Summary for Decision Makers
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
HAMLET: PRESS RESPONSES Almeida & West End (2017) Shakespeare
HAMLET: PRESS RESPONSES Almeida & West End (2017) Shakespeare www.roberticke.com FINANCIAL TIMES Ian Shuttleworth ★★★★★ I have been privileged to see several first-class Hamlets this century: Simon Russell Beale, Samuel West, David Tennant, Rory Kinnear, Maxine Peake, arguably Lars Eidinger. Andrew Scott is at least as outstanding as any of those, and right now I’m inclined to rank him in front. His Prince is almost always self-aware, but not self-understanding; on the contrary, his keynote is a kind of bemused wonder at goings-on both within and beyond his skin. The great soliloquies seem new-minted, every word a separate question. The playfulness at which Scott so excels (most notably as Moriarty in BBC-TV’s Sherlock) is here kept under a rigorously tight rein. I did not see this production when it opened at the Almeida a few months ago, but my impression is that neither Scott’s nor anyone else’s performance has been ramped up for a venue two and half times the size; the consequent occasional intelligibility problems are far outweighed by the sense of human scale. For this is the glory of Robert Icke’s production. It does not consist of a superlative Prince Hamlet, a clutch of fine supporting performances and a number of sharp directorial ideas stitched together into a plausible fabric; rather, it is whole and entire of itself. Angus Wright’s cool, disciplined Claudius, Juliet Stevenson’s besotted-then-horrified Gertrude, Jessica Brown Findlay’s Ophelia (at first at sea like Hamlet, finally psychologically shattered in a wheelchair), David Rintoul’s doubling of the Ghost and the Player King . -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
Bushnell Family Genealogy, 1945
BUSHNELL FAMILY GENEALOGY Ancestry and Posterity of FRANCIS BUSHNELL (1580 - 1646) of Horsham, England And Guilford, Connecticut Including Genealogical Notes of other Bushnell Families, whose connections with this branch of the family tree have not been determined. Compiled and written by George Eleazer Bushnell Nashville, Tennessee 1945 Bushnell Genealogy 1 The sudden and untimely death of the family historian, George Eleazer Bushnell, of Nashville, Tennessee, who devoted so many years to the completion of this work, necessitated a complete change in its publication plans and we were required to start anew without familiarity with his painstaking work and vast acquaintance amongst the members of the family. His manuscript, while well arranged, was not yet ready for printing. It has therefore been copied, recopied and edited, However, despite every effort, prepublication funds have not been secured to produce the kind of a book we desire and which Mr. Bushnell's painstaking work deserves. His material is too valuable to be lost in some library's manuscript collection. It is a faithful record of the Bushnell family, more complete than anyone could have anticipated. Time is running out and we have reluctantly decided to make the best use of available funds by producing the "book" by a process of photographic reproduction of the typewritten pages of the revised and edited manuscript. The only deviation from the original consists in slight rearrangement, minor corrections, additional indexing and numbering. We are proud to thus assist in the compiler's labor of love. We are most grateful to those prepublication subscribers listed below, whose faith and patience helped make George Eleazer Bushnell's book thus available to the Bushnell Family. -
Almeida Theatre's Hamlet Emer Mchgh
