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General Introduction Sustainability Issues in the Preservation of Black and White Cellulose Esters Film- Based Negatives Collections
Élia Catarina Tavares Costa Roldão Licenciada em Conservação e Restauro A contribution for the preservation of cellulose esters black and white negatives Dissertação para obtenção do Grau de Doutor em Ciências da Conservação do Património, Especialidade em Ciências da Conservação Orientador: Doutora Ana Maria Martelo Ramos, Professora Associada, FCT NOVA Co-orientadores: Doutor Bertrand Lavédrine, CRC Doutor António Jorge D. Parola, Professor Associado com Agregação, FCT NOVA Júri: Presidente: Doutora Maria João Seixas de Melo, Professora Catedrática, FCTNOVA Arguentes: Doutor Hugh Douglas Burrows, Professor Catedrático Jubilado, FCT-UC Doutora Ana Isabel S. C. Delgado Martins, Directora do AHU-DGLAB Vogais: Doutora Ana Maria Martelo Ramos, Professora Associada, FCT NOVA Doutor João Pedro Martins de Almeida Lopes, Professor Auxiliar, FF- UL Novembro, 2018 A contribution for the preservation of cellulose esters black and white negatives Copyright © Élia Catarina Tavares Costa Roldão, Faculdade de Ciências e Tecnologia, Universidade Nova de Lisboa. A Faculdade de Ciências e Tecnologia e Universidade Nova de Lisboa têm o direito, perpétuo e sem limites geográficos, de arquivar e publicar esta dissertação através de exemplares impressos reproduzidos em papel ou de forma digital, ou por qualquer outro meio conhecido ou que venha a ser inventado, e de divulgar através de repositórios científicos e de admitir a sua cópia e distribuição com objectivos educacionais ou de investigação, não comerciais, desde que seja dado crédito ao autor e editor. -
Norman E. Riley Papers and Photographs D-550
http://oac.cdlib.org/findaid/ark:/13030/c8z039gb No online items Inventory of the Norman E. Riley Papers and Photographs D-550 Liz Phillips and Patricia C. Inouye University of California, Davis Library, Dept. of Special Collections 2018 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: http://www.lib.ucdavis.edu/dept/specol/ Inventory of the Norman E. Riley D-550 1 Papers and Photographs D-550 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: Norman E. Riley Papers and Photographs Creator: Riley, Norman Identifier/Call Number: D-550 Physical Description: 2.4 linear feet Date (inclusive): 1982-2004 Abstract: The collection includes photographs of California, especially Davis and Sacramento, cityscapes, landscapes, still lifes, and portraits taken by the photographer Norman E. Riley. Biography Norman Edward Riley was born in Munich, Germany on January 11, 1954. He graduated from UC Davis in 1978, majoring in Environmental Toxicology. He worked for the State of California for 25 years, during this time Riley took up the 35mm camera and, through book-reading and practice, taught himself the principles and techniques of photography. He worked initially in the pictorial style and focused mainly on portraiture but also spent a considerable amount of time shooting scenes in and around both Davis, California and Sacramento, California In 1984 he advanced to large format work and thereafter, working in the f/64 style, concentrated on architectural studies and landscapes primarily in the Western United States and in Europe. -
Platinum and Palladium Printing
DICKARENTZ With contributions by: Bob Herbst Sandy King Stan Klimek Mark Nelson Keith Schreiber AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO ELSEVIER Focal Press is an imprint of Elsevier Copyright C 2005, Dick Arentz. All rights reserved. All photographs 8 Dick Arentz, unless otherwise specified. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science 8i Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, e-mail: permissions@elsevier. corn.uk. You may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Customer Support” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid- @ free paper whenever possible. Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 0-240-80606-9 For information on all Focal Press publications visit our website at www.books.elsevier.com 04 05 06 07 08 09 10 9 8 7 6 5 4 3 2 1 Printed in China To Phil Davis Professor Emeritus, University of Michigan Teacher, Mentor, and Friend In 1970, I was an Assistant Professor at the University of Michigan in a discipline far removed from art or photography. -
Book VII Film Photography
D DD DDD Photography DDDDon.com DDDD Basic Photography in 180 Days Book VII - Film Photography Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Color photography ........................................... 1 1.1.1 History ............................................ 1 1.1.2 Artists’ perspectives ...................................... 13 1.1.3 Preservation issues ...................................... 14 1.1.4 Research ........................................... 15 1.1.5 Patents ............................................ 15 1.1.6 See also ............................................ 15 1.1.7 Notes ............................................. 16 1.1.8 References .......................................... 17 1.1.9 External links ......................................... 18 2 Day 2 20 2.1 Photographic film ........................................... 20 2.1.1 History of film ........................................ 21 2.1.2 Film basics .......................................... 23 2.1.3 Film speed .......................................... 25 2.1.4 Special films ......................................... 26 2.1.5 Decline ............................................ 27 2.1.6 DX codes ........................................... 27 2.1.7 Common sizes of film[19] ................................... 27 2.1.8 Companies .......................................... 28 2.1.9 See also ............................................ 30 2.1.10 Notes ............................................. 30 2.1.11 References ......................................... -
The DARKROOM COOKBOOK, Third Edition
The Darkroom Cookbook Henry and Steve, 1999. © 2008 Donna Conrad. All rights reserved. Courtesy of the artist. The DARKROOM COOKBOOK Third Edition Steve Anchell AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2008, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (ϩ44) 1865 843830, fax: (ϩ44) 1865 853333, E-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Support & Contact” then “Copyright and Permission” and then “Obtaining Permissions.” Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 978-0-240-81055-3 For information on all Focal Press publications visit our website at www.elsevierdirect.com Typeset by Charon Tec Ltd., A Macmillan Company. (www.macmillansolutions.com) 08 09 10 11 5 4 3 2 1 Printed in the United States of America Dedication This book is dedicated to all the selfl ess photographers who have shared their experience and darkroom discoveries. To these photographers, known and unknown, we owe a debt of gratitude.