Nicholas Nickleby

Total Page:16

File Type:pdf, Size:1020Kb

Nicholas Nickleby LEVEL 4 Teacher’s notes Teacher Support Programme Nicholas Nickleby Charles Dickens Chapters 3–4: Nicholas finds life at Dotheboys hard and is appalled by the cruel treatment given the to boys and to Smike, who runs away. Nicholas has a fistfight with Squeers and leaves the school. On his way back to London, Nicholas finds Smike and agrees to take him with him. Nicholas finds cheap lodgings in London and a job as a private French teacher. When Nicholas visits his mother and sister, he overhears his uncle telling them that he is a thief who has stolen a ring from Squeers and has run away with one of the children. Nicholas argues with Ralph and tries to defend himself from all the accusations but finally decides to leave London once again so as to protect his mother and sister. Summary Chapters 5–6: In London, Kate finds a job as Mrs Wititterly’s companion. Unfortunately, one of Ralph’s best The Nicklebys (Nicholas, his mother, sister Kate) are customers, Sir Mulberry Hawk, likes Kate and insists on penniless after the death of Mr Nickleby. In their poverty spending time with her despite her turning him down. and desperation they seek help from Nicholas’s Uncle Kate asks Ralph for help but he refuses to lose his best Ralph, a mean-spirited, cruel moneylender. Nicholas’s client. Newman Noggs overhears the conversation and independent attitude angers Ralph and Nicholas is sent writes to Nicholas, who decides to come back to London. away to Dotheboys Hall to teach. He is upset by the Nicholas fights Sir Mulberry and orders him to stay away mistreatment of the children there by Headmaster from his sister. He also has his mother and sister move Wackford Squeers, and is disgusted by the cruel treatment out from Ralph’s house and writes a letter to his uncle given to a boy called Smike. Nicholas thrashes the evil rejecting any further help from him. Squeers and escapes to London with Smike, who becomes Chapters 7–8: Ralph and Squeers join up to take revenge his close companion. on Nicholas. Mrs Nickleby and Kate are introduced to In London, Nicholas continues his one-man crusade Smike and they decide to let him stay with them. Nicholas against the ill treatment of his family by Ralph and the meets Mr Cheeryble and his brother and they introduce persecution of his sister by Sir Mulberry Hawk. After him to Mr Linkinwater with whom he will work at the Nicholas finally makes a home for his family. With the help Cheerybles’ counting-house. Nicholas is also invited of Newman Noggs (Ralph’s clerk) and the Cheeryble to move to a small cottage owned by the Cheerybles brothers (benevolent businessmen), Ralph gets his together with his family. Squeers kidnaps Smike and holds him captive at Snawley’s house. Fortunately, Smike is eventual comeuppance. Although Smike (who turns out to helped to escape by friend John Browdie and he finally be Ralph’s long-lost son) dies, there is a general sense of reaches the Nicklebys’ home. justice at the end of the story. Chapters 9–11: Nicholas falls in love with a poor artist, Chapters 1–2: Ralph Nickleby, a moneylender and Madeline, who is supported by the Cheerybles. Nicholas Nicholas’s uncle, receives a letter saying that his brother agrees to pay for some of her paintings without her father has died and that the widow and children have been left knowing that the money comes from the Cheerybles. penniless. Ralph visits them and treats them scornfully. He What Nicholas doesn’t know is that she is to marry one tells Nicholas of a job at Dotheboys Hall, a school for boys of her father’s creditors, Arthur Gride. Ralph and Squeers in Yorkshire, owned by Wackford Squeers, and promises to pretend that their friend Mr Snawley is Smike’s father and provide for the family if Nicholas is given the job. Squeers they almost get away with taking the boy with them. The hires Nicholas as his assistant and they travel together to Nicklebys are increasingly more worried about the boy’s the school. After they arrive at Dotheboys, Nicholas soon character and health. When Nicholas learns that Madeline realises how harsh Squeers’s rules are and how mistreated is about to marry Gride, he tries to persuade her not to the boys are. Nicholas especially pities Smike, a boy who is do so. He finally saves her from the marriage. made to do all the hard work and who is cruelly punished. Chapters 12–14: After her father’s death, Madeline moves in with the Cheerybles. Smike’s health worsens pearsonenglishactivereaders.com © Pearson Education Limited 2017 Nicholas Nickleby – Teacher’s notes 1 of 3 LEVEL 4 Teacher’s notes Teacher Support Programme Nicholas