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Joint Action Against Online Video Piracy in China
November 13, 2013 Joint Action Against Online Video Piracy in China Lawsuits Seeking RMB300 Million in Damages Filed Against Baidu and QVOD on Claims of Spreading Pirated Videos and Engaging in Hotlinking BEIJING, Nov. 13, 2013 /PRNewswire/ -- Youku Tudou, Sohu Video, Tencent Video, LeTV, MPA, the Motion Picture Association of America (MPAA), CODA, Wanda Films, Enlight Media, Letv Films announce a joint declaration today in Beijing to fight online video infringement and piracy both on PC and mobile Internet in China. Meanwhile, the joint action announces legal action has been taken against Baidu and QVOD for compensation as high as RMB300 million. Representatives from more than a dozen Chinese and international film and television production companies attended the joint action announcement in Beijing. International attendees included the Motion Picture Association of America, Sony Pictures Entertainment, Warner Brothers, Disney and Paramount. Chinese attendees included the Capital Copyright Industry Alliance Capital Protection Division, the China Radio and Television Association of the Television Production Committee, and many Chinese production companies. "Since 2009, the video industry is facing a more severe anti-piracy situation," Sohu Group Chairman and CEO Charles Zhang said. "Especially when those big Internet companies with resource advantages participate in large-scale piracy. We cannot keep competing because where thieves and robbers are having their way, law-abiding companies cannot survive. We may even have to exit online video industry if such practices continue. Nobody will invest in content, and China's online video industry will face the sad situation as the music industry, which has already been destroyed by piracy, had faced before. -
Here) Camstreamer.Com
CamStreamer App USE CASE - instructions Dacast integration Use the Dacast online video platform for ad-free live streaming with the CamStreamer App. Dacast is a paid service which provides many advantages in comparison with free but ad-powered platforms like YouTube or Facebook. Dacast offers the possibility of a live broadcast which you can embed in websites and share on social media. By using Paywall Pay Per View, you can monetize the stream. It also provides 24/7 streaming possibilities without video length limitation or the risk of your stream being blocked due to copyright. Dacast has the tools to password protect both live video content and on-demand content and allows users to restrict access to their live streams to specific countries if needed. Setting up your live stream is simple! All you need is your Dacast login information and you can start streaming in under a minute. What do you need? Tip: A free 30-day license can be acquired at - An AXIS camera (check compatibility here) camstreamer.com. Try everything out before - The CamStreamer App paying for the license. - The account on Dacast (30 days trial) Steps for set-up: 1. Sign in to the camera’s web interface. In the Apps tab, install the CamStreamer App and get a free trial or buy a license at www.camstreamer.com. Setting up the camera to stream: 1. In the STREAM MANAGER, click on the ADD NEW SERVICE button. More information about free trial or licence for CamOverlay App you can find at www.camstreamer.com 1 CamStreamer App USE CASE - instructions Dacast integration 2. -
Youtube: Pakistan's Most Popular Online Video Platform
YouTube: Pakistan’s most popular online video platform To help marketers understand Pakistan’s video-viewing behavior, we conducted a YouTube Profiling Study with Kantar TNS. “Our YouTube profiling research shows that although YouTube only became available again in Pakistan a couple of years ago, it's already established itself as the favorite online video destination of the country,” said Matt Beal, senior consultant at Kantar TNS. When it comes to online video, YouTube is top of mind in Pakistan. YouTube has stronger reach and more users in Pakistan than ever before. Here are key stats highlighting Pakistanis’ active engagement on the platform. 73% 78% of online Pakistanis of YouTube users in Pakistan watch YouTube agree that the platform is every month.1 their first stop when looking for any kind of video.1 YouTube reaches % In Pakistan, YouTube reaches 80 the highest number of users of online millennials during TV's primetime evening residing in metro cities hours (8 p.m.-11 p.m.).1 in Pakistan.2 64% 63% of online Pakistanis of YouTube users in say YouTube is their Pakistan agree that they favorite video platform.1 often watch YouTube with friends and family.1 YouTube is where Pakistanis come to watch diverse, high-quality content. YouTube has more than 650 Pakistan-based channels with 100,000 or more subscribers — up from just eight in 2016.3 The top eight content categories on YouTube in Pakistan:3 Sports TV/Cinema Comedy Travel News/Talk Shows Music Beauty Food YouTube has become an essential part of the consumer path to purchase in Pakistan. -
