Biennial Exhibition 2018

Total Page:16

File Type:pdf, Size:1020Kb

Biennial Exhibition 2018 Biennial Exhibition 2018 Selection day 17 February 2018 Public Show at Guildford House Gallery from 06 April - 28 April 2018 Supported by Selectors THE PHOTOGRAPHIC ALLIANCE OF GREAT BRITAIN THIS IS TO CERTIFY THAT P.A.G.B. PATRONAGE HAS BEEN ACCORDED TO SPA Biennual Exhibition 2018 ORGANISED BY Surrey Photographic Association ON Gordon Jenkins APAGB Dr Anne Sutcliffe FRPS EFIAP PPSA 6th-28th April 2018 Roger Hance FRPS AFIAP BPE5* CERTIFICATE No. 39/2017 The SPA Committee would like to extend 21st August 2017 President P.A.G.B. our thanks to the selectors for their expertise Member of The International Federation of Photographic Art and hard work in selecting what we believe Member of The International Federation of Photographic Art constituted a fine exhibition The SPA Biennial Exhibition 2018 Once again, this year, the Surrey Photographic Association (SPA) returned to Guildford House Gallery with a superb exhibition of stunning photographic prints and projected digital images, selected from entries from 48 photographic clubs in Surrey, West Sussex and Northeast Hampshire. Once again, in order to give more members the opportunity of having prints selected, the Exhibition was split into two parts, each lasting 10 days, with the award winning prints remaining on display for the duration of the Exhibition. Several clubs organised trips and many individuals managed to visit Guildford to view an excellent selection of prints, along with a PDI slideshow of accepted digital images. The print categories were Colour, Monochrome and Nature with Open and Nature categories for the PDIs. A CD of all accepted images will be produced and made available to participating clubs at no charge, providing an evening of entertainment for a club meeting. The accepted images were the result of a rigorous selection process, performed by three highly respected judges from outside the region - Dr Anne Sutcliffe FRPS EFIAP PPSA, Roger Hance FRPS AFIAP BPE5* and Gordon Jenkins APAGB. These selectors had quite a task, choosing the best images from a submission of 1,718 entries with 184 club members submitting 372 monochrome prints, 444 colour prints and 200 nature prints together with 442 Open PDIs and 260 Nature PDI entries. I am certain you will agree that the selectors ensured that the images chosen represented the highest standard possible for the SPA Exhibition to fully demonstrate the range of skills and talent we have within the SPA. A big thanks has to be extended to the volunteers who gave up their time to help out on the sorting and selection days, as well as those who hung and took down the prints from the two hangings. My thanks also go to all the member clubs who have once again demonstrated their willingness to participate by submitting their work and to the co-ordinators within each club, who worked hard to ensure all the entries were received and delivered on time. I would also like to to thank the whole team at Guildford House Gallery for all the assistance given to the SPA in staging this exhibition. individuals who had their photographs accepted for this Exhibition. My thanks also go to all the club members who submitted images andCongratulations I do hope that to havingall the awardbeen inspired winners, by those the the in receiptquality ofof Highlywork on Commended show this year, and evenCommended more members Ribbons will and submit Certificates images and in to2020. all I hope you enjoy looking through this catalogue of the best of the 2018 SPA Biennial Exhibition. Kathy McLenaghan, President, Surrey Photographic Association Scoring: willWith make the three a balanced selectors exhibition. each awarding The hanging a score space of between only allows two andfor thefive, display the minimum of 138 prints score fromobtainable an entry was of six 1,016 and so havingthe maximum two hangings was fifteen. meant The an taskacceptance for the selectorsrate of about is not one just in toseven. choose the best images but also to select those that Acceptance Scores: In the Monochrome & Nature Print categories, a mark of 12 or higher guaranteed acceptance, unless an image had received a ‘5’ from one of the selectors. A score of 11 or higher in the Colour Print, Open PDI and Nature PDI categories was the required mark to guarantee selection. Exhibition sub-Committee Ann Healey (Immediate Past President and Chair, Exhibitions & Events Sub-Committee), David Chiverton, Marilyn Taylor, Roger Hoyle, Bob Lennox, Janet Barton, Steve Lawrenson, Kathy McLenaghan (in her capacity as SPA President) General Exhibition Statistics 25% of submitted Monochrome Prints, 31% of Colour Prints and 32% of Nature Prints were selected and hung in the exhibition, with the two hangings ensuring an almost even split. 