Nickleby and Nicholas takes him to a small farmhouse in Devon to The class system: The members of the establishment rest. However, Smike soon dies. Squeers is imprisoned, with power and/or money, such as Squeers, Sir Mulberry, and when the boys at Dotheboys Hall learn this, they all Ralph, Mrs Wititterly and Gride in the story, are cynical, run away and go back home to their families. Ralph finds vain, cruel, selfish manipulators and exploiters of those out that Smike was his son. The following day Ralph, more disadvantaged than themselves, such as Nicholas, regretting what he had done to his nephew and his own Kate, Madeline and Smike. son – and family – hangs himself. Nicholas and Madeline Poverty: In Dickens’s previous novel, Oliver Twist, poverty get married, and so do Kate and Frank Cheeryble. The dehumanises the characters. In Nicholas Nickleby, however, Nicklebys finally find happiness. the harshness of injustice and poverty is not allowed to vanquish the basic qualities of the human spirit. People About the author such as Kate and Nicholas, Smike, Newman Noggs and Charles Dickens was born in 1812 in Portsmouth, a Madeline, retain fundamental decency and kindness, and naval town on the south coast of England. He spent his they are allowed to enjoy, to varying degrees, a sense of childhood in Chatham, to the east of London. His father peace and justice by the end of the story. was imprisoned for unpaid debts, and the twelve-year-old Fate: Chance and fate always seem to play a major part Charles had to work in a blacking factory making shoe in Dickens’s novels. Without the timely intervention of polish. This was a miserable time for young Dickens and the Cheeryble brothers, it is unlikely that the forces of may be the reason why the themes of poverty, injustice good, represented by Nicholas, Kate, Newman Noggs and brutality recur frequently in his novels. In 1827 he and Madeline, would have overcome the forces of evil, worked as a clerk in a law company, but soon realised embodied in Squeers, Ralph, Gride and Sir Mulberry. he hated Law almost as much as he hated making shoe polish. He decided to become a journalist instead. Ultimately, the story is about the search for happiness in a cruel, unjust world. It is an adventure story, sometimes In 1832, Dickens became a reporter. He married tragic, often amusing. It is the mixture of a serious Catherine Hogarth, the daughter of the editor of The message with entertainment that makes it as popular and Evening Chronicle newspaper. His big break came when as relevant today as it was nearly 200 years ago. There publishers Chapman and Hall commissioned him to write a have been many film, stage and television adaptations of series of stories based on a fictitious club. The Posthumous the story, most recently a 2002 film by Douglas McGrath Papers of Pickwick Club was published in twenty monthly with Jamie Bell (of Billy Elliot fame) as Smike. papers in 1836–37. By the end, the story had 40,000 readers. Dickens became one of the most popular writers in England. He wrote a large number of novels and stories, Discussion activities including A Christmas Carol, David Copperfield, Bleak House, Before reading A Tale of Two Cities, Oliver Twist and Great Expectations. 1 Discuss: Talk about children and poverty. What do you know or imagine society was like in the Dickens loved the theatre. He fell in love with an actress, 1800s? How did poor people live? What happened to Ellen Ternan. His reading tours in the United States were families when the father died and they were penniless? popular. During his second visit there, in 1867, he became 2 Discuss: Talk about children and education. Find out ill. He gave one of his last public readings in 1870 and died what students know about boarding schools. in June the same year, aged 58, leaving an unfinished novel, 3 Write: Tell students to imagine what life was like in a boarding school run by a strict schoolmaster during The Mystery of Edwin Drood. the late 1800s. Write their answers on the board. Background and themes 4 Discuss: Talk about class differences. Education: Dickens visited a school in the north of In groups, students leaf through the book looking for England and was so shocked by the cruel treatment pictures that illustrate class differences. What are these people like? Do you think they all belong given to the pupils by the schoolmaster, William Shaw, to the same social class? Why (not)? Can you tell who is that he used the school as a model for Dotheboys Hall. rich and who is poor? What do you think they do every The description of Dotheboys Hall caused shock and day? How do you think they are treated by others? Why? consternation.