State of Mobile 2020
1 1 2 0 2 0 S T A T E O F M O B I L E Executive Summary 204B $120B 3.7 Hrs 825% 60% Worldwide Downloads Worldwide App Store Per day spent in mobile Higher avg IPO Higher per user in 2019 Consumer Spend by the average user valuation for mobile engagement in 2019 in 2019 companies in 2019 by Gen Z vs older demos in 2019 2 State of Mobile | Copyright 2020 | App Annie Table of Contents ● Macro Mobile Trends 5 ● Gaming 13 ● Finance 22 ● Retail 27 ● Streaming 32 ● Social 36 ● Other Industries Embracing Mobile Transformation 40 ● Worldwide Rankings 45 3 State of Mobile | Copyright 2020 | App Annie The Mobile Performance Standard Through our mobile data and insights platform, we help create winning mobile experiences for those aspiring to achieve excellence 4 State of Mobile | Copyright 2020 | App Annie MACRO MOBILE TRENDS Top Countries by App Store Downloads Consumers Downloaded a Record 120B 240B 100B 200B Growth From 2016 to 2019 204 Billion Apps Worldwide Downloads Worldwide 80B 160B ● Annual worldwide downloads have grown 45% in — Worldwide 45% the 3 years since 2016 and 6% year over year, — China 80% 60B 120B which is particularly impressive given this excludes — India 190% re-installs and app updates. — United States 5% 40B 80B — Brazil 40% ● Downloads are largely fueled by emerging Country-Level Downloads Country-Level markets, including India, Brazil and Indonesia. — Indonesia 70% 20B 40B ● Consumers in mature markets like the US, Japan and Korea have seen download growth level off, 0B 0B but are still seeking out new apps. -
Read the Report
23 Dec 2020 CMB International Securities | Equity Research | Company Initiation iQIYI (IQ US) BUY (Initiation) China’s online Disney in the making Target Price US$23.2 Up/Downside +34.8% Current Price US$17.2 We keep positive on IQIYI’s long-term subs trend and margin improvement , backed by its sizable users, unique original content and valuable IP. We forecast iQIYI to deliver 11% revenue CAGR during FY20-22E, with subs price hike and China Internet Sector ads recovery. Given fundraising partly priced in, we think iQIYI’s valuation is attractive. Initiate with BUY with DCF-based TP US$23.2. Sophie Huang An online video leader: Not only “Netflix”, but more. iQIYI is a leading (852) 3900 0889 online video platform in China, with 105mn subs. Backed by its sizable users, [email protected] vibrant original content and IP reserve, we forecast iQIYI to deliver 11% rev CAGR in FY20-22E, with subs price hike, ads recovery, and user expansion. Miriam Lu (852) 3761 8728 Original content makes the difference. With online video industry growth [email protected] tapering off, we believe content matters more to users than traffic or subsidies. iQIYI exceled itself with exclusive original content in both popular dramas and variety shows. Moreover, it bore initial fruits from short-episode dramas (e.g. Stock Data Mkt Cap (US$ mn) 13,499 the popularity of The Bad Kids <隐秘的角落>), and would further enrich Light Avg 3 mths t/o (US$ mn) 180.41 on Series (迷雾剧场) with stronger pipeline. We expect short-episode dramas 52w High/Low (US$) 28.03/ 14.51 series to stimulate its subs & brand ads momentum with higher ROI, such as Total Issued Shares (mn) 373 Who is Murderer<谁是凶手> in 2021 pipeline. -
5G Network Infra
MPEG Workshop Next Generation Media Services and Technologies Media Tech. R&D Center Dr. Jongmin Lee (Center Leader) • The time will soon come when everyone can create, deliver and consume video data everywhere based on 5G network infra • Mobile video service is now rapidly evolving Main keyword: 4K/8K UHD, AR/VR, 3-D, N-screen • Many SKT’s multi-media services are developed / developing based on MPEG technologies and systems HEVC, AVC, MMT, etc. Media Service Trend Media Service Trend • Mobile video traffic is rapidly increasing □ Video Traffic □ Audio,Video Web, Traffic etc. Traffic Daily average T Byte `16 `17 `18 `19 `20 `21 Global Mobile Live Broadcasting Traffic forecast, Cisco 2016 All these devices increase mobile video traffic ! Media Service Trend • Mobile Media Market Trend $ Billion □ Desktop 554 □ Smart phone / Tablets 179 ’20 ’14 Global Online Media Market $ Million 7801 Media Devices (%), *Ref. from StatCounter (2016.10) 6345 5136 4149 7.5 ’14 2,587 3069 1,926 4.5 ’14 ’15 ’16 ’17 ’18 ’19 ’20 ’12 ’14 South Korea Media Market *Ref. from STRABASE (2014.12) Cord-cutting ratio in US. Media Service Trend Source: Mary Meeker, Internet Trends 2016 SKT’s Media Services • Fixed IPTV ( ), Mobile IPTV ( ), 360 VR VoD / Live, etc 8K UHD IPTV Trial (`15.10), UHD Multi-View (`16.9) Adaptive 4K IPTV Commercialization (`14.4) Oksusu VR Streaming Service(`16.10) Oksusu Mobile IPTV Commercialization (`17.10) AI Voice Recognizer / Speaker 360 VR Real-time Streaming SKT’s Global Working • Developing the next-generation TV platform for the U.S market • Various MPEG technologies were adopted into ATSC 3.0, especially, HEVC, DASH, and MMT. -