Early Modern Culture Volume 13 Shakespeare in the Anthropocene Article 27 5-28-2018 Almeida Theatre's Hamlet Emer McHgh Follow this and additional works at: https://tigerprints.clemson.edu/emc Recommended Citation Emer McHgh (2018) "Almeida Theatre's Hamlet," Early Modern Culture: Vol. 13 , Article 27. Available at: https://tigerprints.clemson.edu/emc/vol13/iss1/27 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. Almeida Theatre’s Hamlet Directed by Robert Icke Harold Pinter Theatre, London Performance date: July 28, 2017 Reviewed by EMER MCHUGH obert Icke’s production of Hamlet, starring the Irish actor Andrew Scott in the leading role, debuted at the Almeida Theatre in north RLondon in February 2017. The production then transferred to the Harold Pinter Theatre for an extended West End run throughout that subsequent summer; this review talks about the production during that latter run. This was Scott’s first major Shakespearean role: after all, Hamlet is usually a role for actors who have firmly established themselves, and who have a firmly established fanbase. Two years prior, Scott’s Sherlock co-star Benedict Cumberbatch played the role in Lyndsay Turner’s Barbican Centre production. While Scott treaded the London boards, Oscar Isaac treaded the Broadway boards in the same role in Sam Gold’s production that summer. Just as Scott finished in the role in September 2017, Tom Hiddleston debuted as Hamlet in Kenneth Branagh’s fundraiser for RADA. -
The Royal National Theatre Annual Report and Financial Statements 2007 – 2008 Board
The Royal National Theatre Annual Report and Financial Statements 2007 – 2008 board The Royal National Theatre Chairman Sir Hayden Phillips GCB DL Upper Ground, South Bank, London SE1 9PX Susan Chinn + 44 (0)20 7452 3333 Lloyd Dorfman CBE www.nationaltheatre.org.uk Ros Haigh Kwame Kwei-Armah Company registration number 749504 Rachel Lomax Registered charity number 224223 Neil MacGregor Registered in England John Makinson Caragh Merrick Caro Newling André Ptaszynski Philip Pullman Farah Ramzan Goland The Royal National Theatre is a company limited by guarantee and a registered charity. It was established Rt Hon Lord Smith of Finsbury in 1963 for the advancement of education and, in particular, to procure and increase the appreciation and Edward Walker-Arnott understanding of the dramatic art in all its forms as a memorial to William Shakespeare. These objects are Nicholas Wright set out in the governing document, which is its Memorandum and Articles of Association, and have been Company Secretary Kay Hunter Johnston developed into a set of aims and objectives as described on page 4. Executive Artistic Director Nicholas Hytner Executive Director Nick Starr Finance Director Lisa Burger Associate Directors Sebastian Born Howard Davies Marianne Elliott Tom Morris Bankers Coutts & Co 440 Strand, London WC2R 0QS Auditors PricewaterhouseCoopers LLP 1 Embankment Place, London WC2N 6RH This Annual Report and Financial Statements is available to download at www.nationaltheatre.org.uk If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Company Secretary at the National Theatre. -
An Investigation of the Political Economy of Land Grabs in Malawi LDPI Working Paper
An investigation of the political economy of land grabs in Malawi The case of Kasinthula Cane Growers Limited (KCGL) Michael Chasukwa LDPI Working Paper 30 Land Deal Politics Initiative An investigation of the political economy of land grabs in Malawi: The case of Kasinthula Cane Growers Limited by Michael Chasukwa Published by: The Land Deal Politics Initiative [email protected] In collaboration with: Institute for Development Studies University of Sussex Library Road Brighton, BN1 9RE United Kingdom Tel: +44 1273 606261 Fax: +44 1273 621202 E-mail: [email protected] Website: www.ids.ac.uk International Institute of Social Studies P.O. Box 29776 2502 LT The Hague The Netherlands Tel: +31 70 426 0460 Fax: +31 70 426 0799 E-mail: [email protected] Website: www.iss.nl The Institute for Poverty, Land and Agrarian Studies (PLAAS) School of Government, Faculty of Economic and Management Sciences University of the Western Cape, Private Bag X17 Bellville 7535, Cape Town South Africa Tel: +27 21 959 3733 Fax: +27 21 959 3732 E-mail: [email protected] Website: www.plaas.org.za The Polson Institute for Global Development Department of Development Sociology Cornell University 133 Warren Hall Ithaca NY 14853 United States of America Tel: +1 607 255-3163 Fax: +1 607 254-2896 E-mail: [email protected] Website: polson.cals.cornell.edu ©January 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without prior permission from the publisher and the author. Copy editor and layout: Andrew Ennis Series editor: Rebecca Pointer Published with support from the UK Department for International Development (DfID) and Atlantic Philanthropies Land Deal Politics Initiative Abstract This study aims to understand the nature of land grabs in Malawi and their implications on food security. -