Recommended publications
  • THE PICKWICK PAPERS Required Reading for the Dickens Universe
    THE PICKWICK PAPERS Required reading for the Dickens Universe, 2007: * Auden, W. H. "Dingley Dell and the Fleet." The Dyer's Hand and Other Essays. New York: Random House, 1962. 407-28. * Marcus, Steven. "The Blest Dawn." Dickens: From Pickwick to Dombey. New York: Basic Books, 1965. 13-53. * Patten, Robert L. Introduction. The Pickwick Papers. Harmondsworth: Penguin, 1972. 11-30. * Feltes, N. N. "The Moment of Pickwick, or the Production of a Commodity Text." Literature and History: A Journal for the Humanities 10 (1984): 203-217. Rpt. in Modes of Production of Victorian Novels. Chicago: University of Chicago Press, 1986. * Chittick, Kathryn. "The qualifications of a novelist: Pickwick Papers and Oliver Twist." Dickens and the 1830s. Cambridge: Cambridge UP, 1990. 61-91. Recommended, but not required, reading: Marcus, Steven."Language into Structure: Pickwick Revisited," Daedalus 101 (1972): 183-202. Plus the sections on The Pickwick Papers in the following works: John Bowen. Other Dickens : Pickwick to Chuzzlewit. Oxford, U.K.; New York: Oxford UP, 2000. Grossman, Jonathan H. The Art of Alibi: English Law Courts and the Novel. Baltimore: Johns Hopkins UP, 2002. Woloch, Alex. The One vs. The Many: Minor Characters and the Space of the Protagonist in the Novel. Princeton: Princeton UP, 2003. 1 SELECTED BIBLIOGRAPHY Compiled by Hillary Trivett May, 1991 Updated by Jessica Staheli May, 2007 For a comprehensive bibliography of criticism before 1990, consult: Engel, Elliot. Pickwick Papers: An Annotated Bibliography. New York: Garland Publishing Inc., 1990. CRITICISM Auden, W. H. "Dingley Dell and the Fleet." The Dyer's Hand and Other Essays. New York: Random House, 1962.
    [Show full text]
  • RALPH, NOGGS, FANNY, MRS. SQUEERS Pg 38-40 NOGGS. Yes Sir?
    RALPH, NOGGS, FANNY, MRS. SQUEERS Pg 38-40 NOGGS. Yes sir? RALPH. Who called in my absence? NOGGS. A strange looking man. Kept whittling at his dirty fingernails with a knife. Didn’t like the looks of him. RALPH. What did he want? NOGGS. Didn’t say. RALPH. Did he leave a name? NOGGS. Not a syllable as to his identity. RALPH. Anyone else? NOGGS. MRS. SQUEERS and FANNY Squeers. RALPH. What do they want? NOGGS. Didn’t say. RALPH. Admit them. (NOGGS exits. RALPH rubs his chin and thinks.) Hmmmm. Most unusual for that pair to be in London. (MRS. SQUEERS enters. FANNY follows her.) RALPH. I trust you have not waited long. MRS. SQUEERS. We would have waited all week to bring you news of your wretched nephew. RALPH. What’s this? Nicholas? MRS. SQUEERS. You may call him Nicholas. We call him assassin! Bandit! Criminal! Baboon! (FANNY wails and collapses on the bench. She cries hysterically.) FANNY. He should be punished. MRS. SQUEERS. That boy broke poor Fanny’s heart. He led her on, always lurking about, pretending that his love for her was deep and sincere. (FANNY wails all the more.) When he had her loyalty and love, he cast her aside. Casanova! Brute! Okra! FANNY. He’s wicked! (She wails again.) RALPH. I’m astonished. MRS. SQUEERS. There is more! RALPH. Not of a like nature, I trust. MRS. SQUEERS. Worse! It is me, Mrs. Squeers, who must come to London for the new boys. Poor Squeery was beaten so badly by your nephew that he cannot stir from his bed.
