Gamecocks Take Fourth Place
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Rip Off Press Mail Order Catalog
Spread some cheer this year, with comix from The Rip Off Press Mail Order Catalog No-Pictures Edition Stuff for sale December 2012 THE NO PICTURES VERSION OF THE RIP OFF PRESS MAIL ORDER CATALOG Need to see pictures of the items we sell? Visit our website! If you don't own a com- WHAT TO DO IN CASE OF ORDER PROBLEMS puter, go to your public library and somebody will be happy to help you log on: www. If there is any problem with your order, probably the quickest and most effective way to ripoffpress.com. After our previous website’s hosting company vanished without a trace deal with it is to send us an e-mail. That way you can get through to us at your conve- in August of 2012, we have not yet gotten online ordering enabled. But you can get a nience, and we will see your message within a few hours at a time when we have access better idea of what you want, then place a mail order from this product listing or from to all of our records. Our e-mail address is [email protected]. If you’re not yet the Adobe PDF format order form available as a download on our home page. one of the millions of people with access to e-mail, you can call us by phone. Please call 530 885-8183. If we’re not there to answer your call you can usually leave a message PLACING YOUR ORDER on our answering machine. You may also notify us of order problems by letter (P.O. -
The Rip Off Press Mail Order Catalog
The Rip Off Press Mail Order Catalog Absolutely No Pictures Edition Stuff for sale December 2018 THE NO PICTURES VERSION OF THE RIP OFF PRESS MAIL ORDER CATALOG Need to see pictures of the items we sell? Visit our website! If you don't own a com- If phoning in your order (Charged to one of the aforementioned cards only): Call puter, go to your public library and somebody will be happy to help you log on: www. 530 885-8183 (toll free inside US only, 888-978-3049). Have your want list and ripoffpress.com. You can order online using Visa, MasterCard, or American Express, or your charge card handy. We’ll take it from there. We are usually available to answer save a cart and then email or call us. We can access the cart online, check stock, and the phone in person from 8 a.m. to 3 p.m. and 5 p.m. to 10 p.m. Pacific time, Monday give you a total you can use to pay us via Paypal or check/money order. through Friday. Weekend hours vary. Ordering for Delivery Outside the U.S. PLACING YOUR ORDER Payment must be made in US Dollars. Checks or money orders must be payable Sorry, we do not ship C.O.D.! through a U.S. bank, so charge cards or Paypal are the preferred payment method. We With orders to be mailed in we accept US checks or money orders, Visa, ship via International Priority Mail (First Class on posters), which generally takes a week Mastercard, and American Express. -
Heavy Metal the Music and Its Culture, Revised Edition
Deena Weinstein Contents I I I Appreciation Acknowledgments 1 Studying Metal: The Bricolage of Culture 1 2 Heavy Metal: The Beast that Refuses to Die 1 3 Making the Music: Metal Gods 4 Digging the Music: Proud Pariahs 5 Transmitting the Music: Metal Media ( 6 The Concert: Metal Epiphany 7 Maligning the Music: Metal Detractors 8 Metal in the '90s I Appendix A: Suggested Hearings: 100 Definitive Metal Albums 295 Appendix 3: Gender Preferences for Metal Subgenres 299 Appendix C: Proportion of Heavy Metal Albums in Billboard's Top 100 301 About the Author 353 Appreciation Iam greatly indebted to a multitude of generous people who helped to make this book possible in both its original version and in this new revised edition. They have come from all corners of the metal and academic worlds-musicians, fans, and mediators. Much gratitude goes to the legions of metalheads of all ages, genders, and races, from a variety of educational and religious backgrounds, who have shared their insight and pleasure with me. A shout out to those who have gone beyond the call of duty: Denis Chayakovsky, Jim DeRogatis, Joey DiMaio, Natalie DiPietro, Bill Eikost, Paula Hogan, Randy Kertz, Michael Mazur, Paul Natkin, Patrik Nicolic, Rodney Pawlak, Jeff 1 Piek, Kira Schlecter, and Tony7Tavano, E i E 1 Acknowledgments Grateful acknowledgment is made to the following publishers for permission to quote from their work: Straight Arrow Publishers, Inc.: Excerpts from "Money for Nothing and the Chicks for Free," by David Handelman, Rolling Stone, August 13, 1989. By Straight Arrow Publishers, Inc. Copyright 1989. -