25% of submitted Open PDIs and 38% of Nature PDIs were selected and all of these were shown during the exhibition on a 50” HD television. Section Clubs Entered Accepted Section Clubs Entered Accepted Prints Projected Images Monochrome 25 372 from 104* 94 from 56 Open 27 442 from 116 113 from 62 Colour 25 444 from 123 138 from 81 Nature 24 260 from 69 100 from 49 Nature 21 200 from 54 65 from 35 Total 702 213 Total 1,016 297 *Note: 372 from 104 indicates 372 images from 104 photographers. BEST COLOUR PRINT - Alone by David Hughes LRPS CPAGB - Godalming Photographic Club The SPF Print Trophy and PAGB Gold Medal “This is a strong emotional print, all elements work well, the lighting is extremely good, and the print quality is excellent.” “This image has been carefully set up, lit, captured and printed with the result that it conveys a real sense of not only loneliness but also despair.” COLOUR PRINT - Selectors Awards - Gordon Jenkins APAGB - PAGB Ribbon & Bronze Medal MIST AT INCH STRAND by Rosemary Wilman HonFRPS AFIAP APAGB BPE5* - Epsom Camera Club “A very delicate image, excellent composition, loads of atmosphere, above all extremely well printed.” COLOUR PRINT - Selectors Awards - Dr Anne Sutcliffe FRPS EFIAP PPSA - PAGB Ribbon & Bronze Medal Bird Bird Dog by Paul Waller - Kingston Camera Club ‘Super seeing and composition. I love the incongruous juxtaposition of the black birds and white dog which are beautifully complimented by the subtle colours and texture of the walls and plinth.’ COLOUR PRINT - Selectors Awards - Roger Hance FRPS AFIAP BPE5* - PAGB Ribbon & Bronze Medal WHITE FROCKS by Chris Taylor LRPS CPAGB - Richmond & Twickenham Photographic Society been handled very well, and the spacing/arrangement of the three models is spot on. I love the expression of the model“A really at first the front.”class image of models on the catwalk at a fashion show. The quality in the whites of the dresses has Colour Prints - Highly Commended - SPA Gold Ribbon & Certificate IT’S MINE by Brian Houghton ARPS - Godalming Photographic Club PORT IN A STORM by Jim Munday BPE1* - Yateley Camera Club FOGGY DAY, SENNEN BEACH by Justin Cliffe LRPS - Woking Photographic Society CHERYL by Michael Howell ARPS DPAGB EFIAP - Hampstead Camera Club TEAM GB Bobsleigh by Nick Rogers - Reigate Camera Club Colour Prints - Commended - SPA Silver Ribbon & Certificate THE BEACH TO THEMSELVES by Brian Collins ARPS - Kingston Camera Club THE INQUISITIVE SADU by Brian Houghton ARPS - Godalming Photographic Club IN HOT PURSUIT by John Hoskins ARPS DPAGB AFIAP BPE2* - Molesey Photographic Club OWNERSHIP by John Wichall ARPS DPAGB - Ludshott Camera Club LONE WORKER by Shirley Graber - Guildford Camera Club BEST MONOCHROME PRINT - SNOWY REFUGE by Lindsay Marr Richmond & Twickenham Photographic Society The C.A. Print Trophy and PAGB Gold Medal “Beautifully printed the handling of the tones in the snow exquisitely done, all the elements work well to give a strong composition. The photographer had to be spot on with the exposure, processing and printing” “A high quality print with great composition that evokes the cold and isolation that snow in the mountains often brings.” MONOCHROME PRINT - Selectors Awards, Gordon Jenkins APAGB - PAGB Ribbon & Bronze Medal SISTER by Michael Farley - Croydon Camera Club “Excellent lighting, subject well posed, an image with a full tonal range that has been handled well at the printing stage showing especially good detail in the shadow areas” MONOCHROME PRINT - Selectors Awards, Dr Anne Sutcliffe FRPS EFIAP PPSA - PAGB Ribbon & Bronze Medal SHADOW DANCERS by Jay Charnock FRPS - Richmond & Twickenham Photographic Society “The creative use of light and shadows together with thoughtful composition evoke a wonderful sense of the energy and movement of the dancers.” MONOCHROME PRINT - Selectors Awards, Roger Hance FRPS AFIAP BPE5* - PAGB Ribbon & Bronze Medal WINTER IN YELLOWSTONE by Penny Anderson ARPS DPAGB - Epsom Camera Club “Fantastic