Movie Music STEM Learning Activity Resources
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Lil Uzi Songs Download
Lil uzi songs download Continue Source:4,source_id:870864.object_type:4, id:870864,status:0,title:LIL U ULTRASOUND VERT,share_url:/artist/lil-uzi-vert,albumartwork: objtype:4 Thank you for showing interest in '. It is only available in India. Click here to go to the homepage or you'll be automatically redirected within 10 seconds. setTimeout (function) $'.'.artistDetailPage.artistAbout'). Download music from your favorite artists for free with Mdundo. Mdundo started in collaboration with some of Africa's best artists. By downloading music from Mdundo YOU to become part of the support of African artists!!! Mdundo is financially supported by 88mph - in partnership with Google for Entrepreneurs. Mdundo kicks the music into the stratosphere, taking the artist's side. Other mobile music services hold 85-90% of sales. What ?!, Yes, most of the money is in the pockets of major telecommunications companies. Mdundo lets you track your fans and we share any revenue earned from the site fairly with the artists. I'm a musician! - Log in or sign up for hip-hop August 2, 202015 September 2020 Olami Published in Hip Hop, TrendingTagged Future, Lil Uzi Vert1 Best Rap Song 2019Featuring Lil Uzi Vert, Doja Cat, and Young Thug, along with many exciting young upstarts 20 Best Rap Albums 2017 From Playboi Carti's muttering opus Vince Staples' delirium up deconstructed fame, is the most important rap record of the year. The 100 best songs of 2017 from Lord's ecstatic emotional purification to Frank Ocean's ode to cycling to the frantic knock of Cardi B, this is our pick for the best songs of the year. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Reading for Pleasure? Try a Little Something from Our Taster Menu
READING FOR PLEASURE? TRY A LITTLE SOMETHING FROM OUR TASTER MENU... Edition Looking for something to read but don’t know where to begin? Dip into these pages and see if something doesn’t strike a spark. With over thirty titles (many of which come recommended by the organisers of World Book Day - including a number of best sellers), there is bound to be something to appeal to every taste. There is a handy, interactive contents page to help you navigate to any title that takes your fancy. Feeling adventurous? Take a lucky dip and see what gems you find. Cant find anything here? Any Google search for book extracts will provide lots of useful websites. This is a good one for starters: https://www. penguinrandomhouse.ca/books If you find a book you like, there are plenty of ways to access the full novel. Try some of the services listed below: Chargeable services Amazon Kindle is the obvious choice if you want to purchase a book for keeps. You can get the app for both Apple and Android phones and will be able to buy and download any book you find here. If you would rather rent your books, library style, SCRIBD is the best app to use. They charge £8.99 per month but you can get the first 30 days free and cancel at any time. If you fancy listening to your favourite stories being read to you by talented voice recording artists and actors, tryAudible : they offer both one off purchases and subscription packages. Free services ORA provides access to myON and you will have already been given details for how to log in. -
Healing of Discernible Brackish from Municipal Drinking Water by Charcoal Filtration Method at Jijgiga, Ethiopia Udhaya Kumar
ISSN XXXX XXXX © 2019 IJESC Research Article Volume 9 Issue No.4 Healing of Discernible Brackish from Municipal Drinking Water by Charcoal Filtration Method at Jijgiga, Ethiopia Udhaya Kumar. K Lecturer Department of Water Resource and Irrigation Engineering University of Jijgiga, Ethiopia Abstract: Jijiga is a city in eastern region of Ethiopia country and the Jijiga is capital of Somali Region (Ethiopia). Located in the Jijiga Zone approximately 80 km (50 miles) east of Harar and 60 km (37 miles) west of the border with Somalia, this city has an elevation of 1,609 meters above the sea level. The population of this city was 185000 in the year 2015. The elevation of this city is 1609m from sea level. The natural water source for jijiga is limited, most of the time people getting limited quantity of water. The main source of this city is a small pond and one spring. The rainy season also not that much. The municipality supplying water to every house based upon intermittent system, the time limit is morning only (8am to 9am). The municipality water contains discernible brackish. The public using this water for drinking and cooking purpose, it wills danger for human health. My focus is planning to remove discernible brackish by distinct method. My research results indicate the removal of discernible brackish from drinking water by simple charcoal filtration method for low cost. Keywords: Discernible brackish, Human health, Filtration, Low cost, Main source, Municipality, Intermittent system, Distinct method. I. INTRODUCTION charcoal. Only the water is reached to the second layer. Then the filtered water is collected separately to another container The climate condition of Jijgiga city is not constant and also without discernible brackish. -