From Western TV Sets to Chinese Online Streaming Services: English-Language TV Series in Mainland China
. Volume 16, Issue 2 November 2019 From Western TV sets to Chinese online streaming services: English-language TV series in mainland China Xiaoran Zhang, University of Nottingham, UK Abstract: In the age of multiple screens, online streaming has in the 2010s become the most significant way of consuming overseas television programs in Mainland China. Due to rather strict government policy and censorship, foreign television series are presently only legally distributed and circulated on licensed online streaming services. Focusing on the streaming of US/UK TV series, this paper examines online streaming services’ distribution activities in order to understand both streaming websites’ business practices surrounding transnational TV and the features they employ to cater to online audiences for these series. To grasp how the online distribution of English-language TV series operates in China, I begin by looking at China’s five major video streaming services, analyzing the design of their interfaces, scheduling of programs, and accessibility for different tiers of users. I then examine how streaming services use social media as a major tool to promote their US and UK TV series. Through this analysis, I argue that transnational TV flow has had to be localized to achieve distribution and marketing goals in a Chinese context, resulting in the uniqueness of these streaming practices. This article concludes that, with the development of online streaming technologies, distinctive modes of audience consumption in China have informed the localization of this specific transnational TV content. Keywords: Online streaming, streaming consumption, television distribution, transnational TV, Tencent Video, HBO, Game of Thrones Introduction As one of HBO’s most successful high-end shows, Game of Thrones (2011-) has earned a worldwide reputation that includes the fandom of Chinese viewers. -
Tencent Announces 2017 Fourth Quarter and Annual Results
For Immediate Release TENCENT ANNOUNCES 2017 FOURTH QUARTER AND ANNUAL RESULTS Hong Kong, March 21, 2018 – Tencent Holdings Limited (“Tencent” or the “Company”, 00700.HK), a leading provider of Internet value added services in China, today announced the unaudited consolidated results for the fourth quarter of 2017 (“4Q2017”) and audited consolidated results for the year ended December 31, 2017 (“FY2017”). FY2017 Key Highlights Revenues: +56% YoY, non-GAAP Profit attributable to equity holders of the Company: +43% YoY . Total revenues were RMB237,760 million (USD36,387 million1), an increase of 56% over the year ended December 31, 2016 (“YoY”). Operating profit was RMB90,302 million (USD13,820 million), an increase of 61% YoY. Operating margin was 38%, up from 37% last year. Profit for the year was RMB72,471 million (USD11,091 million), an increase of 75% YoY. Net margin increased to 30% from 27% last year. Profit attributable to equity holders of the Company for the year was RMB71,510 million (USD10,944 million), an increase of 74% YoY. Basic earnings per share were RMB7.598. Diluted earnings per share were RMB7.499. On a non-GAAP2 basis, which excludes certain non-cash items and certain impact of M&A transactions: - Operating profit was RMB82,023 million (USD12,553 million), an increase of 41% YoY. Operating margin decreased to 34% from 38% last year. - Profit for the year was RMB66,404 million (USD10,163 million), an increase of 44% YoY. Net margin decreased to 28% from 30% last year. - Profit attributable to equity holders of the Company for the year was RMB65,126 million (USD9,967 million), an increase of 43% YoY. -
Bitmovin and Globo