THE SUPERHERO BOOK SH BM 9/29/04 4:16 PM Page 668
SH BM 9/29/04 4:16 PM Page 667 Index Miss Masque, Miss Acts of Vengeance, 390 Adventure Comics #253, A Victory, Nightveil, Owl, Acy Duecey, 4478 586 A Carnival of Comics, 229 Pyroman, Rio Rita, AD Vision, 21, 135, 156 Adventure Comics #432, “A Day in the Life,” 530 Rocketman, Scarlet Adam, 97 446 (ill.) A Distant Soil, 21 Scorpion, Shade, She- Adam, Allen, 117 Adventure Comics #482, A Touch of Silver (1997), 275 Cat, Yankee Girl Adam Strange, 3–4, 317, 441, 180 (ill.) AAA Pop Comics, 323 Academy X, 650 500, 573, 587 Adventurers’ Club, 181 Aardvark-Vanaheim, 105 Acclaim Entertainment, 563, Justice League of Ameri- Adventures in Babysitting, 525 Abba and Dabba, 385 613 ca, member of, 294 Adventures into the Unknown, Abbey, Lynn, 526 Ace, 42 Adamantium, 643 434 Abbott, Bruce, 147 Ace Comics, 160, 378 Adams, Art, 16, 44–45, 107, The Adventures of Aquaman ABC See America’s Best Ace Magazines, 427 254, 503 (1968–1969), 296 Comics (ABC) Ace of Space, 440 Adams, Arthur See Adams, Art Adventures of Batman (TV ABC News, 565 Ace Periodicals, 77 Adams, Jane, 62, 509 series), 491 ABC Warriors, 441 Ace the Bat-Hound, 59, 72, Adams, Lee, 545 The Adventures of Batman and Abhay (Indian superhero), 283 402, 562 Adams, Neal, 22, 25, 26, 32, Robin (1969–1970), 56, 64 Abin Sur, 240, 582 “Aces,” 527 47, 59, 60, 94, 104, 174, The Adventures of Batman and Abner Cadaver, 416 ACG, 42 177, 237, 240, 241, 334, Robin (1994–1997), 56, 67, Abomination, 259–260, 266, Achille le Heel, 342 325, 353, 366, 374, 435, 493 577 Acolytes, 658 445, 485, 502, 503, 519, The Adventures of Bob Hope, Aboriginie Stevie, 583 Acrata (Planet DC), 282 542, 582, 635, 642 103, 502 About Comics, 194 Acrobat, 578 Adapt (Australian superhero), Adventures of Captain Africa, Abra Kadabra, 220, 575 Action #23, 550 283 378 Abrams, J. -
Comics in the Evolving Media Landscape Sarah Russell Depauw University
DePauw University Scholarly and Creative Work from DePauw University Student research Student Work 4-2019 Comics in the Evolving Media Landscape Sarah Russell DePauw University Follow this and additional works at: https://scholarship.depauw.edu/studentresearch Part of the Graphic Communications Commons, and the Illustration Commons Recommended Citation Russell, Sarah, "Comics in the Evolving Media Landscape" (2019). Student research. 122. https://scholarship.depauw.edu/studentresearch/122 This Thesis is brought to you for free and open access by the Student Work at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Student research by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. Comics in the Evolving Media Landscape Sarah Russell DePauw University Honor Scholar Program Class of 2019 Professor Harry Brown Professor Jonathan Nichols-Pethick and Professor Beth Benedix Acknowledgements This project has been a labor of love long in the making, and I’d like to thank the many wonderful people have helped and supported me throughout the process. I would like to thank Professor Harry Brown—my sponsor, advisor, and constant supporter—for his guidance and encouragement. Thank you for showing me that comics have a place in academia; without you, this project wouldn’t exist. I would also like to thank Professor Jonathan Nichols-Pethick and Professor Beth Benedix for their advice and feedback on this project, as well as give special thanks to Professor Kevin Moore and Amy Welch for all the work they put into the Honor Scholar Program. -
2 Theoretical and Historical Foundations
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H. Ross Perot: He's Selling. -M-Yl-~-2----~-1.5-,N-O.-6-----~.-Oowho'sbu~Ng?
