sunday Mirror, • November —–”)

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Š€ Money with Menaces p. Ž–•–– ‘McGrath didn’t… drove away’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act)

Šˆ Room at the Top Shelf p. Ž–“ ‘As Raymond waited… collect a parcel’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž–“ ‘Abruptly shi˜ing… from the box o‚ce’ (Daily Telegraph, • December —–Ž) p. Ž–“–“’ ‘When the man… now be dead’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž“’ ‘good witnesses’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž“ ‘I’m something of… now’ (Evening News,  April —–Ž) p. Ž“ ‘To them… ex-missus’ (Daily Mail, Ž— October —–”) p. Ž“ ‘ey had a great… very normal’ (Noel Botham in conversation with the author) p. Ž“Ž ‘considerably more… than Men Only’ (e Longford Report, p. •’–) p. Ž“• ‘During periods… boredom’ (Sunday Times magazine, – August Ž’’“) p. Ž“• ‘Why bother… knickers?’ (e Times, • January —–•) p. Ž“• ‘What I have… should have’ (e Times, ŽŽ January —–) p. Ž“• ‘Two of the more… not wasted’ ’ (John Osborne: A Patriot for Us, p. •–) p. Ž“• ‘Oates was… incident occurred’ (interview featured in Channel ”’s e Real Paul Raymond) p. Ž“” ‘the most extreme… Publications Act ——’ (letter from Raymond Blackburn to Robert Mark, ‘ September —–Ž, National Archives, DPP Ž/‘Ž) p. Ž“ ‘Men Only had… obvious in Club International’ (e Longford Report, p. •“) p. Ž“ ‘e plain fact… ine™ective’ (e Fall of Scotland Yard, p. —•) p. Ž“ ‘I see no… by the police’ (Daily Express, Ž’ September —–Ž) p. Ž“ ‘extreme pornographic… dog’ (letter from Blackburn to the Director of Public Prosecutions, “ November —–Ž, National Archives, DPP Ž/‘Ž)

Š‰ Something Blue p. Ž“– ‘Soon as the… with us’ (Rusty Humphreys in conversation with the author) p. Ž“– ‘It was probably… other crazy’ (interview with the author) p. Ž““ ‘I cannot… no one else’ (Daily Mirror, Ž• September —–Ž) p. Ž“— ‘e law isn’t… who draws it’ (Evening News, Ž— September —–Ž) p. Ž—’ ‘She was annoyed… Raymond’s marriage’ (Tell-Tale Tits, p. –—) p. Ž—’ ‘Raymond’s lawyers… expropriated porn’ (Sun, — December —–Ž) p. Ž—’ ‘I was in fear… children’ (Sun, • December —–Ž) p. Ž— ‘Brian Leary… o™ending issue obscene’ (Evening Standard, ” December —–Ž, and Evening News, ” December —–Ž)

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Š Tonight’s the Night p. Ž—–‘’‘Concerned about… garage at her house’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž‘’ ‘Further matters… into the facts’ (Daily Telegraph, Ž“ October —–) p. Ž‘ ‘Strip King… Court Riddle’ (Daily Mirror, Ž“ October —–) p. Ž‘ ‘Justice would… this case’ (Daily Telegraph, Ž“ October —–) p. Ž‘ ‘in a great state… guilty or not’ (Daily Telegraph, Ž“ October —–) p. Ž‘ ‘Now that… dropping the charges’ (Daily Mail, Ž— October —–, and Daily Telegraph, Ž“ October —–) p. Ž‘ ‘On Tuesday, Ž… Remember Mrs McKay’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž‘Ž ‘at Friday… started yet’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž‘Ž ‘I appeal to… seven years’ (Daily Mirror, Ž November —–) p. Ž‘Ž–• ‘Raymond had to wait… to Mr Raymond’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act)

ŠŠ ‚is Is Your Executioner Speaking p. Ž‘” ‘We think it’s… of Barking’ (Evening News,  April —–Ž) p. Ž‘ ‘nothing to suggest… the incidents’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž‘ ‘under consideration’ (list of current OPS cases,  January —–Ž, National Archives, DPP Ž/‘Ž) p. Ž‘‘–– ‘Until Monday… put the phone down’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act)

Šƒ Greetings from Pornland p. Ž‘“ ‘suitable for… family’ (e Longford Report, p. •) p. Ž‘— ‘I replied… been corrupted’ (Observer, Ž” April —““) p. Ž‘— ‘Bob Guccione… exploited women’ (e Longford Report, pp. —‘––) p. Ž‘— ‘ey both stressed… itself and its readers’ (e Longford Report, pp. •’––“) p. Ž–’ ‘Lord Longford?… specialise in’ (Evening News, ” January —–Ž) p. Ž–’–Ž ‘Between the €nal… on stand-by’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž–Ž ‘a big operation’ (interview with the author) p. Ž–Ž ‘Adams and a group… wait here’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act)

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p. Ž”– ‘a breakthrough… frankness’ (Daily Mirror, Ž‘ May —–) p. Ž”––“ ‘Raymond arranged… be recruited’ (Daily Mirror, Ž‘ May —–) p. Ž”“ ‘a dirty magazine… bad name’ (Daily Mirror, Ž‘ May —–) p. Ž”“ ‘Each morning… confront that day’ (Daily Express, ” December —–Ž) p. Ž”“ ‘His new-found fame… stop the strip-clubs?’ (Longford, p. ‘“) p. Ž”— ‘As part of… into a cab’ (Longford, p. –’)