quality and the photographer has chosen to print it on a Matt textured Art Paper, which is the ideal choice for this type of image. This print oozes quality.” Monochrome Prints - Highly Commended - SPA Gold Ribbon & Certificate THE BLACK CHURCH by David Hughes LRPS CPAGB - Godalming Photographic Club HARBOUR MOUTH by David Lyon DPAGB EFIAP BPE2* - Reigate Camera Club TUBE TRAVELLERS by John Hoskins ARPS DPAGB AFIAP BPE2* - Molesey Photographic Club Monochrome Prints - Commended - SPA Silver Ribbon & Certificate INLE LAKE FISHERMEN by Edward Hyde ARPS - Bookham Camera Club GIRL IN THE GALLERY by Keith Wellbelove CBAGB - Kingston Camera Club THE GRUNGE OF ROCK AND ROLL MUSIC by Lawrence Homewood BPE1* - East Grinstead Camera Club MAN’S BEST FRIEND by Mark Adams - Epsom Camera Club BEST NATURE PRINT - FEMALE BLACK GROUSE
Recommended publications
  • Virginia Woolf's Mrs Dalloway and to the Lighthouse
    The People‟s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Mentouri University, Constantine Faculty of Letters and Languages Department of English The Novel as Autobiography and Therapy: Virginia Woolf’s Mrs Dalloway and To the Lighthouse A dissertation submitted to the Department of English in partial fulfillment for the Degree of Master in British and American studies By Miss AGSOUS Amina Supervised by: Mr. Hamoudi BOUGHENOUT June 2010 i To women and misogyny, to every passion and to all my beloved folk ii Acknowledgements First of all, the wittiest recognition goes ahead to the Munificent God. Then , the finest word expressing my profound gratitude are particularly granted to my dear parents, my marvelous brothers, sisters and nephews, my cherished Frimousse, my faithful friends and all those who supported me along my studies. I would like to thank with sincere emotions Baga Amira, and her family for welcoming me as one of their members. Thanks are required for both the stuff of Bejaia University library, especially Miss AGSOUS Aida, and Constantine University for their precious help. A student cannot be without a teacher. In his The Prophet, Khalil Gibran writes about teaching: No man can reveal to your aught but that which lies half asleep in the dawning of your own knowledge. The teacher who walks in the shadow of the temple, among his followers, gives not of his wisdom, but rather his faith and lovingness. If he is indeed wise, he does not bid you enter the house of his wisdom, but rather leads you to the threshold of your own mind.
    [Show full text]
  • Botanical Gardensgardens 7-6-87 Septemberseptember 20132014 10.30A10.30Am-M-5.30Pm5.30Pm Www
    FREE ArtArt inin thethe PROGRAMME GardensGardens BotanicalBotanical GardensGardens 7-6-87 SeptemberSeptember 20132014 10.30a10.30am-m-5.30pm5.30pm wwwwww..arartinthetinthegagardrdens.comens.com AA unique unique expeexperirienceence forfor arartt llooveversrs aandnd thethe wholewhole familyfamily featurfeaturinging oveoverr 300300 arartiststists Welcome from Councillor Peter Rippon Off the Shelf 118th Lord Mayor of Sheffield Festival of Words Sheffield 11 October - 1 November 2014 Guests include: Yotam Ottolenghi Arne Dahl Allan Ahlberg It is with great pleasure that I Distinction Competition, sculpture Digby Jones John Julius Norwich welcome you to the annual Art on the lawns, the Open Art Exhibition, John Lydon in the Gardens event here at the the stage performances and children’s Richard Benson beautiful Sheffield Botanical activities, artists and craft workers Patience Agbabi Gardens. demonstrating their skills, Victorians Paul Merton promenading, Sheffield Young Howard Jacobson Art in the Gardens is another event Viv Albertine that helps Sheffield to stamp the Painters of the Year Exhibition and last Simon Armitage widely believed ‘fact’ that Sheffield but not least please enjoy the gardens!! Alan Johnson is not only home to more artists and So thank you for supporting this Dan Walker Julian Cope makers than any other city outside of unique event. I’d like to thank Melvyn Burgess London, but also one of the greenest everyone taking part and all those Michelle Magorian cities in Europe! involved in putting the event on. As Emma Chichester Clark Lord Mayor of Sheffield, I’m pleased Dylan Thomas Day Please enjoy all that Art in the Diane Setterfield Gardens has to offer, including to officially welcome you to the 11th Kirsty Wark premier artists in the pavilions and Annual Art in the Gardens.
