Malignant Shame and Stereotypes in Irish Culture

Total Page:16

File Type:pdf, Size:1020Kb

Malignant Shame and Stereotypes in Irish Culture Malignant Shame and Stereotypes in Irish Culture Will McAneny International Affairs and Human Services Abstract: Central Comparison #1: the Irish Race and Abused Irish Stereotypes in Popular Culture: “The Irish The Influence of The Irish experienced over 800 years of British Children Ape” the Catholic Church: colonialism—a period marked by several instances English cartoonists of the Victorian era often drew Because of the poor living conditions of the Irish, Comparison of Irish and American Abuse Prevalence of oppression and abuse of British power. While 60 upon the pseudoscience of eugenics in order to the Church was able to attain a degree of control racist oppression of the Irish, both on the island of 50 portray the Irish as apelike and subhuman, further over its constituents mirrored almost nowhere 40 Ireland and among the Irish diaspora, is presently a subjugating an already second-class population. else. Strongly influenced by the French 30 fairly rare occurrence, the aftereffects of the racism Irish Additionally, the Irish diaspora in America philosophy of Jansenism, the Irish Roman 20 American they endured for centuries linger in Irish culture experienced a great degree of racism that shaped a Catholic Church came to espouse an inflexible, 10 even today. Because of their long history of development of malignant shame even among the Hobbesian dogma. Therefore, the Irish both at 0 oppression as the rare Western country that was Percentage with Harmful Percentage of Women Who Percentage of Men Who Irish diaspora. Despite their white skin, the home and in America turned from an oppressive Drinking Habits Have Experienced Sexual Have Experienced Sexual colonized rather than the colonizer, many Irish Abuse Abuse “foreign-ness” of the Irish prevented them from and racist society that treated them as an people may have developed both an internalized Other Facts: being seen as truly “white” by the Anglo-Saxon inferiors to a church that emphasized the and institutionalized state of self-loathing and a - 66 percent of American drug abusers were Protestants who dominated American culture. dominance of original sin and an innate series of harmful stereotypes, which have abused as children Therefore, instead of absorbing them into the disposition towards failure despite one’s best psychologically harmed the Irish in a vicious cycle - 30 percent of those abused as children will abuse general American narrative, nativists spearheaded efforts, which understandably furthered, not of “malignant shame.” their own children a campaign of racism against Irish immigrants. corrected, the development of malignant shame. - The average Irish citizen drinks on average 20% Deriving the stereotypes of “Pat” and “Bridget” Malignant Shame: more than the average European (National from similarly racist images by English artists, Malignant shame is a term coined by Irish Society for the Prevention of Cruelty to Children, American cartoonists such as Frederick B. Opper psychiatrist Dr. Garrett O’Connor originally to National Survey on Drug Use and Health) frequently portrayed the Irish as simian, The Irish Today: describe the perpetual feelings of shame subhuman creatures. In the award-winning sitcom “30 Rock”, Alec experienced mainly by victims of parental or Baldwin, who portrays a prominent Irish relationship abuse. In contrast to toxic shame, Central Comparison #2: The British and Abusive Catholic businessman, says “That's not how it which is the feeling one experiences as the result of Parents works, Tracy. Even though there is the whole repeated abuse, malignant shame is the action, the Instances of British Abuse: confession thing, that's no free pass, because th coping mechanism one adopts in order to tolerate - Statutes of Kilkenny: 14 century set of laws that there is a crushing guilt that comes with being a that abuse. Consequently, those experiencing forbade the intermingling of English colonists Catholic. Whether things are good or bad or malignant shame have no means of expressing with native Irish and prohibited the adoption or you're simply... eating tacos in the park, there is their feelings, and thus of internalizing their anger practice of Irish customs in areas settled by the always the crushing guilt” (The Fighting Irish). and shame—actions that ultimately result in a English While Baldwin is merely poking fun at the vicious cycle of self-loathing and feelings of - Penal Laws: set of laws passed between the late common stereotype of the Irish Catholic hounded th th perpetual inferiority. 17 and 18 centuries that stripped Catholic by an irrational sense of shame, his words carry a liberties and illegalized traditional Irish customs greater weight than might appear at first glance: such as Catholic education he reveals that the perpetual guilt—what some - An Gorta Mor (The Great Hunger): Popularized as might call malignant shame—that has historically “the Potato Famine—British had historically been associated with the Irish might still trouble taken all Irish crops except for the low-quality them to this day, long after the abuses against potato, and refused to change their practices them have ended. when the potato blight struck, resulting in the deaths of 1 million Irish between 1845 and 1852 Conclusions: By comparing the Irish to an abused child and the British and American ascendancies to that child’s abuser, we can apply traditional psychological techniques to explain both how these stereotypes were formed and why their continued existence is harmful. However, the Irish are by no means the only race struggling to deal with the harmful aftereffects of colonialism, and are consequently not the only race to which we can apply the theory of malignant shame. We must apply the normative aspect of O’Connor’s theory to all races that experienced oppression at the hands of a colonial power, using psychological techniques to heal the wounds caused by colonialism. Nelson Mandela once said, “As we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.” In order to reverse the cycle of malignant shame and what O’Connor calls “post-colonial stress disorder”, decolonized peoples must create a “vicious cycle” of their own: recognizing their own equality and self- worth in order to prove to others who suffer from malignant shame that they may do the same. .