From Diddley Bow to Bo Diddly: Making Cigar Box Guitars Prepared by Scott Ainslie, [email protected]
From Diddley Bow to Bo Diddly: Making Cigar Box Guitars Prepared by Scott Ainslie, http://CattailMusic.com, [email protected] In the mid-1980’s, I started to visit elderly black musicians in eastern North Carolina. Mostly blues and gospel guitarists and singers, all these men (and a few women) played electric guitars when I met them. When I asked, these elders (born between 1900 and 1930) what their first instruments were, 9 out of 10 of them responded, “A cigar box guitar.” Often strung with a piece of broom wire, or one strand of wire fished out of the screen door, these elementary, home-made contraptions were gateway instruments for many fine traditional blues and gospel musicians who grew up in rural, sharecropping settings where, if you wanted to make music, you flat out had to make the thing you were going to make the music on. Over the years, I have learned that there are prototypes for these instruments all over sub-Saharan central West Africa, where the vast majority of America’s slaves were kidnapped, stolen, or purchased for removal to the New World. Instruments like these, sometimes built on the sides of outbuildings or slave cabins were likely the first stringed instruments built and played by African people in this hemisphere. The musical roots of jazz, blues, funk, even hip hop and rap begin here with this unassuming little instrument. Pitches on these instruments are changed by pressing a ‘slide’ against the string. A piece of metal or glass, smooth stone, bottleneck, folded up pocket knife, piece of silverware, or even a dried and cured ham bone can be used for shortening the working/vibrating length of the string. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
John Marks Exits Spotify SIGN up HERE (FREE!)
April 2, 2021 The MusicRow Weekly Friday, April 2, 2021 John Marks Exits Spotify SIGN UP HERE (FREE!) If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES John Marks Exits Spotify Scotty McCreery Signs With UMPG Nashville Brian Kelley Partners With Warner Music Nashville For Solo Music River House Artists/Sony Music Nashville Sign Georgia Webster Sony Music Publishing Renews With Tom Douglas John Marks has left his position as Global Director of Country Music at Spotify, effective March 31, 2021. Date Set For 64th Annual Grammy Awards Marks joined Spotify in 2015, as one of only two Nashville Spotify employees covering the country market. While at the company, Marks was instrumental in growing the music streaming platform’s Hot Country Styles Haury Signs With brand, championing new artists, and establishing Spotify’s footprint in Warner Chappell Music Nashville. He was an integral figure in building Spotify’s reputation as a Nashville global symbol for music consumption and discovery and a driver of country music culture; culminating 6 million followers and 5 billion Round Hill Inks Agreement streams as of 4th Quarter 2020. With Zach Crowell, Establishes Joint Venture Marks spent most of his career in programming and operations in With Tape Room terrestrial radio. He moved to Nashville in 2010 to work at SiriusXM, where he became Head of Country Music Programming. During his 5- Carrie Underwood Deepens year tenure at SiriusXM, he brought The Highway to prominence, helping Her Musical Legacy With ‘My to bring artists like Florida Georgia Line, Old Dominion, Kelsea Ballerini, Chase Rice, and Russell Dickerson to a national audience. -
Joe's Jazz & Blues Fest