    [Show full text]
  • Seal View Barn 15 Prosper Hill, Gwithian, Hayle, Cornwall
    Seal View Barn 15 Prosper Hill, Gwithian, Hayle, Cornwall CGI CGI Seal View Barn 15 Prosper Hill, Gwithian, Hayle, Cornwall A stylish architect-designed home which fuses old with new throughout creating a striking and unique take on the traditional Cornish barn. With far reaching coastal views of Gwithian beach and Godrevy lighthouse. Godrevy Beach 1 mile, St Ives 10 miles, West Cornwall Golf Club 7 miles, Hayle town, harbour and railway station 3 miles, Penzance Marina 10 miles, St Agnes 15 miles, Truro 17 miles, Falmouth 19 miles, Newquay Airport 32 miles (All distances and times are approximate) Entrance Hall | Kitchen | Utility room | Dining room | Living room | Family room | Games room Surf store/drying room | Store Principal bedroom suite with walk-in wardrobe | Guest bedroom suite| Two further bedrooms Family shower room | Downstairs bedroom suite bathroom Swimming pool | Terrace | Lawns and borders | Private parking Gross Internal floor Area (approx.): 4,360 sq ft (405.4 sq m) Exeter 19 Southernhay East, Exeter EX1 1QD Tel: 01392 423111 [email protected] knightfrank.co.uk Seal View Barn – For sale freehold This striking and stylishly designed barn conversion is currently under construction and is due to be finish in late 2021. It will have ample living space for up to ten family and friends. All images within this brochure are computer generated. Seal View Barn offers exclusive and luxurious rural living whilst being within about one mile of the North Cornish coast. The property is approach down a private, rural lane that is only shared by two other property. First impressions are outstanding and arriving within the grounds is like entering a tranquil yet stylish private oasis.
    [Show full text]
  • Report on the English Bathing Waters in Need Of
    Surfers Against Sewage Are Calling For A Review of the UK’s Bathing Water Sample Sites. Surfers Against Sewage (SAS) believe the weekly bathing water samples required by the EU Bathing Water Directive should be taken from the area of the bathing water that presents bathers and water users with the greatest source of pollution, if a significant amount of bathers and recreational water users can be expected to regularly use that are area of beach. Surfers Against Sewage are concerned that a number the UK’s designated bathing water sample spots around the UK do not provide a true guide to the water quality that a bather or water user might experience at our bathing waters. The implications are incredible concerning, as our widely promoted water quality results could be misleading the public about the potential health risk at a number of the UK’s bathing water. The Bathing Water Directive states (Art3.3) the monitoring point should be where most bathers are expected or the greatest risk of pollution is expected, according to the bathing water profile. In the UK Regulations (Schedule 4.1) Defra have transposed the obligation to locate the monitoring point where the most bathers are expected. This was part of the original transposition The European Commission’s Reference Document for the monitoring and assessment requirements of the revised Bathing Water Directive published August 2014 states: • A bathing water is not defined by its physical size. The length of its corresponding beach can vary between bathing waters and the distribution of bathers within a bathing water can be uneven.
    [Show full text]
  • Cornwall-Guia-Turistica.Pdf
    Cornwall 2018 Experience YOUR 150 Hotels, B&Bs, Essential PLACES Self Catering, GUIDE TO STAY Camp & Caravans I3 Boscastle F8 Swanpool, Falmouth K4 Launceston 2018 FIND YOUR CORNWALL 02 Welcome F7 Truro It’s far and away the UK’s most contrasting and colourful county. North Coast 04 A wildly beautiful landscape with dramatic cliffs, sensational beaches and picturesque harbours. Bodmin Moor & The Tamar Valley 18 Panoramas of the high ground give way to an oasis of ancient woodland. Truro & Surrounding Area F8 Falmouth 22 There’s no end of good reasons to pay a visit to our great little city. South Coast 32 A blend of scenery dotted with whitewashed fishing villages, sandy coves and sub-tropical gardens. West Cornwall 42 Slip off the edge of the map into artists’ colonies, granite outcrops and long stretches of golden sand. C9 Penzance Getting Here 52 By plane, train or automobile. 54 Cornwall Map Find your own way around. 2 visitcornwall.com YOUR ESSENTIAL GUIDE YOUR ESSENTIAL GUIDE visitcornwall.com 01 Wheal Coates Tintagel Castle WELCOME TO CORNWALL It’s far and away the UK’s most contrasting and colourful county. Reaching into the vast Atlantic culture and Cornish language, ever-present in the ocean at the most southwestern names of villages. You can even go further off the extremity of the UK, Cornwall has beaten track and take a small plane or ferry to the a climate and coastline all of its Isles of Scilly, an uncrowded, unspoilt archipelago own, with much to offer beyond its 28 miles off the tip of Cornwall.