Š‡ Filthy Lucre p. Ž’– ‘Around —.’ p.m… same conclusion’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž ‘Doorstepped… with anyone’ (Noel Botham in conversation with the author) p. ŽŽ ‘commercial sex-exploiters… of sex’ (White Heat, pp. –Ž) p. ŽŽ ‘destructive and demoralising trends’ (e Times, ‘ June —–) p. ŽŽ ‘love and… great nation’ (e Times, Ž July —–) p. Ž• ‘terms of reference… assist them’ (Home O‚ce memo, “ October —–, National Archives, HO •’Ž/–) p. Ž• ‘that no help… given to de Boinod’ (Home O‚ce memo, – October —–, National Archives, HO •’Ž/–) p. Ž• ‘Stymied by… showed it to Longford’ (Note for €le, “ October —–, National Archives, HO •’Ž/–) p. Ž• ‘eir products… · ¸ ¸œ¨¡’ (Home O‚ce memo, – October —–, National Archives, HO •’Ž/–) p. Ž• ‘Lord Porn’s private eye’ (Longford, p. –’) p. Ž” ‘Stung by accusations… to be desired’ (Guardian, • November ———) p. Ž” ‘Its author… to the police’ (Observer,  August —–) p. Ž” ‘Before boarding… to hell’ (Longford, p. ‘) p. Ž”– ‘weapons of revolution’ (O„ensive Literature, p. –) p. Ž ‘He revealed that… dog’s home’ (Evening Standard,  April —–) p. Ž ‘Her father would have preferred… their will’ (Sunday Times Magazine, Ž February —“‘) p. Ž ‘Rationalising… instruction’ (Sunday Mirror, Ž August —–•) p. Ž‘ ‘At about .’ a.m… on Jean’s home’ (Daily Mirror, Ž“ October,  November, Ž November —–, and Daily Telegraph, Ž“ October —–) p. Ž‘–– ‘I am told that… were corrupt’ (e Pornbrokers, p. ‘‘) p. Ž– ‘Distressed by… conclusive evidence’ ’ (Longford, pp. –’––) p. Ž– ‘at changed… get back’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act)

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 Porn Again p. Ž•–Ž ‘Raymond was sitting… last either’ (Tell-Tale Tits, pp. –‘–“’) p. Ž•• ‘state handouts for €lth’ (O„ensive Literature, p. —‘) p. Ž•• ‘so pornographic… being pornographic’ (letter from Raymond Blackburn to the Attorney-General, Sir Peter Rawlinson, Ž October —–Ž, National Archives, DPP Ž/‘Ž) p. Ž•” ‘I will make… great entertainment’ (Daily Mirror, ‘ September —–’) p. Ž•” ‘Archie turned… for years’ (e-mail from Fiona Richmond to the author) p. Ž• ‘Being the owner… sort of thing’ (Daily Mirror, ‘ September —–’) p. Ž• ‘enquiry into… always will’ (Daily Mirror, ‘ September —–’) p. Ž• ‘Even though… someone else?’ (friend of Jean Raymond in conversation with the author) p. Ž•–‘ ‘Jealousy distilling… with a married man’ (Tell-Tale Tits, pp. –—–“) p. Ž•‘ ‘rough the… for a month’ (People, Ž” September —–’) p. Ž•‘ ‘the Permissive eatre of the Seventies’ (Daily Mirror, • May —–) p. Ž•‘ ‘very seriously indeed’ (e Times, • December —–Ž) p. Ž•– ‘If Jean… durable form’ (Tell-Tale Tits, pp. “’–“) p. Ž•– ‘he relished… most alive’ (Sunday Times Magazine, – August Ž’’“) p. Ž•––“ ‘If they carry… tropics in there’ (Daily Mirror, “ November —–’) p. Ž•“ ‘George Flowers reported… made a statement’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž•“ ‘Now I don’t… aggravation’ (Sunday Times colour supplement, ‘ February —–’) p. Ž•— ‘ey liked… great relationship’ (interview with the author) p. Ž”’ ‘crotch shots’ (Keith Davis in correspondence with the author) p. Ž”’ ‘He didn’t want… gold-digger’ (Tell-Tale Tits, p. ‘) p. Ž” ‘I used to get… with you’ (Sunday Times Magazine, Ž February —“‘) p. Ž” ‘About an hour and a half… explosive devices’ (Metropolitan Police €le CRŽ’•/–Ž/••, viewed under the Freedom of Information Act) p. Ž” ‘Jean o˜en rang… leant against it’ (Tell-Tale Tits, p. “)

Š† Mr Striptease v. Lord Porn p. Ž”Ž ‘who accused… and dirt’ (White Heat, pp. ”•–”) p. Ž”• ‘I think until… of resistance’ (e Times, Ž April —–) p. Ž”” ‘on the problems… Great Britain’ (e Times, — April —–) p. Ž”” ‘Philip, does… non-committal reply’ (e Times, ” February Ž’’”) p. Ž” ‘My Lords, I… aware of’ (Hansard, Ž April —–, column •‘—) p. Ž” ‘In discussing what… for years’ (Daily Mirror, ” May —–) p. Ž” ‘µow of €lth’ (e Times,  May —–) p. Ž”‘ ‘I have a conscience… harm people’ (BusinessAge, December ——Ž) p. Ž”‘ ‘need W.H. Smith’s… in the head’ (e Longford Report, p. •) p. Ž”– ‘Speaking at the… year’s time’ (e Times,  May —–)

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