Pradhan Mantri Awas Yojana-Gramin Block- M.Badshahpur
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Entrance Examination Result 2020-21 Class-9 Rollno
ENTRANCE EXAMINATION RESULT 2020-21 CLASS-9 ROLLNO. STUDENT_NAME FATHER_NAME MOTHER_NAME OBT MARK CLASS/SECTION CLASS TEACHER 51 ROSHANI RAJBHAR MEVALAL RAJBHAR TESARA DEVI 32 9-A13 Mr. CHANDRABHAN GAUTAM 52 KARISHMA RAJBHAR ASHOK RAJBHAR SUNEETA DEVI 40 9-A16 Mr. MANEESH GUPTA 53 SHALU GAUR RAJINDAR GAUR SHAKUNTALA DEVI 34 9-A13 Mr. CHANDRABHAN GAUTAM 54 KHUSHABU PRAJAPATI AJAY KUMAR PRAJAPATI SHARMILA DEVI 26 9-A14 Mr. PAWAN KUMAR GUPTA 55 SUSHMITA VISHVAS SUJEET KUMAR GEETA DEVI 53 9-A5 Mr. PRAMOD KUMAR SINGH (Hindi) 56 SHIVANGI MAURYA RAJESH MAURYA ANEETA DEVI 48 9-A7 Mr. ASHOK KUMAR SINGH 57 ADITYA RAJBHAR VINOD KUMAR PREMA DEVI 29 9-A15 Mr. VINTESH PANDEY 58 KAMLESH YADAV KRISHNA YADAV URMILA DEVI 38 9-A11 Mr. AVANEESH KUMAR SHRIVASTAV 59 PRIYANSHU SINGH PRADEEP KUMAR SINGH RINKU SINGH 57 9-A4 Mrs. MANEESHA PANDEY 60 YUVRAJ SINGH SUSHEEL KUMAR BAVITA SINGH 52 9-A15 Mr. VINTESH PANDEY 61 PRAGYA SINGH MAHENDRA PRATAP SINGH SUNEETA SINGH 38 9-A11 Mr. AVANEESH KUMAR SHRIVASTAV 62 ANCHAL PANDEY SURESH PANDEY SEEMA PANDEY 46 9A8 Mr. OM PRAKASH PRAJAPATI 63 DRISHTI RAJBHAR MANOJ KUMAR RAJBHAR REENA DEVI 43 9A9 Mr. ABHISHEK KUMAR PANDEY 64 SAGUN KUMARI SHYAMSUNDAR PHOOLMATI DEVI 42 9A9 Mr. ABHISHEK KUMAR PANDEY 65 ANCHAL KUMARI MAHADEVI KIRAN DEVI 41 9A9 Mr. ABHISHEK KUMAR PANDEY 66 TANU VISHWAKARMA PREMCHAND VISHWAKARMA SEEMA 55 9-A4 Mrs. MANEESHA PANDEY 67 NEHA YADAV RAMJI YADAV PARAMSHEELA YADAV 43 9A9 Mr. ABHISHEK KUMAR PANDEY 68 SADHNA KUMARI UDAYRAJ DURGAVATI DEVI 46 9A8 Mr. OM PRAKASH PRAJAPATI 69 RIZVANA BANO SHAUKAT ALI NOORJAHA BEGAM 36 9-A12 Mr. -
Rabindra Sangeet
UNIVERSITY GRANTS COMMISSION NET BUREAU Subject: MUSIC Code No.: 16 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music www.careerindia.com -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. www.careerindia.com -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Formative Years
CHAPTER 1 Formative Years Mohandas Karamchand Gandhi was born on October 2, 1869, in Porbandar, a seaside town in western India. At that time, India was under the British raj (rule). The British presence in India dated from the early seventeenth century, when the English East India Company (EIC) first arrived there. India was then ruled by the Mughals, a Muslim dynasty governing India since 1526. By the end of the eighteenth century, the EIC had established itself as the paramount power in India, although the Mughals continued to be the official rulers. However, the EIC’s mismanagement of the Indian affairs and the corruption among its employees prompted the British crown to take over the rule of the Indian subcontinent in 1858. In that year the British also deposed Bahadur Shah, the last of the Mughal emperors, and by the Queen’s proclamation made Indians the subjects of the British monarch. Victoria, who was simply the Queen of England, was designated as the Empress of India at a durbar (royal court) held at Delhi in 1877. Viceroy, the crown’s representative in India, became the chief executive-in-charge, while a secretary of state for India, a member of the British cabinet, exercised control over Indian affairs. A separate office called the India Office, headed by the secretary of state, was created in London to exclusively oversee the Indian affairs, while the Colonial Office managed the rest of the British Empire. The British-Indian army was reorganized and control over India was established through direct or indirect rule. The territories ruled directly by the British came to be known as British India. -
Reconstructing the Indian Filmography