    [Show full text]
  • Traditional British Front Cover
    TRADITIONAL BRITISH Front Cover Hugh Blackden, 1871–1900 Evening light, St Ives Harbour (Detail) (see catalogue no. 45) TRADITIONAL BRITISH 2013 MESSUM’S www.messums.com 8 Cork Street, London W1S 3LJ Telephone: +44 (0)20 7437 5545 INTRODUCTION Britain’s art is, of course, as variable as her weather, but one thing has undeniably shaped much of its subject matter: what happens where her land meets the water. The artists included herein span nearly two centuries and painted views from Glasgow to the Lizard Peninsula (and beyond). But they all worked from a deeply held sense of place, a love and understanding of how their particular part of the British Isles shaped its history and personality. These nearly 80 images not only illustrate the enduring influence the land and sea exercise on Britain’s imagination, but also how they fostered her mercantile history and became a vehicle for national identity. Many of these artists are seminal figures in nineteenth and twentieth century British art. Some are practically synonymous with their chosen genre. A few, while famous in their time, are now largely relegated to footnotes. All of these artists’ works, however, have kept their appeal, not just because of their evident quality, but because they speak of an open curiosity, a spirit of adventure, an urge to look over the next hill towards the endless possibilities these Isles still offer. With the art market and its critics only too glad to convince us of commodity and ‘value’, it worth remembering that fine, traditional pictures are still out there, that they stand the tests of time and fashion, and that, very importantly, they are still quite reasonably priced.
    [Show full text]
  • THE LIFEBOAT. the Journal of the Royal National Life-Boat Institution
    THE LIFEBOAT. The Journal of the Royal National Life-boat Institution. VOL. XXVL—No. 287.] SEPTEMBER, 1926. [This number of The Lifeboat is really the June number. It was almost ready to be printed when, towards the end of June, afire at the works of the Whitefriars Press, Tonbridge, destroyed nearly the whole of the type. The Committee of Management greatly regret the unavoidable delay thus caused. The next number will be published, as usual, in November.] Annual Meeting. THE Hundred and Second Annual Carte, Mrs. Meredith Hardy and General Meeting of the Governors of Miss Silvester ; The Duchess of North- the Institution was held at Caxton Hall, umberland, Lady Louisa Cecil, Lady Westminster, on Wednesday, the 14th Laird Clowes, Lady Meiklejohn, Lady April, at 3 o'clock p.m., the Right Hon. Clinton-Baker, Lady Edith Drum- the Lord Porster of Lepe, G.C.M.G., in j mond, Lady William Cecil, Lady de the Chair. The speakers were His Excel- i Robeck, Mr. W. Fortescue Barratt lency the Norwegian Minister (Mr. P. B. j (Honorary Secretary of the Civil Service Vogt), His Grace the Duke of Northum- I Life-boat Fund), Commander H. S. berland, K.G., C.B.E., M.V.O., Admiral Denny, D.S.O., R.N. (Secretary of the of the Fleet Sir John de Robeck, G.C.B., Navy League), Captain Colin Nicholson, G.C.M.G., G.C.V.O., Sir Godfrey Baring, R.D., R.N.R. (Deputy Secretary, the Bt. (Chairman of the Committee of Mercantile Marine Service Association), Management), Sir William Priestley, Captain Rashleigh, R.N.