    [Show full text]
  • The Life and Adventures of Nicholas Nickleby
    LOS ANGELES CITY COLLEGE NICHOLAS NICKLEBY, THE RECURRING PHENOMENON Los Angeles City College Theatre Academy by Fecicia Hardison Londre in association with Community Services presents It may be a measure of tile influence of Charles Dicken's his academy from infection. Although convicted of gross Life and Adventures of Nicholas Nickleby that Brian Friel neglect (maggoty food and flea-infested beds among other nicknamed one of his characters in Translations 'The Infant offenses) and fined, Shaw continued to operate his school Phenomenon." H~NYJames, author of the novel on which The vividness with which Dickens painted social conditions The Innocents is based, saw a theatrical performance of in his day cannot alone explain the appeal of Nicholas Nicholas Nickleby (in his boyhood and, at 67, remembered it Nickleby for modern audiences, 145 years after the novel was THELIFE (3) vividly enough to write of it in his autobiography: "who written. His timeless, irresistible characterizations are a strong ADVENTURES OF shall deny the immense authority of the theatre, or that the point Although some critics object to his caricatures, Dickens stage is the mightiest of modern engines?" scarcely exaggerates in many of his embodiments of human Dickensalways longed to harness his talent to that mighti- failings, like Squeers, Noggs, and Mantalini. Santayana avers: est of modem engines,but wasnot successful in his occasional "There are such people; we are such people ourselves in our NICHOLAS NICKLEBY effortsasa playwright. Hisconsiderable influence on Victorian true moments, in our veritable impulses; but we are careful and later theatre came about through dramatizations by to stifle and hide those moments from ourselves and from the others of virtually all of his novels and many of his stories.
    [Show full text]
  • The Treatment of Children in the Novels of Charles
    THE TREATMENT OF CHILDREN IN THE NOVELS OF CHARLES DICKENS A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY CLEOPATRA JONES DEPARTMENT OF ENGLISH ATLANTA, GEORGIA AUGUST 1948 ? C? TABLE OF CONTENTS % Pag® PREFACE ii CHAPTER I. REASONS FOR DICKENS' INTEREST IN CHILDREN ....... 1 II. TYPES OF CHILDREN IN DICKENS' NOVELS 10 III. THE FUNCTION OF CHILDREN IN DICKENS' NOVELS 20 IV. DICKENS' ART IN HIS TREATMENT OF CHILDREN 33 SUMMARY 46 BIBLIOGRAPHY 48 PREFACE The status of children in society has not always been high. With the exception of a few English novels, notably those of Fielding, child¬ ren did not play a major role in fiction until Dickens' time. Until the emergence of the Industrial Revolution an unusual emphasis had not been placed on the status of children, and the emphasis that followed was largely a result of the insecure and often lamentable position of child¬ ren in the new machine age. Since Dickens wrote his novels during this period of the nineteenth century and was a pioneer in the employment of children in fiction, these facts alone make a study of his treatment of children an important one. While a great deal has been written on the life and works of Charles Dickens, as far as the writer knows, no intensive study has been made of the treatment of children in his novels. All attempts have been limited to chapters, or more accurately, to generalized statements in relation to his life and works.