The Group of Seven
The Group of Seven We are now in the era of the G8, although the G7 still exists as a grouping for finance ministers and central bank governors. Why do G7 finance ministries and central banks co-operate? What are the implications of this for the power of the United States and the abilities of the other six states to exercise leadership? What influence do the G7 have on global financial governance? How much authority do they possess and how is that authority exercised? This is the first major work to address these fundamental questions. It argues that to understand the G7’s contribution to global financial governance it is necessary to locate the group’s activities in a context of ‘decentralized globalization’. It also provides original case study material on the G7’s contribution to macro- economic governance and to debates on the global financial architecture over the last decade. The book assesses the G7’s role in producing a system of global financial governance based on market supremacy and technocratic trans-governmental consensus and articulates normative criticisms of the G7’s exclusivity. For researchers in the fields of IR/IPE, postgraduate students in the field of international organization and global governance, policy-makers and financial journalists, this is the most comprehensive analysis of the G7 and financial governance to date. Andrew Baker is Lecturer at the School of Politics and International Studies at the Queen’s University of Belfast. He is the co-editor of Governing Financial Globalisation (Routledge, 2005) and has published in journals such as Review of International Political Economy and Global Governance. -
Download a Program
Headlong Theatre, Birmingham Repertory Theatre, Liverpool Everyman and Playhouse, Lyric Hammersmith and West Yorkshire Playhouse present by Simon Schama Adapted for the stage by Caryl Phillips First performed on 14 September 2007 at Birmingham Repertory Theatre. Headlong Theatre, Birmingham Repertory Theatre, Liverpool Everyman and Playhouse, Lyric Hammersmith and West Yorkshire Playhouse present ROUGH CROSSINGS by Simon Schama Adapted for the stage by Caryl Phillips Isaac Peter Bankole Eliza Sharp Miranda Colchester David George Peter De Jersey Johnson / Sergeant Davy / American Officer Ian Drysdale Henry De Mane Dave Fishley Thomas Clarkson Andy Frame William Sharp / Redcoat / Lieutenant Rob Hastie Phyllis George Dawn Hope John Clarkson Ed Hughes Captain / Cornwallis / Falconbridge Mark Jax Ship’s Boy / Anna Maria Falconbridge Jessica Lloyd Granville Sharp Michael Matus Sally Peters Wunmi Mosaku James Somerset Ben Okafor Thomas Peters Patrick Robinson Buck Slave / Sierra Leone Settler Daniel Williams All other parts played by members of the company. Director Rupert Goold Designer Laura Hopkins Lighting Designer Paul Pyant Composer & Sound Designer Adam Cork Video & Projection Design Lorna Heavey Movement Director Liz Ranken Casting Consultant Kirsty Kinnear Assistant Director Vik Sivalingam Assistant Designer Simon Kenny Production Manager Spencer New Company Stage Manager Julia Reid Deputy Stage Manager Lucy McMahon Assistant Stage Manager Sarah Jane Davies Costume Supervisor Hilary Lewis Re-Lighter & Production Electrician Tom Snell -
Annual Report 2010–2011 Annual Report 2010–2011 ‘…The National Theatre Must… Bulk Large in the Social and Intellectual Life of London
National Theatre Theatre National Annual Report 2010–2011 Report Annual Annual Report 2010–2011 ‘…theNationalTheatremust…bulklargeinthesocial andintellectuallifeofLondon...Itmustnotevenhave theairofappealingtoaspeciallyliteraryandculturedclass. Itmustbevisiblyandunmistakablyapopularinstitution, makingalargeappealtothewholecommunity. ItwillbeseenthattheTheatreweproposewouldbe aNationalTheatreinthissense,thatitwouldbefrom thefirstconditionally–and,intheeventofsuccess, wouldbecomeabsolutely–thepropertyofthenation.’ Preface(1904)to A National Theatre: Scheme and Estimates byWilliamArcherandHarleyGranvilleBarker,London1907 ‘It’sagreattimetobeanationaltheatre,andtorisetothe challengeoflivinguptoourname.Wewanttotellthestories thatchartthewaythenationischanging.Wewanttobring front-linereportsfromnewcommunitiesandgenerations, andwewanttoseethepresentredefinedinthecontext ofthepast.’ NicholasHytner,DirectoroftheNationalTheatre,2010 Annual Report For the 52 weeks ended 27 March 2011 03 Board and Advisers 05 Purpose, Vision and Objectives 06 John Makinson, Chairman 09 Nicholas Hytner, Director 10 Introduction 12 National Theatre Future 16 Artistic Review 19 National Theatre Productions 2010–11 23 Awards 24 NT Studio 26 Audiences 29 National Theatre Live 30 Public Engagement 34 NT Learning 38 Digital Innovation 41 Leadership 42 Sustainability 44 Development and Fundraising 46 Supporters 2010-11 56 Performers 2010-11 59 NT Associates and Committee Membership 60 NT Heads of Department; photograph captions In this document, The Royal National Theatre -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Angus Wright
Angus Wright Agents Ruth Young Associate Agent Phoebe Trousdell [email protected] +44 (0)20 3214 0800 Assistant Lauren Morgan [email protected] +44 (0)20 3214 0800 Assistant Alex Campbell [email protected] +44 (0)20 3214 0800 Roles Film Production Character Director Company THE COURIER Dickie Franks Dominic Cooke 42 THE WITCHES Waiter Robert Zemeckis Warner Bros. OFFICIAL SECRETS Mark Ellison Gavin Hood Classified Films THE LITTLE STRANGER Coroner Riddell Lenny Abrahamson Potboiler Productions THE RABBITS FOOT 'Lucky' Francis Charlie Brafman and STRANGE LIGHTNING Magnus McCullagh LTD ROGUE ONE Hammerhead Gareth Edwards Lucasfilm Captain United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company A LITTLE CHAOS Sualem Alan Rickman Potboiler Films JACK RYAN Tall Man Kenneth Branagh August Street Films MALEFICENT Advisor to King Robert Stromberg Briar Rose Productions Henry Ltd CLOSED CIRCUIT Andrew Altman John Crowley Belmont Productions Limited PRIVATE PEACEFUL Captain Barnes Pat O'Connor Private Peaceful Productions PLC THE IRON LADY John Nott Phyllida Lloyd Pathe AFFAIR OF THE Henri Sanson Charles Shyer Necklace Productions NECKLACE BRIDGET JONES'S DIARY Literary Figure Sharon Maguire BJD Productions CHARLOTTE GRAY Agent Gillian Armstrong Ecosse Films CUTTHROAT ISLAND Captain Trotter Renny Harlin Carolco DR SLEEP Trainers Man Nick Willing BBC Films FIRST KNIGHT Marauder Jerry Zucker First Knight -
The Middle East
The Middle East: Conflict and Hope A militiaman at the Sāba‘a Nīsān (“Seventh of April”) water treatment plant beside the Tigris River in Baghdad in February 2003, a month before the U.S.-led invasion of Iraq. Photo: Christiaan Briggs/ Wikimedia Commons Coverage of Schoolcraft’s Focus Middle East project begins on page 5. Schoolcraft College International Institute International Agenda Vol. 9, No. 2 September 2010 International Institute (SCII) Schoolcraft College Published once per semester by 18600 Haggerty Road the International Institute (SCII) Livonia, MI 48152-2696 http://www.schoolcraft.edu/scii Founding Editor: Donald Ryktarsyk (Business Dept.) The mission of the Schoolcraft College International Institute Editorial Committee: is to coordinate cross-cultural learning opportunities for Chair: Randy K. Schwartz (Mathematics Dept.) students, faculty, staff, and the community. The Institute Sumita Chaudhery (English Dept.) strives to enhance the international content of coursework, Helen Ditouras Gordy (English Dept.) programs, and other College activities so participants better Wayne Glass (Director of Grants) appreciate both the diversities and commonalities among Linda Vesely-Gutierrez (Sociology Dept.) world cultures, and better understand the global forces Josselyn Moore (Anthropology/ Sociology Depts.) shaping people’s lives. Robert Oxley (Philosophy/ Political Science Depts.) Sandy Roney-Hays (Anthropology/ Sociology Depts.) SCII Administrative Director: Karen Schaumann-Beltrán (Sociology Dept.) Assoc. Dean Cheryl Hawkins (Liberal Arts Divn.) Anita Süess Kaushik (French/ German/ Italian Depts.) SCII Faculty Co-Chairs: Josselyn Moore (Anthropology/ Sociology Depts.) e-mail: [email protected] Helen Ditouras Gordy (English Dept.) voice: 734/ 462-4400 ext. 5290 fax: 734/ 462-4531 Focus Series Coordinator: Linda Vesely-Gutierrez (Sociology Dept.) Material contained in International Agenda may be reproduced or quoted provided that the source is credited.