Recommended publications
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • St. Vincent-St. Mary High School & 1972 State Football Champs
    ST. VINCENT-ST. MARY HIGH SCHOOL FIGHTING IRISH 2012 FALL SPORTS PROGRAM $3.00 StATE CHAMPIONS Football 1972, 1981, 1982, 1988 INDIVIDUAL TITLES Girls Basketball 1980, 1981, 1995 Boys Basketball 1984, 2000, 2001, 2003, 2009, 2011 Track 2002, 2003, 2004, 2005, 2010, 2011, 2012 Girls Cross Country 2009, 2010 Cross Country 2001, 2002, 2003 Wrestling 2001 Wrestling 1972, 1979, 1981, 2002, 2003, 2004, 2011 Boys Track & Field 2011 Baseball 1986, 1989 Softball 1979, 1984 Girls Track and Field 2012 ST. VINCENT-ST. MARY 2012 | FOR LEARNING... FOR FAITH... FOR LIFE FACILITATING THE GROWTH 2011-2012 POINTS OF PRIDE OF CHRIST’s SPIRIT •Ohio Academy of Science District Science Fairs held at The University of Akron and Mt. Union – 17 STVM students earned a total of 26 special It is by the authority of the Bishop of Cleveland that we awards and a total of 19 students advanced to State Science Day teach the Catholic Tradition. The ultimate goal of our school competition in Columbus is to facilitate the growth of Christ’s Spirit. In witness to this spirit, we minister to one another and to the greater • State Science Day – STVM Inquiry Team received the Harold C. Shaw communities of our school, our city, our country, and our Outstanding School Award and earned over $343,000 in scholarship world. opportunities and cash awards Mission In the spirit of the Gospel, we are committed to • Northeast Ohio Science and Engineering Fair (NEOSEF) – 12 STVM educate the whole person to lead and to serve: enlightening students participated and took home 22 special awards along with one the mind, developing the body, touching the heart, and Intel Grand Prize inspiring the soul.
    [Show full text]
  • From Apes and Thick Micks to the Fighting Irish: Cultural Misappropriation at the University of Notre Dame
    Journal of Intercollegiate Sport, 2015, 8, 206 -226 http://dx.doi.org/10.1123/jis.2014-0122 © 2015 Human Kinetics, Inc. ARTICLES From Apes and Thick Micks to the Fighting Irish: Cultural Misappropriation at the University of Notre Dame Meghan A. Conley and Billy Hawkins University of Georgia Despite the continuing controversy surrounding the use of Native American mas- cots, little attention is paid to the Fighting Irish mascot at the University of Notre Dame. Although historically founded by a sect of French Catholic priests, the institution has formally used the Fighting Irish moniker for 87 years. Ironically, the team name came just six years after the Irish finally gained independence from Great Britain after hundreds of years of oppression. This paper, using comparative historical analysis, analyzes the history of the Irish in America as well as the Uni- versity of Notre Dame to better understand whether the Fighting Irish symbolism is a form of cultural imperialism in use at one of America’s premier educational institutions. Drawing on the work of Edward Said on cultural imperialism, the University of Notre Dame licensing and mascot program promotes a dialogue that “others” a national group that has historically faced injustice and mockery. Keywords: higher education, college athletics, logos, mascots, cultural imperialism In 2013, a well-loved football team from South Bend, Indiana, took the field against an equally-lauded team from Alabama. Pregame.com, a betting site, esti- mated that $2 billion would be wagered on the outcome of the game worldwide (Shactman, 2013). 26 million viewers across America watched as the Alabama Crimson Tide, projected to win by between 9.5 and 10 points, trounced the Notre Dame Fighting Irish by 28 points (BCS Football, 2013).