ASHISH RAJADHYAKSHA Reconstructing The Indian Filmography Sitara Devi and the Indian filmographer A n apocryphal story has V.A.K. Ranga Rao, the irascible collector of music and authority on South Indian cinema, offering an open challenge. It seems he saw Mother India on his television one night and was taken aback to see Sitara Devi’s name in the acting credits. The open challenge was to anyone who could spot Sitara Devi anywhere in the film. And, he asked, if she was not in the film, to answer two questions. First, what happened? Was something filmed with her and cut out? If so, when was this cut out? Almost more important: what to do with Sitara Devi’s filmography? Should Mother India feature in that or not? Such a problem would cut deep among what I want to call the classic years of the Indian filmographers. The Encyclopaedia of Indian Cinema decided to include Sitara Devi’s name in its credits, mainly because its own key source for Hindi credits before 1970 was Firoze Rangoonwala’s iconic Indian Filmography, Silent and Hindi Film: 1897-1969, published in 1970 and Har Mandir Singh ‘Hamraaz’s somewhat different, equally legendary Hindi Film Geet Kosh which came out with the first edition of its 1951-60 listings in 1980. The Singh Geet Kosh tradition would provide bulwark support both on JOURNAL OF THE MOVING IMAGE 13 its own but also through a series of other Geet Koshes by Harish Raghuvanshi on Gujarati, Murladhar Soni on Rajasthani and many others. Like Ranga Rao, Singh and the other Geet Kosh editors have had his own variations of the Sitara Devi problem: his focus was on songs, and he was coming across major discrepancies between film titles, their publicity material and record listings. -
Sadar Bazar 1522 M/S Om Prakash Uppal 10 54 142 206
FOOD GRAIN DISTRIBUTION OF REGULAR PDS FOR MAY 2020 & PMGKAY FOR APRIL 2020 from 29/04/2020 to 09/05/2020 (As reported by FSOs) No of Beneficiaries District Circle No, Name FPS No FPS Name TOTAL AAY PRS PR CENTRAL 19 - SADAR BAZAR 1522 M/S OM PRAKASH UPPAL 10 54 142 206 CENTRAL 19 - SADAR BAZAR 1528 M/S R C BAHAL 33 64 71 168 CENTRAL 19 - SADAR BAZAR 3103 M/S KEWAL SVARUP JAIN 53 93 345 491 CENTRAL 19 - SADAR BAZAR 3733 M/S RAM KUMAR PRAVIN KUMAR 4 19 979 1002 CENTRAL 19 - SADAR BAZAR 3891 M/S SHAIVACHARAN MAL GOVARDHAN DAS 42 158 448 648 CENTRAL 19 - SADAR BAZAR 3944 M/S SADHU RAM 0 141 573 714 CENTRAL 19 - SADAR BAZAR 3966 M/S MADAN LAL 88 124 351 563 CENTRAL 19 - SADAR BAZAR 4062 M/S KALA RAM 1 0 12 13 CENTRAL 19 - SADAR BAZAR 5541 M/S GUPTA STORE 100 208 822 1130 CENTRAL 19 - SADAR BAZAR 5718 M/S THAMBU RAM GUPTA 1 35 1247 1283 CENTRAL 19 - SADAR BAZAR 6008 M/S SHARMA STORE 44 153 521 718 CENTRAL 19 - SADAR BAZAR 6049 M/S DEVENDER SINGH 45 145 547 737 CENTRAL 19 - SADAR BAZAR 6116 M/S OM PRAKASH RAMESH CHANDER 48 128 447 623 CENTRAL 19 - SADAR BAZAR 6677 M/S RISHI PRAKASH 1 77 1060 1138 CENTRAL 19 - SADAR BAZAR 7078 M/S JITENDER STORE 53 243 686 982 CENTRAL 19 - SADAR BAZAR 7320 M/S SHIV KHADY BHANDAR 108 222 332 662 CENTRAL 19 - SADAR BAZAR 7321 M/S SWARN LATA MAHENDER PAL 19 96 255 370 CENTRAL 19 - SADAR BAZAR 7329 M/S AGGRAWAL AND BROTHERS 30 80 135 245 CENTRAL 19 - SADAR BAZAR 7445 M/S HANS RAJ AND SONS 10 32 934 976 CENTRAL 19 - SADAR BAZAR 7452 M/S PALIWAL STORE 9 40 1002 1051 CENTRAL 19 - SADAR BAZAR 9286 M/s Singh Store 0 -
(Dr) Utpal K Banerjee
