Mychildren Mybride Gwar No Warning Cannibal Corpse
MYCHILDREN MYBRIDE GWAR NO WARNING CANNIBAL CORPSE THROUGH THE EYES VICIOUS WORLD THE BLOOD OF GODS TORTURE CULTURE RED BEFORE BLACK OF THE DEAD METAL/ENTERTAINMENT ONE METAL BLADE METAL/ENTERTAINMENT ONE METAL BLADE DISOMUS While so many of their contemporaries The Blood of Gods is nothing less than a After nearly a decade away, No Warning Many words come to mind when you hear METAL/ENTERTAINMENT ONE cranked out disposable albums with forgetta- sacred text chronicling the rise of humanity return with Torture Culture, a third album that the name Cannibal Corpse, but one truly Revered as one of the groups that pioneered ble repetitiveness, in an effort to meet the de- against their makers, and the massive battle is as scrappy, self-assured, and unrelenting defines the soon-to-be thirty-year death metal the aggressive and abrasive mixture of death mands of the music industry, MyChildren between GWAR and the forces of all that is as it was once unthinkably improbable. No veterans: Unstoppable. Returning with their metal and hardcore, East Coast-based MyBride entered into a willful creative hiber- uptight and wrong with the world. Along the Warning is confrontational, uncompromis- fourteenth full-length slab, the monstrous Red Through the Eyes of the Dead nation instead. Like a creature that spins itself way, the band challenges the sins of their ing, and unapologetic, like the best in hard- Before Black, serves to not only reiterate this triumphantly return with Disomus, the long a cocoon to evolve into something bigger and great mistake, from politics, pollution, and core, metal, crossover, and thrash before but to once more raise the stakes, making it anticipated follow up to 2010’s Skepsis.
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