    [Show full text]
  • 30 Rock This Season, Particularly the Character of Liz Lemon, Played by Tina Fey
    INTRODUCTIONS Get me interested! GETTING STARTED • The purpose of the introduction is to get your reader interested and give them what they need to know to understand and follow your argument • Keep this in mind when writing it, reviewing it, editing it, revising it. • Think about the first five minutes of a television pilot – you’re either going to continue watching, or change the channel. • Make your reader give you the benefit of the doubt WAYS TO BEGIN: • It’s called an attention getter, but it • Explain the larger context of your doesn’t have to be awe-inspiring topic awesome • Offer background information • Define key terms or concepts • Think about building up into your • Connect your subject to reader topic, into your argument interests or values • Start with a quotation or statement • The key with all of these is you have to provoke interest to use them, not just write one • Start with an anecdote sentence and be done • Ask a question (be careful) • Jump right into the topic BACKGROUND INFORMATION • You just have to ground your reader – what are you writing about? Authors? Pieces? Anything else the reader needs to know? • You are not summarizing the entire article, the author’s life, etc. (Know your audience – have I read these essays?) • You are using this information to connect your attention getter to your argument • EVERYTHING IS CONNECTED TO EVERYTHING! THESIS • Get to your argument • What is your interpretation of the pieces? • This should not come out of nowhere – your attention getter and background information have been
    [Show full text]
  • 30 Rock and Philosophy: We Want to Go to There (The Blackwell
    ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere .
    [Show full text]
  • 30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06
    106 “Tracy Does Conan” by Tina Fey Directed by Adam Bernstein Executive Producers: Lorne Michaels Tina Fey JoAnn Alfano Marci Klein David Miner Broadway Video Television SHOOTING DRAFT – 9/29/06 254 West 54th St, 11th Floor New York, NY 10019 ! 2006 BY!NBC STUDIOS, INC. ! ALL RIGHTS RESERVED.! NOT TO BE DUPLICATED WITHOUT PERMISSION. ! This material is property of!NBC Studios, Inc.!and is intended solely for use by its personnel.! The sale, copying, reproduction or exploitation of this material in any form is prohibited.! Distribution or disclosure of this material to unauthorized persons is prohibited. 30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06 CAST LIST LIZ .............…………………………….....……………………………...…….............TINA FEY JACK………………………………………………………………...…………ALEC BALDWIN TRACY......…………….………..……..……………………………….....…..TRACY MORGAN JENNA………………………………………………………………........... JANE KRAKOWSKI KENNETH………………………………………………………….......…....JACK MCBRAYER PETE……………………………………………………………….........................SCOTT ADSIT FRANK………………………………………………………………....JUDAH FRIEDLANDER LITTLE BLUE MAN………………...………………………………………RACHEL DRATCH TOOFER………………………………………………………………...............KEITH POWELL CONAN O’BRIEN.…….…………………………………………............…...CONAN O’BRIEN DENNIS...…………………………………………………………………..…. DEAN WINTERS DR. SPACEMAN…………………………………………………………..….CHRIS PARNELL GRIZZ......…………………………………………………………………..…..............…..…TBD NURSE......……………………………..…………………………………..…..............…..…TBD FRUIT SALESMAN..…………………...………………………………………..….......RN RAO CONAN STAGE MANAGER.…….…………………………………………..............…..…TBD
    [Show full text]
  • 30 ROCK-Will You Go to Lunch!