About the Book IGNCA is a treasure-trove of cultural artifacts including a rich repository of Video documentaries (published) and Audio and Video DVDs (unpublished). This book – based on the author’s two-year project -- envisions an on-line A-V cultural archive KALASAMPADA that consists of A-V materials stored at IGNCA for the categories of: Interviews; Ritual Documentation; Archaeological Sites and Walk-through; Events; Festivals; Performances (music-dance-theatre-puppetry-mime); Lectures; Seminars; and Workshops. In order to make such a wide variety of materials available on-line – initially on the Intranet, subsequently on a potential Extranet, and eventually (although very selectively) on the Internet – the following digitisation road-map is observed in the project: Conversion of primary A-V materials from analogue to digital format; Creation of data sheets for metadata tagging, following the international standard of Dublin Core Metadata Element Set (DCMES); Integration of metadata with primary A-V material in IGNCA’s Intranet; Access and retrieval by “simple search” with keywords for casual browsers and “advanced search” for users, researchers and scholars with reference to groups of keywords from the intranet. The objectives of the project of on-line A-V cultural archive are: to bring it into public domain; to make it inter-active for scholars; and to make it internationally compatible. Basic advantages of such a project are really five-fold. First, a digital A-V archive assures the near permanent durability of the A-V material. Secondly, it allows need-based quality enhancement. Thirdly, an archive of this kind makes room for highly economic storage of vulnerable Audio and Video files. -
High Court of Delhi Advance Cause List
HIGH COURT OF DELHI ADVANCE CAUSE LIST LIST OF BUSINESS FOR ST FRIDAY, THE 01 SEPTEMBER, 2017 INDEX PAGES 1. APPELLATE JURISDICTION 01 TO 30 2. SPECIAL BENCH (APPLT. SIDE) 31 TO 40 3. COMPANY JURISDICTION 41 TO 43 4. ORIGINAL JURISDICTION 44 TO 51 5. REGISTRAR GENERAL/ 52 TO 62 REGISTRAR(ORGL.)/ REGISTRAR (ADMN.)/ JOINT REGISTRARS(ORGL). 01.09.2017 1 (APPELLATE JURISDICTION) 01.09.2017 [Note : Unless otherwise specified, before all appellate side courts, fresh matters shown in the supplementary lists will be taken up first.] COURT NO. 1 (DIVISION BENCH-I) HON'BLE THE ACTING CHIEF JUSTICE HON'BLE MR. JUSTICE C. HARI SHANKAR FOR ADMISSION _______________ 1. W.P.(C) 2861/2017 RAJPAL MAVI SHIMPY ARMAN SHARMA,SAROJ Vs. UNION OF INDIA AND ORS BIDAWAT AFTER NOTICE MISC. MATTERS ____________________________ 2. W.P.(C) 7954/2016 D B SANYAL ALAKH ALOK SRIVASTAVA,GI GI Vs. ARCHAEOLOGICAL SURVEY OF C. GEORGE INDIA & ORS. 3. W.P.(C) 9540/2016 ASHISH GULATI & ORS R.K. KAPOOR,Amrit Pal Singh Vs. UNION OF INDIA 4. W.P.(C) 10285/2016 FIGHT FOR HUMAN RIGHTS K R CHITRA,Gautam Narayan Vs. GOVT OF NCT OF DELHI AND ANR 5. W.P.(C) 2161/2017 DELHI ROZI-ROTI ADHIKAR PRASANRA S APAR GUPTA,ANUJ CM APPL. 9415/2017 ABHIYAN AGGARWAL,BS SHUKLA CM APPL. 15950/2017 Vs. UNION OF INDIA AND ORS 01.09.2017 COURT NO.3 (DIVISION BENCH-II) HON'BLE MR. JUSTICE S. RAVINDRA BHAT HON'BLE MR. JUSTICE SUNIL GAUR NOTE: (i) NO PASS-OVERS WILL BE GRANTED IN THE FRESH MATTERS. -
1481186712P4M12TEXT.Pdf
PAPER 4 Detail Study Of Kathak, Nautch Girls, Nritta, Nritya, Different Gharana-s, Present Status, Institutions, Artists Module 12 Pioneers Of Kathak 1930-1950 Pioneers are those who show the path not attempted before. They lead us to light to the new ways of doing something. These are people with vision to fulfill a mission and they are given divine support by history and circumstances to do so. Thus, pioneers are people, ordinary in appearance but with special abilities and mind backed by hard work. Once a form that was long forgotten and got known and established as Kathak, many stars of other forms, most notably Bharatanatyam and Kathakali did much to learn and promote Kathak and help it reach national acclaim. In this, Bharatanatyam trained Ram Gopal, Kathakali trained Uday Shankar and pioneers in films like Menaka and Sadhona Bose took this form further and can be called pioneers, in addition to the generation that followed their example. It would