    [Show full text]
  • Proto-Cinematic Narrative in Nineteenth-Century British Fiction
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 12-2016 Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction Kara Marie Manning University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, British Isles Commons, and the Other Film and Media Studies Commons Recommended Citation Manning, Kara Marie, "Moving Words/Motion Pictures: Proto-Cinematic Narrative In Nineteenth-Century British Fiction" (2016). Dissertations. 906. https://aquila.usm.edu/dissertations/906 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. MOVING WORDS/MOTION PICTURES: PROTO-CINEMATIC NARRATIVE IN NINETEENTH-CENTURY BRITISH FICTION by Kara Marie Manning A Dissertation Submitted to the Graduate School and the Department of English at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved: ________________________________________________ Dr. Eric L.Tribunella, Committee Chair Associate Professor, English ________________________________________________ Dr. Monika Gehlawat, Committee Member Associate Professor, English ________________________________________________ Dr. Phillip Gentile, Committee Member Assistant Professor,
    [Show full text]
  • Mimesis As Subject in Nicholas Nickleby
    Juliet Me Master Mimesis as Subject in Nicholas Nickleby "There are dark shadows on the earth, but its lights are stronger in the contrast," Dickens had written at the end of his first novel. (pp. 799) 1 By and large, in Pickwick he had dealt with the light. Pickwick himself was the sun, a source of light and joy in his world, which had many other similar beacons in the persons of Tony, Sam, Wardle, and the others. It is a world which in its way is even more "light, bright and sparkling" than Pride and Prejudice, a world bursting with energy, cheer, and joy. It is, of course, not without its shadows, but they are the shadows which function as intensifiers of the light. In Oliver Twist, as though the young Dickens were testing his powers in one mode after another, he created a world in which the shadows predominate. The workhouse, and Fagin's dens, and the dim foetid alleys of underworld London, form the essential and memorable ambiance of Oliver, and the airy streets of Penton ville and the sunshine of the May lies become merely the assisting gleams that emphasize the dark. Dickens was flexing his muscles by deliberately writing a second novel that was to be as different from his first as the mind of a single creator could make it. As Pickwick was middle~aged, and fat, and jolly, and financially secure, so Oliver was to be a child, and starved, and terrorised, and utterly vulnerable. As Pickwick celebrates laughter, and eating and drinking, and fatness, Oliver Twist was to turn the tables: the irrepress~ ible and joyful mirth of Tony Weller becomes transformed to the heartless cacchinations of Charley Bates, whose sense of humour is most stimulated by the pains of others.
    [Show full text]
  • BBC 4 Listings for 5 – 11 January 2008 Page 1 of 3 SATURDAY 05 JANUARY 2008 Starting out on Their Careers
    BBC 4 Listings for 5 – 11 January 2008 Page 1 of 3 SATURDAY 05 JANUARY 2008 starting out on their careers. Dr Nick Hollings has devoted half MON 21:00 Top of the Pops (b008njrq) of his life to the NHS, from an ambitious 18-year-old seeking a Classic edition of Top of the Pops from 1968, presented by SAT 19:00 The Life and Adventures of Nicholas Nickleby place at St Mary's Medical School, through 100 hour weeks as a Jimmy Savile and Dave Cash. Artists featured include The (b008njlp) junior doctor and 14 years of exams to become a consultant. Foundations, The Alan Price Set, Brenton Wood, Hermans Episode 8 Now an established consultant radiologist, Nick faces a Hermits, Status Quo, The Move and Amen Corner. worrying future. With long waiting lists for scans, the Adaptation of the RSC's acclaimed 1980s stage production of Department of Health is making tough decisions in the name of the epic Dickens tale. Sir Mulberry Hawk returns to society. efficiency. MON 21:30 Juke Box Jury (b008njrr) Madeline is promised to Arthur Gride. Smike is taken ill and Classic 1950s and 60s pop music show in which a panel votes Nicholas and Kate take him to their home in Devon. hit or miss on the new releases they are played. David Jacobs SUN 19:30 BBC Proms (b007xljj) presents, with Nina and Frederick, Jill Ireland and David 2007 McCallum on the panel. SAT 20:00 The Life and Adventures of Nicholas Nickleby (b008njlq) Simon Bolivar National Youth Orchestra of Venezuela Episode 9 MON 22:00 Story of Light Entertainment (b0074tnd) Katie Derham introduces another extraordinary Prom from the Pop and Easy Listening Adaptation of the RSC's acclaimed 1980s stage production of BBC archive.