    30 R O C K "Will You Go To Lunch!" Written by Curtis Lofgren WGAw # 1582126 2621 Columbia Ave. Richmond CA 94804 (510)526-3452 FADE IN INT. JACK DONAGHY’S OFFICE-DAY Jack is in his office with Doctor Leo Spaceman. He is getting an EKG. Jack’s shirt is off and the doctor is placing the electrodes on Jack’s chest. The table is way too small for Jack’s body. JACK Careful, Leo! Other than my erect penis, the chest pecs are the manliest area of my body! LEO Should I be placing these on your Johnson, Mister Johnson? Jack gives Leo a spacey stare. JACK Leo, what is wrong with you? It’s Jack Donaghy. Your boss, remember? LEO Right. Sorry, I’m not my self since I got back from rehab. JACK You went to rehab? When? LEO Technically speaking, I’m still there. Is it acceptable medical etiquette to leave after you’ve administered an enema to a patient in withdrawal? JACK Unless it’s Harry Reid, of course it isn’t! Leo, get a hold of yourself! Liz walks into the office. The two men are holding an enema hose. LIZ Excuse me, boys, but I thought I was in the office of Jack Donaghy, not my writer’s room. JACK Lemon, I.... 2. Liz licks her fingertip, slaps her bottom, and utters a remarkably glib line. LIZ Ah, still got it, never lost it, I don’t care if it’s our last season! I’m going for most flashbacks in a single show! Jack hops off the table.
    [Show full text]
  • Meta-Television in Entourage, Extras and 30 Rock Introduction the Last Decade Has Seen a Number Of
    PREVIOUSLY ON “Cut the Shitcom”: Meta-television in Entourage, Extras and 30 Rock Toni Pape Introduction The last decade has seen a number of fictional TV series about television and film production. These television shows – including the ones to be analysed here: Entourage, Extras, and 30 Rock – relocate the process of creative revitalization in front of the camera. Meta-television, as I understand it here, then is television about the media industry and, more particularly, about the production and quality of film and television itself.1 The three above-mentioned television programs present contemporary writers, actors, directors, etc. working on movies and television shows. Especially Extras and 30 Rock offer a critical overview of how television formats are produced, and they significantly do so in a period of time during which the working conditions for television-makers have fundamentally changed. In a most general sense, the criticism that these shows purport works on two levels. First, as we will see further on, there is an explicit criticism implied in the way the TV shows at hand present the making of a TV show. Thus, there is for instance Andy Millman, the protagonist of Extras about whom I will have more to say later on, who clearly states his dissatisfaction as a disillusioned actor/writer: ANDY: I wanna do something that I’m proud of. And I won’t be proud of shouting out catch phrases in a stupid wig and funny glasses. […] So basically, I’m not going to prostitute myself anymore or my work, ok? (Extras “Orlando Bloom”, 21’30”) In a very outspoken way, the programs in question take stock of television’s outworn creative standards and its resulting mediocrity.
    [Show full text]
  • 2009 Fighting Irish Gridiron Golf Classic
    2009 Fighting Irish Gridiron Golf Classic Monday, Oct. 5 & Tuesday, Oct. 6 2009 The Warren Golf Course • Notre Dame, Ind. Senior Josh Sandman Senior Doug Fortner Tournament Preview A new tradition began in 2006 when the University of Notre Dame played host to the inaugural Fighting Irish Gridiron Golf Classic at the Warren Golf Course. Cre- ated by head coach Jim Kubinski, the Gridiron Golf Classic features a fun-filled weekend, blending the best of college golf with the unique experience of a Notre Dame football game. This year, the participants will have the opportunity to watch Notre Dame play Washington at historic Notre Dame Stadium. 2009 marks the fourth time Notre Dame will play host to the Fighting Irish Gridiron Classic. Lamar won the first-ever Fighting Irish Gridiron Golf Classic title in 2006 with the Cardinals’ Justin Harding earning medalist honors by finishing one shot better than Notre Dame’s Cole Isban. In 2007, Michigan State took the tournament championship and Michigan State’s Ryan Brehm was the ’07 tournament medalist, finishing five shots clear of Notre Dame’s Doug Fortner and Virginia’s Greg Car- lin. Last season, Arkansas prevailed to take the team title, while Michigan State’s Randy Hutchison earned medalist honors. All three previous tournaments featured impressive fields, and 2009 will be no exception as Arkansas, BYU, Cincinnati, Colorado, Georgetown, Houston, Iowa, Lamar, Miami (OH), Missouri, Ohio State, San Francisco, Saint Mary’s (CA) and UT-Arlington join Senior Carl Santos-Ocampo Notre Dame to comprise
    [Show full text]
  • A Thesis Entitled Me Want Food: a Discourse Analysis of 30 Rock By
    A Thesis entitled Me Want Food: A Discourse Analysis of 30 Rock by JoAnna R. Murphy Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Arts Degree in Sociology Dr. Mark Sherry, Committee Chair Dr. Patricia Case, Committee Member Dr. Barbara Coventry, Committee Member Dr. Patricia R. Komuniecki, Dean College of Graduate Studies The University of Toledo December 2011 Copyright 2011, JoAnna Ruth Murphy This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the expressed permission of the author. ii An Abstract of Me Want Food: A Discourse Analysis of 30 Rock by JoAnna R. Murphy Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Arts Degree in Sociology The University of Toledo December 2011 Using a combination of fat studies, the social construction of the body, Foucauldian approaches to the body, and cultural sociology, this thesis examines discourses about the fat female body in 30 Rock. The body is carnal and fleshy, but it is also socially constructed; this social construction has a long and deep cultural social history, and its power is particularly apparent with regard to the devaluation of the fat female body. By combining multiple theoretical approaches, a more nuanced and sophisticated understanding of discourses about the fat body emerges – suggesting that even when shows such as 30 Rock engage with counter-hegemonic discourses about the body such as fat acceptance, they may revert to hegemonic and heteronormative standards of beauty and the fat body. iii For my partner and husband Levi who supported me and grew with me during this time.