not be wrong to call Uday Shankar a cult figure of the early part of the 20th century. He was a showman, a creator of magical spectacles and a dancer par excellence. He was not a trained dancer, so his movements flowed from the heart. He 1 created the Indian ballet scene because nothing like it existed before. Originally a painter, on his museum visits to delve into books, Uday got fascinated with pictures of sculptures of Hindu gods and goddesses in varied poses. He began imitating the poses. Although unfamiliar with dance techniques, the images provided inspiration to translate into dance movement. -
Times-NIE-Web-Ed-AUGUST 14-2021-Page3.Qxd
CELLULAR JAIL, ANDAMAN & BIRLA HOUSE: Birla House is a muse- NICOBAR ISLANDS: Also known as um dedicated to Mahatma Gandhi. It ‘Kala Pani’, the British used the is the location where Gandhi spent CELEBRATING FREEDOM jail to exile political prisoners at the last 144 days of his life and was SATURDAY, AUGUST 14, 2021 03 this colonial prison assassinated on January 30, 1948 CLICK HERE: PAGE 3 AND 4 Pre-Independence slogans and its relevance in India today Slogans raised by leaders during the freedom movement set the mood of the nation’s revolution for its independence. They epitomised the struggle and hopes of millions of Indians. Author and former ad guru ANUJA CHAUHAN revisits these powerful slogans and explains their history and relevance in a contemporary India SATYAMEV JAYATE QUIT INDIA LIKE SWARAJ, KHADI IS (Truth alone triumphs) HISTORY: This slogan is widely associ- OUR BIRTH-RIGHT ated with Mahatma Gandhi (what he HISTORY: Inscribed at the base of started was the Quit India Movement India’s national emblem, this phrase is from August 8, 1942, in Bombay (then), a mantra from the ancient Indian scr- but the term ‘Quit India’ was actually ipture, ‘Mundaka Upanishad’, which coined by a lesser-known hero of was popularised by freedom fighter India’s freedom struggle – Yusuf Pandit Madan Mohan Malaviya during Meherally. He had published a booklet India’s freedom movement. titled ‘Quit India’ (sold in weeks) and got over a thousand ‘Quit India’ badges to give life to the slogan that Gandhi also started using and popularised. ‘YOUNGSTERS, DON’T QUIT INDIA’: Quit India was a powerful slogan and HISTORY: Mahatma Gandhi’s call to as a slogan) was written by Urdu the jingle of an epic movement meant use khadi became a movement for poet Muhammad Iqbal in 1904 for to drive the British away from our the indigenous swadeshi (Indian) children. -
Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but Also Contains Ethical Imports That
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 20 Issue 10 Version 1.0 Year 2020 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but also Contains Ethical Imports that can be Compared with the Ethical Theories – A Retrospective Reflection By P.Sarvaharana, Dr. S.Manikandan & Dr. P.Thiyagarajan Tamil Nadu Open University Abstract- This is a research work that discusses the great contributions made by Chevalior Shivaji Ganesan to the Tamil Cinema. It was observed that Chevalior Sivaji film songs reflect the theoretical domain such as (i) equity and social justice and (ii) the practice of virtue in the society. In this research work attention has been made to conceptualize the ethical ideas and compare it with the ethical theories using a novel methodology wherein the ideas contained in the film song are compared with the ethical theory. Few songs with the uncompromising premise of patni (chastity of women) with the four important charateristics of women of Tamil culture i.e. acham, madam, nanam and payirpu that leads to the great concept of chastity practiced by exalting woman like Kannagi has also been dealt with. The ethical ideas that contain in the selection of songs were made out from the selected movies acted by Chevalier Shivaji giving preference to the songs that contain the above unique concept of ethics. GJHSS-A Classification: FOR Code: 190399 ChevaliorSivajiGanesanSTamilFilmSongsNotOnlyEmulatedtheQualityoftheMoviebutalsoContainsEthicalImportsthatcanbeComparedwiththeEthicalTheo riesARetrospectiveReflection Strictly as per the compliance and regulations of: © 2020. -