    [Show full text]
  • INSPECTOR GEORGE GENTLY Vlii PRESS PACK Created by Peter
    INSPECTOR GEORGE GENTLY VlII PRESS PACK Created by Peter Flannery Produced by Company Pictures For BBC ONE Broadcast Series starts BBC WEEK 17 TBC by the BBC on BBC ONE ALL interviews strictly embargoed until lead up to TX ALL guest star interviews strictly embargoed until week of their corresponding episode For further information please contact Deborah Goodman Publicity on 020 8959 9980 or [email protected] For photography please contact BBC Pictures www.bbcpictures.com or [email protected] To view please contact BBC Preview Tapes Department or www.bbcpreviews.co.uk 1 INSPECTOR GEORGE GENTLY VIII Contents Page No INTRODUCTION 3-4 PRODUCTION CREDITS 5 FILM 1 SYNOPSIS – 6 CAST LIST – Gently With The Women FILM 2 7 SYNOPSIS – Breathe In The Air CAST LIST FILM 3 8 SYNOPSIS – Gently Among Friends CAST LIST FILM 4 9 SYNOPSIS – Son Of A Gun CAST LIST CAST INTERVIEWS REGULARS Martin Shaw 10-11 Lee Ingleby 12-13 Lisa McGrillis 14 Annabel Scholey 15 GUEST STAR EPISODIC INTERVIEWS FILM 1 - Gently With The Women: Denise Welch 16 FILM 2 - Breathe In The Air: Lesley Nicol 17 FILM 3 - Gently Among Friends: Jim Moir 18 Louise Brearley 19 FILM 4 – Son Of A Gun: Jody Latham 20 2 Inspector George Gently VIII 1969: and Gently (MARTIN SHAW) and Bacchus (LEE INGLEBY) return to BBC ONE for the eighth series of the classic INSPECTOR GEORGE GENTLY, with four new feature- length films. This season PETER FLANNERY writes the first two episodes – with stories that tap into the period with all its vivid and colourful changes in perfect detail.
    [Show full text]
  • Test Your Knowledge: a Dickens of a Celebration!
    A Dickens of a Celebration atKinson f. KathY n honor of the bicentennial of Charles dickens’ birth, we hereby Take the challenge! challenge your literary mettle with a quiz about the great Victorian Iwriter. Will this be your best of times, or worst of times? Good luck! This novel was Dickens and his wife, This famous writer the first of Dickens’ Catherine, had this was a good friend 1 romances. 5 many children; 8 of Dickens and some were named after his dedicated a book to him. (a) David Copperfield favorite authors. (b) Martin Chuzzlewit (a) Mark twain (c) Nicholas Nickleby (a) ten (b) emily Bronte (b) five (c) hans christian andersen (c) nine Many of Dickens’ books were cliffhangers, Where was 2 published in monthly The conditions of the Dickens buried? installments. In 1841, readers in working class are a Britain and the U.S. anxiously 9 common theme in awaited news of the fate of the 6 (a) Portsmouth, england Dickens’ books. Why? pretty protagonist in this novel. (where he was born) (a) he had to work in a (b) Poet’s corner, westminster (a) Little Dorrit warehouse as a boy to abbey, London (b) A Tale of Two Cities help get his family out of (c) isles of scilly (c) The Old Curiosity Shop debtor’s prison. (b) his father worked in a livery and was This amusement This was an early mistreated there. park in Chatham, pseudonym used (c) his mother worked as England, is 3 by Dickens. a maid as a teenager and named10 after Dickens.