    [Show full text]
  • MASARYK UNIVERSITY Portrayal of African Americans in the Media
    MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Portrayal of African Americans in the Media Master‟s Diploma Thesis Brno 2014 Supervisor: Author: Mgr. Zdeněk Janík, M.A., Ph.D. Bc. Lucie Pernicová Declaration I hereby declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ........................................................ Bc. Lucie Pernicová Acknowledgement I would like to thank my supervisor Mgr. Zdeněk Janík, M.A., Ph.D. for the patient guidance and valuable advice he provided me with during the writing of this thesis. Table of Contents 1. Introduction ............................................................................................................... 5 2. Portrayal of African Americans in Films and on Television ..................................... 8 2.1. Stereotypical Images and Their Power .............................................................. 8 2.2. Basic Stereotypical Images of African Americans ............................................ 9 2.3. Stereotypical Film Portrayals of African Americans and the Arrival of the Talking Era .................................................................................................................. 12 2.4. Television Portrayals of African Americans .................................................... 14 2.4.1. The Increasing Importance of African American Viewers ....................... 17 2.4.2. Contemporary Images of African Americans ..........................................
    [Show full text]
  • 0-0 NOLES OPEN SEASON Vs. #9 NOTRE DAME NOTES to KNOW
    SEMINOLESJULY 19, 2013 STATE UNIVERSITY FLORIDA NOLES OPEN SEASON vs. #9 NOTRE DAME 2021 SCHEDULE Date Opponent Time/Result FLORIDA STATE SEMINOLES | 0-0, 0-0 ACC Sept. 5 #9 Notre Dame 7:30 p.m. (ABC) VS Sept. 11 Jacksonville State 8:00 p.m. (ACCN) #9 NOTRE DAME FIGHTING IRISH | 0-0 Sept. 18 at Wake Forest* 3:30 PM Dadgum™ Bobby™ Dadgummit™ Sunday, September 5, 2021 • 7:30 p.m. • Tallahassee, Fla. Sept. 25 Louisville* Bobby Bowden™ TBABowden™ Coach Bowden™ Bobby Bowden Field at Doak S. Campbell Stadium (79,560) Oct. 2 Syracuse* TBA POLYNEON 1784 YON 1385 YNEON 1670 Oct. 9 at #10 North Carolina* TBA MADEIRA-RAYON FS GOLD 32 POL MADEIRA-RAYON 1070 MADEIRA-RA WHITE PANTONE 202 Oct. 23 UMass TBA PANTONE 872 ONE 4525 WHITE GARNET PANT BLACK ALLIC GOLD PANTONE PROCESS BLACK MET y. Oct. 30 at #3 Clemson* T METALLIC TBA WHITE ALLIC NOTES TO KNOW FLA FLAT MET BLACK The Collegiate Licensing Compan y. WHITE METALLIC GOLD Nov. 6 NC State* TBA The Collegiate Licensing Compan » Florida State opens its 2021 season in primetime Sunday, Sept. 5 hosting No. 9 Notre Dame. The game between two GARNET Nov. 13 #14 Miami* The marks of FloridaTBA AnyState use University of these aremarks controlled will require under written a trademark approval licensing from program administered by NOTE: of college football's iconic programs marks the seventh primetime season opener for the Seminoles in the last nine Nov. 20 at Boston College* TBA years and the fourth consecutive night game in the series.
    [Show full text]