CONTACT: Somerville Arts Council Vera Vidal 50 Evergreen Ave. [email protected] Somerville, MA 02145 617-935-7086 www.somervilleartscouncil.org FOR IMMEDIATE RELEASE: Oct. 11, 2012 Mayor Joseph A. Curtatone & The Somerville Arts Council present: JOE’S JAZZ & BLUES FEST Oct. 27-Nov.3 The festival starts with a free outdoor festival at Powderhouse Park on 10/27 (rain date 11/4); just across the street from 136 College Ave. From left to right: Jeremy Lyons, Sonic Explorers About the Event: The brain child of Mayor Joe, who played trumpet in the Somerville High School Jazz Band, Joe’s Jazz and Blues Festival is back this year. Kicking off on Saturday, October 27th, with an all-day free concert at Pow- derhouse Park from noon to 6pm, the festival will then make its way through local hot spots throughout the following week until November 3rd. On Saturday, October 27th, get ready for a free all-day outdoor event at Powderhouse Park! The Somer- ville High School Jazz Ensemble will kick off the concert at noon, getting the crowd going with sounds ranging from American Jazz to Delta Blues. From then on, there will be non-stop music until 6 pm. The lineup includes Agachiko, The Jellyrollers, Jeremy Lyons Trio, Sonic Explorers and The Tim Gartland Group. During the week, area venues will showcase some of the incredible local talent in our musical midst. To get things started, Cantina la Mexicana will host on October 27th the Sarah Levecque Band; expect to hear a mix of original roots, country and blues. -
Zoo Alicia Cotsoradis Depauw University
DePauw University Scholarly and Creative Work from DePauw University Student research Student Work 4-2018 Zoo Alicia Cotsoradis DePauw University Follow this and additional works at: https://scholarship.depauw.edu/studentresearch Part of the Fiction Commons Recommended Citation Cotsoradis, Alicia, "Zoo" (2018). Student research. 82. https://scholarship.depauw.edu/studentresearch/82 This Thesis is brought to you for free and open access by the Student Work at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Student research by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. Zoo: By Alicia Cotsoradis DePauw University Honor Scholar Program Class of 2018 Sponsor: Ronald Dye Committee: Rebecca Bordt, Jeffrey McCall, Robert Stevens 1 Table of Contents The Beginning………………………………..3 Sister………………………………………...12 School………………………………………..20 Crime………………………………………..22 First Stint in Prison………………………..29 Prison Take Two…………………………...32 Zoo………………………………………….....38 Admissions……………………………………...40 Black, and Brown, and Polar Beasts, Oh My….47 Parrots…………………………………………..53 Intake………………………………………...…..60 The Jumbo Beasts……………………………..67 Picture Day……………………………………..74 The Aftermath……………………………………..81 The Petting Zoo…………………………………..86 Worker Beasts………………………………..93 Big Game Hunting Safari…………………………..103 The Grand Escape……………...……………114 On the News…………………………………..120 The End…………………...……………….120 Goodbye…………………………….……...130 2 The Beginning My name is Ray, but my name won’t matter once you see my face. You see, I’m scary. I’m the monster that hides in your kid’s closet at night, just waiting to pop out and yell boo. I’m danger, and not the sexy kind. You know, the devilish looking man who rides up on a motorcycle only to whisk you off your feet, then leaves you choking on your own breath. -
Soviet-Indian Coproductions: Ali Baba As Political Allegory
Soviet-Indian Coproductions: Ali Baba as Political Allegory by MASHA SALAZKINA Abstract: This essay considers the history of Soviet Indian coproductions focusing on Ali Baba and 40 Thieves (1980) as a political allegory over the fate of the multination state. It addresses the formal utopian character of the fi lm and the excessive threat of sexual violence in the song-and-dance numbers. he subject of this essay is the little studied phenomenon of the Soviet-Indian cinematic coproductions. While giving a general outline of the history of these coproductions, I focus primarily on the most commercially successful of these joint efforts, Ali Baba and 40 Thieves (Alibaba Aur 40 Chor/Priklyucheniya Ali-Baby Ti soroka razboinikov, Latif Faiziyev and Umesh Mehra, 1980), henceforward Alibaba. I argue that the fi lm contains a political allegory expressing anxiety over the fate of the multination state; that anxiety lies beneath the formal utopian character of the fi lm, which attempts to show the constitution of a new community on the screen and to defi ne the role of its political subject in the face of crime and governmental corruption. I will address these issues through discussing the directors’ choice of the material (a story from One Thousand and One Nights, or The Arabian Nights, as it is better known in English); the narrative structure of the fi lm; performance histories of the Indian and Soviet actors; and, fi nally, through a reading of the excessive threat of sexual violence concentrated in the fi lm’s song-and-dance numbers. Alibaba, I con- tend, is of interest not only due to the formal and institutional hybridization of two autonomous cinematic traditions, Indian and Soviet, but also as a cultural object which displays a shared anxiety over the role of the state as its existing political and economic order moves palpably toward the brink of collapse.