H. Ross Perot: He's Selling. -M-Yl-~-2----~-1.5-,N-O.-6-----~.-ooWho'sBu~ng? .!IJJlllll,111. ~ill fYThe !Mountain :Nymph) sweet Liberty. "-Jolin !MiCton Mint State Franklin Halves Only $59 per Roll! Benjamin Franklin half dollars saved that they will never be are among the most heavily scarce!) sought of ~ll U.S. silver coins, • The Franklin half dollar was and for good reason: the largest silver coin ofits • The Franklin halfdollar was era, and the lowest mintage the last type U.S. half dollar type coin during the years it whose entire series was issued of was issued. high purity, 900/0 silver alloy. As future collectors seek to • Because ofits high silver con complete their collections, the tent, substantial quantities of Franklin halfwill be the most Franklin halves were melted desirable and difficult type coin during the great meltdown of to obtain. Its large size, low 1980, when the silver value of mintage and attractive design a single Franklin halfwas more guarantee it a future as a numis than $18.00. Huge quantities Enlarged to show detail. matic treasure. ofsilver coins were sold by the The quality of these rolls of public to dealers, who melted Franklin halves is outstanding: them for their silver content Every coin is an original Mint without regard to rarity or nu State specimen. Many are MS mismatic value. 63 or better! Thanks to a fortu- • Fewer Franklin halfdollars were Eagle. The Liberty Bell was chosen nate purchase, we are able to offer origi- minted during their entire 25 year because Franklin was so closely identi- nal mint rolls of Franklin half dollars at history than Kennedy halves in 1964 fied with the American Revolution. -
Review: the Story of Rock 'N' Roll Comics (2005)
Page 1 of 5 SHU-IZMZ Home REVIEW: THE STORY OF ROCK ‘N’ ROLL COMICS (2005) Rock ‘n’ Roll Comics was a comicbook that I used to read when I was in the 4th or 5th grade, primarily because I was heavily into heavy metal and gangster rap. I also collected comics and a comicbook that had decent art and told a story (some factual and maybe some stories elaborating on subjects that may or may not have been entirely truthful) about some of my favorite musical artists and acts. My first issue was the Metallica issue. I loved Metallica in CATEGORIES their earlier years and their first 5 albums were awesome. The issue Select Category was pretty cool, although I pretty much knew their story already because I read so many metal magazines and heard so many interviews (this was before the internet was big and my parents even had the internet or had heard of it). It was just pretty rad to own a comicbook that had one’s favorite band members as the characters in it. Select Language The documentary being reviewed, THE STORY OF ROCK ‘N’ ROLL COMICS is about the whole history of Rock ‘N’ Roll Comics , from its inception when creator Todd Loren was running Musicade , the mail S H U order company and store that sold all types of things related to rock, metal, and other genres of music—like pins, patches, shirts, and other collectibles. The doc contains tons of actual footage of Todd Loren when he was filming some pr for another project (his Musicade shindig) and from watching the extra footage, Loren kind of seemed like a major prick. -
The Van Halen Encyclopedia