Head, Department of Neurosurgery
1 Full Bio-data in 106 Pages PROF. (DR.) RAJ KUMAR Head, Department of Neurosurgery Co-chairman, United Nation Affair (World Kabaddi Federation) Sanjay Gandhi Post Graduate Institute of Medical Sciences Raebareli Road, Lucknow Ex-In charge Apex Trauma Centre, SGPGIMS Ex-Vice Chancellor Uttar Pradesh University of Medical Sciences, Saifai, Etawah Ex-Director All India Institute of Medical Sciences Rishikesh, Uttarakhand, India 2021 2 DR. RAJ KUMAR B.Sc., M.B.B.S., M.S., M.Ch., Ph.D., M.R.C.S., F.R.C.S., F.A.M.S., F.N.S., M.A.M.S, M.N.A.Sc., F.A.S.E.T, D.Sc. Profile __________________________________________________________________________ Personal Details: OFFICIAL ADDRESS : HOD, Department of Neurosurgery Sanjay Gandhi Post Graduate Institute of Medical Sciences, Lucknow (UP)-226014, India Contact Numbers : 0522-249-4735,0522-249-4771 Email : [email protected] PERMANENT ADDRESS : A/82, Omaxe city, Saheed Path, Opposite Ramabai Chauki & Ambedkar University, Lucknow, Uttar Pradesh, India-226025 E-mail : [email protected], Website : www.profrajkumar.com PERSONAL INFORMATION Father’s Name : Late Sri Chhote Lal Date of Birth : 15th December, 1959 Place of Birth : Village- Paman, Kanpur (Dehat), UP, India Nationality : Indian Marital Status : Married 3 OBJECTIVES As Professor: 1. To achieve excellence in medical and super speciality of Neurosurgery. 2. To render quality medical training, medical research & quality patient care. 3. To enhance reputation of country by relevant research in medical field of Neurosciences. 4. To develop centers of excellence in medical field. 5. Social awareness in young doctors and bright minds for developing International standard of patient care and health care system. -
Dated : 23/4/2016
Dated : 23/4/2016 Signatory ID Name CIN Company Name Defaulting Year 01750017 DUA INDRAPAL MEHERDEEP U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750020 ARAVIND MYLSWAMY U01120TZ2008PTC014531 M J A AGRO FARMS PRIVATE 2008-09, 2009-10 LIMITED 01750025 GOYAL HEMA U18263DL1989PLC037514 LEISURE WEAR EXPORTS 2007-08 LTD. 01750030 MYLSWAMY VIGNESH U01120TZ2008PTC014532 M J V AGRO FARM PRIVATE 2008-09, 2009-10 LIMITED 01750033 HARAGADDE KUMAR U74910KA2007PTC043849 HAVEY PLACEMENT AND IT 2008-09, 2009-10 SHARATH VENKATESH SOLUTIONS (INDIA) PRIVATE 01750063 BHUPINDER DUA KAUR U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750107 GOYAL VEENA U18263DL1989PLC037514 LEISURE WEAR EXPORTS 2007-08 LTD. 01750125 ANEES SAAD U55101KA2004PTC034189 RAHMANIA HOTELS 2009-10 PRIVATE LIMITED 01750125 ANEES SAAD U15400KA2007PTC044380 FRESCO FOODS PRIVATE 2008-09, 2009-10 LIMITED 01750188 DUA INDRAPAL SINGH U72200MH2008PTC184785 ALFA-I BPO SERVICES 2009-10 PRIVATE LIMITED 01750202 KUMAR SHILENDRA U45400UP2007PTC034093 ASHOK THEKEDAR PRIVATE 2008-09, 2009-10 LIMITED 01750208 BANKTESHWAR SINGH U14101MP2004PTC016348 PASHUPATI MARBLES 2009-10 PRIVATE LIMITED 01750212 BIAPPU MADHU SREEVANI U74900TG2008PTC060703 SCALAR ENTERPRISES 2009-10 PRIVATE LIMITED 01750259 GANGAVARAM REDDY U45209TG2007PTC055883 S.K.R. INFRASTRUCTURE 2008-09, 2009-10 SUNEETHA AND PROJECTS PRIVATE 01750272 MUTHYALA RAMANA U51900TG2007PTC055758 NAGRAMAK IMPORTS AND 2008-09, 2009-10 EXPORTS PRIVATE LIMITED 01750286 DUA GAGAN NARAYAN U74120DL2007PTC169008