BITMOVIN CASE STUDY Bitmovin and Globo Setting new quality standards in 4K. Brazilian soap operas and original series have never been more stunning. When it comes to content scale and audience reach, Globo is at par with Hollywood and the big US broadcasters. hours of entertainment movies content produced anually created in the by Globo compared to 600 US every year The viewership numbers are equally impressive. Forty-nine million Brazilians watch the daily, one-hour newscast. By comparison, 33 million viewers tuned in for the Oscars telecast in the U.S. Globo’s Digital Hub is in no way inferior. It attracts eight in ten Brazilians with internet access. The Digital Hub is made up of a variety of content categories, from news, sports, and entertainment to live events such as the Olympics, Carnival and the FIFA World Cup. Beyond digital content distribution, Globo’s Digital Hub serves as a strategic technology provider and technical support for Globo’s businesses. CASE STUDY I BITMOVIN & GLOBO 2 Globo Standard of Quality This ties right back into the overarching “Globo Standard of Quality” that the company is known for. The optimal viewing experience consists of award-winning content, delivered in stunning visual quality. To deliver on that standard, Globo 4K was one of the fi rst mainstream broadcasters outside of the US to off er content in 4K, adopting it as a new standard across its platforms and devices. It has already produced more than two hundred hours of 4K content (including HDR) with over a thousand hours of encoding output with its soap operas and original series. -
Mobile Live Video Broadcasting Live Broadcast
Mobile Live Video Broadcasting Mobile Live Video Broadcasting Playback Product Documentation ©2013-2019 Tencent Cloud. All rights reserved. Page 1 of 22 Mobile Live Video Broadcasting Copyright Notice ©2013-2019 Tencent Cloud. All rights reserved. Copyright in this document is exclusively owned by Tencent Cloud. You must not reproduce, modify, copy or distribute in any way, in whole or in part, the contents of this document without Tencent Cloud's the prior written consent. Trademark Notice All trademarks associated with Tencent Cloud and its services are owned by Tencent Cloud Computing (Beijing) Company Limited and its affiliated companies. Trademarks of third parties referred to in this document are owned by their respective proprietors. Service Statement This document is intended to provide users with general information about Tencent Cloud's products and services only and does not form part of Tencent Cloud's terms and conditions. Tencent Cloud's products or services are subject to change. Specific products and services and the standards applicable to them are exclusively provided for in Tencent Cloud's applicable terms and conditions. ©2013-2019 Tencent Cloud. All rights reserved. Page 2 of 22 Mobile Live Video Broadcasting Contents Playback Live Pull iOS Android LEB iOS & Android ©2013-2019 Tencent Cloud. All rights reserved. Page 3 of 22 Mobile Live Video Broadcasting Playback Live Pull iOS Last updated:2021-09-16 10:16:36 Basics This document introduces the live playback feature of the Video Cloud SDK. Live streaming and video on demand In live streaming, the video streams published by hosts in real time are the source of streaming. -
The Growth of VOD Investment in Local Entertainment Industries Contents
Asia-on- demand: the Growth of VOD Investment in Local Entertainment Industries contents Important Notice on Contents – Estimations and Reporting 04 GLOSSARY This report has been prepared by AlphaBeta for Netflix. 08 EXECUTIVE SUMMARY All information in this report is derived or estimated by AlphaBeta analysis using both 13 FACT 1: proprietary and publicly available information. Netflix has not supplied any additional data, nor VOD INVESTMENT IN LOCAL ASIAN CONTENT COULD GROW 3.7X BY 2022 does it endorse any estimates made in the report. Where information has been obtained from third party sources and proprietary sources, this is clearly referenced in the footnotes. 17 FACT 2: STRONG CONSUMER DEMAND INCENTIVIZES INVESTMENT IN HIGH-QUALITY Published in October 2018 LOCAL ENTERTAINMENT ONLINE 23 FACT 3: THROUGH VOD, ORIGINAL CONTENT PRODUCED IN ASIA IS GETTING INCREASED ACCESS TO GLOBAL AUDIENCES 27 FACT 4: THE ECONOMIC IMPACT OF LOCAL CONTENT INVESTMENT IS 3X LARGER THAN WHAT VOD PLAYERS SPEND 32 FACT 5: VOD PLAYERS OFFER BENEFITS TO THE LOCAL INDUSTRY - WELL BEYOND LOCAL CONTENT INVESTMENT 38 FACT 6: THE CONTENT PRODUCTION VALUE CHAIN IS BECOMING MORE GLOBAL AND DIVERSE, ALLOWING ASIAN COUNTRIES TO SPECIALIZE 43 FACT 7: THE KEY DRIVERS TO CAPTURING THE VOD CONTENT OPPORTUNITY ARE INVESTMENT INCENTIVES, SUPPORTIVE REGULATION, AND AlphaBeta is a strategy and economic advisory business serving clients across Australia and HIGH-QUALITY INFRASTRUCTURE Asia from offices in Singapore, Sydney, Canberra and Melbourne. 54 FINAL THOUGHTS: IMPLICATIONS FOR POLICYMAKERS SINGAPORE Level 4, 1 Upper Circular Road 57 APPENDIX: METHODOLOGY Singapore, 058400 Tel: +65 6443 6480 Email: [email protected] Web: www.alphabeta.com glossary The following terms have been used at various stages in this report. -