    [Show full text]
  • St George's School Windsor Castle
    ST GEORGE’S SCHOOL WINDSOR CASTLE Newsletter Summer 2016 warm welcome to the Summer edition final week of term. The production of ‘Smike’ We have enjoyed a Leavers’ Concert in the Victoria; of the St George’s newsletter. Once again, was a great success, and we were delighted to our Year 8 pupils prepared and cooked a meal for we have enjoyed an extremely busy term welcome to the Theatre the show’s writer and their parents in the marquee; we welcomed back of activities and events and no doubt, like me, you composer, Simon May, who also joined us as our many former pupils to the Association Day in June will be astounded by just how much the children special guest on Speech Day. Sincere thanks to all and we have celebrated the numerous academic have packed into 11 weeks! the cast and crew and especially to the Musical achievements of our pupils in Common Entrance Director, James Wilkinson and the Director and and School exams. There have been many highlights of this term, Producer, Rachel Gibbons. not least of which was the production of ‘Smike’. I hope you will enjoy reading the articles and Based on Dickens’ story of Nicholas Nickleby, The Sports Days were enjoyed by a great many looking at the many pictures in this summary of the show follows the challenges and trials of a parents, grandparents and families who came to the term; a fitting conclusion to what has been a young teacher who takes his class back in time support their children in a variety of races and field most enjoyable and successful academic year.
    [Show full text]
  • David Copperfield
    Thanhouser Company Film Preservation, Inc. and Museo Nazionale del Cinema Present Thanhouser Company’s 1911 Production of David Copperfield In Celebration of the 200th Anniversary of the Birth of Charles Dickens A Thanhouser Company Film Preservation, Inc. Release 8770 NW Kearney Street • Portland, Oregon 97229 • USA Phone +1-503-226-7960 • e-mail: [email protected] www.thanhouser.org Press Kit: David Copperfield (1911) Credits Produced by ................................... Edwin Thanhouser Directed by .................................... George O. Nichols Starring .......................................... Flora Foster (David Copperfield as a young boy) Ed Genung (David Copperfield as a young man) Marie Eline (Little Em’ly as a young girl) Florence LaBadie (Em’ly as a young woman) Mignon Anderson (Dora) Marguerite Snow (Agnes) James Cruze (Steerforth) William Russell (Ham) New and Original Music by ........... Dr. Philip Carli (Rochester, New York) Commentary by ............................. Professor Joss Marsh (Indiana University/Kent-MOMI) 1911 USA Release .......................... Thanhouser Company (New Rochelle, New York) 1911 European Distribution .......... Western Import Company, Ltd. (London, England) 1959 Preservation ........................... Museo Nazionale del Cinema (Torino, Italy) 2012 Restoration ............................ Museo Nazionale del Cinema (Torino, Italy) 2012 DVD Release ........................ Thanhouser Company Film Preservation, Inc. (Portland, Oregon) Black and White, 1.33 : 1 aspect ratio,
    [Show full text]
  • VICTORIAN SENSATIONS H&F Fm 3Rd.Qxd 9/15/2006 4:30 PM Page Ii H&F Fm 3Rd.Qxd 9/15/2006 4:30 PM Page Iii
    H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page i VICTORIAN SENSATIONS H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page ii H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page iii ᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑ VICTORIAN SENSATIONS ķ Essays on a Scandalous Genre EDITED BY Kimberly Harrison and Richard Fantina The Ohio State University Press Columbus ᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑ H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page iv Copyright ©2006 by The Ohio State University Press. All rights reserved. Library of Congress Cataloging-in-Publication Data Victorian sensations : essays on a scandalous genre / edited by Kimberly Harrison and Richard Fantina. p. cm. Includes bibliographical references and index. ISBN-13: 978–0-8142–1031–4 (alk. paper) ISBN-10: 0–8142–1031–7 (alk. paper) ISBN-13: 978–0-8142–9108–5 (cd-rom) ISBN-10: 0–8142–9108–2 (cd-rom) 1. English fiction—19th century—History and criticism. 2. Sensationalism in litera- ture. I. Harrison, Kimberly, 1969– II. Fantina, Richard. PR878.S44V53 2006 823'.809353—dc22 2006005531 Cover design by Laurence Nozik. Text design by Jennifer Shoffey Forsythe. Type set in Adobe Garamond by Jennifer Shoffey Forsythe. Printed by Thomson Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 H&F_fm_3rd.qxd 9/15/2006 4:30 PM Page v ᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑᪑ CONTENTS Acknowledgments vii Introduction: Richard Fantina and Kimberly Harrison ix Part One Sensation: Genre, Textuality, and Reception 1.
    [Show full text]