The Van Halen Encyclopedia The Van Halen Encyclopedia By C.J. Chilvers Malpractice Publishing Oak Lawn, IL Autographs Autographs The following trademarks appear in this book: Wolfgang, Pepsi, Crystal Pepsi, Coke, Yamaha All Access. The author and publisher apologize for any omissions and ask readers to send any information that could be used in updated editions to this book to Malpractice Publishing, P.O. Box 79, Oak Lawn, IL 60454, or visit www.vanhalenencyclopedia.com. The Van Halen Encyclopedia. © 1999, 2001 C.J. Chilvers. All rights reserved. No part of this book can be reproduced in any form without the written permission of the author except for reviewers who may use short excepts in their reviews. Published by Malpractice Publishing, P.O. Box 79, Oak Lawn, IL 60454. Permission was obtained from Rockline and Detroit's WRIF (the Drew and Mike show) to reprint selections from interviews with the band. ACKNOWLEDGEMENTS Special thanks to the following people who shared their knowledge, memories, and experiences. Without them, this book would not have been possible: John Q. Adams, Paula Allen, Rick Ames, Eddie Anderson, Andrea Andrajacks, Michael Anthony, Lucas Aykroyd, Stephen Bagiatis, Sonia Bar, Andy Barrett, Pat Baustert, Thomas Bell, Shawn Berman and Rumbo Recorders, James Berry, Valerie Bertinelli, Steve Betz, Martin Bissett, Tony Bowe, Brian Brantley, Bill Broadway, John Bros, Ali Brown, Michael Brown, Timothy Brown, Nik Brownin, Jimmy Cain, Rodney Carr, Guillermo Carrera, Wayne Charvel and WRC Music, Greg Cherone, Mike Clark, -
THE GOLDEN AGE of REPRINTS: Classic Comics in a Contemporary Industry
THE GOLDEN AGE OF REPRINTS: CLASSIC COMICS IN A CONTEMPORARY INDUSTRY by Tracy Hurren B.A. English, Thompson Rivers University, 2009 Project submitted in partial fulfillment of the requirements for the degree of Master of Publishing In the Faculty of Communication, Art and Technology © Tracy Hurren, 2011 Simon Fraser University Spring 2011 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. APPROVAL NAME: Tracy Hurren DEGREE: Master of Publishing TITLE OF PROJECT: The Golden Age of Reprints: Classic Comics in a Contemporary Industry SUPERVISORY COMMITTEE: Roberto Dosil, MPub Senior Supervisor Senior Lecturer, Master of Publishing Program Simon Fraser University John Maxwell, PhD Supervisor Assistant Professor, Master of Publishing Program Simon Fraser University Peggy Burns Industry Supervisor Associate Publisher Drawn & Quarterly DATE APPROVED: ii Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, -
Page 1 of 275 2014-11-30 File:///E:/Comics%20Explorer%20
Page 1 of 275 PREVIEWS #315 (VOL. XXIV #12, DEC14) PREVIEWS PUBLICATIONS PREVIEWS #317 FEBRUARY 2015 THIS MONTH’S COVER ART: New projects from DC Comics and Dark Horse! THIS MONTH’S THEME: Black History Month! SAME GREAT PREVIEWS! NEW LOWER PRICE:$3.99! Since 1988, PREVIEWS has been your ultimate source for all of the comics and merchandise to be available from your local comic book shop… revealed up to two months in advance! Hundreds of comics and graphic novels from the best comic publishers; the coolest pop-culture merchandise on Earth; plus PREVIEWS exclusive items available nowhere else! Now more than ever, PREVIEWS is here to show the tales, toys and treasures in your future! This February issue features items scheduled to ship in April 2015 and beyond. Catalog, 8x11, 500+pg, PC $3.99 PREVIEWS #317 CUSTOMER ORDER FORM — FEBRUARY 2015 PREVIEWS makes it easy for you to order every item in the catalog with this separate order form booklet! This February issue features items scheduled to ship in April 2015 and beyond. Comic-sized, 62pg, PC PI MARVEL PREVIEWS VOLUME 2 #31 Each issue of Marvel Previews is a comic book-sized, 120-page, full-color guide and preview to all of Marvel’s upcoming releases — it’s your #1 source for advanced information on Marvel Comics! This February issue features items scheduled to ship in April 2015 and beyond. FREE w/Purchase of PREVIEWS Comic-sized, 120pg, FC $1.25 COMICS SECTION PREMIER VENDORS DARK HORSE COMICS THE GOON: ONCE UPON A HARD TIME #1 (OF 4) Eric Powell (W/A/Cover/Variant cover) On sale Feb 4 FC, 32 pages $3.50 / Miniseries After the tragic events of Occasion of Revenge, the witch coven believes that control of the unnamed town will soon be in their grasp and the Goon’s tragic soul will contribute to the curse that increases their power.