    [Show full text]
  • The Cornwall Area of Outstanding Natural Beauty Management Plan 2016 - 2021
    The Cornwall Area of Outstanding Natural Beauty Management Plan 2016 - 2021 Safeguarding our landscape’s beauty and benefits for future generations PUBLIC CONSULTATION DRAFT: FEBRUARY 2016 Closing date for comments is Midday on Monday 21st March 2016 via online survey monkey https://www.surveymonkey.co.uk/r/AONBPLAN or by downloading Word version of questionnaire via http://www.cornwallaonb.org.uk/management-plan Q1. Optional: Please give your contact details so we can contact you if necessary to discuss your response: Name Organisation Email/phone Forewords (to be inserted) Rory Stewart, Parliamentary Under Secretary of State for Environment, Food and Rural Affairs Joyce Duffin, Cornwall Council Cabinet Member for Environment and Housing Dr Robert Kirby-Harris, Cornwall AONB Partnership Chair 2 Contents Introduction The Cornwall Area of Outstanding Natural Beauty Managing the AONB Strategy for the Cornwall AONB – Place and People Vision Place People Aims Place People Delivery Plan – Key priorities for collaboration Geographical priorities Monitoring Policy Place Policies Cultivating Character Managing Development Investing in Nature Responding to Climate Change Nurturing Heritage Revitalising access 3 People Policies Vibrant Communities Health and Happiness Inspiring Culture Promoting Prosperity Local Sections 01 Hartland 02 Pentire Point to Widemouth 03 The Camel Estuary 04 Carnewas to Stepper Point (formerly Trevose Head to Stepper Point) 05 St Agnes 06 Godrevy to Portreath 07 West Penwith 08 South Coast Western 09 South Coast Central 10 South Coast Eastern 11 Rame Head 12 Bodmin Moor Appendix 1 A summary of landscape change in the AONB since 2008 Appendix 2 The National Planning Policy Framework with respect to AONB Appendix 3 Major Developments in the AONB 4 Introduction What is an Area of Outstanding Natural Beauty? Areas of Outstanding Natural Beauty are particularly special landscapes whose distinctive character and natural beauty are so outstanding that it is in the nation’s interest to safeguard them.
    [Show full text]
  • Small Group Tours Uk & Europe
    SMALL GROUP TOURS UK & EUROPE SMALL GROUPS OF UP TO 18 • SCENIC BACK ROADS, AVOIDING FREEWAYS AUTHENTIC LOCAL EXPERIENCES • LEISURELY PACED ITINERARIES BOUTIQUE HOTELS • CULINARY DISCOVERIES The Road Less Travelled Picture a touring holiday which delves that bit deeper. One that doesn’t simply drop by top sights and major cities – but invites you to see a destination through the eyes of the people who know it best: the locals who call it home. Where journeys are made for absorbing never-to-be-forgotten views, not darting from A to B. And each day ends in a cherry-picked boutique retreat loaded with local charm. At Back-Roads Touring, we’ve spent over 25 years creating these kinds of small group tours. So we know that the best kind of adventure is one that introduces you to immersive experiences and sights that last a lifetime – then gives you the time and space to explore. The key ingredient? Experienced guides who can turn an exciting getaway into something truly extraordinary. Telling you the stories and secrets behind stately homes as you wander the corridors. Showing you the perfect position to see the sunset over a city skyline. And pointing you towards the exact patch of coastline where you can try oysters, straight off the boat. Ƃ`>Ì iÜ i]ÞÕV>LiVw`iÌÌ >ÌÞÕÀ Back-Roads tour is being run responsibly and with sustainable tourism in mind. In fact, our commitment to green practices has earnt us a Silver Green Tourism rating. Turn the page to explore our inspiring tours of the UK and Europe – and discover the Back-Roads Difference.
    [Show full text]
  • Seascape Character Assessment Report
    Seascape Character Assessment for the South West Inshore and Offshore marine plan areas MMO 1134: Seascape Character Assessment for the South West Inshore and Offshore marine plan areas September 2018 Report prepared by: Land Use Consultants (LUC) Project funded by: European Maritime Fisheries Fund (ENG1595) and the Department for Environment, Food and Rural Affairs Version Author Note 0.1 Sally First draft desk-based report completed May 2016 Marshall Maria Grant 1.0 Sally Updated draft final report following stakeholder Marshall/ consultation, August 2018 Kate Ahern 1.1 Chris MMO Comments Graham, David Hutchinson 2.0 Kate Ahern Final Report, September 2018 2.1 Chris Independent QA Sweeting © Marine Management Organisation 2018 You may use and re-use the information featured on this website (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. Visit www.nationalarchives.gov.uk/doc/open-government- licence/ to view the licence or write to: Information Policy Team The National Archives Kew London TW9 4DU Email: [email protected] Information about this publication and further copies are available from: Marine Management Organisation Lancaster House Hampshire Court Newcastle upon Tyne NE4 7YH Tel: 0300 123 1032 Email: [email protected] Website: www.gov.uk/mmo Disclaimer This report contributes to the Marine Management Organisation (MMO) evidence base which is a resource developed through a large range of research activity and methods carried out by both MMO and external experts. The opinions expressed in this report do not necessarily reflect the views of MMO nor are they intended to indicate how MMO will act on a given set of facts or signify any preference for one research activity or method over another.
    [Show full text]
  • Aton Review 2010:Layout 1.Qxd
    The United Kingdom andIreland The UnitedKingdom Authorities General Lighthouse Review 2010 -2015 Review Aids toNavigation Aids to Navigation 2010 - 2015 COST EFFECTIVEREVIEW TRAFFIC ~ RISK ~ INTERNATIONAL STANDARDS 1. Index Section 1 - Index 2 Section 2 - Introduction 4 Section 3 – Review Process 6 3.1 Start and Finish of Review Process 6 3.2 Conduct of the Review 6 3.3 Peer Review 6 3.4 User Consultation 6 3.5 Transfers to LLAs and period of transfer 6 3.6 The Principles applied in determining the Navigational Requirement 7 3.7 Methodology 7 3.8 Forms 8 Section 4 – Background to Review & Factors relevant to the Review 9 4A Navigational Issues 9 4A.1 Modern Navigation 9 4A.2 E-Loran 9 4A.3 e-Navigation 10 4A.4 Transition phase to e-Navigation 11 4B Marine Traffic and Density 11 4B.1 Aquaculture 11 4B.2 Fishing 11 4B.3 Marine Leisure 11 4B.4 Offshore Renewable Energy Sites (OREs) 12 4B.5 Routing Measures and Traffic Separation Schemes (TSS) 12 4C Technology Issues 13 4C.1 Automatic Identification System (AIS) 13 4C.2 Light Emitting Diodes (LEDs) 14 4D Future Issues 15 4D.1 2025 & Beyond 15 4D.2 Power Required for Daytime Lights and Restricted Visibility. 15 Section 5 – Contacts 17 Section 6 - References and Acknowledgements 18 Section 7 - Glossary of Terms 19 Section 8 – List of Review Areas 20 ‘s 2 Marine Aids to Navigation Strategy - 2025 & beyond Aids to Navigation 2010 - 2015 REVIEW Section 9 – Inter-GLA Diagrams covering Review Areas 21 a. Navigation Review Area with GLA Contiguous Zones 21 b.
    [Show full text]
  • The Landscape for About a Quarter of an Hour
    THIS EDITION IS LIMITED TO 750 COPIES FOR SALE IN ENGLAND, IOO FOR SALE IN THE UNITED STATES OF AMERICA, AND 35 PRESENTATION COPIES THE COLLECTED WORKS W. H. HUDSON IN TWENTY-FOUR VOLUMES THE LAND’S END THE LAND’S END NATURALISTA IMPRESSIONS IN WEST CORNWALL BY W. H. HUDSON MCMXXIII LONDON y TORONTO J. M. DENT & SONS LTD. NEW YORK: E. P. DUTTON Gf CO. All rights reserved PRINTED IN GREAT BRITAIN About a fourth part of the matter contained in this volume has appeared in the Saturday Review and the Speaker, and I am obliged to the editors of those journals for their permission to use it here. CONTENTS CHAPTER I PAGE WlNTERING IN WEST CORNWALL..................................................... I England’s “observables”—Why I delayed visiting Com­ wall—A visión of the Land's End—Flight to St. Ives— Climate—The oíd town—The fishermen—Their love of children—Drowned babes—The fishing fleet going out at sunset—Oíd memories suggested—Jackdaws at St. Ives—Feeding the birds—A greedy sheep-dog—Daws show their intelligence — Daws on the roofs — Their moming pastime—Dialogue between two daws. CHAPTER II Gulls at St. Ivés ....... 16 Gulls in fishing harbours—Their numbers and beautiful appearance at St. Ives—Different species—Robbing the fishermen—How they are regarded—The glaucous gull or Burgomaster—Cause of the fishermen’s feeling—A demonstration of hungry gulls—A gull tragedy. CHAPTER III Cornwall’s Connemara ...... 25 Aspect of the country—Gilpin on Comish scenery— The farm-houses—Footpaths and stiles—Cattle and pigs—A friendly sow—Dogs and foxes—Stony fields— Fanners’ love of their holdings—An oíd farmer.
    [Show full text]